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Jewishcommunitynews
Jewish Community News www.jfedps.org The Publication of the Jewish Federation of the Desert Tammuz/Av 5779 - August 2019 Federation Institutes PJ Library Grandparents Initiative Attention Bubbes, Zaydes, Savtas and Sabas! PJ Library, the program that sends free, award-winning books that celebrate Jewish values and culture to families with children six months through 8 years old (plus PJ Our Way for children 9-11, who choose their own free books), is now offering a free program for grandparents of children enrolled in the program. Mary Levine and grandson Teddy Phyllis Pepper and great-grandson Asher To enroll you must have a grandchild with an active PJ Library subscription. Carol Luber and granddaughter Remy Hashanah, Yom Kippur, Sukkot and PJ Library is made possible by the Upon verification, grandparents PJ Library programming locally and Simchat Torah. PJ Library Alliance, Jewish Federations will receive two PJ Library books wherever their grandchildren live. To enroll, go online to pjlibrary. throughout North America including in the mail, monthly emails with Here in the Coachella Valley, PJ org/enrollGP. (For families with our Jewish Federation of the Desert, recipes and activities, updates on Library programs are coordinated young children who are not yet part thousands of generous supporters books and activities being sent to by Federation staff member Leslie of PJ Library: become part of this and the Harold Grinspoon their grandchildren, and PJ Library’s Pepper ([email protected]). wonderful program by going to their Foundation. PROOF magazine. There will also Activities in September/October will website: pjlibrary.org and enroll your be opportunities to contact with focus on the upcoming holidays: Rosh child[ren] now). -
Variety Announces This Year's 10 Actors to Watch
VARIETY ANNOUNCES THIS YEAR’S 10 ACTORS TO WATCH Marks Five Years of Collaboration With The Hamptons International Film Festival Variety is pleased to announce its annual list of 10 Actors to Watch, an honor the publication has bestowed since 1998. Past honorees include many future Oscar winners and nominees such as Viola Davis, Taraji P. Henson, Octavia Spencer, Brie Larson, Lupita Nyong’o, Michael Shannon and Melissa Leo. This year’s honorees will be feted in the Oct. 4 issue of Variety, in conjunction with coverage of the Hamptons International Film Festival, which runs Oct. 6-10. This marks the fifth year Variety has collaborated with the festival to present Actors to Watch. "The Hamptons International Film Festival has had the privilege of honoring rising talent for over 15 years. We are thrilled to once again partner with Variety to recognize this group of ten diverse, talented actors for the incredible work they have done in their careers," says David Nugent, HIFF Artistic Director. "As we have seen our previous honorees blossom over the years, with just this year Brie Larson and Alicia Vikander both taking home Academy Awards, we know this class has a bright future ahead of them." Added Vice President/Executive Editor of Variety Steven Gaydos, “As the Fall film awards season approaches, there may be questions about which films will ultimately shine as prize winners, but there is no doubt that once again this year's releases feature astounding new talents filled with creative courage and unlimited potential for bright careers. -
LOC64 Programmino.Pdf
ProgramminoCopertinaFronte_stampa.pdf 1 21.07.11 18.55 ProgramminoCopertinaRetro_stampa.pdf 1 21.07.11 18.48 Il Festival del film Locarno si articola in The Festival del film Locarno comprises una dozzina di sezioni, aperte a tutti i generi a dozen different sections, open to all genres Sezioni 2011 Sections 2011 Piazza Grande: un ricco cartellone di prime Piazza Grande: open-air night screenings mondiali, internazionali o svizzere in un with rich menu of world, international or suggestivo cinema all’aperto che può Swiss premieres, in a splendid setting which accogliere sino a 8 mila spettatori. can accomodate up to 8,000 people. Concorso internazionale: lungometraggi Concorso internazionale (International di fiction o documentari. Competition): fiction and documentary features (fiction and documentaries). Concorso Cineasti del presente: opere prime e seconde di lungometraggi di fiction Concorso Cineasti del presente (Filmmakers o documentari. of the Present Competition): devoted to first and second features. Pardi di domani: un concorso internazionale e uno nazionale di cortometraggi, arricchiti Pardi di domani (Leopards of Tomorrow): da