Visual Culture in the Urban West 50Th Annual Conference
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James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC ARCHIVES & COLLECTIONS / RECENT ACQUISITIONS 15 Academy Street P. O. Box 668 Salisbury, CT 06068 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. [ANTHOLOGY] CUNARD, Nancy, compiler & contributor. Negro Anthology. 4to, illustrations, fold-out map, original brown linen over beveled boards, lettered and stamped in red, top edge stained brown. London: Published by Nancy Cunard at Wishart & Co, 1934. First edition, first issue binding, of this landmark anthology. Nancy Cunard, an independently wealthy English heiress, edited Negro Anthology with her African-American lover, Henry Crowder, to whom she dedicated the anthology, and published it at her own expense in an edition of 1000 copies. Cunard’s seminal compendium of prose, poetry, and musical scores chiefly reflecting the black experience in the United States was a socially and politically radical expression of Cunard’s passionate activism, her devotion to civil rights and her vehement anti-fascism, which, not surprisingly given the times in which she lived, contributed to a communist bias that troubles some critics of Cunard and her anthology. Cunard’s account of the trial of the Scottsboro Boys, published in 1932, provoked racist hate mail, some of which she published in the anthology. Among the 150 writers who contributed approximately 250 articles are W. E. B. Du Bois, Arna Bontemps, Sterling Brown, Countee Cullen, Alain Locke, Arthur Schomburg, Samuel Beckett, who translated a number of essays by French writers; Langston Hughes, Zora Neale Hurston, William Carlos Williams, Louis Zukofsky, George Antheil, Ezra Pound, Theodore Dreiser, among many others. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
The Imaginative Nature National Council of Teachers of En
DOCUMENT RESUME ED 404 675 CS 215 781 AUTHOR Pugh, Sharon L.; And Others TITLE Metaphorical Ways of Knowing: The Imaginative Nature of Thought and Expression. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-3151-4 PUB DATE 97 NOTE 225p. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (NCTE Stock No. 31514-3050: $12.95 members, $16.95 nonmembers). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Books (010) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Class Activities; *English; *Imagination; Interdisciplinary Approach; Intermediate Grades; Language Arts; *Language Role; *Metaphors; *Multicultural Education; Rhetoric; Secondary Education IDENTIFIERS *Metaphorical Thought ABSTRACT This book explores the subject of metaphor, using the imagery of cartography to set a course. It explores the creative aspects of thinking and learning through literature, writing, and word play, drawing connections between English and other content areas. Theory and practical applications meet in the book, linking activities and resources to current classroom concerns--to multiculturalism, imagination in reading and writing, critical thinking, and expanding language experiences. The first part of the book examines the uses of metaphor in constructing meaning. The second part takes up issues related to multiple perspectives--using metaphors to experience other lives, and exploring cultures through traditions. The third part of the book is devoted to a consideration of the history and current status of the English language and focuses on using cross-cultural stories in the English classroom, offering a number of resources for teaching multicultural literature in English. The fourth part examines the sensory Ixperience of metaphors by seeing, hearing, tasting, smelling, and touching with the imagination. -
Donald Allen Collection
