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Adobe Photoshop Yearly S\lbscrip~\Or:'l, T~elve .. ~mbers, $2.00 Single Number, 35_cents. • • . .• . ' ' - .. .· ' . : .. ,i . : \. ' ... ~ ·- MARC·H, 19.00 Vol. 23. ..No. 3. Whole No. _26'7 32 PACES OF MUSIC AND MUSICAL LITERATURE IN THIS NUMBER. I ..- PIANO SOLOS. BERTINI•SIDUS. Chrysanthemun. BERTINI·SIDUS• Daisy. BERTINI·SIDUS. Forget Me Not. BERTINI·SIDUS. Heliotrope. ROSEN, AU_CUST. Valse d'Am'our. PIANO DUET• . CRIEC, EDVARD. Norwegian Dance ~ SONG. :: " . t CONRATH, LOUIS. Too Late. .I' 0 I •: .. 1··· Copyright, KUNKEL BROS., 1900, KUNKEL'S MUSICAL REVIEW, MARCH, 1900. · THE CELEBRATED SIIMBR Head.s the List of the Highest-Grade Pianos, and ~~~~· Lock you:r . P. Are at present Preferred by Stable Doo:r ~ ~ the Most the Leading Before the Horse !}, is stolen~ Popular and Artists~ f Take a Box in the ~ MissouriV ;:~:of the . ~ SOHMER & CO., Deposit Co~--... NEW YORK WAREROOMS: While you have some,.­ SOHMER BUilDING, FIFTH AVENUE, CORNER 22d STREET. thing to put in it, Equitable Building, JOHN FELD, Agent, 1901 St. Louis Ave., ST. L6UIS• . CAUTION. The buying public will please not confound the genuine S-0-H-M-E-R Piano with one of a similar sounding name of a cheap grade. -ESTABLISHED- IN NEW YORK 1875 IN CHICAGO 1889 ADVERTISE IN KUNKEL'S MUSICAL REVIEW, ST. LOUIS, MO. HIGH GRADE ESTABLISHED 1878. ISSUED MONTHLY. The Largest and fi andsomest Musical Publication in the United States. ~PJ . A . NOS Have~literally.. Bounded into Popularity. Circulation National, reaching the most enlightened and cultivated homes in the United States. AT MODERATE PRICE. Capacity, 300 per Month. ONLY FIRST·CLASS ADVERTISEMENTS INSERTED. Schaeffer Piano Mfg. Co. Address all communications to KUNKEL BROTHERS, Factory, Riverview, Ills. 2307 LOC\JST STREET, ST. LOUIS, MO. Offices, 215 Wabash Ave., • CHICAC(;». KUNKEL'S MUSICAL REVIEW; MARCH, -1900 121 The Artistsverdict and of the the world'sAcceptance createst The .WORLD'S FAIR of the Music Trade. HIGHEST HONORS -INDORSED BY THE JURY OF EXPERTS OF . THREE M·EDALS AND DIPLOMAS AWARDED BY THE JURY TO ·tt Pianos, • ({IIBBD Reed ~rgans, • ================· == Portable Pipe Organs COMPRISING ALL INSTRUMENTS PRODUCED BY W. W. KIMBALL co.. CHICAGO, THE ONLY MANUFACTURERS RECEIVING THIS NUMBER OF AWARDS FOR PIANOS AND ORGANS. E. A~ KIESE~HORST, Ceneral Agent, 914 Olive Street, ST. LOUIS. THE MARRIAGE QUESTION AGAIN. ed up a veritable hornet's nest. The learned gen­ kicking against it. As Chauncy M. Depew says: . tleman talked too glibly and authoritatively on a ''What's good enough for mother is good enough subject that it is presumed he knows little about, for me." But before leaving the subject I want to ROF. WM. G.- SUMNER, of Yale, in a inasmuch as the New York Journal reports him as speak a word of advice. When the wheels of matri­ recent class-room lecture, is reported to being a baldheaded old bachelor. Practical results mony don't run smoothly because the wife is in have said: ''In the strictest sense mar­ outweigh all the fine-spun theories in the world. distress and out of humor, or the husband cross be­ riage is an ideal that has never been Civilization has tested matrimony. Among decent cause of headeache from hard work down town or P realized. Vicissitudes act on and change people it has been found to be pretty nearly pure too much festivity at a banquet, remember that Five­ the married pair, and not more than ten per cent of gold. What some sour old bear may think or say Grain Antikamnia Tablets facilitate the domestic them realize their ideal of marriage. That is to say, on the subject does not alter the' 'clinical evidence," machinery wonderfully. They drive pain out of the not more than ten per cent of married people look­ as doctors say, in recommending Five-Grain Anti­ home and bring in smiles and joy and happy laugh­ ing backward, at the end of their lives, can honestly kamnia Tablets for relief of pain, such as headache, ter instead. say they have realized all the happiness and all the brow ache, neuralgia, muscle soreness and bone Besides they are perfectly safe-they do not pro­ ideals with which they began married life * * ache. No, not by any means! As I said before, duce habit; they do not depress weak hearts, they The poetry of the marriage ideal too often ends with when a thing is tried and found to fill the bill-when relieve promptly and certainly. One or two Five­ the ceremony.'' · it is in demand all over the civilized world and pro­ Grain Antikamnia Tablets every hour, repeated as To this there have been many replies, notably by nounced good-"the best thing known," etc., etc., necessary, will drive away any pain that may fasten Cardinal Gibbons and Mrs. Wm. Jennings Bryan, as is spoken of the marriage of true souls, and, by its horrid fangs in human flesh.