DOCSLIB.ORG

Liquids Gums Plasters INSTRUCTIONS on HOW to MIX PLASTERS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Liquids Gums Plasters INSTRUCTIONS on HOW to MIX PLASTERS RAW MATERIALS 4OZ 1PT 1QT 1GAL 5GA Liquids LQSSI SODIUM SILICATE N/A 3.50 4.25 8.00 28.00 LQPFS PF SOAP N/A 4.25 6.75 24.00 75.00 LQWX WAX RESIST (Water Base) N/A 6.00 10.00 23.00 100.00 LQLAT LIQUID LATEX N/A 10.00 16.00 58.00 LQCMC CMC GUM N/A 1.75 5.00 9.00 16.00 (2gal.) LQGLY GLYCERINE N/A 4.25 6.75 24.00 75.00 LQFLOC FLOCSTM GLAZE SUSPENDER 3.00 9.00 12.00 32.00 FLOCSTM GLAZE SUSPENDER LIQUID LATEX An excellent flocculent produced by Great Lakes Clay. The peel-able resist. Slip trail or brush on bisqueware or Suspends even the worst of settling glazes. Flocs is com- glaze. Glaze the piece and when dry, peel away liquid latex. pletely organic and will burn out around 400O. One teaspoon Can be repeated as often as desired. will suspend four to five gallons of glaze. Extremely difficult Liquid latex also can be used to make thin, flexible molds that glazes may require a little more. Best results are obtained allows undercuts in the models. when Flocs is added when mixing a glaze, but can be added to a settled glaze after glaze has been re-stirred. 1# 5# 25# 50# 100# Gums GMVGT VEE GUM-T 12.00 53.75 240.00 437.50 800.00 (10.75) (9.60) (8.75) (8.00) GMCMC CMC GUM 11.00 48.75 216.25 395.00 725.00 (9.75) (8.65) (7.90) (7.25) 5# 25# 50# 100# 500# 1000# 2000# Plasters PLPOT POTTERY PLASTER No.1 4.15 10.00 16.50 22.00 100.00 180.00 320.00 (.83) (.40) (.33) (.22) (.20) (.18) (.16) PLPUR PURITAN PLASTER 4.25 10.50 17.50 24.00 110.00 200.00 360.00 (.85) (.42) (.35) (.24) (.22) (.20) (.18) PLHYC HYDROCAL 4.85 13.00 22.00 33.00 150.00 270.00 480.00 (.97) (.52) (.44) (.33) (.30) (.27) (.24) PLULT ULTRACAL 5.15 14.25 24.50 37.00 170.00 310.00 540.00 (1.03) (.57) (.49) (.37) (.34) (.31) (.27) PLHYST HYDROSTONE 5.15 14.25 24.50 37.00 170.00 310.00 540.00 (1.03) (.57) (.49) (.37) (.34) (.31) (.27) All full bags of plasters are 100 pounds. Typical Plaster Uses Pottery Plaster No.1 is for casting molds, wedging tables and bats. Puritan Plaster is for stronger molds and press molds. Lasts longer than Pottery Plaster No.1. Hydrocal is for block & cases, sculpting and casting. Ultracal has the same uses as Hydrocal, but is stronger. Hydrostone is for mother molds, ram press dies and gypsum cement. INSTRUCTIONS ON HOW TO MIX PLASTERS Plaster %Plaster %Water Mixing Time Setting Time Pottery Plaster No.1 60% 40% 3 Minutes 10-15 Minutes Puritan Plaster 60% 40% 3 Minutes 10-15 Minutes Hydrocal 69% 31% 5 Minutes 10-15 Minutes Ultracal 72% 28% 5 minutes 10-15 Minutes Hydrostone 75% 25% 5 minutes 10-15 Minutes Measure water out in pounds - One gallon equals approximately 8.3 pounds. Example: 6 pounds of plaster to 4 pounds of water (2 quarts) for Pottery Plaster No.1. Place water into container first, then add plaster. Mix with power drill and Hanson