Godzilla Infographic

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Origin: Godzilla g-cells Spacegodzilla, swallowed by a blackhole and exiting a whitehole. King Ghidorah, they assimilated crystal organisms and fed off the Destoroyah, energy of exploding stars, and Biollante. rapidly evolving into a large space monster. 4 of the largest and heaviest Origin: The destroyer of worlds, Ghidorah monsters known. travels from planet to planet wiping out entire civilizations. it’s planet Each monster is of origin is unknow. What is known is the last a threat level: 5 Official civilizations destroyed was mars. documentation of the 4 largest origin: A result of micro organisms that were Data credit: monsters. exposed to the Oxygen Toho Industries. destroyer chemical and Security level mutated.. Rapidly evolving 5 required. into smaller creatures and then merging into the Monster large monster artwork origin: Godzilla g-cels credit: genetically fused with a rose and exposed to Matt Frank. radioactivity. quickly mutating and growing it first went through a juvenile stage then evolved into the large monster known today. Name:SpaceGodzilla multiple claws Height:120 Meters Name:King Ghidorah heads Weight:80,000 Tons Height:150 Meters Abilities:Able to Wingspan:175 meters create a Gravity Weight:70,000 tons tornado to lift Abilities:Able to objects. Can fire fire gravity beams a corona beam from from mouths. Flight mouth. Able to fly at mach 3. can stir tail by encasing self up hurricane winds in a crystalline from wings. tail wings cocoon. constricting necks. power crystals KNOW YOUR FOE!! Knowledge is the greatest weapon against the monster threat. To fight a monster, Wings you must understand the monster. Horn Rending Main mouth. Tendrils claws Name:Biollante Name:Destoroyah Height:120 meters Height:120 meters weight:200,000 tons length:230 meters Abilities:Able to wingspan:210 meters spray radioactive tail weight: 80,000 tons sap from both main Abilities:Flight. mouth and tendril Able to fire an mouths. Spear like oxygen destroyer tendrils. beam from mouth. Choking tendrils. laser horn..

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RND Sept. 21-2010
RaiderNet Daily G. Ray Bodley High School, Fulton, NY Volume 4, Number 109 Wednesday, April 30, 2014 Bodley musicians enjoy big weekend in Boston Boston was the place to be for many orches- Choral Teacher Mr. Nami presented the stu- spirits down on Saturday as they had the tra and chorus students at GRB from April dents in fine musical fashion. opportunity to go the New England 25-27. Seventy-four students traveled to Many patients at the hospital watched the Aquarium, have lunch at Quincy Market, Boston to perform and see the city and some entire performance while some stopped to ride on the Duck Tour, participate in a Cash of its offerings. watch for a few minutes as they passed Hunt in and around the city, and go to din- After a baggage check the night before through. From there students headed to din- ner at Fire and Ice. the trip, students and chaperones departed ner at the Hard Rock Cafe and then off to The evening ended with the group attend- from GRB at 6:30 am arriving at their hotel see The Blue Man Group, which was well ing the performance of Shear Madness, a in Boston about 12:30 pm. worth the wait. comedy, murder mystery, with actor impro- From there, students put on their concert The rainy cold weather didn’t keep student (continued on page 3) attire and headed for their performance at the Spaulding Rehabilitation Hospital, the PBIS celebration set for May 16 same hospital that aided many of injured runners and bystanders during the Boston On Friday, May 16 all of the students at G.
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The Rhetorical Significance of Gojira
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2010 The Rhetorical Significance of Gojira Shannon Victoria Stevens University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Repository Citation Stevens, Shannon Victoria, "The Rhetorical Significance of Gojira" (2010). UNLV Theses, Dissertations, Professional Papers, and Capstones. 371. http://dx.doi.org/10.34917/1606942 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE RHETORICAL SIGNIFICANCE OF GOJIRA by Shannon Victoria Stevens Bachelor of Arts Moravian College and Theological Seminary 1993 A thesis submitted in partial fulfillment of the requirements for the Master of Arts in Communication Studies Department of Communication Studies Greenspun College of Urban Affairs Graduate College University of Nevada, Las Vegas May 2010 Copyright by Shannon Victoria Stevens 2010 All Rights Reserved THE GRADUATE COLLEGE We recommend the thesis prepared under our supervision by Shannon Victoria Stevens entitled The Rhetorical Significance of Gojira be accepted in partial fulfillment of the requirements for the degree of Master of Arts in Communication Studies David Henry, Committee Chair Tara Emmers-Sommer, Committee Co-chair Donovan Conley, Committee Member David Schmoeller, Graduate Faculty Representative Ronald Smith, Ph.
