RECONSIDERING TUSK and BONE: an ANALYSIS of the FORMS, FUNCTIONS and PERCEPTIONS of ANGLO-SAXON IVORIES, C.500-1066 Three Volumes, Vol
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Visual/Media Arts
A R T I S T D I R E C T O R Y ARTIST DIRECTORY (Updated as of August 2021) md The Guam Council on the Arts and Humanities Agency (GCAHA) has produced this Artist Directory as a resource for students, the community, and our constituents. This Directory contains names, contact numbers, email addresses, and mailing or home address of Artists on island and the various disciplines they represent. If you are interested in being included in the directory, please call our office at 300-1204~8/ 7583/ 7584, or visit our website (www.guamcaha.org) to download the Artist Directory Registration Form. TABLE OF CONTENTS DISCIPLINE PAGE NUMBER FOLK/ TRADITIONAL ARTS 03 - 17 VISUAL/ MEDIA ARTS 18 - 78 PERFORMING ARTS 79 - 89 LITERATURE/ HUMANITIES 90 - 96 ART RELATED ORGANIZATIONS 97 – 100 MASTER’S 101 - 103 2 FOLK/ TRADITIONAL ARTS Folk Arts enriches the lives of the Guam community, gives recognition to the indigenous and ethnic artists and their art forms and to promote a greater understanding of Guam’s native and multi-ethnic community. Ronald Acfalle “ Halu’u” P.O. BOX 9771 Tamuning, Guam 96931 [email protected] 671-689-8277 Builder and apprentice of ancient Chamorro (seafaring) sailing canoes, traditional homes and chanter. James Bamba P.O. BOX 26039 Barrigada, Guam 96921 [email protected] 671-488-5618 Traditional/ Contemporary CHamoru weaver specializing in akgak (pandanus) and laagan niyok (coconut) weaving. I can weave guagua’ che’op, ala, lottot, guaha, tuhong, guafak, higai, kostat tengguang, kustat mama’on, etc. Arisa Terlaje Barcinas P.O.BOX 864 Hagatna, Guam 96932 671-488-2782, 671-472-8896 [email protected] Coconut frond weaving in traditional and contemporary styles. -
Circumpolar Inuit Economic Summit
VOLUME 10, ISSUE 1, MARCH 2017 Inupiaq: QILAUN Siberian Yupik: SAGUYA Summit Participants. Photo by Vernae Angnaboogok Central Yupik: CAUYAQ UPCOMING EVENTS Circumpolar Inuit Economic Summit April 1-3 ICC Executive Council Meeting • Utqiagvik, By ICC Alaska Staff Alaska • www.iccalaska.org April 6 At the first international gathering of Inuit in June 1977 at Barrow, Alaska, First Alaskans Institute: Indigenous the Committee for Original Peoples’ Entitlement (COPE) offered up two Research Workshop • Fairbanks, Alaska • www.firstalaskans.org resolutions concerning cross-border trade among Inuit. April 11-12 Bethel Decolonization Think-Tank • Bethel, The first resolution called for a sub-committee with representatives from each Alaska • www.iccalaska.org region to investigate and report on possible new economic opportunities and April 7-9 Alaska Native Studies Conference • Fairbanks, trade routes. It stated that the discovery of oil and gas and our ownership Alaska • www.alaskanativestudies.org or royalties provided capital needed for reinvesting in and promoting Inuit April 24-27 industry. International Conference on Arctic Science: Bringing Knowledge to Action • Reston, Virginia • www.amap.no The second resolution called for a sub-committee on energy to investigate the May 10 feasibility of a circumpolar Inuit energy policy. These two resolutions were I AM INUIT Exhibit Event at the UAF Art Gallery tabled nearly forty years ago by the Inuvialuit of western Canada. • Fairbanks, Alaska • www.iaminuit.org May 11 In 1993, ICC held an Inuit Business Development Conference in Anchorage, 10th Annual Arctic Council Ministerial Meeting • Fairbanks, Alaska • Alaskan to discuss: trade and travel; strengthening economic ties and; natural www.arctic-council.org resources and economies. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
Working with Bone, Antler and Horn
Working with Bone, Antler and Horn David Constantine © 2014 V1.4 April 2014 Contents List of Figures and Tables ..................................................................................................................................... i Introduction .......................................................................................................................................................... 1 What is Bone Working? ..................................................................................................................................... 1 Recommended reading and additional resources ............................................................................................... 1 Contact Details ................................................................................................................................................... 1 Raw Materials ....................................................................................................................................................... 2 Definitions and basic biology of skeletal materials ........................................................................................... 2 Historical Availability and Use .......................................................................................................................... 4 Period Toolkits .................................................................................................................................................... 10 Basic toolkit .................................................................................................................................................... -
A Customs Guide to Alaska Native Arts