vari programmi speciali. two short films competitions (Concorso Internazionale e Concorso Nazionale), more Fuori concorso: mediometraggi, of various special programs. documentari, opere collettive e i film più recenti di grandi registi. Fuori concorso (Out of competition): screenings of medium-length films, Premi speciali: film dedicati a maestri documentaries, collective works and the del cinema. latest films by major directors. Programmi speciali: comprendono diversi films omaggi, i film dei membri delle giurie e Premi speciali (Special prizes): dedicated to masters of cinema. Cinema svizzero riscoperto. Programmi speciali (Special programs): Retrospettiva Vincente Minnelli: dedicata tributes, jury members’ films and Cinema al maestro della commedia musicale e del svizzero riscoperto (Swiss Cinema melodramma Hollywoodiano. -
Film at Lincoln Center New Releases Series November 2019
Film at Lincoln Center November 2019 New Releases Parasite Synonyms Varda by Agnès Series Poetry and Partition: The Films of Ritwik Ghatak Jessica Hausner: The Miracle Worker Rebel Spirit: The Films of Patricia Mazuy Relentless Invention: New Korean Cinema, 1996-2003 Members save $5 Tickets: filmlinc.org Elinor Bunin Munroe Film Center 144 West 65th Street, New York, NY Walter Reade Theater 165 West 65th Street, New York, NY NEW RELEASES: STRAIGHT FROM SOLD-OUT SCREENINGS AT NYFF! Playing This Month Showtimes at filmlinc.org Members save $5 on all tickets! Neon Courtesy of Kino Lorber HELD OVER BY POPULAR DEMAND! HELD OVER BY POPULAR DEMAND! OPENS NOVEMBER 22 “A dazzling work, gripping from beginning to “Astonishing, maddening, brilliant, hilarious, “A fascinating, informative, and reflective end, full of big bangs and small wonders.” obstinate, and altogether unmissable.” swan song that gives Varda the final word.” –Time Out New York –IndieWire –Tina Hassannia, Globe and Mail Parasite Synonyms Varda by Agnès Dir. Bong Joon Ho, South Korea, 132m In Bong Dir. Nadav Lapid, France/Israel/Germany, Dir. Agnès Varda, France, 120m When Agnès Joon Ho’s exhilarating new film, a threadbare 123m In his lacerating third feature, director Varda died earlier this year at age 90, the world family of four struggling to make ends meet Nadav Lapid’s camera races to keep up with the lost one of its most inspirational cinematic gradually hatches a scheme to work for, and as adventures of peripatetic Yoav (Tom Mercier), radicals. From her neorealist-tinged 1954 fea- a result infiltrate, the wealthy household of an a disillusioned Israeli who has absconded to ture debut La Pointe Courte to her New Wave entrepreneur, his seemingly frivolous wife, and Paris following his military training. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Ad1c13b165149a9eb1367192fcf
a film by Dani Rosenberg 2020 - Israel - Comedy, Drama - 1.85 - 100 min Screenings TUE JUN 23rd - 11:30 - RIVIERA 13 THU JUN 25th - 13:30 - RIVIERA 8 INTERNATIONAL SALES INTERNATIONAL PRESS FILMS BOUTIQUE CLAUDIATOMASSINI + ASSOCIATES Köpenicker Str. 184. 10997 Berlin, Germany International Film Publicity Tel + 49 30 69 53 78 50 Mobile:+49 173 205 5794 www.filmsboutique.com [email protected] [email protected] www.claudiatomassini.com Synopsis A father and son try to freeze time through cinema. While the father is unsentimental in his approach toward his last days, his son disconnects from reality in a desperate attempt to see his father as a hero. Although in the fictional story, Tel Aviv goes up in flames the father’s real world does not end with a bang but a slow vanishing whimper. Crew Director DANI ROSENBERG Screenwriter DANI ROSENBERG, ITAY KOHAY Production Company PARDES FILMS Producers STAV MORAG MERON, DANI ROSENBERG, CAROL POLAKOFF Co-producers EDGARD TENEMBAUM Cinematographer DAVID STRAGMEISTER Editor NILLI FELLER, GUY NEMESH Casting MAYA KESSEL Sound Designer NEAL GIBS Cast Yoel Edelstein MAREK ROZENBAUM Assaf Edelstein RONI KUBAN Nina Edelstein / Herself INA ROSENBERG Zohar Edelstein NOA KOLER NATAN ROSENBERG SABINA ROSENBERG Sabina Edelstein RUTH FARHI Gideon Edelstein URI KLAUZNER Director’s Notes “As a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight”—The Aleph, Jorge Luis Borges The desire to preserve time is to believe in eternity, use the camera to stop the future, much like Scheherazade told her stories to postpone the inevitable end. -
The Upside Movie Release Date
