Bones, Burials, and the Riddle of Truth: Reconstructing the Past Through What Has Been Left Behind
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[Kulti Iliro-Shqiptar I Gjarprit ; the Albanian-Illyrian Snake Cult] English
[Kulti Iliro-Shqiptar i gjarprit ; The Albanian-Illyrian snake cult] English|Page 9 1 ekorimet me gjarperinj jane te zakonshme ne Shqiperi, qofte ne shtepi te vjetera, ne dekorimet e rrobave tradicionale, dhe Dndonjehere ne varre. Kjo kafshe eshte e perhapur ne mitologjine dhe besimet folklorike shqiptare; te analizosh mitin e gjarperit eshte te shikosh brenda miteve dhe traditave tona, ashtu si dhe ato mbareevropiane. Motivi i gjarperit ngjan me kultin e vjeter ilir te tradites paloballkanike dhe fragmentet qe mbeten ne gadishullin ballkanik. Pergjithesisht gjarperinje lidhen me kultet jo-indo-evropiane, por nje rishikim i shpejte thekson rendesine e tyre ne fete e vjetra te Ballkanit (nga Greqia e Lashte tek Iliria), si simbole ne fene nordike dhe kozmogonine keltike (veza e botes mendohej te ishte nje veze gjarperi). Gjarperinjte nuk ishin vetem nje force demonike apo e te liges, ashtu sic thone monoteizmat Abrahamike, por kishin dhe aspekte pozitive ne boten e antikitetit. Nuk do te listojme ketu fakte pa fund, por do te analizojme perse ky simbol ishte popullor mes paraardhesve tane. Dy tradita identifikohen ketu: nje interpretim tellurik i lidhur me grate dhe pjellorine, dhe nje me superior qe i sheh gjarperinjte si simbole forcash te fuqishme brenda dhe rreth burrave, dhe te lidhura me hyjni si Zeusi dhe Apolloni. Si simbol ktonik dhe tellurik, gjarperinje perfaqesojne forcat elementare dhe primale te Tokes dhe jane te lidhur me fene agrare te Memes Toke, e gjendur ne Evrope dhe Anadoll perpara pushtimit te Proto- Indo-Evropianeve. Nje shembull tipik i ketij kulti eshte perendesha 2 gjarper e civilizimit Minoik. -
Dubrovnik Manuscripts and Fragments Written In
Rozana Vojvoda DALMATIAN ILLUMINATED MANUSCRIPTS WRITTEN IN BENEVENTAN SCRIPT AND BENEDICTINE SCRIPTORIA IN ZADAR, DUBROVNIK AND TROGIR PhD Dissertation in Medieval Studies (Supervisor: Béla Zsolt Szakács) Department of Medieval Studies Central European University BUDAPEST April 2011 CEU eTD Collection TABLE OF CONTENTS 1. INTRODUCTION ........................................................................................................................... 7 1.1. Studies of Beneventan script and accompanying illuminations: examples from North America, Canada, Italy, former Yugoslavia and Croatia .................................................................................. 7 1.2. Basic information on the Beneventan script - duration and geographical boundaries of the usage of the script, the origin and the development of the script, the Monte Cassino and Bari type of Beneventan script, dating the Beneventan manuscripts ................................................................... 15 1.3. The Beneventan script in Dalmatia - questions regarding the way the script was transmitted from Italy to Dalmatia ............................................................................................................................ 21 1.4. Dalmatian Benedictine scriptoria and the illumination of Dalmatian manuscripts written in Beneventan script – a proposed methodology for new research into the subject .............................. 24 2. ZADAR MANUSCRIPTS AND FRAGMENTS WRITTEN IN BENEVENTAN SCRIPT ............ 28 2.1. Introduction -
Illyrian Religion and Nation As Zero Institution
Studies in Visual Arts and Communication: an international journal Vol 3, No 1 (2016) on-line ISSN 2393 - 1221 Illyrian religion and nation as zero institution Josipa Lulić * Abstract The main theoretical and philosophical framework for this paper are Louis Althusser's writings on ideology, and ideological state apparatuses, as well as Rastko Močnik’s writings on ideology and on the nation as the zero institution. This theoretical framework is crucial for deconstructing some basic tenants in writing on the religious sculpture in Roman Dalmatia, and the implicit theoretical constructs that govern the possibilities of thought on this particular subject. This paper demonstrates how the ideological construct of nation that ensures the reproduction of relations of production of modern societies is often implicitly or explicitly projected into the past, as trans-historical construct, thus soliciting anachronistic interpretations of the material remains of past societies. This paper uses the interpretation of religious sculpture in Roman Dalmatia as a case study to stress the importance of the critique of ideology in the art history. The religious sculpture in Roman Dalmatia has been researched almost exclusively through the search for the presumed elements of Illyrian religion in visual representations; the formulation of the research hypothesis was firmly rooted into the idea of nation as zero institution, which served as the default framework for various interpretations. In this paper I try to offer some alternative interpretations, intending not to give definite answers, but to open new spaces for research. Keywords: Roman sculpture, province of Dalmatia, nation as zero institution, ideology, Rastko Močnik, Louis Althusser. -
