Summer Task Reading List

Total Page:16

File Type:pdf, Size:1020Kb

Summer Task Reading List Summer Task Reading List: Peter Ackroyd The Great Fire of Spenser Spender wants to make a film of Dickens' "Little Dorrit" using a contemporary London prison as a London set. But he is not the only person interested in Dickens. Unwittingly he becomes the catalyst for bizarre meetings, coincidences and events, culminating in an apocalyptic conflagration. Monica Ali Brick Lane Still in her teenage years, Nazneen finds herself in an arranged marriage with a disappointed man who is twenty years older. Away from the mud and heat of her Bangladeshi village, home is now a cramped flat in a high-rise block in London's East End. Nazneen knows not a word of English, and is forced to depend on her husband. But unlike him she is practical and wise, and befriends a fellow Asian girl Razia, who helps her understand the strange ways of her adopted new British home. Martin Amis London Fields A black comic, murder mystery novel. Regarded as possibly Amis' strongest novel, the tone gradually shifts from high comedy, interspersed with deep personal introspections, to a dark sense of foreboding and eventually panic at the approach of the deadline, or "horror day", the climactic scene alluded to on the first page. Martin Amis Time’s Arrow, Time's Arrow tells the story, backwards, of the life of Nazi war criminal, Doctor Tod T. Friendly. He dies and then feels markedly better, breaks up with his lovers as a prelude to seducing them and mangles his patients before he sends them home...Escaping from the body of the dying doctor who had worked in Nazi concentration camps, the doctor's consciousness begins living the doctor's life backwards JG Ballard Empire of the Sun Based on J. G. Ballard’s own childhood, this is the extraordinary account of a boy’s life in Japanese- occupied wartime Shanghai – a mesmerising, hypnotically compelling novel of war, of starvation and survival, of internment camps and death marches. It blends searing honesty with an almost hallucinatory vision of a world thrown utterly out of joint. Rooted as it is in the author’s own disturbing experience of war in our time, it is one of a handful of novels by which the twentieth century will be not only remembered but judged. Iain Banks The Wasp Factory Frank, no ordinary sixteen-year-old, lives with his father outsIde a remote Scottish village. Their life is, to say the least, unconventional. Frank's mother abandoned them years ago: his elder brother Eric is confined to a psychiatric hospital; and his father measures out his eccentricities on an imperial scale. Frank has turned to strange acts of violence to vent his frustrations. In the bizarre daily rituals there is some solace. But when news comes of Eric's escape from the hospital Frank has to prepare the ground for his brother's inevitable return - an event that explodes the mysteries of the past and changes Frank utterly. Ray Bradbury Fahrenheit 451 The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen. Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books. Anita Brookner, Hotel du Lac Into the rarefied atmosphere of the Hotel du Lac timidly walks Edith Hope, romantic novelist and holder of modest dreams. Edith has been exiled from home after embarrassing herself and her friends. She has refused to sacrifice her ideals and remains stubbornly single. But among the pampered women and minor nobility Edith finds Mr Neville, and her chance to escape from a life of humiliating spinsterhood is renewed. Anthony A Clockwork A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of Burgess Orange exuberant invention which created a new language for its characters. Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean? Angela Carter The Bloody From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, Chamber vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories. Raymond The Big Sleep - A hardboiled crime novel, the first to feature the detective Philip Marlowe. Set in Los Angeles, the story is Chandler noted for its complexity, with characters double-crossing one another and secrets being exposed throughout the narrative. Joseph Conrad Heart of Darkness Conrad's narrator Marlow, a seaman and wanderer, recounts his physical and psychological journey in search of the infamous ivory trader Kurtz: dying, insane, and guilty of unspeakable atrocities. Travelling upriver to the heart of the African continent, he gradually becomes obsessed by this enigmatic, wraith-like figure. Marlow's discovery of how Kurtz has gained his position of power over the local people involves him in a radical questioning, not only of his own nature and values, but also those of western civilisation. The inspiration for Francis Ford Coppola's Oscar-winning film Apocalypse Now, Heart of Darkness is a quintessentially modernist work exploring the limits of human experience and the nightmarish realities of imperialism. Seamus Deane Reading in the The story is told from the point of view of an unnamed young Irish Catholic boy living in a poor area of Dark Derry. This novel-in-stories is about both the boy's coming of age and the Troubles of Northern Ireland, from the partition of the island in the early 1920s until July 1971, just after the violent Battle of the Bogside took place in Derry. The Derry of poet Seamus Deane's first novel, Reading in the Dark is a perilous place. Ghosts haunt the stairwells of apartment buildings, a curse follows two families down through the generations, close friends turn out to be police informers and the police are as likely to persecute an innocent man as protect him. Daniel Defoe Moll Flanders The Fortunes and Misfortunes of the Famous Moll Flanders Who was born in Newgate, and during a life of continu'd Variety for Threescore Years, besides her Childhood, was Twelve Years a Whore, five times a Wife (whereof once to her brother) Twelve Years a Thief, Eight Years a Transported Felon in Virginia, at last grew Rich, liv'd Honest and died a Penitent. Charles Bleak House A complex mystery story and an unforgettable indictment of an indifferent society. Its representations of a Dickens great city's underworld, and of the law's corruption and delay, draw upon the author's personal knowledge and experience. Sebastian Engleby The story of Mike Engleby, a working-class boy who wins a place at an esteemed English university. But with Faulks the disappearance of Jennifer, the undergraduate Engleby admires from afar, the story turns into a mystery of gripping power. Sebastian Faulks's new novel is a bolt from the blue, unlike anything he has ever written before: contemporary, demotic, heart-wrenching - and funny, in the deepest shade of black. F. Scott The Great Gatsby For eighty dollars a month, Carraway finds himself the unlikely neighbour of his beautiful cousin Daisy Fitzgerald Buchannan and a mysterious millionaire - Jay Gatsby. From the shadow of Gatsby's mansion, Carraway is drawn into the glittering, captivating world of the wealthy - their parties, their love affairs, and their lies. And as he watches his new friends, he writes their story. A tale of roaring excess, impossible love and the devastating, tragic consequences. Michael Frayn Spies In the quiet cul-de-sac where Keith and Stephen live the only immediate signs of the Second World War are the blackout at night and a single random bombsite. But the two boys suspect that the comfortably ordinary houses in the Close and their inhabitants are not what they seem. As Keith, the leader in all their enterprises, authoritatively informs the trusting Stephen, the whole district is riddled with secret passages and underground laboratories - hideaways for any number of murderers, unsung war heroes and secret agents. William The Spire The Spire: Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His Golding mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular. Mohsin Hamid The At a cafe table in Lahore, a bearded Pakistani man converses with an uneasy American stranger. As dusk Reluctant deepens to night, he begins the tale that has brought them to this fateful encounter Changez is living an Fundamentalist immigrant s dream of America. At the top of his class at Princeton, he is snapped up by the elite valuation firm of Underwood Samson. He thrives on the energy of New York, and his budding romance with elegant, beautiful Erica promises entry into Manhattan society at the same exalted level once occupied by his own family back in Lahore. In the wake of September 11, Changez finds his position in his adopted city suddenly overturned, and his relationship with Erica eclipsed by the reawakened ghosts of her past.
