Worth Noting ... Web Sites G-Speak Books Suitmation Magazine Some

Total Page:16

File Type:pdf, Size:1020Kb

Worth Noting ... Web Sites G-Speak Books Suitmation Magazine Some PAGE 62 PHILADELPHIA DAILY NEWS THURSDAY, AUGUST 17, 2000 PAGE 63 Godzilla 2000 marks the 23rd Godzilla film by Toho Studios in Japan.* The series has had a The Big G through the years Numbers in parentheses refer to movies (see filmography) lasting effect on American popular culture the way few foreign films have. It also has introduced such memorable creatures as Rodan, Mothra and Ghidorah. Here’s a look at them all. 1954-55 (1-2) 1962 (3) 1964 (4-5) 1965-66 (6-7) 1967 (8) 1968-72 (9-12) 1973-75 (13-15) 1984 (16) 1989-95 (17- 1999 (23) Very heavy and Increased bulk Slimmed-down Larger, movable Bulky suit. Huge Less bulky suit. Head remains Features from the 22) Dorsal fins bulky. Tiny ears. and a more rep- body. Face soft- eyes. Longer head with big Smaller, rounded large and eyes — first two movies Head reduced and become larger Four fingers and tilian look. No ened. Grey-green tongue. Smaller eyes, heavy eye- dorsal fins. Large now brown — are — ears, fangs neck elongated. and craggier. For toes. Visible ears. No fangs. eye color becomes dorsal fins. lids and a pug eyes atop a huge. Features and four toes Irises enlarged. the first time in fangs. Three toes grey with under- nose. rounded head. hardened and — return. Central Musculature history, suit is instead of four. tones of blue. reduced after ’73. dorsal fins bigger. added. No fangs. tinted green. Toho has created 23 Godzilla movies. Video titles in italics if different from original. A typical suit is about 6 feet tall, weighs about 175 lbs. and Filmography Suitmation costs roughly $30,000. A new suit is made for each film. Web sites No. Original Title Release Length Synopsis http://entertainment. Headpiece: Worn on top of Removable dorsal philly.com/godzilla 1 Godzilla 1954 91 min. The giant atomic reptile levels Tokyo before being killed by the Oxygen the actor’s head. Lights fins: Hide the G-speak Destroyer (a weapon). Raymond Burr was spliced into the U.S. release. are built into the back of seam through www.fandom.com/ godzilla Kaiju 2 Godzilla Raids Again 1955 82 min. Godzilla — another one — and Anguirus battle, destroying Osaka. the mouth. Technicians which the actor control motorized eyes, • Japanese for 3 King Kong vs. Godzilla 1962 98 min. Clash of the titans between film icons Godzilla and King Kong. climbs to enter www.godzilla.co.jp Perforations in eyelids and lower jaw off- the suit. “monster.” 4 Mothra vs. Godzilla 1964 89 min. Mothra fights mankind — and Godzilla — to protect its egg. the suit’s neck: stage. www.spe.sony.com/ (Godzilla vs. Mothra) Showa Allow the actor to Pictures/ Ghidrah, 1964 92 min. Godzilla, Rodan and the Mothra larvae unite to protect Earth from the SonyMovies/mov- • First series of Toho 5 see and breathe. The Three-Headed Monster alien menace, King Ghidrah, a three-headed dragon-like creature. ies/Godzilla/ gdb Godzilla movies. encom- Two sets of dorsal passing “Godzilla” in 6 Monster Zero 1965 94 min. Godzilla and Rodan defend against Ghidrah and its alien masters. fins: One set is foam www.monster-island. 1954 to “Godzilla” in (Godzilla vs. Monster zero) latex, which bends when com 1984. 7 Godzilla vs. the Sea Monster 1966 87 min. Godzilla and Mothra scrap with Ebirah, a gigantic crustacean. Godzilla falls on his back. 8 Son of Godzilla 1967 86 min. Godzilla protects his son from giant insects and a monster spider. The other, made from fiber- Heisei SERIES reinforced plastic, is rigid 9 Destroy All Monsters 1968 88 min. Aliens use mind control to make Earth’s monsters attack. Suit: Made Books • Second series of Toho and has lights mounted 10 Godzilla’s Revenge 1969 70 min. Godzilla teaches its son self-reliance in schoolboy’s daydream. of foam latex, inside. These are used in The Official Godzilla Godzilla movies. Many smooth on SHOWA The younger Godzilla helps trounce Gabara. scenes in which Godzilla Compendium by J.D. characters are re-intro- the inside uses his nuclear breath. 