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AMS/SMT Vancouver 2016 Abstracts Thursday Afternoon AMS2016printbleeds.pdf 1 9/9/2016 11:40:21 AM Theodore Front Musical Literature is pleased to offer AMS/SMT & Abstracts Program American 2016 Vancouver Musicological Society Béla Bartók Complete Critical Edition Society for Music Theory Published jointly by G. Henle Verlag Münich and Editio Musica Budapest The Complete Edition comprises published and posthumous works by Bartok. It also presents very divergent versions – including ones that have not previously been accessible. The accompanying texts for all of the volumes contain a descrip- Vancouver tion and evaluation of all available sources, as well as critical commentaries. In addition to providing an introduction to the work’s genesis, each volume also con- 3-6 November 2016 tains editorial notes for the performer. Editors : László Somfai, László Vikárius, Márton Kerékfy. With critical commentaries and footnotes in English. Edition Program & Abstracts sources : Bartók Archives of the Hungarian Academy of Sciences. This scholarly edition will be comprised of 48 volumes in seven series: I. Stage works (six volumes) V. Piano works (nine volumes) II. Vocal works (five volumes) VI. Piano reductions (four volumes) III. Orchestral works (fifteen volumes) VII. Appendix (two volumes) C IV. Chamber works (seven volumes) M Y CM MY CY CMY The first six volumes scheduled to be published: K Volume 37 : For Children – early and revised versions with critical commentaries: HN 6200 Volume 24 : Concerto for Orchestra – with critical commentaries: HN 6201 Volume 38 : Works for Piano Solo 1914-1920 – with critical commentaries : HN 6202 Volume 9 : Choral Works – with critical commentaries : HN 6205 Volume 29 : String Quartets - score : HN 6206 Volume 30 : String Quartets – critical commentaries : HN 6207 All volumes are stitch-bound in teal-colored cloth with silver embossing. The first volume is due to be published late 2016. Subscriptions Invited! For more information, visit: https://www.tfront.com/t-bartok.aspx 26362 Ruether Ave. Santa Clarita, CA 91350 Tel: 661•250•7189 Fax: 661•250•7195 Web:www.tfront.com g Abstracts of Papers Read at the American Musicological Society Eighty-second Annual Meeting and the Society for Music Theory Thirty-ninth Annual Meeting 3–6 November 16 Sheraton Wall Centre Hotel Vancouver, British Columbia g AMS/SMT 2016 Annual Meeting Edited by Anne Stone and Marianne Wheeldon Local Arrangements Committee Antares Boyle (SMT), Christina Hutten (AMS), Laurel Parsons (SMT) Performance Committee Steven Zohn, Chair, Christina Baade, David Dolata, Christina Hutten Program Committees AMS: Anne Stone, Chair, Brigid Cohen, Jonathan Glixon, Halina Goldberg, Nicholas Mathew, Massimo Ossi, Katherine K. Preston SMT: Marianne Wheeldon, Chair, Alan Dodson, Joseph Dubiel, Alan Gosman, Dora A. Hanninen, ex officio, Noriko Manabe, Jonathan Wild We would like to thank the following persons and organizations for their generous support: St. Andrew’s Wesley United Church Christ Church Cathedral Early Music Vancouver Music On Main, Vancouver The University of British Columbia The Vancouver Chopin Society The Vancouver Recital Society The Vancouver Symphony Orchestra Program and Abstracts of Papers Read (ISSN 3-13) is published annually for the Annual Meeting of the American Musicological Society and the Society for Music Theory; one copy is distributed to Annual Meeting attendees free of charge. Additional copies may be purchased from the American Musicological Society for $1. per copy plus $. U.S. ship- ping and handling (add $3. domestic shipping for each additional copy). For international orders, please contact the American Musicological Society for shipping prices: AMS, 14 Mercer Street, Room 44, New York, NY 11-1 (e-mail [email protected]). Copyright © 16 by the American Musicological Society, Inc. and the Society for Music Theory, Inc. All rights reserved. Cover design: Gabriel Sim-Laramee Contents Thursday Afternoon 47 Between Music Theory and Music History: Carl Dahlhaus on the History of Music Theory (SMT) 1 Colonial Music in the New World (AMS) Early Modern Performance (AMS) 6 Enlightenment Tarantism (AMS) Extending Topic Theory (SMT) 61 French Music at Home and Abroad in the Long Eighteenth Century (AMS) 64 Logics of Late Modernism (SMT) 6 Minstrelsy (AMS) 67 Music Theory, African Rhythm, and the Politics of Data: Three Analyses of a Corpus of Jembe Drum Music from Mali (SMT) 7 Musical Histories of Modern Nationhood (AMS) 73 Musical Literacy in the Early Middle Ages (AMS) 76 Nineteenth-Century Music and Social History (AMS) Modernism’s Tensions (AMS) 3 Opera Exchanges (AMS) 6 Performing Babbitt and Morris (SMT) 7 Positional Listening/Positional Analysis (SMT) Race in Midtown (AMS) 3 AMS President’s Endowed Plenary Lecture