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Modernism 1 Modernism
Modernism 1 Modernism Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th and early 20th centuries. Modernism was a revolt against the conservative values of realism.[2] [3] [4] Arguably the most paradigmatic motive of modernism is the rejection of tradition and its reprise, incorporation, rewriting, recapitulation, revision and parody in new forms.[5] [6] [7] Modernism rejected the lingering certainty of Enlightenment thinking and also rejected the existence of a compassionate, all-powerful Creator God.[8] [9] In general, the term modernism encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social, and political conditions of an Hans Hofmann, "The Gate", 1959–1960, emerging fully industrialized world. The poet Ezra Pound's 1934 collection: Solomon R. Guggenheim Museum. injunction to "Make it new!" was paradigmatic of the movement's Hofmann was renowned not only as an artist but approach towards the obsolete. Another paradigmatic exhortation was also as a teacher of art, and a modernist theorist articulated by philosopher and composer Theodor Adorno, who, in the both in his native Germany and later in the U.S. During the 1930s in New York and California he 1940s, challenged conventional surface coherence and appearance of introduced modernism and modernist theories to [10] harmony typical of the rationality of Enlightenment thinking. -
The AI Interview: Tom Otterness NEW YORK, Sept
file:///C|/Documents%20and%20Settings/Katrin.tomotterness/Desktop...fo%20tom%20otterness%20world%20famous%2027%20September%202006.htm NEWS & FEATURES October 02, 2006 Tom Otterness with his work-in- progress "Untitled" (Immigrant Couple), 2006. "See No Evil" (2002) at the Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Mich. (main entrance) Tom Otterness The AI Interview: Tom Otterness NEW YORK, Sept. 27, 2006—According to the New York Times, Tom Otterness “may be the world’s best public sculptor.” Certainly he is one of the most visible. He is the only artist ever to have contributed a balloon to the Macy’s Thanksgiving Day Parade, and his large-scale installations in outdoor public locations—from Indianapolis to New York—are enormously popular. Otterness enjoys the rare ability to engage spectators from all walks of life and all levels of art- world sophistication—because while his imagery is cartoon-like, and often highly appealing to children, his work also tends to carry a political punch. He is particularly scathing in his portrayals of those for whom financial wealth is all important. Pieces such as Free Money (1999) and Big, Big Penny (1993) depict this obsession, and others, like his New York subway installation, Life Underground, beneath ArtInfo’s headquarters, show people actually turning "Free Money" (1999) into money. Tom Otterness His next New York gallery show will be at the Marlborough Gallery's 57th Street location in November 2007. Tom, let me begin by asking you about the response to the sculptures you showed in Grand Rapids, Mich. this summer. They were hugely successful. -
In Situ Listening: Soundscape, Site and Transphonia
In Situ Listening: Soundscape, Site and Transphonia Marcus Leadley Goldsmiths, University of London PhD Sonic Arts 2015 I hereby declare that the work in this thesis and the works presented in the accompanying portfolio are my own. I am responsible for the majority of photographic images used herein and I therefore own and control copyrights. Where necessary, permissions have been acquired, and credits assigned. Signed, Marcus Leadley © 2015 2 Abstract This enquiry represents an exploration of environmental sound and artistic practice from the perspectives of in situ listening and transphonia. The initial term, in situ listening, has been coined by the author in order to constellate a group of intellectual trajectories and artists’ practices that engage with recorded sound and share a common theme: that the listening context, the relationship between mediated sound and site, is an integral part of the engagement process. Heikki Uimonen (2005, p.63) defines transphonia as the, “mechanical, electroacoustical or digital recording, reproduction and relocating of sounds.” The term applies to sound that is relocated from one location to another, or sound that is recorded at a site and then mixed with the sound of the prevailing environment. The experience of the latter, which is a key concern for this thesis, may be encountered during the field recording process when one ‘listens back’ to recordings while on site or during the presentation of site-specific sound art work. Twelve sound installations, each based on field recordings, were produced in order to progress the investigation. Installations were created using a personally devised approach that was rigorous, informed, and iterative. -