Plunge Mixer for specified time. Pour into mold and let set. 46 RAW MATERIALS 1# 5# 25# 50# 100# Ferro Frits FF263 FRIT 263 LEADLESS 4.80 18.25 75.00 132.50 245.00 (50)** (3.65) (3.00) (2.65) (2.45) FFF857 FRIT CM857 4.80 18.25 75.00 132.50 245.00 (CLEAR CRACKLE GLAZE 06-09) (50) (3.65) (3.00) (2.65) (2.45) FF3110 FRIT 3110 LEADLESS 4.25 15.50 62.50 110.00 200.00 (50) (3.10) (2.50) (2.20) (2.00) FF3124 FRIT 3124 LEADLESS 3.40 11.75 45.00 77.50 140.00 (50) (2.35) (1.80) (1.55) (1.40) FF3134 FRIT 3134 LEADLESS 3.50 12.50 48.75 85.00 155.00 (50) (2.50) (1.95) (1.70) (1.55) FF3195 FRIT 3195 LEADLESS 4.25 15.50 62.50 110.00 200.00 (50) (3.10) (2.50) (2.20) (2.00) FF3269 FRIT 3269 LEADLESS 4.25 15.50 62.50 110.00 200.00 (FORMERLY 3819) (50) (3.10) (2.50) (2.20) (2.00) FF5301 FRIT 5301 LEADLESS 4.60 17.50 72.50 127.50 230.00 (50) (3.50) (2.90) (2.55) (2.30) FFFB258A FRIT FB258-A LEADLESS 12.50 55.00 245.00 410.00 700.00 (50) (11.00) (9.80) (8.20) (7.00) FRIT CHEMICAL ANALYSIS (percentages) & EQUIVALENTS MOL. Fusion Flow FRIT WT. K20Na2O CaO ZnO A12O3 B2O3 SiO2 F Temp Temp HUMMEL PEMCO GLOSTEX FUSION 3110 260.6 2.36 15.24 6.29 3.7 2.64 69.77 1400 1700 P-1V05 GF134 F-75 3124 278.1 0.62 6.4 14.23 10.01 13.74 54.94 1600 1750 90 P-311 GF113 F-19 3134 190.5 10.14 19.51 2.0 22.79 45.56 1450 1600 14 P-54 GF111 F-12 3195 5.69 11.36 11.98 22.62 48.35 1500 1700 P-67 F-2 3269 7.42 10.97 .41 0.97 12.4 15.06 51.23 1.54 1400 1500 259 P-25 GF114 FZ-25 5301 247.2 5.53 14.03 2.36 12.08 12.48 44.49 9.03 1500 1500 P-1084 FZ-24 All frit data included, with the exception of fusion and flow temperatures, was obtained by calculation rather than by actual analysis or test, and is therefore, intended to be relative rather than factual. 1/4# 1/2# 1# 5# 25# 50# 100# Opacifiers OPTIN TIN OXIDE 4.70 8.75 16.50 75.00 340.00 622.50 (15.00) (13.60) (12.45) OPUTRO ULTROX 4.15 17.50 71.25 137.50* (55)* (3.50) (2.85) (2.50) OPSUP SUPERPAX 4.80 18.25 75.00 132.50 245.00 (50) (3.65) (3.00) (2.65) (2.45) OPZIR ZIRCOPAX 4.15 17.50 71.25 125.00 230.00 (50) (3.50) (2.85) (2.50) (2.30) 25GR. 100GR. 400GR. 1# 5# Rare Chemicals RCANOX ANTIMONY OXIDE 8.75 37.50 (7.50) RCBISU BISMUTH SUBNITRATE 11.50 40.00 131.00 RCSINI SILVER NITRATE 22.00 80.00 250.00 RCSCH STANNOUS CHLORIDE 6.50 22.00 80.00 *FULL BAG PRICE REFLECTS BAG SIZE. **ALL BAG SIZES ARE IN PARENTHESES 45 OXIDES 1/4# 1/2# 1# 5# 25# 50# 100# Oxides OXBUR BURNT UMBER 4.00 16.75 68.75 120.00 (3.35) (2.75) (2.40) OXCHR CHROMIUM OXIDE GREEN 2.55 4.90 9.25 41.25 182.50 330.00 (8.25) (7.30) (6.60) OXCBCB COBALT CARBONATE CALL FOR CURRENT PRICING OXCBOX COBALT OXIDE CALL FOR CURRENT PRICING OXCCAR COPPER CARBONATE 1.95 3.70 7.00 31.00 133.75 240.00 (6.20) (5.35) (4.80) OXCOB COPPER OXIDE BLACK 2.25 4.00 7.50 33.25 145.00 262.50 (6.65) (5.80) (5.25) OXCOR COPPER OXIDE RED 2.25 4.00 7.50 33.25 145.00 262.50 (6.65) (5.80) (5.25) OXCSUL COPPER SULFATE 4.75 20.25 83.75 (4.05) (3.35) OXILG ILMENITE