http://oac.cdlib.org/findaid/ark:/13030/tf9x0nb72w No online items Donald Allen Collection Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Donald Allen Collection MSS 0003 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Donald Allen Collection Identifier/Call Number: MSS 0003 Physical Description: 48 Linear feet(105 archives boxes, 1 records carton, 1 card file box, 34 oversize folders) Date (inclusive): 1930 - 2005 Abstract: Papers of Donald Allen, an important editor who had a significant impact on the development of post WWII American poetry. The Donald Allen Collection consists of materials pertaining to the editorial work at Grove Press, Four Seasons Foundation, Grey Fox Press, and to special projects Allen did for the University of California, Penguin and St. James presses; materials produced by and regarding the poet Frank O'Hara; papers written by Allen at the Universities of Iowa and California, Berkeley; and finally a substantial correspondence with many of the most important writers and editors in America during the last twenty five years. The addition processed in 1991 contains manuscript and typescript materials related to the Four Seasons Foundation publication of Interviews (1980) by Edward Dorn and The Graces (1983) by Aaron Shurin; and the Grey Fox Press publication of Enough Said (1980) by Philip Whalen and I Remain (1980), a collection of Lew Welch's letters. The addition processed in 2011 enhances the earlier accessions with additional press files, correspondence, as well as Allen's personal subject files. -
The Little Magazine in America, Mid-1950S to Mid-1980S
The Little Magazine in America, mid-1950s to mid-1980s: A Collection from the Golden Age of the Small Press Mimeo Revolution We are pleased to offer for sale an extraordinary collection of little magazines from the golden age of the small press mimeo revolution. The collection documents, with great breadth and depth, the intellectual, spiritual, and material diversity of poet-driven publishing in the US and, to a lesser extent, Canada and the UK from the mid-1950s to the mid-1980s. Keith and Rosmarie Waldrop review page proofs at Burning Deck Press (Providence Journal, 1980s). The present collection has emerged in tandem with our ongoing projects to chronicle and archive the proliferation of avant-garde underground small press publications, including the acclaimed New York Public Library exhibition and book A Secret Location on the Lower East Side, curated and written by Steve Clay and Rodney Phillips, as well as our new expanded resource website, From a Secret Location, launched in January 2017 by Granary Books. The collection includes a strong representation of seminal works from various movements and groupings such as the New York School, British Poetry Revival, Beats, Black Mountain, San Francisco Renaissance, Ethnopoetics, Black Arts, Venice West, Meat poets, Wichita Vortex, and Language poets. Concrete and visual poetry is also well represented. One of the chief strengths of the collection is its range of inclusivity, which reveals an international network of poet-driven and -distributed publications that developed into a vast underground economy, from Vancouver to Cardiff and Bolinas to Buffalo, with hundreds of stops in between. -
American Book Awards 2005
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2005 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Don Byrd Archive
Don Byrd Archive Featuring Charles Bernstein, Clark Coolidge, Guy Davenport, Ed Dorn, Robert Duncan, Susan Howe, Gerrit Lansing, Nathaniel Mackey, Paul Metcalf, Jed Rasula, and Ron Silliman The Don Bryd Archive is especially rich in correspondence with such poets as Charles Bernstein, George Butterick, Clark Coolidge, Guy Davenport, Ed Dorn, Robert Duncan, Clayton Eshleman, Robert Grenier, Richard Grossinger, Susan Howe, Ken Irby, Robert Kelly, Gerrit Lansing, Nathaniel Mackey, Paul Metcalf, Jed Rasula, Ron Silliman, and Barrett Watten and as such offers the opportunity to explore ideas animating the world of poetry during the 1970s and 1980s with particular emphasis on Language Writing. Photograph by Don Byrd of Susan Quasha and Robert Duncan being photographed by George Quasha at Olana, Frederic Church’s estate in Hudson, N.Y., ca. 1984. “At a time when poetics—especially that of the difficult sort dealt with here—has been increasingly pushed to the margins of academic discourse, Don Byrd has come forward with a tour de force that both argues and enacts the bearing of poetic knowledge upon the issues and debates tending to displace it. He not only offers astute, illuminating readings of work by Stein, Zukofsky, Duncan, Olson, and others, but goes to great lengths to map the ground—intellectual, historical, technological, phenomenological—that makes these works matter. Such ground makes his own undertaking on behalf of poetic knowledge purposeful and necessary, and his mapping of it is not only informed, sophisticated and intellectually stunning but passionate and compelling as well.” — Nathaniel Mackey on Don Byrd’s The Poetics of the Common Knowledge . -