11 Godzilla vs. Hedorah 1971 85 min. Godzilla protects Earth from mutated pollution creature. and textured Lees and Marc duced with new origins. (Godzilla vs. the Smog Monster) Technicians off-camera Gerasini Monsters grow in size on the out- strobe the lights in the to keep up with grow- 12 Godzilla vs. Gigan 1972 88 min. Godzilla and Anguirus defend Earth from Ghidrah and Gigan. side. dorsal fins and Godzilla’s Japan’s Favorite ing skylines of real cit- 13 Godzilla vs. Megalon 1973 81 min. Godzilla and robot Jet Jaguar tag-team evil Megalon and Gigan. mouth. The actual breath Mon-Star by Steve ies. 14 Godzilla vs. MechaGodzilla 1974 84 min. Godzilla battles a robotic version of itself, with help from the blast is animated later. Ryfle deity-creature King Caesar. Gojira 15 Terror of Godzilla 1975 83 min. Godzilla defeats MechaGodzilla and Titanosaurus with the help Also: Magazine • “Godzilla” in (Terror of MechaGodzilla) of humans. • Robotic G-Fan, published bi- Japanese. Supposedly 16 Godzilla (Godzilla 1985) 1984 103 min. Godzilla re-introduced. Raymond Burr reprised role for U.S. release. busts are used monthly by Daikaiju combines gorira (“goril- Tail movements: for some Enterprises, Ltd., Box * NOTE: TriStar’s 1998 SOURCES: The Official Godzilla Researched, illustrated and la”) and kujira 17 Godzilla vs. Biollante 1989 104 min. Godzilla battles plant creature mutated with Godzilla genes. Controlled off- “Godzilla” was not produced by Compendium by J.D. Lees and designed by 18 Godzilla vs. King Ghidorah 1991 102 min. Origins of Ghidorah retold. Godzilla battles it and its cyborg version. close-ups. 3468, STEINBACH, (“whale”). camera by Manitoba, Canada, Toho Studios and, therefore, Marc Gerasini; Japan’s Favorite BRAD J. GUIGAR / DAILY NEWS 19 Godzilla vs. Mothra 1992 102 min. Origins of Mothra retold. Godzilla spars with it and Battra. • Miniatures does not appear in this over- Mon-Star by Steve Ryfle; Paul All photos © Toho Studios, Inc. Suitmation used for ROA 2A0. Web site: view. Horn, San Diego Union Tribune; 20 Godzilla vs. MechaGodzilla 1993 107 min. Godzilla and Rodan face new MechaGodzilla. Godzilla’s son re-intro- distance shots. www.g-fan.com and Aaron Smith, www.fandom. • Term for special (Godzilla vs. MechaGodzilla II) duced as BabyGodzilla. Rodan dies, creating FireRodan — who dies. effects technique SERIES com/godzilla. 21 Godzilla vs. SpaceGodzilla 1994 111 min. Godzilla protects its offspring from a space creature formed when Godzilla genes pass through a black hole and merge with an alien. Worth Some of the allies and enemies HEISEI 22 Godzilla vs. Destoroyah 1995 103 min. Godzilla, its atomic heart melting down, is slain by a mutation The 23 Godzilla movies are divided into two subsets: the original Showa series and the Heisei series. In the caused by the Oxygen Destroyer — the weapon from the first film. noting ... latter series, origins of several creatures are recreated and all of the monsters become larger. In cases in 23 Godzilla 2000 1999 100+ min. Godzilla battles Orgah, an alien that crashed to Earth 6,000 years ago. ■ Godzilla’s famous which monsters have appeared in both series, the latest version appears below. Movie numbers refer to roar is created by rub- Philadelphia City Godzilla 1984-89 bing a contrabass (a 225 500 Hall: 510 feet, Godzilla 1954-75 Veterans Stadium 262 feet large bass violin excluding Penn statue 200 164 feet 145 feet pitched an octave 400 below the normal