Cummins Opens Nine-Story Office Tower on Four-Acre Site in Downtown Indianapolis
Contact: Katie Zarich Manager - External Communications Phone: (317) 650-6804 Email: [email protected] January 18, 2017 For Immediate Release Cummins Opens Nine-Story Office Tower on Four-Acre Site in Downtown Indianapolis INDIANAPOLIS, IND. – Cummins Inc. (NYSE: CMI) is building upon its legacy of innovation and community commitment with the addition of a nine-story office tower in downtown Indianapolis. The Company, which is headquartered in Columbus, Ind., is known for its rich history of architectural excellence, and this location is the next chapter in that story. Opening in January 2017 and designed by the New York-based architecture firm Deborah Berke Partners, this dynamic, people-centric work environment for employees and customers will contribute to the city’s social and economic vibrancy. The building provides workspace for Cummins employees in the distribution business and select corporate functions. Downtown Indianapolis allows Cummins to bring the company closer to its distributors and customers through close proximity to the Indianapolis International Airport and the convergence of multiple interstates. “We are incredibly excited about opening our new Distribution Business headquarters in downtown Indianapolis,” said Tom Linebarger, Cummins Chairman and CEO. “Indianapolis is a vibrant and growing city and we are looking forward to being a bigger part of this diverse and thriving community. Cummins was founded in Indiana nearly 100 years ago, and we have grown to have about 10,000 employees in the state. Our new Indianapolis building, with its innovative and collaborative work environment, will help us attract and retain the best and brightest talent, a critical part of fulfilling our mission of powering a more sustainable world.” “As a homegrown Hoosier company, Cummins has a long history of business success and job creation in the Hoosier state,” said Indiana Governor Eric Holcomb. -
The Funerals of the Habsburg Emperors in the Eighteenth Century
The Funerals of the Habsburg Emperors In the Eighteenth Century MARK HENGERER 1. Introduction The dassic interpretation of the eighteenth century as aperiod of transition-from sacred kingship to secular state, from a divine-right monarchy to enlightened absolutism, from religion to reason-neglects, so the editor of this volume suggests, aspects of the continuing impact of religion on European royal culture during this period, and ignores the fact that secularization does not necessarily mean desacralization. If we take this point of view, the complex relationship between monarchy and religion, such as appears in funerals, needs to be revisited. We still lack a comparative and detailed study of Habsburg funerals throughout the entire eighteenth century. Although the funerals of the emperors in general have been the subject of a great deal of research, most historians have concentrated either on funerals of individual ruIers before 1700, or on shorter periods within the eighteenth century.l Consequently, the general view I owe debts of gratitude to MeJana Heinss Marte! and Derek Beales for their romments on an earlier version ofthis essay, and to ThomasJust fi'om the Haus-, Hof und Staatsarchiv, Vienna, for unbureaucratic access to the relevant source material. I Most attention has heen paid to Emperor Maximilian 1. Cf., among olhers, Peter Schmid, 'Sterben-Tod-Leichenbegängnis Kaiser Maximilians 1.', in Lothar Kolmer (ed.), Der Tod des A1iichtigen: Kult und Kultur des Sterbe1l5 spätmittelalterlicher Herrscher (Paderborn, 1997), 185-215; Elisaheth Scheicher, 'Kaiser Maximilian plant sein Denkmal', Jahrbuch des kunsthislmischen Museums Wien, I (1999), 81-117; Gabriele Voss, 'Der Tod des Herrschers: Sterbe- und Beerdigungsbrauchtum beim Übertritt vom Mittelalter in die frühe Neuzeit am Beispiel der Kaiser Friedrich IH., Maximilian L und Kar! V: (unpuhlished Diploma thesis, University ofVienna, 1989). -
Nellie Bly Vs. Elizabeth Bisland: the Race Around the World,” P