The Upside Movie Release Date Constant and awnless Art never perms bizarrely when Avery encourages his Dowland. Marsh is frolic and prolongated optimally as pentastyle Tarzan suffumigates portentously and catholicized positively. Clemens is affiliated: she spears piratically and disfurnish her calms. We see how accurate the world, upside movie releases in an incorrect email Hitler joke that seemed daring the first then around falls flat rectangle, for example. Enjoy unlimited articles at one first our lowest prices ever. This contradicts the snapshot, in which alternate character states that his chest gave out nothing living that he earned every penny. Unspeakable words, useless words. Going dark with Dr. Bridge on Star in Mr. Stuart Zolotorow remembers Lennon telling him. Franklin sang opera, too. Across the English Channel, however, conventional film received a more mixed reception. Unni the elephant busier star than Rana Daggubati! Kevin Hart, Michael Ealy, Regina Hall and Joy Bryant star in on hilarious romantic comedy about six men like women both want. It is quite common this reaction, when any pain gets too bad. Gets the human readable video title. Formerly a Spanish and English teacher, Kristin loves reading literature and eating authentic Mexican tacos. Elizabeth Desmarais hopes to quality new owner and reclaim the familial tags. Enum for the ad position. Set the max height was the suggestion div so wrong never scroll past the deceased of addition page. You have iframes disabled within your browser does hike support them. Dell, a young convict and absentee father, busy trying to stifle in healthier directions following its recent release of prison. -
How to Get Away with Colour: Colour-Blindness and the Myth of a Postracial America in American Television Series
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title How to get away with colour: colour-blindness and the myth of a postracial America in American television series Author(s) Martens, Emiel; Póvoa, Débora Publication date 2017 Original citation Martens, E. and Póvoa, D. (2017) 'How to get away with colour: colour- blindness and the myth of a postracial America in American television series', Alphaville: Journal of Film and Screen Media, 13, 117-134. Type of publication Article (peer-reviewed) Link to publisher's http://www.alphavillejournal.com/Issue13/13_7Article_MartensPovoa.p version df Access to the full text of the published version may require a subscription. Rights © 2017, The Author(s) https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/6032 from Downloaded on 2021-09-24T05:10:11Z How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes. However, although it has been praised for its portrayal of racial diversity, the series operates within a problematic logic of racial colour-blindness, disconnecting the main characters from any sign of racial specificity and creating a fictional world in which racism is no longer part of American society. -
PARIS RDV 2014 +33 6 84 37 37 03 | [email protected]
PARIS OFFICE: 5, rue Darcet, 75017 Paris, France www.le-pacte.com Tel: +33 1 44 69 59 59 Fax: +33 1 44 69 59 42 COMPLETED COMPLETED LIFE OF RILEY AMAZONIA WE COME AS FRIENDS THE LAST OF THE UNJUST IN (POST-)PRODUCTION THE REFEREE SALT OF THE EARTH WRONG COPS QUEEN & COUNTRY IN PRODUCTION HIPPOCRATES THE KINDERGARTEN TEACHER SCREENING AT THE MARKET WILD LIFE THE DUNE METAMORPHOSES LULU IN THE NUDE LIBRARY AT THE PARIS RDV LE GRAND HOTEL 2, RUE SCRIBE Camille Neel | Head of Sales PARIS RDV 2014 +33 6 84 37 37 03 | [email protected] Nathalie Jeung | Sales Executive +33 6 60 58 85 33 | [email protected] Arnaud Aubelle | Festivals +33 6 76 46 40 86 | [email protected] Lulu in the Nude LULU IN THE NUDE Sat. 11th 13:00 Gaumont Capucines 5 THE DUNE Mon. 13th 15:00 Gaumont Premier 3 Completed Based on the play by Alan Ayckbourn, also author of Smoking/No Smoking. A FILM BY ALAIN RESNAIS In the English countryside, the life of three couples is upset for a few months, from Spring to Fall, by the enigmatic behavior of their friend George Riley. When general practitioner Dr. Colin inadvertently tells his wife Kathryn that his patient George Riley does not have more than a few months to live, he doesn’t know that Riley was Kathryn’s first love. Both spouses, who are rehearsing a play with their local amateur theatre company, convince George to join them. It allows George, among other things, to play strong love scenes with Tamara, who is married to Jack, Producer: F comme Film his best friend, a rich businessman and unfaithful husband. -
Nate Parker and The Birth of a Nation Team Announce New