Recommended publications
  • Gothic Inheritance and the Troubles in Contemporary Irish Fiction
    Page 3 ‘Give it Welcome’: Gothic Inheritance and the Troubles in Contemporary Irish Fiction Matthew Schultz On April 10, 1998, the British and Irish governments signed the Good Friday Agreement, marking the official end of the Troubles in Northern Ireland––though not the cessation of violence. A year earlier, Jeffrey Glenn, a 46 year old librarian in Ballynahinch, County Down, submitted an essay for a retrospective collection, Children of The Troubles: Our Lives in the Crossfire of Northern Ireland . In it, he recalls the pangs of terror he regularly experienced while growing up in a Belfast suburb in the 1950s: As a young child, I used to look carefully under my bed every night before saying my prayers. The Irish Republican Army campaign of the fifties was in full swing and I was checking for bombs. Even if I couldn’t see one, I still lay quaking with fear for what seemed like hours every night.(1) Glenn’s variation on this common childhood anxiety of ‘monsters under the bed’ highlights the particular paranoia caused by Irish paramilitary violence that threatened to erupt into domestic spaces. Glenn was a prisoner in his own “suburban stronghold.”(2) Outside, he recalls, “Buses, trucks, cars, and construction equipment formed blazing barricades and groups of angry­faced men were busy hi­jacking more.”(3) Later, Belfast was to be divided by more permanent ‘peace lines’ constructed of iron, brick, and steel, and topped with metal netting that reached a height of twenty­five feet. These barriers separated Catholic from Protestant neighborhoods,
    [Show full text]
  • Irish Identity in Seamus Deane's Reading in the Dark Peter Jasinski
    Inscape Volume 21 | Number 2 Article 6 10-1-2001 Irish Identity in Seamus Deane's Reading in the Dark Peter Jasinski Follow this and additional works at: https://scholarsarchive.byu.edu/inscape Part of the Arts and Humanities Commons Recommended Citation Jasinski, Peter (2001) "Irish Identity in Seamus Deane's Reading in the Dark," Inscape: Vol. 21 : No. 2 , Article 6. Available at: https://scholarsarchive.byu.edu/inscape/vol21/iss2/6 This Essay is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Inscape by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. IRISH IDENTITY IN SEAMUS DEANE'S READING IN THE DARK Peter Jasinski n Seamus Deane's Reading in the Dark, Deane presents us with the Ichildhood of an unnamed narrator who tells the story of his troubled family in postwar Northern Ireland. As the boy stumbles through the complexities and ironies of the adult world, he slowly increases in social and political awareness. The novel takes its title from a scene in which the boy, after the lights are turned off, tries to imagine the story he had been reading. The image of reading in the dark expresses the difficulty of reconstructing the past from fragmen­ tary accounts available in the present: the narrator's family history "came to [him] in bits, from people who rarely recognized all they had told" (236). He uncovers only a partial picture of the truth as he tries to put together the tragic, mysterious past of his family.
    [Show full text]
  • Downloaded from Downloaded on 2020-06-06T01:34:25Z Ollscoil Na Héireann, Corcaigh
    UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann Author(s) Lawlor, James Publication date 2020-02-01 Original citation Lawlor, J. 2020. A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2020, James Lawlor. https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/10128 from Downloaded on 2020-06-06T01:34:25Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork A Cultural History of The Great Book of Ireland – Leabhar Mór na hÉireann Thesis presented by James Lawlor, BA, MA Thesis submitted for the Degree of Doctor of Philosophy University College Cork The School of English Head of School: Prof. Lee Jenkins Supervisors: Prof. Claire Connolly and Prof. Alex Davis. 2020 2 Table of Contents Abstract ............................................................................................................................... 4 Declaration .......................................................................................................................... 5 Acknowledgements ............................................................................................................ 6 List of abbreviations used ................................................................................................... 7 A Note on The Great
    [Show full text]
  • Seamus Deane Papers 1960-2016
    DEANE, SEAMUS, 1940- Seamus Deane papers 1960-2016 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Digital Material Available in this Collection Descriptive Summary Creator: Deane, Seamus, 1940- Title: Seamus Deane papers 1960-2016 Call Number: Manuscript Collection No. 1210 Extent: 9.75 linear feet (21 boxes) Abstract: Papers of Irish poet and educator Seamus Deane, including writings, correspondence, journals and business records Language: Materials entirely in English. Administrative Information Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2011. Citation [after identification of item(s)], Seamus Deane papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Susan McDonald and Maggie Greaaves, November 2013. This finding aid may include language that is offensive or harmful. Please refer to the Rose Library's harmful language statement for more information about why such language may appear and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other oppressive language. If you are concerned about language used in this finding aid, please contact us at [email protected]. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Seamus Deane papers, 1960-2016 Manuscript Collection No. 1210 Collection Description Biographical Note Seamus Deane (1940-), Irish poet and educator, was born in Derry, Northern Ireland. He attended Queen's University, Belfast and Cambridge University.