GRANULAR 3.00 9.75 36.25 60.00 110.00 (1.95) (1.45) (1.20) (1.10) OXICHR IRON CHROMATE 2.35 7.00 23.75 37.50 70.00 (1.40) (.95) (.75) (.70) OXBIO IRON OXIDE BLACK 2.10 5.75 16.25 25.00 45.00 (1.15) (.65) (.50) (.45) OXRIO IRON OXIDE RED 2.10 5.75 16.25 25.00 45.00 (1.15) (.65) (.50) (.45) OXYIO IRON OXIDE YELLOW 4.75 20.25 83.75 150.00 275.00 (4.05) (3.35) (3.00) (2.75) OXMDG MANGANESE DIOXIDE GRANULAR 2.35 7.00 23.75 37.50 70.00 (1.40) (.95) (.75) (.70) OXMDP MANGANESE DIOXIDE POWDER 2.35 7.00 23.75 37.50 70.00 (1.40) (.95) (.75) (.70) OXNCB NICKEL CARBONATE CALL FOR CURRENT PRICING OXNBL NICKEL OXIDE BLACK CALL FOR CURRENT PRICING OXRUP RUTILE POWDER 3.50 12.50 48.75 85.00 155.00 (2.50) (1.95) (1.70) (1.55) OXSIO SPANISH IRON OXIDE (55) 2.75 9.00 32.50 60.50* 110.00* (1.80) (1.30) (1.10) (1.00) OXYLO YELLOW OCHRE 3.00 9.75 36.25 60.00 110.00 (1.95) (1.45) (1.20) (1.10) Material Safety Data Sheets are available on ALL raw materials upon request. ALL RAW MATERIALS CONTAIN SILICA, WHICH CAN BE HARMFUL IF INHALED CONTINUOUSLY WEAR AN OSHA/NIOSH APPROVED RESPIRATOR NOTICE ON CLAY SAFETY All clays and glaze materials contain silica and many of these materials are toxic in other ways. Continued breathing of silica could lead to silicosis and a respirator should be worn when handling dry clays. Please refer to our glossary of materials on pages 47-49 for the toxicity of certain materials. Great Lakes Clay can assume NO responsibility for the handling or mishandling of any dry clays and glaze materials. *FULL BAG PRICE REFLECTS BAG SIZE.
Load more

Recommended publications
  • Mass-Produced Handmade Ceramics Cynthia Vardhan
    Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 2004 Mass-produced handmade ceramics Cynthia Vardhan Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Vardhan, Cynthia, "Mass-produced handmade ceramics" (2004). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY MASS-PRODUCED HANDMADE CERAMICS A THESIS SUBMITTED TO THE FACULTY OF THE COLLEGE OF IMAGING ARTS AND SCIENCES IN CANDIDACY FOR THE DEGREE OF MASTER OF FINE ARTS INDUSTRIAL DESIGN DEPARTMENT BY CYNTHIA VARDHAN ROCHESTER NEW YORK MAY 2004 Approvals Chief Advisor, Professor David Morgan: David Morgan Date: Associate Advisor, Professor Stan Rickel: Stan Rickel Date: Associate Advisor, Professor Julia Galloway: Julia Galloway Date: School Chairperson, Professor Patti Lachance Patti Lachance Date: I I I, Cynthia Vardhan, hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Date: Cynthia Vardhan 3 '//."1 II Copyright 2003 by Cynthia Vardhan All rights reserved To Aniket Love your experiments (as you would an ugly child) Bruce Mau "An Incomplete Manifesto for Growth" CONTENTS LIST OF ILLUSTRATIONS vi Chapter 1. THESIS SUMMARY 1 Components ofThesis Necessity ofThesis Goals Limitations 2. BACKGROUND OF PRODUCTION METHODS 6 The Handrnade-to-Machine-Made Continuum Current Processes in Use Case Studies My Niche in the Spectrum 3.