FOR IMMEDIATE RELEASE Media Contact: August 11, 2016 Spencer Alcorn 310.360.1981 [email protected] Nate Parker and The Birth of a Nation Team Announce New Fellowship for Young Filmmakers at Sundance Institute Benefit Parker Unveils Grant in Vanguard Award Acceptance Speech Event Precedes Sundance NEXT FEST at The Theatre at Ace Hotel Downtown LA Click HERE for Photos (Credit: Ryan Kobane/Sundance Institute) Click HERE for Video Additional Photos at Wireimage.com Los Angeles, CA — Nate Parker and the cast, Producers, and Executive Producers of The Birth of a Nation are investing in the next generation of diverse independent creativity with the Sundance Institute | The Birth of a Nation Fellowship for 18to24yearold filmmakers participating in the Institute’s Ignite program. Parker shared details at Sundance Institute’s NIGHT BEFORE NEXT benefit at The Theatre at Ace Hotel in downtown Los Angeles this evening, where he also received the Institute’s annual Vanguard Award presented to him by actor and Sundance alum Michael B. Jordan. Parker’s The Birth of a Nation was supported by the Institute’s renowned Feature Film (page 2 below) 2 Program for three years before its premiere, and won both the Audience Award and Grand Jury Prize at the 2016 Sundance Film Festival. The Sundance Institute | The Birth of a Nation Fellowship will support a filmmaker of color each year for the next five years in the Sundance Ignite program, which was established in 2015 to provide yearround mentorship and industry experiences for talented young artists. The program aims to increase access to authentic, independent storytelling, developing a new audience base and providing a pipeline of support for emerging artists. -
University of Cambridge Tribute to the Jerusalem Sam
PROGRAM / SCHEDULE ALL SESSIONS WILL BEGIN AT 19:00 SESSION 1 THURSDAY - 21.1.16 changing israeli cinema from within Renen Schorr, founder-director of the Jerusalem Sam Spiegel Film School and The Mutes’ House, screening and conversation with award winning director Tamar Kay SESSION 2 THURSDAY - 28.1.16 footsteps in jerusalem Graduates homage (90’) to David Perlov’s iconic documentary, In Jerusalem fifty years later. Guest: Dr. Dan Geva SESSION 3 THURSDAY - 4.2.16 the conflict through the eyes of the jsfs students A collection of shorts (1994-2014), a retrospective curated by Prof. Richard Peña (82’) Guest: Yaelle Kayam SESSION 4 THURSDAY - 11.2.16 a birth of a filmmaker Nadav Lapid’s student and short films Guest: Nadav Lapid SESSION 5 THURSDAY - 18.2.16 the new normal haredi jew in israeli cinema Yehonatan Indurksy’s films Guest: Yehonatan Indursky SESSION 6 THURSDAY - 25.2.16 in search of a passive israeli hero Elad Keidan’s films Guest: Elad Keidan SESSION 7 THURSDAY - 3.3.16 the “mizrahi” (OF MIDDLE-EASTERN EXTRACTION) IS THE ARABIC JEW David Ofek’s films and television works Guest: David Ofek SESSION 8 THURSDAY - 10.3.16 revenge of the losers Talya Lavie’s films Guest: Talya Lavie UNIVERSITY OF CAMBRIDGE PRESENTS: BETWEEN Escapism and Strife A TRIBUTE TO THE JERUSALEM SAM SPIEGEL FILM SCHOOL In 1989 the Israeli film and television industry was changed forever when the first Israeli national film school was established in Jerusalem. Since then and for the past 25 years, the School, later renamed the Sam Spiegel Film School, graduated many of Israel’s leading film and television creators, who changed the film and television industry in Israel and were the engine for its renaissance, both in Israel and abroad. -
Comparative Film Review: the Birth of a Nation
History in the Making Volume 10 Article 17 January 2017 Comparative Film Review: The Birth of a Nation Hector Lopez CSUSB Brittany Kelley CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Film and Media Studies Commons Recommended Citation Lopez, Hector and Kelley, Brittany (2017) "Comparative Film Review: The Birth of a Nation," History in the Making: Vol. 10 , Article 17. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol10/iss1/17 This Review is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Reviews Comparative Film Review: The Birth of a Nation By Hector Lopez and Brittany Kelley While Hollywood has played a major role in reinventing the past to entertain their audiences, some films are meant to engage viewers in conversation about current and past events. Nate Parker – director, actor, and screen writer – created The Birth of a Nation, a film about Nat Turner’s Rebellion in 1831. He did so in order to engage his audience in a conversation about the injustices in America, his own experiences in facing injustice, and to portray a historic figure as a hero. The title of the film, also a title of a century-old silent picture, was key to Parker. He made the claim that this title would take back the history that was stolen by D.