Poetry Reading Flyers of the Mimeograph Revolution
Poetry Reading Flyers of the Mimeograph Revolution Poetry reading flyers are transitory by nature — quickly printed, locally distributed, easily discarded and thus frequently overlooked by scholars and curators when researching and documenting literary activities. They appear from time to time as fleeting one-offs in archives and collections, yet when viewed in the context of a large group these seemingly ephemeral objects take on significance as primary documents. Through close observation of this collection of poetry reading flyers, one gains insight into considerations of the development and representation of literary communities and affiliations of poets, the interplay of visual image, text and design, and the evolution of printing technology. A great many of the flyers appeared during the flowering of the mimeo revolution, an extraordinarily rich period of literary activity which was in part characterized by a profusion of poetry readings, performances, and publications documented by the flyers. This collection includes flyers from the mid-sixties to the present with a focus on the seventies, and embraces a range of poets and national venues with particular attention to activity in New York City and the San Francisco Bay Area. For a reading by Lewis Warsh and Harris Schiff, Ear Inn, New York City, December 6, n.d. Flyer. 11 x 8-1/2 inches. There are approximately 400 flyers (including a smattering of posters and cards), which are often 8 ½ x 11 – 8 ½ x 17 inches and printed as cheaply as possible, frequently via mimeograph, and often intended to be mailed. More than 250 writers and artists and nearly 100 venues are represented with a strong concentration on the Poetry Project at St. -
Fall 2013 English Program Course Offerings for All Registration Dates
Fall 2013 English Program Course Offerings For all registration dates and deadlines, see the GC academic calendar. To view detailed course descriptions click here or click on the faculty name in the grid below. For the Practicum for English Program students teaching for CUNY click here For Dissertation Supervision click here Course listings and room numbers subject to change Monday Tuesday Wednesday Thursday Friday 11:45- Chuh Dolan Reynolds C.Miller Whatley 1:45 Black Pacific Write Like A Man Intro to Doc Stud Theories of Introduction to Room 4433 Room 4433 Room 3308 Lyric Old English Joseph Room 4422 Room 3305 Vic Novels & Cognition Room 4422 2:00- Di Iorio Greetham Reid-Pharr Richardson 4:00 Gothic & Adaptations Hum & Animal Body Am Aesthetics Otherness Room 3306 Room 3309 Room 4422 Room 3307 Vardy Koestenbaum Fisher Urban Rom Trance Dis Race & Col Room 4422 Room 7395 Erly Mod Eng Room 3307 4:15- Chuh Israel Caws Pollard 6:15 Dissertation Spirals Anx of Mod Rep Erly Mod Workshop Room 3308 Room 8203 Comedy Room 3207 Burger N.K.Miller Room 4433 Yood Affect, Feeling, Ex Selves, Graphic Sub Writ, Cult & Emotion Room 4422 Hum in Trans Room 4422 Room 4419 6:30- Faherty Shor Alcalay 8:30 Specters of Black Speaking Truth to Politics of Atlantic Power Experience Room 4433 Room 4433 Room 8203 Watts Hitchcock CANCELED Ralph Ellison PoCo Globality Room 3306 Course Descriptions in alphabetical order by faculty name. ENGL 86000. Ammiel Alcalay. “The Politics of Experience: Countercultures in the Age of Decolonization”. Thursdays 6:30PM-8:30PM. -
Outline of AMERICAN LITERATURE ❦ REVISED EDITION
Outline of AMERICAN LITERATURE ❦ REVISED EDITION AMERICAN LITERATURE REVISED EDITION Early PUBLISHED BY THE UNITED STATES DEPARTMENT OF STATE amErican and colonial PEriod to 1776 3 STAFF dEmocratic origins and rEvolutionary WritErs, WRITTEN BY: KATHRYN VANSPANCKEREN EXECUTIVE EDITOR: GEORGE CLACK 1776-1820 14 MANAGING EDITOR: PAUL MALAMUD CONTRIBUTING EDITOR: KATHLEEN HUG ART DIRECTOR / DESIGNER: hE omantic Eriod t r P , 1820-1860: THADDEUS A. MIKSINSKI, JR. Essayists and PoEts 26 PICTURE EDITOR: JOANN STERN thE romantic PEriod, Front Cover: © 1994 Christopher Little 1820-1860: Fiction 36 ABOUT THE AUTHOR Kathryn VanSpanckeren is thE risE oF rEalism: Professor of English at the 1860-1914 47 University of Tampa, has lectured in American literature widely abroad, and is former modErnism and director of the Fulbright- ExPErimEntation: 