    [Show full text]
  • 2019 – 2020 English Literature Third Year Option Courses
    2019 – 2020 ENGLISH LITERATURE THIRD YEAR OPTION COURSES (These courses are elective and each is worth 20 credits) Before students will be allowed to take one of the non-departmentally taught Option courses (i.e. a LLC Common course or Divinity course), they must already have chosen to do at least 40-credits worth of English or Scottish Literature courses in their Third Year. For Joint Honours students this is likely to mean doing one of their two Option courses (= 20 credits) plus two Critical Practice courses (= 10 credits each). 6 June 2019 SEMESTER ONE Page Body in Literature 3 Contemporary British Drama 6 Creative Writing: Poetry * 8 Creative Writing: Prose * [for home students] 11 Creative Writing: Prose * [for Visiting Students only] 11 Discourses of Desire: Sex, Gender, & the Sonnet Sequence . 15 Edinburgh in Fiction/Fiction in Edinburgh * [for home students] 17 Edinburgh in Fiction/Fiction in Edinburgh * [for Visiting Students only] 17 Fiction and the Gothic, 1840-1940 19 Haunted Imaginations: Scotland and the Supernatural * 21 Modernism and Empire 22 Modernism and the Market 24 Novel and the Collapse of Humanism 26 Sex and God in Victorian Poetry 28 Shakespeare’s Comedies: Identity and Illusion 30 Solid Performances: Theatricality on the Early Modern Stage 32 The Cinema of Alfred Hitchcock (=LLC Common Course) 34 The Making of Modern Fantasy 36 The Subject of Poetry: Marvell to Coleridge * 39 Working Class Representations * 41 SEMESTER TWO Page American Innocence 44 American War Fiction 47 Censorship 49 Climate Change Fiction
    [Show full text]
  • Brian Friel's Fathers and Sons Andrea P. Balogh
    POSTCOLONIAL SUB-VERSIONS OF EUROPE: BRIAN FRIEL’S FATHERS AND SONS ANDREA P. BALOGH What worries me about the play – if there is a play – are the necessary peculiarities, especially the political elements. Because the play has to do with language and only language. And if it becomes overwhelmed by that political element, it is lost.1 It is a truism to say that no language is innocent. It is more difficult to trace, within the rhetorics of political and literary discourses, the forms and varieties of incrimination, subjection, insurgency, evasion, and stereotyping that determine or are determined by our past and present interpretations.2 Over the last twenty years, one of the most heated debates in Irish Studies has been about the usefulness of postcolonial theory in analysing Irish literature, culture and society. The debate broke out as a reaction to the goals of the Field Day Company’s artistic and intellectual project. The Field Day enterprise was launched by the production of Brian Friel’s play, Translations in Derry City’s Guildhall in 1980. According to Seamus Deane, the founders of the Field Day Company (Friel, Stephen Rea, Tom Paulin, Seamus Deane, Seamus Heaney, and David Hammond), regarded the Northern Irish situation as a colonial crisis and set out to respond to the crisis by 1 Brian Friel quoted in Irish Drama 1900-1980, eds Cóilín D. Owens and Joan N. Radner, Washington DC: The Catholic University of America Press, 1990, 696. 2 Seamus Deane, “Introduction”, in Nationalism, Colonialism and Literature, ed. Seamus Deane, Minneapolis: University of Minnesota Press, 1990, 10.
    [Show full text]
  • Edward Said and Irish Criticism Conor Mccarthy
    Edward Said and Irish Criticism Conor McCarthy Éire-Ireland, Volume 42:1&2, Earrach/Samhradh / Spring/Summer 2007, pp. 311-335 (Article) Published by Irish-American Cultural Institute DOI: https://doi.org/10.1353/eir.2007.0021 For additional information about this article https://muse.jhu.edu/article/216058 Access provided at 19 Aug 2019 11:40 GMT from Maynooth University 12b-mccarthy-pp311-335 5/8/07 10:32 PM Page 311 Conor McCarthy Edward Said and Irish Criticism The work of Edward Said has been influential on a global scale, in a manner that very few scholars can ever hope to match. It can safely be asserted that no anti-imperialist writer since Frantz Fanon has successfully addressed so many audiences. This essay traces the response to Said’s work, including but not only his most famous work, Orientalism, in Irish criticism and debates over the last three decades. We will see, in the work of Said’s allies and emulators, and that of his detractors, a number of variations, turns, adaptations, and inflections on Said’s own books and essays. Surveying the archive of responses to Said is valuable in itself, but it also provides a barometer of Irish intellectual engagement with wider interna- tional geo-political issues and historical shifts. Beginnings: WRITING IRELAND Said published Orientalism in , but it is difficult to judge his influence in Irish debates for nearly a decade after. As Joe Cleary points out, the problematic of language, power, territory, and knowledge brooded over by the various initiatives of the Field Day Theatre Company—from Brian Friel’s Translations to Seamus Deane’s and Declan Kiberd’s Field Day pamphlets—is one that has been important for later more explicit postcolonial studies, but one can also recognize the similarities between this work and the matters 311 12b-mccarthy-pp311-335 5/8/07 10:32 PM Page 312 explored in Orientalism.1 Nevertheless, it was not until after Said himself had spoken at the Yeats Summer School in , at Kiberd’s invitation, that the issue began to be pressed with clarity and force.