What International travellers, shop owners and artisans need to know A Customs Guide to Alaska Native Arts Photo Credits: Alaska Native Arts Foundation Updated: June 2012 Table of Contents Cover Page Art Credits……………………………………….……………..………………………………………………………………………………………………………………24 USING THE GUIDE ................................................................................................................................................................................ 1 MARINE MAMMAL HANDICRAFTS - Significantly Altered .............................................................................................................. 3 COUNTRY INFORMATION ................................................................................................................................................................... 4 In General (For countries other than those listed specifically in this guide) ............................................................................... 4 Australia ............................................................................................................................................................................................... 5 Canada ................................................................................................................................................................................................. 6 European Union ................................................................................................................................................................................. -
Wretharn, Otherwise Little Wretham, East
Wretharn, otherwise Little Wretham, East Wre- at his office in Cambridge ; and with the Clerk of tham, otherwise Great Wretham, Bridgeham, the Peace for the city and county of the city of otherwise Bridgham, Roudham, Larling, Snetter- Norwich, at his office in the city of Norwich ; and ton, Eccles, Wiiby, llargham, Attleborough, other- a copy of so much of the said plans, sections, and wise Attleburgli, Besthorpe, Wymondham, other- books of reference as relate to each of the parishes wise Wyndham, Hethersett, Kettartngham, Int- through which the proposed railway and branch wood, otherwise Intwoocl-cum-Keswick, Cringle- railway and works will pass, will be deposited, on ford, Keswick, Marketshall, otherwise Markshall, or before the thirty-first December next, with the Arniinghall, otherwise Arrneringhall, Trowse New- Parish Clerks of such parishes respectively, at their ton, Bexley, Thorpe, Caistor next Norsvich, Cais- respective residences. tor-cum-Markshall, otherwise Marketshall, Colney, Little Melton, Great Melton, Swardestone, Carl- Hayle Railway. ton Saint Peter, Carl ton Saint Mary, East Carlton, Mulbarton, otherwise Mulbarton-cum-Kenning- OTICE is hereby given, that application is ham, Bracon Ash, Hethel, Stanfield, Wicklewood, N intended to be made to Parliament in the "Wreningham, Ashwell Thorpe, Fundenhall, Old next session, for a Bill to alter, amend, and enlarge Buckenham, Shropham, Deopham, Larlingford, the powers and provisions of an Act, pa-ased in Great Eilinghara, Banham, Brettenham, East Har- the session of Parliament -
Parish Registers and Transcripts in the Norfolk Record Office
Parish Registers and Transcripts in the Norfolk Record Office This list summarises the Norfolk Record Office’s (NRO’s) holdings of parish (Church of England) registers and of transcripts and other copies of them. Parish Registers The NRO holds registers of baptisms, marriages, burials and banns of marriage for most parishes in the Diocese of Norwich (including Suffolk parishes in and near Lowestoft in the deanery of Lothingland) and part of the Diocese of Ely in south-west Norfolk (parishes in the deanery of Fincham and Feltwell). Some Norfolk parish records remain in the churches, especially more recent registers, which may be still in use. In the extreme west of the county, records for parishes in the deanery of Wisbech Lynn Marshland are deposited in the Wisbech and Fenland Museum, whilst Welney parish records are at the Cambridgeshire Record Office. The covering dates of registers in the following list do not conceal any gaps of more than ten years; for the populous urban parishes (such as Great Yarmouth) smaller gaps are indicated. Whenever microfiche or microfilm copies are available they must be used in place of the original registers, some of which are unfit for production. A few parish registers have been digitally photographed and the images are available on computers in the NRO's searchroom. The digital images were produced as a result of partnership projects with other groups and organizations, so we are not able to supply copies of whole registers (either as hard copies or on CD or in any other digital format), although in most cases we have permission to provide printout copies of individual entries. -
Pagan to Christian Slides As Printable Handout
23/08/2018 Transition From Pagan To Christian William Sterling Fragments of a Colossal Bronze Statue of Constantine, Rome Hinton St Mary Mosaic in the British Museum c. 1985 Bellerophon ↑ and Jesus ↓ Today there are statues and a Café in the same position “Although we speak of a religious crisis in the late Roman Empire, there is little, real sign that the transition from paganism to Edward Gibbon by Christianity was fundamentally Reynolds difficult.” Dr J P C Kent of the Museum’s Coins and Medals Department “The World of Late Antiquity” “Decorative art shows no clear division between paganism and “the pure and genuine influence of Christianity may be traced in its Christianity” beneficial, though imperfect, effects on the barbarian proselytes of the North. If the decline of the Roman empire was hastened by the K S Painter “Gold and Silver from conversion of Constantine, his victorious religion broke the violence of the Late Roman World Fourth-Fifth the fall, and mollified the ferocious temper of the conquerors.” Centuries.” 1 23/08/2018 “The new religion and new ecclesiastical practices were a steady focal point around which the new ideological currents and “The Christian culture that would social realignments revolved, as emerge in late antiquity carried Christianity gradually penetrated more of the genes of its “pagan” the various social strata before ancestry than of the peculiarly becoming the official religion of the Christian mutations.” state. At the same time, important aspects of the classical spirit and Wayne A Meeks “Social and ecclesial civilisation still survived to life of the earliest Christians” complete our picture of late antiquity.” Eutychia Kourkoutidou-Nicolaidou “From the Elysian Fields to the Christian paradise” “I don’t think there was ever anything wrong with the ancient world. -
