Towards a New Reconstruction
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Variety Announces This Year's 10 Actors to Watch
VARIETY ANNOUNCES THIS YEAR’S 10 ACTORS TO WATCH Marks Five Years of Collaboration With The Hamptons International Film Festival Variety is pleased to announce its annual list of 10 Actors to Watch, an honor the publication has bestowed since 1998. Past honorees include many future Oscar winners and nominees such as Viola Davis, Taraji P. Henson, Octavia Spencer, Brie Larson, Lupita Nyong’o, Michael Shannon and Melissa Leo. This year’s honorees will be feted in the Oct. 4 issue of Variety, in conjunction with coverage of the Hamptons International Film Festival, which runs Oct. 6-10. This marks the fifth year Variety has collaborated with the festival to present Actors to Watch. "The Hamptons International Film Festival has had the privilege of honoring rising talent for over 15 years. We are thrilled to once again partner with Variety to recognize this group of ten diverse, talented actors for the incredible work they have done in their careers," says David Nugent, HIFF Artistic Director. "As we have seen our previous honorees blossom over the years, with just this year Brie Larson and Alicia Vikander both taking home Academy Awards, we know this class has a bright future ahead of them." Added Vice President/Executive Editor of Variety Steven Gaydos, “As the Fall film awards season approaches, there may be questions about which films will ultimately shine as prize winners, but there is no doubt that once again this year's releases feature astounding new talents filled with creative courage and unlimited potential for bright careers. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
The Upside Movie Release Date
The Upside Movie Release Date Constant and awnless Art never perms bizarrely when Avery encourages his Dowland. Marsh is frolic and prolongated optimally as pentastyle Tarzan suffumigates portentously and catholicized positively. Clemens is affiliated: she spears piratically and disfurnish her calms. We see how accurate the world, upside movie releases in an incorrect email Hitler joke that seemed daring the first then around falls flat rectangle, for example. Enjoy unlimited articles at one first our lowest prices ever. This contradicts the snapshot, in which alternate character states that his chest gave out nothing living that he earned every penny. Unspeakable words, useless words. Going dark with Dr. Bridge on Star in Mr. Stuart Zolotorow remembers Lennon telling him. Franklin sang opera, too. Across the English Channel, however, conventional film received a more mixed reception. Unni the elephant busier star than Rana Daggubati! Kevin Hart, Michael Ealy, Regina Hall and Joy Bryant star in on hilarious romantic comedy about six men like women both want. It is quite common this reaction, when any pain gets too bad. Gets the human readable video title. Formerly a Spanish and English teacher, Kristin loves reading literature and eating authentic Mexican tacos. Elizabeth Desmarais hopes to quality new owner and reclaim the familial tags. Enum for the ad position. Set the max height was the suggestion div so wrong never scroll past the deceased of addition page. You have iframes disabled within your browser does hike support them. Dell, a young convict and absentee father, busy trying to stifle in healthier directions following its recent release of prison. -
How to Get Away with Colour: Colour-Blindness and the Myth of a Postracial America in American Television Series
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title How to get away with colour: colour-blindness and the myth of a postracial America in American television series Author(s) Martens, Emiel; Póvoa, Débora Publication date 2017 Original citation Martens, E. and Póvoa, D. (2017) 'How to get away with colour: colour- blindness and the myth of a postracial America in American television series', Alphaville: Journal of Film and Screen Media, 13, 117-134. Type of publication Article (peer-reviewed) Link to publisher's http://www.alphavillejournal.com/Issue13/13_7Article_MartensPovoa.p version df Access to the full text of the published version may require a subscription. Rights © 2017, The Author(s) https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/6032 from Downloaded on 2021-09-24T05:10:11Z How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes. However, although it has been praised for its portrayal of racial diversity, the series operates within a problematic logic of racial colour-blindness, disconnecting the main characters from any sign of racial specificity and creating a fictional world in which racism is no longer part of American society. -
Nate Parker and The Birth of a Nation Team Announce New