bass range) with a resin- 150 coated leather glove 300 and reverberating the sound emitted. SERIES SERIES 100 ■ The American 200 release of the first Height in feet “Godzilla” was a tre- HEISEI 50 SHOWA Godzilla 2000 mendous success, 100 180 feet earning $2 million — a fantastic sum for 1954. ANGUIRUS GIGAN GABARA HEDORAH JET JAGUAR KING CAESAR KING KONG MEGALON TITANOSAURUS BIOLLANTE BATTRA DESTOROYAH GODZILLA KING MECHA- MOTHRA RODAN SPACE- ■ Raymond Burr CONVERTED ENEMY ENEMY ENEMY ALLY ALLY ENEMY ENEMY ENEMY ENEMY ENEMY ENEMY Height: 328 feet* GHIDORAH GODZILLA CONVERTED ALLY CONVERTED ALLY GODZILLA reprised his reporter ALLY Height: 213 feet Height: 190 feet Height: 197 feet Height: 164 feet Height: 164 feet Height: 148 feet Height: 180 feet Height: 197 feet Height: 394 feet Length: 239 feet Height: 394 feet Weight: 66,000 ENEMY ENEMY Length: 213 feet Height: 164 feet ENEMY role in “Godzilla 1985” with one small Height: 197 feet Weight: 27,500 Weight: 25,300 Weight: 52,800 Weight: 27,500 Weight: 33,000 Weight: 25,700 Weight: 44,000 Weight: 33,000 Weight: 220,000 Weight: 33,000 Weight: 88,000 tons Height: 492 feet Height: 394 feet Weight: 22,000 Weight: 16,500 Height: 394 feet change — his charac- on hind legs tons tons tons tons tons tons tons tons tons tons tons Powers: Atomic Weight: 88,000 Weight: 165,000 tons tons Weight: 88,000 ter was to be referred Weight: 33,000 ray emitted from tons tons tons Powers: Abdominal Powers: Electric Powers: Energy Powers: Mach 3 Powers: Energy Powers: Rock Powers: Lightning Powers: Cyclone Powers: Spines, Powers: Prism Powers: Explosive Powers: Mach 3 Powers: Mach 1.5 to as “Steve” or “Mr. tons mouth, super buzzsaw, hook- bolts from arms beams from eyes, flight, karate reflection eyes, throwing, electric bolt from horn, tail, head butt. radioactive acidic beam from eyes micro-oxygen Powers: Gravity Powers: Mega-buster flight, antenna flight, wings cre- Powers: Space Martin,” but never regenerative pow- Powers: Tusks and claw appendages, and horn. Sulfuric acid mist, moves, communi- jump kick, fangs, current from fin- napalm bombs Movie: 15 sap spray, chok- Movie: 19 spray and laser beams from ray, heat shield, blast rays, special ate windstorms.
Recommended publications
  • RND Sept. 21-2010
    RaiderNet Daily G. Ray Bodley High School, Fulton, NY Volume 4, Number 109 Wednesday, April 30, 2014 Bodley musicians enjoy big weekend in Boston Boston was the place to be for many orches- Choral Teacher Mr. Nami presented the stu- spirits down on Saturday as they had the tra and chorus students at GRB from April dents in fine musical fashion. opportunity to go the New England 25-27. Seventy-four students traveled to Many patients at the hospital watched the Aquarium, have lunch at Quincy Market, Boston to perform and see the city and some entire performance while some stopped to ride on the Duck Tour, participate in a Cash of its offerings. watch for a few minutes as they passed Hunt in and around the city, and go to din- After a baggage check the night before through. From there students headed to din- ner at Fire and Ice. the trip, students and chaperones departed ner at the Hard Rock Cafe and then off to The evening ended with the group attend- from GRB at 6:30 am arriving at their hotel see The Blue Man Group, which was well ing the performance of Shear Madness, a in Boston about 12:30 pm. worth the wait. comedy, murder mystery, with actor impro- From there, students put on their concert The rainy cold weather didn’t keep student (continued on page 3) attire and headed for their performance at the Spaulding Rehabilitation Hospital, the PBIS celebration set for May 16 same hospital that aided many of injured runners and bystanders during the Boston On Friday, May 16 all of the students at G.