The First Illyrian War: a Study in Roman Imperialism
The First Illyrian War: A Study in Roman Imperialism Catherine A. McPherson Department of History and Classical Studies McGill University, Montreal February, 2012 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts ©Catherine A. McPherson, 2012. Table of Contents Abstract ……………………………………………….……………............2 Abrégé……………………………………...………….……………………3 Acknowledgements………………………………….……………………...4 Introduction…………………………………………………………………5 Chapter One Sources and Approaches………………………………….………………...9 Chapter Two Illyria and the Illyrians ……………………………………………………25 Chapter Three North-Western Greece in the Later Third Century………………………..41 Chapter Four Rome and the Outbreak of War…………………………………..……….51 Chapter Five The Conclusion of the First Illyrian War……………….…………………77 Conclusion …………………………………………………...…….……102 Bibliography……………………………………………………………..104 2 Abstract This paper presents a detailed case study in early Roman imperialism in the Greek East: the First Illyrian War (229/8 B.C.), Rome’s first military engagement across the Adriatic. It places Roman decision-making and action within its proper context by emphasizing the role that Greek polities and Illyrian tribes played in both the outbreak and conclusion of the war. It argues that the primary motivation behind the Roman decision to declare war against the Ardiaei in 229 was to secure the very profitable trade routes linking Brundisium to the eastern shore of the Adriatic. It was in fact the failure of the major Greek powers to limit Ardiaean piracy that led directly to Roman intervention. In the earliest phase of trans-Adriatic engagement Rome was essentially uninterested in expansion or establishing a formal hegemony in the Greek East and maintained only very loose ties to the polities of the eastern Adriatic coast. -
TO SLOVENIA First Time Cultivating Wine in Protestant Literature
Compiled by FACTS Neža Lukančič & VINARIUM TOWER Benjamin Wolf The Pannonian Eiffel Tower is the SLOVENIA highest observation tower in Slovenia POPULATION: and allows a view in four countries: 2,067,000 Slovenia, Croatia, Hungary and Austria. CAPITAL CITY: LJUBLJANA (288,250) ŽIČE CHARTERHOUSE The ruins of this 12th century GDP: €43 BILLION monastery complex, overgrown with GDP PER CAPITA: ivy and moss, are a magical place. €21,000 MEŽICA MINE CROATIA ZAGREB POPULATION: The underground of Slovenia also offers hidden treasures. Sit in a small train and descend to a mine The history of Croatia’s capital dates back 4,167,000 universe that has been active for over 350 years. to the Romans. Today, the area houses a CAPITAL CITY: quarter of the country's population. ZAGREB (806,920) Zagreb’s old town boasts buildings from the 13th to the 19th century. GDP: €49 BILLION GDP PER CAPITA: OTOČEC €11,700 PREDJAMA CASTLE The only water castle in Slovenia was build on a small Source: Eurostat (2017). This Renaissance castle is built within a cave, island on Krka River. It is a favorite wedding venue, pressed next to a cliff under the original while the nearby leisure park offers fun times. Medieval fortification. METAL DAYS (SOČA) LJUBLJANA Every July, the peaceful Soča River is Slovenia’s capital stands at the middle the setting for one of the biggest heavy of a trade route between the northern metal music festivals in Europe with Adriatic Sea and the Danube region. the fitting motto: “Hell over Paradise.” Among the sights of this green city are Tivoli Park and Ljubljana Castle. -
The Impact of the Illyrian Movement on the Croatian Lexicon
Slavistische Beiträge ∙ Band 223 (eBook - Digi20-Retro) George Thomas The Impact of the Illyrian Movement on the Croatian Lexicon Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access 00050383 S lavistische B e it r ä g e BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON HEINRICH KUNSTMANN PETER REHDER • JOSEF SCHRENK REDAKTION PETER REHDER Band 223 VERLAG OTTO SAGNER MÜNCHEN George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access 00050383 GEORGE THOMAS THE IMPACT OF THEJLLYRIAN MOVEMENT ON THE CROATIAN LEXICON VERLAG OTTO SAGNER • MÜNCHEN 1988 George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access ( B*y«ftecne I Staatsbibliothek l Mönchen ISBN 3-87690-392-0 © Verlag Otto Sagner, München 1988 Abteilung der Firma Kubon & Sagner, GeorgeMünchen Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access 00050383 FOR MARGARET George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access .11 ж ־ י* rs*!! № ri. ur George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access 00050383 Preface My original intention was to write a book on caiques in Serbo-Croatian. -
Cruise Croatia: Split to Dubrovnik Via Zadar
