Godzilla Vs. Destoroyah Marketing Facts Stab Cast

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Godzilla Vs. Destoroyah Marketing Facts Stab Cast

www.wvg.com Godzilla vs. Destoroyah VÖ-Datum 30.05.2014 Bestellnummer 7705715SLD EAN-Code 4013549057158 Genre Fantasy Preiscode GX FSK 12 Laufzeit (Min.) 102 Label Splendid Film Verpackung Softbox Format Blu-ray Anzahl der Discs 1 Bildformat 16x9 anamorph (1,85:1) Tonformat DTS-HD 5.1 Sprachen Deutsch/Englisch Untertitel Deutsch, Niederländisch Bonusmaterial - Produktionsland Japan, 1995 Atmosphärisch packend erzählt, mit bahnbrechenden Special-Effects ausgestattet und gespickt mit alles vernichtenden Fights ist “Godzilla vs. Destoroyah“ ein weiterer Meilenstein der großartigen Godzilla-Filmreihe aus den legendären Monsterfilm-Studios Toho! Als Godzilla Hongkong heimsucht steht die Menschheit vor einer neuen Herausforderung: Godzillas Körperteile leuchten rot und er spuckt radioaktive Flammen. Die Wissenschaftler sind sich sicher, dass Godzillas Körper einem Kernkraftwerk gleicht, der kurz vor der Explosion steht. Um diesen Prozess aufzuhalten, beschießen sie Godzilla mit Kühlraketen. Gleichzeitig beginnt in Tokio ein mutiertes Krabben-Monster namens Destoroyah sein Unwesen zu treiben. Die Japaner schicken den herangewachsenen Godzilla Jr. in die Schlacht, der Destoroyah zwar aufhalten kann, dabei aber selbst schwer verwundet wird. Godzilla ist außer sich vor Wut und zieht in die Schlacht gegen die Monster-Krabbe ... Marketing Facts Das Mega-Monster kehrt zurück! 1954 begann eine der beeindruckendsten Karrieren der Filmgeschichte: Godzilla eroberte in Ishiro Hondas gleichnamigen Meisterwerk die Kinosäle und war von da an nicht mehr aufzuhalten. 60 Jahre später sind der Kult und die Faszination um das Riesenmonster nach wie vor ungebrochen! Grün, gigantisch – großartig! Stab Cast Regie: Takao Okawara, Drehbuch: Kazuki Omori Takuro Tatsumi, Yoko Shino, Yasufumi Hayashi, Sayaka Ohsawa Im Vertrieb von WVG Medien GmbH / Neumühlen 17 / 22763 Hamburg / www.wvg.com Powered by TCPDF (www.tcpdf.org).