    [Show full text]
  • Fernando Aparecido Poiana “A Nearness Felt As Far”: the Tensions
    Câmpus de São José do Rio Preto Fernando Aparecido Poiana “A nearness felt as far”: the Tensions Between Literature and History in Seamus Deane’s Poetic Oeuvre São José do Rio Preto 2019 Fernando Aparecido Poiana “A nearness felt as far”: the Tensions Between Literature and History in Seamus Deane’s Poetic Oeuvre Tese apresentada como parte dos requisitos para obtenção do título de Doutor em Letras, junto ao Programa de Pós-Graduação em Letras, do Instituto de Biociências, Letras e Ciências Exatas da Universidade Estadual Paulista “Júlio de Mesquita Filho”, Câmpus de São José do Rio Preto. Financiadora: CAPES-DS Orientador: Prof. Dr. Peter James Harris São José do Rio Preto 2019 Fernando Aparecido Poiana “A nearness felt as far”: the Tensions Between Literature and History in Seamus Deane’s Poetic Oeuvre Tese apresentada como parte dos requisitos para obtenção do título de Doutor em Letras, junto ao Programa de Pós-Graduação em Letras, do Instituto de Biociências, Letras e Ciências Exatas da Universidade Estadual Paulista “Júlio de Mesquita Filho”, Câmpus de São José do Rio Preto. Financiadora: CAPES-DS Comissão Examinadora Prof. Dr. Peter James Harris UNESP – Câmpus de São José do Rio Preto Orientador Prof. Dr. Alvaro Luiz Hattnher UNESP – Câmpus de São José do Rio Preto Prof. Dr. Marcio Scheel UNESP – Câmpus de São José do Rio Preto Prof. Dr. Ivan Marcos Ribeiro Universidade Federal de Uberlândia Profa. Dra. Flávia Andréa Rodrigues Benfatti Universidade Federal de Uberlândia São José do Rio Preto 05 de fevereiro de 2019 Dedicated to Isildinha, Euclides and Karina Acknowledgements I would like to thank Professor Peter James Harris for his academic guidance and support, as well as his great friendship.
    [Show full text]
  • Reading in the Dark 1996 Seamus Deane Deane Was Born in 1940
    Reading in the Dark 1996 Seamus Deane Deane was born in 1940 in Derry. He is the author of several volumes of poetry and works of criticism. Reading in the Dark (RD) is his only novel. He has taught at a number of universities in Ireland and in the United States. Most recently he served on the faculty at the University of Notre Dame. According to critic Declan Kiberd,“Reading in the Dark is a Gothic novel, centering on ghosts, apparitions and the power of dead men walking.” (After Ireland : Writing the Nation from Beckett to the Present – 2017). It can be considered as a Gothic novel with political undertones. How do the ghost stories contribute to the underlying political tensions? It is also an autobiographical novel that mirrors Deane’s childhood in Derry. It was well received by critics and won numerous literary awards. It was also short-listed for the Man Booker award that year. RD can be read as a series of short stories many of which could stand alone. Does this technique add to the development of the narrative or confound it for you? Give Them Stones took place in Belfast and was narrated by Martha whose story starts when she is a child and continues with her maturing into middle age. RD is narrated by a (nameless) boy living in Derry whose story starts when he is very young (5 years old) and concludes when he is a young man. What experiences are different and what are similar in these two NI novels? RD is the third novel we have read that features a picture of the Sacred Heart.