CRUISE CROATIA: SPLIT TO DUBROVNIK VIA ZADAR Discover stunning islands, clear seas and Dalmatian elegance in this cruise of Croatia's coast. Spend 15 glorious days exploring the myriad delights of the Dalmatian Coast in this cruise from Split to Dubrovnik. With a mix of photogenic shorelines, ancient cities and European elegance, Croatia is sure to impress even the most jaded traveller. From well-known highlights such as Split’s Old Town to the quiet charm of a winery in small Sibenik village, this trip is the perfect way to see guidebook favourites and little-known treasures alike. Is this trip right for you? charge. This is a small ship adventure cruise, which means you’ll be sailing on a yacht with up to 30 other people. The boat is Our ship moves under engine power, rather than sailing, so all spacious and comfortable, but it focuses more on the cabins will experience light engine noise when the ship is destination than on-board activities. Instead of a pool, we have moving (and occasionally when we drop anchor). It’s probably the sea itself. Instead of a casino, we’ve got board games and a worth packing earplugs if you’re a light sleeper. good book. There’s also no formal dress code to worry about. Wifi is available for a small Unlike other ships that cruise through the night, we’ll spend our evenings docked at port. This will give you more time to dine ashore and enjoy those balmy Croatian evenings. Cruising will mostly take place during the day. -
University of Zadar [email protected] Tea TEREZA VIDOVIĆ-SCHRE
LINGUA MONTENEGRINA, god. XIII/1, br. 25, Cetinje, 2020. Fakultet za crnogorski jezik i književnost UDK 070:929Bettiza E. Izvorni naučni rad Josip MILETIĆ (Zadar) University of Zadar [email protected] Tea TEREZA VIDOVIĆ-SCHREIBER (Split) University of Split [email protected] DALMATIA – BETTIZA’S LOST HOMELAND The paper analyses the potential of Bettiza’s fiction for the deve- lopment of Croatian and Italian cultural relations as well as tourist promotion of the Croatian historical region of Dalmatia. Particular attention is focused on the novel Exile, in which the author writes a family chronicle by evoking his Split roots. At the same time, he describes the atmosphere, customs and picturesque figures of Dal- matian towns in the interwar period, the encounter of Slavic and Roman culture, as well as the destiny of the Italian population there who, due to the turmoil of war and socialist revolution, decided to leave their homeland. Reception of Bettiza’s work, as an account of an individual history that is completely different from the written (national), the collective history, can positively affect the Italian perception of Dalmatia as a tourist destination, and it can improve the distorted image of Croats living there, which has been created for decades in Italy, through the activist action of extreme groups, therefore it can be of multiple use. Proving that not all Italians for- cibly left their former homeland, but that a part of them left freely seeking a better life for themselves and their families not seeing any perspective in the upcoming communism, allows for the constructi- on of bridges between Slavic and Roman culture, and an even better and more effective tourism promotion of this Croatian region in the context of Italian tourist interests. -
Vladimir-Peter-Goss-The-Beginnings
Vladimir Peter Goss THE BEGINNINGS OF CROATIAN ART Published by Ibis grafika d.o.o. IV. Ravnice 25 Zagreb, Croatia Editor Krešimir Krnic This electronic edition is published in October 2020. This is PDF rendering of epub edition of the same book. ISBN 978-953-7997-97-7 VLADIMIR PETER GOSS THE BEGINNINGS OF CROATIAN ART Zagreb 2020 Contents Author’s Preface ........................................................................................V What is “Croatia”? Space, spirit, nature, culture ....................................1 Rome in Illyricum – the first historical “Pre-Croatian” landscape ...11 Creativity in Croatian Space ..................................................................35 Branimir’s Croatia ...................................................................................75 Zvonimir’s Croatia .................................................................................137 Interlude of the 12th c. and the Croatia of Herceg Koloman ............165 Et in Arcadia Ego ...................................................................................231 The catastrophe of Turkish conquest ..................................................263 Croatia Rediviva ....................................................................................269 Forest City ..............................................................................................277 Literature ................................................................................................303 List of Illustrations ................................................................................324 -
The Influence of Islam on Albanian Culture