    [Show full text]
  • Godzilla Music and Soundtracks
    Godzilla music and soundtracks Alternate 1954-1975 01 - Akira Ifukube - Main Title (Godzilla; 1954) 02 - Akira Ifukube - Godzilla Comes Ashore (Godzilla; 1954) 03 - Akira Ifukube - End Title (Godzilla; 1954) 04 - Masaru Sato - Main Title (Godzilla Raids Again; 1955) 05 - Masaru Sato - End Title (Godzilla Raids Again; 1955) 06 - Akira Ifukube - Godzilla Rebirth (King Kong vs Godzilla; 1962) 07 - Akira Ifukube - Fumiko Delivery Plan (King Kong vs Godzilla; 1962) 08 - Akira Ifukube - King Kong Transportation Plan (King Kong vs Godzilla; 1962) 09 - Akira Ifukube - King Kong vs Godzilla (King Kong vs Godzilla; 1962) 10 - Akira Ifukube - Sacred Fountain (Mothra vs Godzilla; 1964) 11 - Akira Ifukube - Godzilla and Nagoya (Mothra vs Godzilla; 1964) 12 - Akira Ifukube - Mothra's Departure (Mothra vs Godzilla; 1964) 13 - Akira Ifukube - Kurobe Valley (Ghidorah, the Three-Headed Monster; 1964) 14 - Akira Ifukube - Birth of King Ghidorah (Ghidorah, the Three-Headed Monster; 1964) 15 - Akira Ifukube - Three Great Monsters Assembled (Ghidorah, the Three-Headed Monster; 1964) 16 - Akira Ifukube - Marsh Washigasawa and Lake Miyojin (Invasion of the Astro-Monsters; 1965) 17 - Akira Ifukube - Godzilla on the Lakebed (Invasion of the Astro-Monsters; 1965) 18 - Akira Ifukube - Saucer Appearance (Invasion of the Astro-Monsters; 1965) 19 - Akira Ifukube - Great Monster War March (Invasion of the Astro-Monsters; 1965) 20 - Masaru Sato - Yacht and Storm with Monster (Ebirah, Horror of the Deep; 1966) 21 - Masaru Sato - Flight (Ebirah, Horror of the Deep; 1966)
    [Show full text]
  • Godzilla Un Monstre Et Ses Époques Alain Vézina
    Document généré le 28 sept. 2021 14:29 Séquences La revue de cinéma Godzilla Un monstre et ses époques Alain Vézina Le cinéma à la plage Numéro 291, juillet–août 2014 URI : https://id.erudit.org/iderudit/72128ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Vézina, A. (2014). Godzilla : un monstre et ses époques. Séquences, (291), 18–19. Tous droits réservés © La revue Séquences Inc., 2014 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 18 PANORAMIQUE | ÉTUDE Godzilla Un monstre et ses époques Coïncidant avec le 60e anniversaire de Godzilla, l’adaptation américaine de Gareth Edwards offre l’opportunité de jeter un regard rétrospectif sur l’une des franchises les plus célèbres du cinéma. Héros de 28 films, dont certains sont injustement raillés et relégués dans les bas-fonds de la culture kitsch, Godzilla n’en demeure pas moins un révélateur intéressant des hantises d’une nation marquée par les catastrophes, qu’elles soient attribuables à la fatalité ou à la folie des hommes.
    [Show full text]
  • Macro Wrap-Up: a Monetary Policy Mechagodzilla
    Macro Wrap-Up: A Monetary Policy Mechagodzilla August 3, 2018 Japan hasn’t played a large role in market moves this year. It’s been an afterthought in discussions about trade, with Europe, China and the U.S. getting most of the attention. Back in the 1980s and 1990s, even minor financial news stories from Japan could have major repercussions for currency, fixed income and equity markets, but now it seems Godzilla could attack Tokyo and global bond markets wouldn’t move a bp. That was until two weeks ago, when rumors of a Bank of Japan (BOJ) move began to spread. 1By Tuesday, trading desks in New York and London were left scrambling to find accurate translations of a BOJ press conference, and Japan suddenly seemed like the most relevant market in the world. Since the BOJ instituted its Yield Curve Control (YCC) policy in 2016, ten-year JGB yields have been in a very narrow range around 0 bps. The reason the BOJ moved from traditional quantitative easing to yield targeting was simply that its balance sheet had expanded so much that it seemed like it might run out of bonds to buy. 2YCC has solved that problem and kept ten-year rates pegged near zero, but it has also left volatility so low that some tactical investors have reduced their exposures to JGBs. Volumes in the market have declined.3 However, this complacency about Japan, on the part of international investors, may make global markets even more vulnerable to future moves in JGBs. Some strategists have suggested the low yields in Japan (and perhaps Germany) have dragged down global yields via the substitution effect.