The Bayeux Tapestry
The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
A Strategy for Identifying Introduced Provenances and Translocations*
A strategy for identifying introduced provenances and translocations* C. FERRIS1, A. J. DAVY2 AND G. M. HEWITT2 Downloaded from https://academic.oup.com/forestry/article/70/3/211/543878 by guest on 29 September 2021 1 Department of Botany, University of Leicester, University Road, Leicester, LEI 7RH, England 2 School of Biological Sciences, University of East Anglia, Norwich, Norfolk, NR4 7TL, England Summary Native species of oak in Britain have been of great importance in our history for their many uses, and have thus been subject to management and planting by man for centuries. Following events such as the Enclosure Acts of the late eighteenth century and the Napoleonic wars, many oaks would have been planted. Translocations and introductions of foreign genotypes were greatly encouraged by early landscape gardeners such as Capability Brown. Britain must, there- fore be a mosaic of native and non-native oaks. A major problem arises when we try to identify non-native trees. Due to their long life-cycle, oaks are of necessity both phenotypically plastic and genetically very variable and it has been virtually impossible to discriminate between native and non-native forms using traditional methods. The advent of new molecular genetic techniques however, now allows us to identify DNA markers that can distinguish between such forms. The geographic patterns for two chloroplast DNA markers will be presented. One clearly differentiates between oaks from eastern Europe versus western Europe and can be used to identify translocations of eastern European oaks into Britain and western Europe. The second identifies genotypes native to East Anglia and can be used to recognize translocations into and out of East Anglia. -
New Zealand Crafts Issue 28 Winter 1989
FTSCOUNCI‘E:~I" 2: Crafts Council Magazine 28 Winter 1989 $10 incl GST STATE — FOREWORD The State‘Of the Crafts in New Zealand Crafts CouncilCr5ft5Magazine 28 Winter Double Issue 1989 Nan Berkeley — outrageous 25 Details 41 Craft Index Textiles visionary Jenny Pattrick Richard Tarrant 42 The NZ Spinning, Weaving and The NZ Society of Potters Inc. 26 Craft Index Jewellery/Metal Woolcraft Society Inc. Rick Rudd Nola Fournier 29 The Association of Handcraft Craft Index Ceramics Printers Ken McGrath 43 Craft Index Textiles IO The crafts in Maori society 30 The crafts and the fine arts 44 The crafts and tourism Amy Brown Lesieigh Salinger Hon. Jonathan Hunt l2 Craft Index Ceramics . The Craft Buyer's Guide I989 . 46 The National Association of Woodturners NZ Inc. l3 Nga Puna Waihanga 32 The Association of NZ J.A. Hazlett NZ Maori Artists and Writers Society Leatherworkers Warren Hunt Inc. 47 Craft Index Wood 33 Craft Index Leather 14 Craft Index Ceramics 48 The crafts and sponsorship 34 The New Zealand Lace Society Vanessa Gibbs 16 The crafts and women Inc. Pauline Pease Cassandra Fusco 50 The Furniture Group 35 Craft Index Textiles James Dowle 18 The NZ Society of Artists in Glass On the twenty-fifth anniversary of the World Crafts Council, it is appro- Peter Raos 36 The Association of NZ 51 Craft Index Wood priate to consider the important role that the crafts play in the lives of New Embroiderer's Guilds Inc. Zealanders. I9 Craft Index Glass Elizabeth Ellett 54 The crafts and the public art As a people, we have excelled in this area of arts. -
Scientific Modelling of Decorative and Applied Arts Of
Journal of Siberian Federal University. Humanities & Social Sciences 10 (2017 10) 1507-1524 ~ ~ ~ УДК 7.05 Scientific Modelling of Decorative and Applied Arts of the Indigenous Small-Numbered Peoples of the Krasnoyarsk Territory: Current State and Ways of Effective Development Maria A. Kolesnik and Alexandra A. Sitnikova* Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia Received 01.06.2017, received in revised form 02.10.2017, accepted 09.10.2017 The article presents a scientific model of the traditional functioning of the decorative and applied arts of the indigenous peoples of the Krasnoyarsk Territory (Krai). This is an “ecological model”, since it implies careful and economical use of all natural resources being extracted. The current state of the decorative and applied arts of the indigenous small-numbered peoples of the Krasnoyarsk Territory North is described by a scientific model, which is perceived as a “model of symbolic consumption”. The authors analyzed main types of souvenirs produced by the indigenous minorities of the North of the Krasnoyarsk Territory, namely beadwork, bone carving works, festival clothes, taxidermy items, shaman attributes, doll amulets, etc. The researchers offered a scientific model of ways to develop the decorative and applied arts of the indigenous small-numbered peoples the Krasnoyarsk Territory North. These include the improvement of the “symbolic consumption” system first at the level of souvenir production, then at the level of creating ethnocultural villages and ethnic parks, and, finally, at the level of creating contemporary art works to be understandable and interesting internationally. Keywords: decorative and applied arts, the indigenous small-numbered peoples, souvenirs of the indigenous peoples of the North, ethnic park, development models for the decorative and applied arts of the indigenous peoples of the North.