Thursday evening 94 Apocalypse, Ecomusicology, and Radical Listening (AMS) 6 Cripping the Music Theory/Music History Curriculum 7 Digital Scores: Navigating Online Music from Antiphons to Mozart to Zorn (AMS) Experimenting with the Canon: New Approaches to the Music History Survey (AMS) 11 Ginastera at 1: Politics, Ideology, and Representation (AMS) 1 The ermeneuticsH of Sonata Deformation (SMT) 1 Ligeti (SMT) 17 Musical Artifacts (AMS) 111 Musical Performance, Musical Works (SMT) 114 Musical Significations (SMT) 11 Nineteenth-Century Periods (SMT) 116 Songs of the Jewish Enlightenment: Vocal Music in the Circle of Sara Levy (1761–14) (AMS) 117 Susanne Langer Reconsidered (AMS) Contents AMS/SMT Vancouver 2016 Friday morning 11 Behind and Beyond the Iron Curtain (AMS) 14 Bernstein (AMS) 16 Boulez: From Sketch to Score (SMT) 17 Canonic American Composers (AMS) 1 Constructing the Past in the Long Nineteenth Century (AMS) 13 Dallapiccola and the Dynamics of Influence (SMT) 133 Finding Voice in Popular Music (AMS) 136 Frames, Fantasia, and Formal Functions (SMT) 13 Genre and Geography in the Thirteenth-Century Motet (AMS) 14 Music and Everyday Life in Eighteenth-Century England (AMS) 146 New Perspectives in the History of Music Theory (SMT) 14 The eachR of Humanistic Learning (AMS) 11 Sounding Stereotypes (AMS) Friday noontime 1 Stravinsky Comes to Vancouver 16 Redefining the Latin-American Music for Guitar through the Works of Guastavino and Santórsola 1 Integrating the Violoncello Music of Angelo Maria Fiorè with Early Baroque Performance Practice Friday afternoon 16 After Machaut and before Monteverdi: Current Trends in Music of the Renaissance (AMS) 163 Agency in Instrumental Music of the Long Eighteenth Century (SMT) 166 Case Studies in Late Medieval Devotion (AMS) 16 Constructing the Artist (AMS) 173 Early Modern Women (AMS) 176 Effect and Affect (AMS) 17 Encounters with the Music of Milton Babbitt: A Centennial Celebration (SMT) 14 Jazz and the Demimonde (AMS) 16 Meters in Global Perspective (SMT) 1 Poster Presentations (AMS) 11 Radio Canada (AMS) 1 Sounding (Out) the Archive: Western Music, Empire, and Aural History (AMS) 16 Technologies of the Avant-Garde (AMS) Theory and Practice (SMT) Abstracts Contents 202 Transatlantic Opera (AMS) 6 AMS Special Session: Race, Ethnicity, and the Profession Friday evening 207 Analyzing Beethoven (AMS/SMT) Art and Advocacy in Environmentalist Music: Tensions, Dimensions, and Perceptions (AMS) Concepts, Spaces, Sounds (SMT) 11 Copyright Permissions and Fair Use in Music Scholarship (AMS) 13 Figuring the Rhythm: Black Social Dance and its Musics (AMS) 14 Frauenarbeit: Four Triptychs by Women in Music Theory (SMT) 1 The peraticO Canon (AMS) Performance and Analysis (SMT) 3 Producing the Groove (SMT) 6 Race-ing Queer Music Scholarship: Critiquing Racial Blindness (AMS) Saturday morning 23 Alla Bastarda (AMS) 31 Beyond Propaganda: Music and Politics in Napoleonic Theater (AMS) 34 Body and Spirit (SMT) 3 Brazil and the Difference Within (AMS) 37 Cipriano de Rore’s Quincentenary: Looking Back at His Madrigals with Modern Eyes (SMT) 4 Circuits of Empire (AMS) 4 Dystopic Soundtracks (AMS) 43 The loquentE Body (AMS) 4 Holograms and Hauntings (AMS) 47 Lost Repertories of the Cold War Era (AMS) 4 Melodic Motivations (SMT) 1 Music and Encounter in the Seventeenth and Eighteenth Centuries (AMS) 4 Music and Historical Materialism (SMT) Out of Time: The (A)historicity of Nineteenth- Century Instrumental Technologies (AMS) 6 The arisianP Stage in the Nineteenth Century (AMS) 6 Performing Meter (SMT) 63 Reforming the Nation (AMS) 6 Sacred/Secular Exegetical Practices (AMS) 6 Sharing the Gospel (AMS) 7 Shedding New Light on Questions about Bruckner Versions (AMS) Contents AMS/SMT Vancouver 2016 Saturday noontime 273 Pedagogy through Artifacts 76 Beyond an Accomplishment: Vocal Music Studied and Performed at Troy Female Seminary, 13–7 27 The CanadianVirtuoso: Piano Works by Twentieth- and Twenty-First-Century Canadian Composers Saturday afternoon 280 Comparing Notes: Just Intonation, Japan, and the Origins of Musical Disciplines (AMS) 3 Jazz and the In Between (AMS) 7 Musical Institutions in the Seventeenth Century (AMS) National Entanglements (AMS) News from the Ars Nova (AMS) 3 Paris Streets in the Nineteenth Century (AMS) Performance and Conceptual Art in New York City (AMS) 7 Regulating Pitch (AMS) Re-Making Radio (AMS) 33 Rethinking Tridentine Reform: Orlando di Lasso’s Cipriano de Rore (AMS) 34 Sexual Violence on Stage: How Musicologists Promote Resistance in the Twenty-First Century (AMS) 36 Transatlantic Utopias (AMS) 3 Video Games (AMS) Saturday evening 31 Music and Medievalism: New Critical Approaches (AMS) 311 Music and the Middlebrow (AMS) 31 New Directions in Post-Soviet Musicology (AMS)
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