    [Show full text]
  • GENRE and CODE in the WORK of JOHN BANVILLE Kevin Boyle
    GENRE AND CODE IN THE WORK OF JOHN BANVILLE Kevin Boyle St. Patrick’s College, Drumcondra Dublin City University School of Humanities Department of English Supervisor: Dr Derek Hand A thesis submitted in fulfilment of the requirements for the degree of PhD April 2016 I hereby certify that this material, which T now submit for assessment on the programme of study leading to the award of PhD is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_____________________________ ID No.: 59267054_______ Date: Table of contents Abstract 3 Acknowledgements 4 Introduction: Genre and the Intertcxlual aspects of Banville's writing 5 The Problem of Genre 7 Genre Theory 12 Transgenerie Approach 15 Genre and Post-modernity' 17 Chapter One: The Benjamin Black Project: Writing a Writer 25 Embracing Genre Fiction 26 Deflecting Criticism from Oneself to One Self 29 Banville on Black 35 The Crossover Between Pseudonymous Authorial Sell'and Characters 38 The Opposition of Art and Craft 43 Change of Direction 45 Corpus and Continuity 47 Personae Therapy 51 Screen and Page 59 Benjamin Black and Ireland 62 Guilt and Satisfaction 71 Real Individuals in the Black Novels 75 Allusions and Genre Awareness 78 Knowledge and Detecting 82 Chapter Two: Doctor Copernicus, Historical Fiction and Post-modernity:
    [Show full text]
  • Penguin Classics
    PENGUIN CLASSICS A Complete Annotated Listing www.penguinclassics.com PUBLISHER’S NOTE For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world, providing readers with a library of the best works from around the world, throughout history, and across genres and disciplines. We focus on bringing together the best of the past and the future, using cutting-edge design and production as well as embracing the digital age to create unforgettable editions of treasured literature. Penguin Classics is timeless and trend-setting. Whether you love our signature black- spine series, our Penguin Classics Deluxe Editions, or our eBooks, we bring the writer to the reader in every format available. With this catalog—which provides complete, annotated descriptions of all books currently in our Classics series, as well as those in the Pelican Shakespeare series—we celebrate our entire list and the illustrious history behind it and continue to uphold our established standards of excellence with exciting new releases. From acclaimed new translations of Herodotus and the I Ching to the existential horrors of contemporary master Thomas Ligotti, from a trove of rediscovered fairytales translated for the first time in The Turnip Princess to the ethically ambiguous military exploits of Jean Lartéguy’s The Centurions, there are classics here to educate, provoke, entertain, and enlighten readers of all interests and inclinations. We hope this catalog will inspire you to pick up that book you’ve always been meaning to read, or one you may not have heard of before. To receive more information about Penguin Classics or to sign up for a newsletter, please visit our Classics Web site at www.penguinclassics.com.
    [Show full text]
  • The Booker: Prized in Public Libraries?
    The Booker: Prized in Public Libraries? An investigation into the attitudes of public librarians towards the Man Booker Prize for Fiction. A study submitted in partial fulfilment of the requirements for the degree of Master of Arts in Librarianship at The University of Sheffield by Karl Hemsley September 2003 1 Acknowledgements I owe thanks, first of all, to the fifteen librarians who so kindly gave of their time to be interviewed for this work. They all paid me the compliment of taking my questions seriously and providing thoughtful replies. I would also like to thank Lord Baker of Dorking, Mariella Frostrup, Simon Jenkins and Russell Celyn Jones, four former judges of the Booker Prize, who replied to emails that I sent rather late in the day. It was very kind of them to take the trouble to do this. I am very grateful to my supervisor, Professor Bob Usherwood, for his encouragement and advice, which have helped to make doing this piece of work an enjoyable experience, and much less daunting than it would otherwise have been. Finally, thanks to Bess for the loan of the digital recorder and helping this Luddite by putting the interviews onto disk. I still haven’t worked out where the cassettes go. 2 Abstract This report examines the attitude of a selection of public librarians towards the Man Booker Prize for Fiction. Fifteen librarians, from five library authorities in the north of England, were interviewed, in order to ascertain their opinions regarding the Booker and its place in public libraries. The report also considers the views of commentators on the Booker and literature concerning fiction provision in public libraries.
    [Show full text]