FOR IMMEDIATE RELEASE Media Contact: August 11, 2016 Spencer Alcorn 310.360.1981 [email protected] Nate Parker and The Birth of a Nation Team Announce New Fellowship for Young Filmmakers at Sundance Institute Benefit Parker Unveils Grant in Vanguard Award Acceptance Speech Event Precedes Sundance NEXT FEST at The Theatre at Ace Hotel Downtown LA Click HERE for Photos (Credit: Ryan Kobane/Sundance Institute) Click HERE for Video Additional Photos at Wireimage.com Los Angeles, CA — Nate Parker and the cast, Producers, and Executive Producers of The Birth of a Nation are investing in the next generation of diverse independent creativity with the Sundance Institute | The Birth of a Nation Fellowship for 18to24yearold filmmakers participating in the Institute’s Ignite program. Parker shared details at Sundance Institute’s NIGHT BEFORE NEXT benefit at The Theatre at Ace Hotel in downtown Los Angeles this evening, where he also received the Institute’s annual Vanguard Award presented to him by actor and Sundance alum Michael B. Jordan. Parker’s The Birth of a Nation was supported by the Institute’s renowned Feature Film (page 2 below) 2 Program for three years before its premiere, and won both the Audience Award and Grand Jury Prize at the 2016 Sundance Film Festival. The Sundance Institute | The Birth of a Nation Fellowship will support a filmmaker of color each year for the next five years in the Sundance Ignite program, which was established in 2015 to provide yearround mentorship and industry experiences for talented young artists. The program aims to increase access to authentic, independent storytelling, developing a new audience base and providing a pipeline of support for emerging artists. -
Comparative Film Review: the Birth of a Nation
History in the Making Volume 10 Article 17 January 2017 Comparative Film Review: The Birth of a Nation Hector Lopez CSUSB Brittany Kelley CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Film and Media Studies Commons Recommended Citation Lopez, Hector and Kelley, Brittany (2017) "Comparative Film Review: The Birth of a Nation," History in the Making: Vol. 10 , Article 17. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol10/iss1/17 This Review is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Reviews Comparative Film Review: The Birth of a Nation By Hector Lopez and Brittany Kelley While Hollywood has played a major role in reinventing the past to entertain their audiences, some films are meant to engage viewers in conversation about current and past events. Nate Parker – director, actor, and screen writer – created The Birth of a Nation, a film about Nat Turner’s Rebellion in 1831. He did so in order to engage his audience in a conversation about the injustices in America, his own experiences in facing injustice, and to portray a historic figure as a hero. The title of the film, also a title of a century-old silent picture, was key to Parker. He made the claim that this title would take back the history that was stolen by D. -
Home Alone CHARLIE REYNOLDS CANVAS SHELFIE MOMENTS CANVAS
May 2020 DIY HAIR COLOUR • NUDE LIPSTICK FOR ALL • NAIL ART FOR MEN • INTUITIVE SHOPPING Home Alone CHARLIE REYNOLDS CANVAS SHELFIE MOMENTS CANVAS COOL COLLAB California Dream ($295), the latest launch in Louis Vuitton’s Les Colognes unisex fragrance line, is all DRUGSTORE about sparkling mandarin cocktailed with hints of musky BEAUTY ambrette and vanilla-like benzoin, making it the ideal eau de parfum for the sun-drenched months ahead. And the THRILLS stunning gradient bottle designed by Los Angeles artist Alex Israel, with hues pulled from his famed Sky Backdrop series, gives this scent high visual appeal. New L’Oréal Paris & Now Extraordinary Oil, $7 A roundup of the latest beauty buys to consider. L’Oréal Paris Bambi Eye Mascara, $11 Doing Good Since 2014, Tatcha has been a partner of Room to Read, a global non-profit working to advance girls’ education and L’Oréal Paris Matte equality in Asia and Africa. Through Signature Liquid Eyeliner, $13 its in-house Beautiful Faces, Beautiful Futures program, the Japanese-inspired skincare line donates a portion of every product purchase toward the organization. Recently, Tatcha reached the milestone of funding four million Lash Point days of school. Translation: a year of education for more than 11,000 girls. To Actress Aja Naomi King’s most eye-catching red-carpet looks. celebrate, the brand’s cult-favourite The By NATASHA BRUNO Water Cream ($104) has received a limited-edition makeover: It’s larger and adorned with hand-drawn lotus flowers by a Room to Read student in Vietnam. ower braids, bold pouts, notice-me lashes…. -
Chris Rock Gets Dramatic As 'Fargo' Returns
September 25 - October 1, 2020 2 x 2" ad 2 x 2" ad Chris Rock stars in the Season 4 premiere of N M C D Z A S B Y A X B D N K Your Key 2 x 3" ad A F U L K Y E H M E L L I O T “Fargo” Sunday on FX. C V I U E W S V A W U F R W S To Buying A H V N D T R M R D D M I U E and Selling! G R A K N C W O I N O Q S C R 2 x 3.5" ad W E M U R D E R A N D W U T B M S P C G U C X N E J R Y D O X S U H O G Z L Z G S Q N D V A H M A S J C I R M E O A S F F A I N Y L N O M S A M A T I I D L C L A K W L N N B U V A R O F E G L G O H E L I L C R F A I R L E Y F Q M I P A E V E R O M A S T S T R U G G L E V A H W R M C Y A E R E N D I “Gangs of London” on AMC Bargain Box (Words in parentheses not in puzzle) Sean (Wallace) (Joe) Cole Organized (Crime) Place your classified Classified Merchandise Specials Solution on page 13 Elliot (Finch) (Sope) Dirisu Chancer ad in the Waxahachie Daily Light, Midlothian Mirror and Ellis Merchandise High-End 2 x 3" ad Ed (Dumani) (Lucian) Msamati (Power) Struggle 1 x 4" ad Marian (Wallace) (Michelle) Fairley Shadowy (Figures) County Trading Post! Deal Merchandise Word Search Finn (Wallace) (Colm) Meaney Murder Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 Chris Rock gets dramatic for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com as ‘Fargo’ returns All specials are pre-paid. -
1 Academy Award ® Nominee Bryan Cranston, Acclaimed Actor And