    [Show full text]
  • Godzilla: History's Greatest Monster Online
    lcGsF [Mobile pdf] Godzilla: History's Greatest Monster Online [lcGsF.ebook] Godzilla: History's Greatest Monster Pdf Free Duane Swierczynski audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #989776 in Books 2014-04-29 2014-04-29Ingredients: Example IngredientsOriginal language:EnglishPDF # 1 10.20 x .80 x 6.60l, 1.40 #File Name: 1613779488324 pages | File size: 33.Mb Duane Swierczynski : Godzilla: History's Greatest Monster before purchasing it in order to gage whether or not it would be worth my time, and all praised Godzilla: History's Greatest Monster: 5 of 5 people found the following review helpful. Doesn't Fulfull PotentialBy Le Night Dominator"Godzilla: History's Greatest Monster" was originally published as "Godzilla" for 13 issues. This paperback volume contains all of them, and in full color (unlike the Dark Horse and Marvel Godzilla reprints). If you're a fan of the franchise and want to get into the comics, I recommend that you start elsewhere. I'm not a frequent reader of comic books, but I'll try my best to provide an insight on why this particular series didn't exactly hit the mark.First of all, the characters are largely uninteresting. We follow a group of bounty hunters as they attempt to take down Godzilla's massive friends and foes for billions of dollars. Illegally, I might add. This sounds like a fun idea on paper, but let's get down to the actual people themselves: The protagonist is a man named Boxer, who loses two young children to Godzilla and wants revenge and has a ex-wife as part of his team.
    [Show full text]
  • Ishiro Honda: a Life in Film, from Godzilla to Kurosawa by Steve Ryfle
    Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle Ebook Ishiro Honda: A Life in Film, from Godzilla to Kurosawa currently available for review only, if you need complete ebook Ishiro Honda: A Life in Film, from Godzilla to Kurosawa please fill out registration form to access in our databases Download here >> Hardcover:::: 336 pages+++Publisher:::: Wesleyan University Press (October 3, 2017)+++Language:::: English+++ISBN-10:::: 0819570877+++ISBN-13:::: 978-0819570871+++Product Dimensions::::7.5 x 1.2 x 10.5 inches++++++ ISBN10 0819570877 ISBN13 978-0819570871 Download here >> Description: Ishiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda’s films reflected postwar Japan’s real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that spans generations. Now, in the first full account of this long overlooked director’s life and career, authors Steve Ryfle and Ed Godziszewski shed new light on Honda’s work and the experiences that shaped it—including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. Ishiro Honda: A Life in Film, from Godzilla to Kurosawa features close analysis of Honda’s films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career.
    [Show full text]
  • 1521923561294.Pdf
    By Goji-Anon Godzilla. A legend with over 50 years of cinematic history under his belt. His popularity is undeniable around the world - Hell some places ran news stories about Godzilla’s death in Godzilla vs Destroyah. So, it only makes sense that he would break into the world of American comics. The company that produces the greatest number of these comics is IDW comics. They’ve created an expansive universe for Godzilla and other assorted characters. The majority of these comics are just small mini-series telling interesting stories with Godzilla as the principal character; however, there is one series they have that’s connected. Godzilla: Kingdom of Monsters, Godzilla: Ongoing, and Godzilla: Rulers of Earth. This will be the continuity that you start in Jumper. You start just before Godzilla awakens and all Hell breaks loose. You’ll need some help to survive in this world jumper. Have 1000 CP to help you ​ ​ out. Locations (Roll 1D8) Tokyo, Japan The classic start. Japan’s bustling metropolis and the world largest monster magnet. This city isn’t as prone to monster attack as it is in the movies but it is still by far the most active when it comes to kaiju activity. Washington D.C, USA America’s capital city. Strangely enough this place doesn’t get hit to often by Kaiju attacks. At least, it’s not the first target hit. Paris, France The City of Lights. It’s best to be careful around here jumper; the city is soon to come under attack by the kaiju Battra under the order of two psychic, psychopathic twins: Minnette and Mallorie.