1914-1945 60 sponsored Summer Institute in American Literature for international scholars. Her amErican PoEtry, publications include poetry and scholarship. She received 1945 –1990: thE anti-tradition 79 her Bachelors degree from the University of California, Berkeley, and her Ph.D. from amErican ProsE, 1945–1990: Harvard University. rEalism and ExPErimEntation 97 ISBN (paper) 978-1-625-92035-5 contEmPorary amErican PoEtry 121 ISBN (ePub) 978-1-625-92036-2 ISBN (mobi) 978-1-625-92037-9 contEmPorary amErican litEraturE 136 glossary 157 indEx 163 The following text materials may not be reproduced without permission of the copyright holder. “In a Station of the Metro” (page 63) by Ezra Pound. From Ezra Pound Personae. Copyright © 1926 by Ezra Pound. Translated and reprinted by permission of New Directions Publishing Corporation. “Stopping by Woods on a Snowy Evening” (page 65) by Robert Frost. -
Conference Program 2015
Western Literature Association 50th Annual Conference Visual Culture in the Urban West October 14-17, 2015 Reno, Nevada Harrah’s Robert A. Ring Convention Center First Floor: Sammy’s Showroom Fourth Floor: Bill Harrah Room Third Floor: Nevada Museum of Art, 160 West Liberty Street Art, 160 West Nevada Museum of Automobile Museum, 10 South Lake Street National 1 50th Western Literature Association Conference: VISUAL CULTURE IN THE URBAN WEST Table of Contents Convention Center & Reno downtown map inside front cover WLA Executive Council 3 WEDNESDAY Overview 4 Featured Performer Arigon Starr 4 THURSDAY OVERVIEW 6 Thursday Sessions 7–20 Past Presidents’ Lunchtable 13 Distinguished Achievement Awards: Robert Laxalt & LeAnne Howe 21 FRIDAY OVERVIEW 22 Friday Sessions 23–38 Featured Writer Annick Smith 31 Graduate Student Luncheon 31 Featured Writer Willy Vlautin 35 Annual Awards Banquet & Dangerous Dancing 38 2015 Award Recipients 39 SATURDAY OVERVIEW 40 Saturday Sessions 40–46 Annual Readers Theater 45 Business Meeting 46 WLA Presidents 1966–2015 49 Index 50–52 Sierra Spirit local bus shuttle map inside back cover We will, as usual, be live tweeting at the Western Literature Association conference. Use the hashtags #westernlit2015 or #wla50th. Follow us on twitter at https://twitter.com/WesternAmerica1 Acknowledgements Co-Presidents David Fenimore and Susan Bernardin (above) give grateful thanks to the following sponsors, supporters, and friends of the 2015 Western Literature Association con- ference (in alphabetical order, with apologies -
Spring 2014 English Program Course Offerings
Spring 2014 English Program Course Offerings For all registration dates and deadlines, see the GC academic calendar. To view detailed course descriptions click here or click on the faculty name in the grid below. For Dissertation Supervision click here Course listings and room numbers subject to change Monday Tuesday Wednesday Thursday Friday 11:45-1:45 Schaffer Kruger Yousef Jenkins Alexander Rereading Jane Discourses of Art of Everyday Black & Bourgeois Partition, Mgrtion, Austen HIV/AIDS in the Flesh Memory Steel Eco, An & Cult in Middle Ages 2:00-4:00 Schlutz Richter Gray McBeth Rom Poetics & Biblical Comics & Graphic Intro Doc Stu Cont Thry of Met Narratology Novels Richardson Dawson Webb Reynolds Diss Wkshp PoCo Ecologies PoCo African Colonial & Erly Narratives Fed Am Lit Dickstein Film Noir in Context 4:15-6:15 Chuh Perl Miller & Dekel Wallace un-common beauty Writing with Body Rep Trauma Black Fem & Civil Rights Movement Hoeller Lott Edith Wharton Global South McCoy &Monte Erly Mod Poetics 6:30-8:30 Elsky Kaye Sargent Mat Cult of Erly Edwardian Darwinian Mod Prvcy Literature Philology Course Descriptions in alphabetical order by faculty name. ENGL 76200. Meena Alexander. “Partition, Migration, Memory”. Fridays 11:45AM-1:45PM. 2/4 credits. (cross-listed with WSCP 81000). [CRN 23066]. Central to this exploration is the question of postcolonial memory, the archive it generates and function of art in a time of difficulty. We will examine questions of translation, the density of location and radical un translatability. What does it means to write in a world torn by colonial, ethnic or national borders? How does the prose work or poem bring together fragments of history, some real, some imagined? The ways in which gender and sexuality enter into this task and how the body is implicated in the work of memory are important concerns.