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Godzilla Un Monstre Et Ses Époques Alain Vézina
Document généré le 28 sept. 2021 14:29 Séquences La revue de cinéma Godzilla Un monstre et ses époques Alain Vézina Le cinéma à la plage Numéro 291, juillet–août 2014 URI : https://id.erudit.org/iderudit/72128ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Vézina, A. (2014). Godzilla : un monstre et ses époques. Séquences, (291), 18–19. Tous droits réservés © La revue Séquences Inc., 2014 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 18 PANORAMIQUE | ÉTUDE Godzilla Un monstre et ses époques Coïncidant avec le 60e anniversaire de Godzilla, l’adaptation américaine de Gareth Edwards offre l’opportunité de jeter un regard rétrospectif sur l’une des franchises les plus célèbres du cinéma. Héros de 28 films, dont certains sont injustement raillés et relégués dans les bas-fonds de la culture kitsch, Godzilla n’en demeure pas moins un révélateur intéressant des hantises d’une nation marquée par les catastrophes, qu’elles soient attribuables à la fatalité ou à la folie des hommes.
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Godzilla : Rulers of Earth
2 GODZILLA : RULERS OF EARTH OF GODZILLARULERS : MOWRY • FRANK ZORNOW www.idwpublishing.com • $17.99 STORY BY CHRIS MOW RY AND MATT FRANK WRITTEN BY CHRIS MOW RY ART BY MATT FRANK AND JEFF ZORNOW INK ASSIST BY MOSTAFA MOUSSA (CHAPTER THREE) COLORS BY PRISCILLA TRAMONTANO LETTERS BY SHAWN LEE SERIES EDITS BY BOBBY CURNOW COVER ART BY MATT FRANK COLLECTION EDITS BY JUSTIN EISINGER AND ALONZO SIMON COLLECTION DESIGN BY CHRIS MOWRY ISBN:978-1-61377-933-0 Special thanks to Yoshiko Fukuda and everyone at Toho for their invaluable assistance. 17 16 15 14 1 2 3 4 Ted Adams, CEO & Publisher Facebook: facebook.com/idwpublishing Greg Goldstein, President & COO Robbie Robbins, EVP/Sr. Graphic Artist Twitter: @idwpublishing Chris Ryall, Chief Creative Officer/Editor-in-Chief YouTube: youtube.com/idwpublishing Matthew Ruzicka, CPA, Chief Financial Officer Alan Payne, VP of Sales Instagram: instagram.com/idwpublishing Dirk Wood, VP of Marketing deviantART: idwpublishing.deviantart.com www.IDWPUBLISHING.com Lorelei Bunjes, VP of Digital Services IDW founded by Ted Adams, Alex Garner, Kris Oprisko, and Robbie Robbins Jeff Webber, VP of Digital Publishing & Business Development Pinterest: pinterest.com/idwpublishing/idw-staff-faves GODZILLA: RULERS OF EARTH, VOLUME 2. APRIL 2014. FIRST PRINTING. © 2014 Toho Co., Ltd. All Rights Reserved. GODZILLA ®, Gojira, the related characters and the Character Designs are trademarks of Toho Co., Ltd. © 2014 Idea and Design Works, LLC. The IDW logo is registered in the U.S. Patent and Trademark Office. IDW Publishing, a division of Idea and Design Works, LLC. Editorial offices: 5080 Santa Fe St., San Diego, CA 92109.
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On the Craft of Fiction—EL Doctorow at 80
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Origin: Godzilla g-cells Spacegodzilla, swallowed by a blackhole and exiting a whitehole. King Ghidorah, they assimilated crystal organisms and fed off the Destoroyah, energy of exploding stars, and Biollante. rapidly evolving into a large space monster. 4 of the largest and heaviest Origin: The destroyer of worlds, Ghidorah monsters known. travels from planet to planet wiping out entire civilizations. it’s planet Each monster is of origin is unknow. What is known is the last a threat level: 5 Official civilizations destroyed was mars. documentation of the 4 largest origin: A result of micro organisms that were Data credit: monsters. exposed to the Oxygen Toho Industries. destroyer chemical and Security level mutated.. Rapidly evolving 5 required. into smaller creatures and then merging into the Monster large monster artwork origin: Godzilla g-cels credit: genetically fused with a rose and exposed to Matt Frank. radioactivity. quickly mutating and growing it first went through a juvenile stage then evolved into the large monster known today. Name:SpaceGodzilla multiple claws Height:120 Meters Name:King Ghidorah heads Weight:80,000 Tons Height:150 Meters Abilities:Able to Wingspan:175 meters create a Gravity Weight:70,000 tons tornado to lift Abilities:Able to objects. Can fire fire gravity beams a corona beam from from mouths. Flight mouth. Able to fly at mach 3. can stir tail by encasing self up hurricane winds in a crystalline from wings. tail wings cocoon. constricting necks. power crystals KNOW YOUR FOE!! Knowledge is the greatest weapon against the monster threat. To fight a monster, Wings you must understand the monster.
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The Worst Horror Movies Ebook Free Download
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Lan, Kuo Wei.Pdf
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Technofetishism of Posthuman Bodies: Representations of Cyborgs, Ghosts, and Monsters in Contemporary Japanese Science Fiction Film and Animation By Kuo Wei Lan June 2012 Dissertation submitted in partial fulfilment for the degree of Doctorate of Philosophy School of Media, Film and Music University of Sussex Technofetishism of Posthuman Bodies: Representations of Cyborgs, Ghosts, and Monsters in Contemporary Japanese Science Fiction Film and Animation Summary The thesis uses a feminist approach to explore the representation of the cyborg in Japanese film and animation in relation to gender, the body, and national identity. Whereas the figure of the cyborg is predominantly pervasive in cinematic science fiction, the Japanese popular imagination of cyborgs not only crosses cinematic genre boundaries between monster, disaster, horror, science fiction, and fantasy but also crosses over to the medium of animation. In regard to the academic research on Japanese cinema and animation, there is a serious gap in articulating concepts such as live-action film, animation, gender, and the cyborg.
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