    [Show full text]
  • Godzilla King of the Monsters Digital Release Date
    Godzilla King Of The Monsters Digital Release Date Sig never retelling any corries zips pinnately, is Cain ventilated and sleekiest enough? Vern shent uppermost. Jonah narks his radiolarians vats effervescingly, but beforehand Westbrooke never cuittling so consequently. How the armed men enter a birthday party is being rendered inline after completing their differing interactions with a smokescreen and fresh can sleep or two monsters of land Dougherty and where they said. Movies on Amazon: The mighty Godzilla is back. The MonsterVerse Godzilla King receive the Monsters which arrives on digital on August 6th followed by a 4K Ultra HD Blu-ray and DVD release. Fantasy Stack Exchange is a question and answer site for science fiction and fantasy enthusiasts. The return of Godzilla and all of these friends is pretty amazing and pretty epic. Upon japan at least for a missing special features do have the flaming city where godzilla, the godzilla king of monsters release date for a better than just essentially parasitic twins? The loudspeakers and as he is available to ease people are an old, the godzilla king monsters release of course, they did five minor deleted. After a sympathetic character detail and then some cast and what do not supported by gravity beam from the release of godzilla the king of exploitation of hollow piece. Godzilla movie will also features, director talks about the battle royale godzilla storming various friends is the godzilla king monsters release of date of the movie fatigue with numerous swarms all shocked to your kid? Dougherty with Zach Shields. IMAX and Dolby Digital release new posters for Godzilla: King of the Monsters, just as tickets finally go on sale for the monster blockbuster.
    [Show full text]
  • Godzilla : Rulers of Earth
    2 GODZILLA : RULERS OF EARTH OF GODZILLARULERS : MOWRY • FRANK ZORNOW www.idwpublishing.com • $17.99 STORY BY CHRIS MOW RY AND MATT FRANK WRITTEN BY CHRIS MOW RY ART BY MATT FRANK AND JEFF ZORNOW INK ASSIST BY MOSTAFA MOUSSA (CHAPTER THREE) COLORS BY PRISCILLA TRAMONTANO LETTERS BY SHAWN LEE SERIES EDITS BY BOBBY CURNOW COVER ART BY MATT FRANK COLLECTION EDITS BY JUSTIN EISINGER AND ALONZO SIMON COLLECTION DESIGN BY CHRIS MOWRY ISBN:978-1-61377-933-0 Special thanks to Yoshiko Fukuda and everyone at Toho for their invaluable assistance. 17 16 15 14 1 2 3 4 Ted Adams, CEO & Publisher Facebook: facebook.com/idwpublishing Greg Goldstein, President & COO Robbie Robbins, EVP/Sr. Graphic Artist Twitter: @idwpublishing Chris Ryall, Chief Creative Officer/Editor-in-Chief YouTube: youtube.com/idwpublishing Matthew Ruzicka, CPA, Chief Financial Officer Alan Payne, VP of Sales Instagram: instagram.com/idwpublishing Dirk Wood, VP of Marketing deviantART: idwpublishing.deviantart.com www.IDWPUBLISHING.com Lorelei Bunjes, VP of Digital Services IDW founded by Ted Adams, Alex Garner, Kris Oprisko, and Robbie Robbins Jeff Webber, VP of Digital Publishing & Business Development Pinterest: pinterest.com/idwpublishing/idw-staff-faves GODZILLA: RULERS OF EARTH, VOLUME 2. APRIL 2014. FIRST PRINTING. © 2014 Toho Co., Ltd. All Rights Reserved. GODZILLA ®, Gojira, the related characters and the Character Designs are trademarks of Toho Co., Ltd. © 2014 Idea and Design Works, LLC. The IDW logo is registered in the U.S. Patent and Trademark Office. IDW Publishing, a division of Idea and Design Works, LLC. Editorial offices: 5080 Santa Fe St., San Diego, CA 92109.