The Influence of Islam on Albanian Culture Fatmir Shehu ∗ Abstract This paper examines the influence of Islam on Albanian culture. The Islamization process of the Albanian culture was very crucial for the Albanians themselves as it gave them a new identity, which they lacked since their settlement on the Adriatic shores. According to history, Albanians, the biggest Muslim nation dwelling in the Balkans, South-East of Europe, are believed to be the descendents of the ancient Illyrians, who settled in Europe around 2500 years ago. They lived a social life based on tribalism, where every tribe had established its own cultural system and way of life. Thus, their cultural differences disallowed them to unite. Such situation did not change, even when Christianity was introduced to them. Because, Christianity came to Albania through two great dominations: Christian Catholics of Vatican (the Northern part of Albanian) and Christian Orthodox of Greece (the Southern part of Albania). The continuous religious and political suppression faced by the Albanians from their Byzantine and Latin masters enabled them to be the first people of the Balkans, who welcomed openheartedly the Ottoman Muslims and embraced Islam as their new way of life in the 15th century. The study focuses on the following issues: (1) Historical background of Albania and Albanians; (2) The genesis of Albanian culture; and (3) The process of integration between Islamic culture and Albanian culture. This research attempts to provide important findings, which will be very helpful to the Muslims and others. Abstrak Karya ini mengkaji pengaruhan Islam terhadap budaya Albania. Proses pengislaman budaya Albania adalah amat penting kepada orang-orang Albania sendiri kerana ia telah memberi mereka suatu identiti baru yang mereka kekurangan sejak penempatan mereka di pesisiran Adriatic. -
A PRELIMINARY GEOCHEMICAL CHARACTERIZATION of RELIEF CERAMICS from the NADIN NECROPOLIS a Thesis Presented to the Faculty Of
A PRELIMINARY GEOCHEMICAL CHARACTERIZATION OF RELIEF CERAMICS FROM THE NADIN NECROPOLIS A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Elizabeth Gaj Proctor August 2019 © 2019 Elizabeth Gaj Proctor ALL RIGHTS RESERVED ABSTRACT This paper analyzes a collection of Hellenistic mold-made relief vessels discovered during the 2018 season of the Nadin-Gradina Archaeological Project through non-destructive portable x-ray fluorescence (pXRF). Archaeometric analysis allows for a reconsideration of previous conclusions about the origins of these vessels and possible trade connections at the site of Nadin. The goal of this study is to determine potential source groups for these vessels through their geochemical composition. While the suitability of pXRF as an analytical tool for archaeological ceramics has been debated, the qualitative design of this research project and the physical characteristics of these vessels allow pXRF to be utilized successfully. Statistical analysis of pXRF results indicate the presence of multiple source groups represented in the samples. The attribution of most of these samples to a smaller number of potential source groups indicates a strong connection between the residents of Nadin and at least two production centers. This thesis is intended to suggest preliminary conclusions about potential sources and suggest areas of further study to better understand the trade connections that brought these vessels to Nadin and the role of Nadin in the Ravni Kotari landscape. ii BIOGRAPHICAL SKETCH Elizabeth Gaj Proctor received her BA from the University of Maine in 2017, majoring in Anthropology and minoring in Art History and Medieval and Renaissance Studies. -
Egypt in Croatia Croatian Fascination with Ancient Egypt from Antiquity to Modern Times
Egypt in Croatia Croatian fascination with ancient Egypt from antiquity to modern times Mladen Tomorad, Sanda Kočevar, Zorana Jurić Šabić, Sabina Kaštelančić, Marina Kovač, Marina Bagarić, Vanja Brdar Mustapić and Vesna Lovrić Plantić edited by Mladen Tomorad Archaeopress Egyptology 24 Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-339-3 ISBN 978-1-78969-340-9 (e-Pdf) © Authors and Archaeopress 2019 Cover: Black granite sphinx. In situ, peristyle of Diocletian’s Palace, Split. © Mladen Tomorad. All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Severn, Gloucester This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Preface ���������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������xiii Chapter I: Ancient Egyptian Culture in Croatia in Antiquity Early Penetration of Ancient Egyptian Artefacts and Aegyptiaca (7th–1st Centuries BCE) ..................................1 Mladen Tomorad Diffusion of Ancient Egyptian Cults in Istria and Illyricum (Late 1st – 4th Centuries BCE) ................................15 Mladen Tomorad Possible Sanctuaries of Isaic Cults in Croatia ...................................................................................................................26