Academy Award ® nominee Bryan Cranston, acclaimed actor and comedian Kevin Hart, and Academy Award ® Winner Nicole Kidman come together in STXfilms and Lantern Entertainment’s THE UPSIDE, an inspirational comedy based on the true-life friendship and lifelong bond forged between a wealthy man with quadriplegia and the ex-con he hires as his live- in care giver. Directed by Neil Burger (The Illusionist, Limitless), with a screenplay by Jon Hartmere, THE UPSIDE chronicles the unexpected friendship between Phillip Lacasse (Cranston), a Park Avenue billionaire left paralyzed after a paragliding accident, and ex-con Dell Scott (Kevin Hart), in need of a fresh start. Newly paroled and in desperate need of a job, Dell is frustrated by the menial opportunities available to an ex-con. After finding himself at the wrong job interview Dell uses his irreverent charisma to charm Phillip, who, despite protests from his chief-of-staff Yvonne (Nicole Kidman), offers him the home aid position. Despite a rocky start, the two quickly realize how much they can learn from each other’s experiences. From worlds apart, Phillip and Dell form an unlikely bond, bridging their differences and gaining invaluable wisdom in the process, giving each man a renewed sense of passion for all of life’s possibilities. 1 FILMMAKER’S VISION THE UPSIDE is inspired by the 2011 box office hit French film Les Intouchables. Producers Jason Blumenthal, Todd Black and Steve Tisch from Escape Artists were thrilled at the prospect of recreating the French classic, having seen it a few years back and absolutely loving the story. -
How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series
UvA-DARE (Digital Academic Repository) How to Get Away with Color Color-Blindness and the Post-Racial Illusion in Popular American Television Series Martens, E.; Povoa, D. Publication date 2017 Document Version Final published version Published in Alphaville License CC BY-NC-ND Link to publication Citation for published version (APA): Martens, E., & Povoa, D. (2017). How to Get Away with Color: Color-Blindness and the Post- Racial Illusion in Popular American Television Series. Alphaville, 13, 117-134. http://www.alphavillejournal.com/Issue13/HTML/ArticleMartensPovoa.html General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes. -
130Mm Tv Time Fans Cast Their Vote on the State of Diversity on Television
1 130MM TV TIME FANS CAST THEIR VOTE ON THE STATE OF DIVERSITY ON TELEVISION Television viewers are overwhelmingly voicing their desire for shows with diverse and strong characters. TV Time conducted this study to better understand how television audiences are responding to casting decisions across race, gender and sexual orientation. Gone are the days when our favorite characters were predominantly white, straight and male. A super- charged social consciousness is driving people to want to see characters on television who resemble themselves. Television is answering that call to action and fans are responding in overwhelming favor. TV Time is uniquely poised with volumes of fan data from people who have watched a television program and voted on their favorite characters in the TV Time app. For this global study, TV Time analyzed the top 100 favorite characters from 2015-2017, chosen by its community of 12 million registered app users. In an eff ort to understand how fans are reacting to diversity characters, TV Time tabulated 130 million character votes over the last three years. Acknowledging that there are several ways to segment the US population (and television characters) into diversity groups, this study focused on gender, ethnicity and sexual orientation. Overall, diversity among favorite characters remains relatively fl at over the past three years. However, some diversity groups are experiencing meaningful growth and appear to be leading the cultural movement toward embracing fundamental changes in the way we experience television. Published on April 23, 2018 2 CHARACTERS OF COLOR Overall, characters of color saw a 20% increase, jumping from 15% of the overall favorite characters in 2015, to 18% of the favorite character vote in 2017. -
Review of "How to Get Away with Murder"
Lynette Payne, [email protected] December 3, 2015 Advanced Comp Revision Murder 101: A Review of How to Get Away with Murder ABC’s How to Get Away wijth Murder began as the underdog of the Fall 2014 American broadcast network pilot season, but as it now launches its second season, the legal drama is rolling in great ratings. Producer Shonda Rimes (of Scandal and Grey’s Anatomy fame) lead the current season to eight million viewers in September, 2015. After ending the previous season in February with the shocking revelation of who killed Lila Stangard, along with yet another dead body, How to Get Away with Murder continues to captivate its viewers. How to Get Away with Murder centers on Annalise Keating, played by Viola Davis, as she teaches criminal law at the fictional college of Middleton University in Philadelphia, and takes a special interest in five of her students. The pilot episode begins in medias res, as these six characters become entangled in the plots of not one, but two separate murders. While Annalise continues to teach and represent clients at her own law firm, she and her students work through the homicides, more personally involved than ever. Davis’ character of Annalise Keating, a defense attorney and law professor, is the driving force behind the show. From the first episode, Annalise is the head bitch in charge, intimidating, cold, and utterly fascinating. Even her opening monologue is ominous: “Good morning. I don’t know what terrible things you’ve done in your life up to this point, but clearly your karma’s out of balance to get assigned to my class.