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Toho Co., Ltd. Agenda
License Sales Sheet October 2018 TOHO CO., LTD. AGENDA 1. About GODZILLA 2. Key Factors 3. Plan & Schedule 4. Merchandising Portfolio Appendix: TOHO at Glance 1. About GODZILLA About GODZILLA | What is GODZILLA? “Godzilla” began as a Jurassic creature evolving from sea reptile to terrestrial beast, awakened by mankind’s thermonuclear tests in the inaugural film. Over time, the franchise itself has evolved, as Godzilla and other creatures appearing in Godzilla films have become a metaphor for social commentary in the real world. The characters are no longer mere entertainment icons but embody emotions and social problems of the times. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 4 About GODZILLA | Filmography Reigning the Kaiju realm for over half a century and prevailing strong --- With its inception in 1954, the GODZILLA movie franchise has brought more than 30 live-action feature films to the world and continues to inspire filmmakers and creators alike. Ishiro Honda’s “GODZILLA”81954), a classic monster movie that is widely regarded as a masterpiece in film, launched a character franchise that expanded over 50 years with 29 titles in total. Warner Bros. and Legendary in 2014 had reintroduced the GODZILLA character to global audience. It contributed to add millennials to GODZILLA fan base as well as regained attention from generations who were familiar with original series. In 2017, the character has made a transition into new media- animated feature. TOHO is producing an animated trilogy to be streamed in over 190 countries on NETFLIX. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 5 Our 360° Business Film Store TV VR/AR Cable Promotion Bluray G DVD Product Exhibition Publishing Event Music 2018 © TOHO CO., LTD.
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Godzilla Music and Soundtracks
Godzilla music and soundtracks Alternate 1954-1975 01 - Akira Ifukube - Main Title (Godzilla; 1954) 02 - Akira Ifukube - Godzilla Comes Ashore (Godzilla; 1954) 03 - Akira Ifukube - End Title (Godzilla; 1954) 04 - Masaru Sato - Main Title (Godzilla Raids Again; 1955) 05 - Masaru Sato - End Title (Godzilla Raids Again; 1955) 06 - Akira Ifukube - Godzilla Rebirth (King Kong vs Godzilla; 1962) 07 - Akira Ifukube - Fumiko Delivery Plan (King Kong vs Godzilla; 1962) 08 - Akira Ifukube - King Kong Transportation Plan (King Kong vs Godzilla; 1962) 09 - Akira Ifukube - King Kong vs Godzilla (King Kong vs Godzilla; 1962) 10 - Akira Ifukube - Sacred Fountain (Mothra vs Godzilla; 1964) 11 - Akira Ifukube - Godzilla and Nagoya (Mothra vs Godzilla; 1964) 12 - Akira Ifukube - Mothra's Departure (Mothra vs Godzilla; 1964) 13 - Akira Ifukube - Kurobe Valley (Ghidorah, the Three-Headed Monster; 1964) 14 - Akira Ifukube - Birth of King Ghidorah (Ghidorah, the Three-Headed Monster; 1964) 15 - Akira Ifukube - Three Great Monsters Assembled (Ghidorah, the Three-Headed Monster; 1964) 16 - Akira Ifukube - Marsh Washigasawa and Lake Miyojin (Invasion of the Astro-Monsters; 1965) 17 - Akira Ifukube - Godzilla on the Lakebed (Invasion of the Astro-Monsters; 1965) 18 - Akira Ifukube - Saucer Appearance (Invasion of the Astro-Monsters; 1965) 19 - Akira Ifukube - Great Monster War March (Invasion of the Astro-Monsters; 1965) 20 - Masaru Sato - Yacht and Storm with Monster (Ebirah, Horror of the Deep; 1966) 21 - Masaru Sato - Flight (Ebirah, Horror of the Deep; 1966)
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Document généré le 28 sept. 2021 14:29 Séquences La revue de cinéma Godzilla Un monstre et ses époques Alain Vézina Le cinéma à la plage Numéro 291, juillet–août 2014 URI : https://id.erudit.org/iderudit/72128ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Vézina, A. (2014). Godzilla : un monstre et ses époques. Séquences, (291), 18–19. Tous droits réservés © La revue Séquences Inc., 2014 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 18 PANORAMIQUE | ÉTUDE Godzilla Un monstre et ses époques Coïncidant avec le 60e anniversaire de Godzilla, l’adaptation américaine de Gareth Edwards offre l’opportunité de jeter un regard rétrospectif sur l’une des franchises les plus célèbres du cinéma. Héros de 28 films, dont certains sont injustement raillés et relégués dans les bas-fonds de la culture kitsch, Godzilla n’en demeure pas moins un révélateur intéressant des hantises d’une nation marquée par les catastrophes, qu’elles soient attribuables à la fatalité ou à la folie des hommes.
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Favorite Artists in Today's Music Wrld
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1566563531375.Pdf
Introduction In the year 1954, the United States government performed 6 nuclear weapons tests in and around the Pacific Ocean. However, this is just the official story. The truth of the matter is that the U.S. Government and Monarch, a multinational, cryptozoological research organization, were trying to kill an ancient and terrifying apex predator. A Titan. This titans name is Titanus Gojira, more recognizably called Gojira or Godzilla. Godzilla’s species ruled the Earth hundreds of millions of years ago, when radiation levels on the planet were astronomically higher. The advent and testing of nuclear weapons awoke Godzilla from his hibernation on the bottom of Earth’s sea floor, where he was feeding off of the planets geothermal radiation. Despite being the first titan to awake, Godzilla is not the only titan that exists on Earth. There are countless others that still sleep or dwell in hidden areas around the world. You begin your stay within this world in 2014, just a scant few weeks before Joe and Ford Brody witness the awakening of the titan known as the MUTO. A scant few weeks before Godzilla becomes known to the world. Location San Francisco, California (1) San Francisco is a massive American metropolis with an area of about 231 square miles. It is bustling with a population nearing one million and holds some of America’s most iconic landmarks. However, this could all change very quickly in the coming years. This city will become the site of an incredible battle between Godzilla and the two MUTO in the year 2014, which will cause severe damage to the city as a whole.
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Godzilla : Rulers of Earth
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