- SAPHO and invariably exceptions have been made and in the way, also of Five-Grain Antikamnia Tablets, inN. Y . Med. Weekly. most instances established. Professor Sumner stirr- there is no use · of some old hidebound professor THE JESS~ FRENCH PIANO & ORGAN COMPANY, MANUFACTURERS OF THE "THREE GRACES" STARR, JESSE FRENCH AND RICHMOND PIANOS. The STARR Piano is a recognized standard of artistic merit, and received the highest award at the World's Fair in '93, also at the Tennessee International Exposition in '98. The JESSE FRENCH is a popular rival of all claimants for the second position, because of its acknowledged durability, elegant ton.e and action, while the RICHMOND is certainly the best commercial Piano in America, moderate in price and thoroughly reliable. We make nothing but such goods as we can sell on honor and fully guaranteed, and parties dealing direct with us get factory prices and save all middlemen's profits. Write us; a 2c. stamp may save you many dollars. JESSE FRENCH PIANO· & ORGAN COMPANY, \Oth and Olive Streets, E;"T'. L.OLJIE;, ~c:::>. 122 KUNKEL'S MUSICAL REVIEW,, MARCH, 1900 OWWEHEAR they knew nothing yet. They knew almost that either a composer should be his own poet, - MUSICAL TONES. nothing of what happened in the brain. But or that the poet should set himself to under­ at that point they passed from the region of stand the needs of the composer, which he physiology to the region of psychology, and Prof. McKendrick, of Eng­ can easily do without sacrificing his art-ship. H land, remarked in a recent lee- it was there they must find the explanation of The two would then work together to a com­ how they had such glorious feelings when ture that it was one of the greatest general­ mon end, which in itself would be a greater they listened to the music of the great com­ izations of modern physics that in the world end than any to which either might attain by posers. there were many kinds of movements, some himself. of which were patent to the ordinary senses, There is another aspect, too, of this song­ SONG WRITING. a.nd some were so delicate as to require spe­ question which requires a few words. Even cial methods for their apprehension. In - ~ T is generally held that many great songs when we have the perfect song, we still addition to the movements which caused the have been given to the world, but, in require-the perfect singer. We demand sensation of light, sound, and the other well­ spite of Schubert, who in a few of his brains, intuition, dramatic power, emotion in known sense phenomena, there were probably songs has done wonderful things, and our modern singers of modern songs. To be many movements in the physical world of Schumann, who really had a finer idea able to sing a melody smoothly, to overcome which people were not directly conscious, as of the union and poetry of music, and Robert easily the most awkward intervals, is not there were no sense organs for these move­ Franz, who too often cut the knot by making sufficient for our purpose. We must have ments to act upon. There was no special his vocal music so subservient to the words something more than mere voice; there must organ for the reception of electric waves, and that it is sometimes colorless and uninterest­ be a human soul behind it, or the result is consequently people were not cognizant of the ing, there is still room for the assertion that incomplete. The composer cannot notate existence of these waves except by special song writing is in its infancy, says a writer in changes of voice color; he cannot, without and indirect methods. The lecturer then a London paper. Wagner complained that in cramping the singer of intelligence, write down went on to explain the action of the tuning every little shade of expression-almost as fork, and the method that was adopted to reasonably might one expect a dramatist to show graphically the vibrating motion of the notate every change of expression in the voice fork and to measure the wave lengths. He for the different sentiments in the speeches also gave the result of combining waves of set down for his actors. No; the finest song different lengths, and of varying the phases. ultimately rests for its completeness with the The three characteristics of a musical sound singer. were pitch, loudness, and quality. Pitch was raised by increasing the rapidity of the vibra­ HE AMERICAN HOME PIANO. tions, loudness by increasing the amplitude of the vibrations, and quality by the addition of Charles M. Skinner contributes partial tones. He pointed out that it was not a readable essay on this subject to necessary to hear a tone for, say, a second, to T the Philadelphia Saturday Eve­ recognize it.
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