Vol. VI, No. 2, 2020 Surprise!! The famous Nellie Bly had a now-forgotten travel competitor. See “Nellie Bly vs. Elizabeth Bisland: The Race Around the World,” p. 2. © Corbis and © Getty Images. To be added to the Blackwell’s Almanac mailing list, email request to: [email protected] RIHS needs your support. Become a member—visit rihs.us/?page_id=4 "1 Vol. VI, No. 2, 2020 Nellie Bly vs. Elizabeth Bisland: The Race Around the World You probably know that Nellie Bly was the intrepid woman journalist Contents who went undercover into the notorious Blackwell’s Island Lunatic Asylum and later traveled around the world in a record- P 2. Nellie Bly vs. making 72 days. (See Blackwell’s Almanac, Vol. II, No. 3, 2016, at Elizabeth Bisland: The rihs.us.) What you almost certainly do not know is that Race Around the World another young lady departed the very same day in competition with her. P. 7 From the RIHS Author Matthew Goodman recounted this exciting story at February’s Archives: NY Times Ad, 1976 Roosevelt Island Historical Society library lecture. Based on his incredibly well-researched book, Eighty Days: P. 9. RI Inspires the Nellie Bly and Elizabeth Bisland’s History-Making Race Around the Visual Arts: Tom World, Goodman painted an intimate portrait of the Otterness’s “The two women who vied to outrun the 80-day ’round-the-world journey Marriage of Money and imagined by Jules Verne. Real Estate” P. 10. A Letter from the By 1889, when Bly embarked on her circumnavigation of the globe, RIHS President she had already demonstrated her utter fearlessness. -
University of Northern Iowa Today, V93n2, Fall 2009
University of Northern Iowa UNI ScholarWorks UNI Today UNI Alumni Association Fall 2009 University of Northern Iowa Today, v93n2, Fall 2009 University of Northern Iowa Alumni Association Let us know how access to this document benefits ouy Copyright ©2009 University of Northern Iowa Follow this and additional works at: https://scholarworks.uni.edu/alumninews Part of the Higher Education Commons Recommended Citation University of Northern Iowa Alumni Association, "University of Northern Iowa Today, v93n2, Fall 2009" (2009). UNI Today. 24. https://scholarworks.uni.edu/alumninews/24 This Newsletter is brought to you for free and open access by the UNI Alumni Association at UNI ScholarWorks. It has been accepted for inclusion in UNI Today by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Greetings and thank you for staying in touch with friends and fellow alumni at the University of Northern Iowa. We are looking forward to a year filled with new challenges and opportunities. While our state appropriations have been reduced to levels of 11 years ago, the UNI community's resourcefulness in identifying revenue and cost-containment strategies and the availability of stimulus funds will allow for the most strategic response possible. Moving forward with strong alumni support, sound priorities and excellent faculty and staff, prospects are great that UNI will continue to have a powerful impact on the success of our students and the well being of Iowa. Initiatives for sustainability and diversity complement our priorities, which are to build an even stronger undergraduate program, to lead the state in pre-K through 12 education issues, and to increase assistance to the state in economic, social and cultural development. -
10 Stanton St., Apt,* 3 Mercer / OLX 102 Forayti * 307 Mtt St 307 Mott St
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Scatti Di Jazz
Scatti di Jazz Fotografie di Roberto Tarallo e memorabilia dal mondo del Jazz Collezione di fotografie originali spartiti musicali libri fotografici tour programs riviste originali pubblicità discografiche Libreria Biggio Torino Tutte le fotografie originali presentate in questo catalogo sono di Roberto Tarallo. Scattate con una Contax a ottica Carl Zeiss tra gli anni 1994 e 2000, sono state stampate, ora per la prima volta, su carta barritata cm 30x40 ai sali d’argento. Il formato dell’immagine è cm 24x36. Il fotografo ha seguito personalmente in camera oscura il procedimento di stampa dal negativo originale. Quando non diversamente indicato i musicisti sono stati ritratti al JVC Newport Festival di Torino nel 1996. Fotografia in quarta di copertina: Suonatore di violoncello. 2010 Studio sulla storia del movimento. Singola ripresa digitale senza interventi di post produzione. Amedeo Tosi - Roberto Rosso La mostra partecipa al Turin Photo Festival 2010 “L’Invisibilità dell’evidenza” Il Jazz è musica da ascoltare con gli occhi. Nessun appassionato può avvicinarsi a quei suoni senza evocare nella mente le immagini di prepotenti e meravigliosi volti neri solcati dal sudore e dalla fatica di vivere. O di quelle mani che si intrecciano tra i tasti bianchi e neri o di quelle gote gonfie che sputano nel bocchino della tromba. Nessuna musica, o forse solo il rock con altri scenari, associa, in modo tanto efficace e simultaneamente, sensi così diversi. Non è un caso quindi che il fotografo - da quando esiste il Jazz e da quando esiste la fotografia - abbia sempre accompagnato il lavoro del musicista, ne sia stato il testimone silenzioso, l’archivista della memoria degli eventi. -