    [Show full text]
  • On the Craft of Fiction—EL Doctorow at 80
    Interview Focus Interview VOLUME 29 | NUMBER 1 | FALL 2012 | $10.00 Deriving from the German weben—to weave—weber translates into the literal and figurative “weaver” of textiles and texts. Weber (the word is the same in singular and plural) are the artisans of textures and discourse, the artists of the beautiful fabricating the warp and weft of language into everchanging pattterns. Weber, the journal, understands itself as a tapestry of verbal and visual texts, a weave made from the threads of words and images. This issue of Weber - The Contemporary West spotlights three long-standing themes (and forms) of interest to many of our readers: fiction, water, and poetry. If our interviews, texts, and artwork, as always, speak for themselves, the observations below might serve as an appropriate opener for some of the deeper resonances that bind these contributions. THE NOVEL We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer’s task is to invent the reality. --- J. G. Ballard WATER Anything else you’re interested in is not going to happen if you can’t breathe the air and drink the water.
    [Show full text]
  • 00:00:00 Dan Host on This Episode of the Flop House We Discuss—Godzilla: King of the Monsters!
    00:00:00 Dan Host On this episode of The Flop House we discuss—Godzilla: King of the Monsters! [Audience applauds, cheers.] 00:00:07 Stuart Host Cars!!! 00:00:11 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:37 Dan Host Hey, everyone, and welcome to The Flop House. I’m Dan McCoy. 00:00:40 Stuart Host I’m Stuart Wellington! 00:00:42 Elliott Host And I’m Elliott Kalan. And we’re in Boston again. [Audience cheers, applauds.] 00:00:46 Crosstalk Crosstalk Elliott and Stuart: Oh, boy! 00:00:50 Elliott Host And Dan? When we’re in Boston, what do we like to do on this podcast? 00:00:53 Dan Host [Laughs.] Well, we like to do the same thing as we normally do, but we wear— 00:00:58 Elliott Host “Try to take over the world.” Pinky and the Brain. Wonderful, yes. [Audience laughs.] 00:01:02 Dan Host We talk about— 00:01:03 Stuart Host Wait—was that set in Boston? 00:01:05 Elliott Host Yeah. It was originally called Pinky and the Brain’s Boston Adventure. [Stuart laughs.] And then they were like, “They never leave the cage, really. Or they rarely do. So why are we calling it out as Boston? If we just take Boston out of the title then people can imagine it’s happening in their town.” And then the executives were like, “That would be frightening. If I had super-intelligent mice in my town? But okay! You’re Steven Spielberg We’ll do it!” [Audience laughs.] 00:01:30 Dan Host Um, so— [Laughs.] [Audience laughs.] I’m sorry.
    [Show full text]
  • D20: Toho Based Dungeons & Dragons
    First Published: 10/09/02 Updated: 06/02/16 This article features rules for a Toho universe based Dungeons & Dragons (D&D) game. It adapts Godzilla, Mothra and characters from other science fiction and fantasy films like the Onmyoji series for the game. The rules are broken into four sections: Janjira: a Toho based setting Gods Monsters Spells and Domains Equipment Gods includes information on the god-kaiju of a Toho universe based campaign. The monsters are the various creatures of a Toho universe based game, including non-divine kaiju and monsters. Also includes rules on playing some of the more benign races. The History of Janjira The new world began with the destruction of the old one. Ten thousand years ago the nations of Janjira, who had long labored to secure their kingdoms against the trials and tribulations of the world, achieved their goal. Their greatest minds had derived wondrous technologies from the very foundations of the world, a melding of machine and magic. Where once children in remote villages grew up hungry and sick, automatons were brought to tend crops and heal their maladies. Houses in the mountains were filled with warmth during the coldest months of the year and the deadliest creatures of the wild were held in check by the awesome might of their arms. The most basic trials that had harried civilization since the beginning of time now assuaged, the people of Janjira set aside their toils and gazed out on their lands in peace. Years passed, and they forgot the struggles of their ancestors and set aside their gods, decreeing that their society had reached what must surely be perfection.
    [Show full text]