Rome Hotel Eden
ROME HOTEL EDEN Two day itinerary: Teenagers With strong historical and cultural appeal, it isn’t difficult to find activities to entertain and educate the whole family in Rome. While travelling with teenagers can have its challenges, the key to a fantastic trip lies in a little imagination and a lot of creative planning. Visit these popular places for teenagers with this two-day travel guide to Rome. Day One Start the day with a 15-minute drive to Castel Sant’Angelo, crossing over the River Tiber. CASTEL SANT’ANGELO T: 006 32810 | Lungotevere Castello 50, 00193 Rome An unmissable attraction for history buffs, Castel Sant’Angelo is more than just a castle. The ancient Roman fortress is home to Hadrian’s tomb, built by the 2nd century emperor himself. Starting at the tomb, young adventurers can explore the castle and discover the National Museum of Castel Sant’Angelo with its collections of antique weapons, pottery and art. Next, take a leisurely 10-minute walk to St. Peter’s Basilica in Vatican City. ST PETER’S BASILICA T: 006 6988 3229 | Piazza San Pietro, Vatican City, 00120 Instantly recognisable by its enormous domed roof, St Peter’s Basilica is among the most famous sights in Rome. Treat teenagers to an alternative view by climbing to the top of the dome. From the roof level of the basilica, it’s over 500 steps to the top of the dome, but it’s worth the effort for incredible panoramic views of the Eternal City. To reach Pizzarium, take either a 10-minute drive or a 20-minute walk. -
“Meditation” for Fauré's Requiem Palm Sunday April 14
“Meditation” for Fauré’s Requiem Palm Sunday April 14, 2019 Faith Presbyterian Church – Evening Service Pr. Nicoletti When I told someone I know outside of our congregation about our program tonight … they were puzzled … and I suspect a little put off. Their response was something like “Oookay … why would you do that?” Because tonight, our program, is essentially a musical work that is focused on death and dying, and what follows that. Why would a group of people, on a Sunday evening like tonight, gather together to meditate on death and dying? The question brings out how counter-cultural our focus tonight is. But it wasn’t always so counter-cultural. The Christian church for much of its history stressed the importance of living our lives now in light of the fact that we will die. Whether in the liturgy and music of the church, as we will hear tonight, in church architecture, or in the visual art of the church, at its best the Church was persistent in reminding itself of the reality of death. A work or genre of art aimed at doing this would be referred to as a memento mori – Latin for “Remember (that) you will die.” My favorite example of a memento mori that I have heard of is in Rome and is called the Capuchin Crypt. It is a small space made up of several tiny chapels beneath a church. And each room, each chapel, is intricately decorated with the carefully arranged bones of 3700 Franciscan friars who had been part of the Capuchin order before their deaths. -
Katalin Káldi: the NUMEROUS and the INNUMEROUS K a Ta Lin K Á Ld
A R T A S R E S E A R C H • H U N G A R I A N U N I V E R S I T Y O F F I N E A R T S D O C T O R A L S C H O O L • A R T A S R E S E A R C H H L U O N O G H A C R S 2020. 02. 18. 7:46 I A L N A R U O N T I C V O E D R S S I T T R Y A O E F N F I I F N F E O A Y Katalin Káldi: R T T I S S R D E O V C I T N O U R A N L A THE NUMEROUS AND THE INNUMEROUS I S R C A H G O N O U L H H C R A E S E R S A T R A • L O O H C S L A R O T C O D S T R A E N I F F O Y T I S R E V I N U N A I R A G N U H • H C R A E S E R S A T R A Katalin Káldi: THE NUMEROUS AND THE INNUMEROUS - - - - - Sed ut perspiciatis unde omnis iste natus error sit Neque porro quisquam est, qui dolorem ipsum voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo invento re veritatis et quasi architecto beatae vitae dicta sunt explicabo.