    [Show full text]
  • Industrial Arts Courses. It Was Include a Glossary of Ceramic Terms
    DOCUMENT RESUME VT 002 002 ED 021 963 By-Hastings, James R., Ed CERAMICS, PROJECT IDEAS FORINDUSTRIAL ARTS. New York State Education Dept.,Albany. Bureau of SecondaryCurriculum Development. Pub Date 66 Note-185p. EDRS Price MF-$0.75 HC-$7.48 UNITS, Descriptors-*CERAMICS, HIGH SCHOOLS,*INDUSTRIAL ARTS, JUNIOR HIGHSCHOOLS, *RESOURCE *STUDENT PROJECTS This book of ceramic projectideas is for teacher orstudent use insecondary industrial arts courses. It wasdeveloped in a workshopby teachers. The content useful projects and unitsof instruction and togiVe direction objectives are to provide Forty-one to ceramics instructionwhich isin keeping with achanging technology. under these units: (1)Hand Forming, (2) SlabConstructing, project plans are presented Extruding, (8) (3) Free Forming, (4) PressMolding, (5) Solid Casting,(6) Slip Casting, (7) Throwing and Turning, and (9)Jiggering. Each unit givesproject plans,student activities, projectprocedures, related technicalinformation, teacher demonstrations, references. Similarly organized units cover13 tools or related- cultural information, and turning box. pieces of equipment such as...a.jiggerarm, stilts, anextrusion press, and a Information concerning the makingof glazes is also included.Supplementary materials include a glossary of ceramic terms, abibliography of books andperiodicals, and indexes to related technical andcultural topics. (EM) i, , U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. Cetaini,a, wied feaJ FOR INDUSTRIAL ARTS , THE UNIVERSITY OF THE STATE OF NEW YORK The State Education Department Bureau of Secondary Curriculum Development Albany, 1966 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of the University (with years when terms expire) EDGAR W.
    [Show full text]
  • WO 2013/032520 Al 7 March 2013 (07.03.2013) P O P C T
    (12) INTERNATIONAL APPLICATION PUBLISHED UNDER THE PATENT COOPERATION TREATY (PCT) (19) World Intellectual Property Organization International Bureau (10) International Publication Number (43) International Publication Date WO 2013/032520 Al 7 March 2013 (07.03.2013) P O P C T (51) International Patent Classification: (81) Designated States (unless otherwise indicated, for every F27D 1/14 (2006.01) kind of national protection available): AE, AG, AL, AM, AO, AT, AU, AZ, BA, BB, BG, BH, BN, BR, BW, BY, (21) International Application Number: BZ, CA, CH, CL, CN, CO, CR, CU, CZ, DE, DK, DM, PCT/US2012/000333 DO, DZ, EC, EE, EG, ES, FI, GB, GD, GE, GH, GM, GT, (22) International Filing Date: HN, HR, HU, ID, IL, IN, IS, JP, KE, KG, KM, KN, KP, 27 July 2012 (27.07.2012) KR, KZ, LA, LC, LK, LR, LS, LT, LU, LY, MA, MD, ME, MG, MK, MN, MW, MX, MY, MZ, NA, NG, NI, (25) Filing Language: English NO, NZ, OM, PE, PG, PH, PL, PT, QA, RO, RS, RU, RW, (26) Publication Language: English SC, SD, SE, SG, SK, SL, SM, ST, SV, SY, TH, TJ, TM, TN, TR, TT, TZ, UA, UG, US, UZ, VC, VN, ZA, ZM, (30) Priority Data: ZW. 13/222,037 31 August 201 1 (3 1.08.201 1) US (84) Designated States (unless otherwise indicated, for every (71) Applicant (for all designated States except US): SENECA kind of regional protection available): ARIPO (BW, GH, CERAMICS CORP. [US/US]; 45 Main Street, Phelps, GM, KE, LR, LS, MW, MZ, NA, RW, SD, SL, SZ, TZ, New York 14532 (US).
    [Show full text]
  • MEACAP: Survey of Technical and Management-Based Mitigation
    MEACAP – D7a Technical and management-based mitigation measures in agriculture – June 2005 SIXTH FRAMEWORK PROGRAMME PRIORITY 8: Policy-Oriented Research SPECIFIC TARGETED RESEARCH PROJECT n°SSPE-CT-2004-503604 Impact of Environmental Agreements on the CAP Document number: MEACAP WP3 D7a Dissemination level: public Survey of technical and management-based mitigation measures in agriculture Author: A. Weiske Author’s Organisation(s): Institute for Energy and Environment (IE) Date: June 2005 1 MEACAP – D7a Technical and management-based mitigation measures in agriculture – June 2005 TABLE OF CONTENTS Introduction............................................................................................................... 7 1 Measures related to livestock and poultry farming ....................................... 9 1.1 Animal breeding and husbandry ................................................................................. 9 1.1.1 Livestock breeding ................................................................................................ 9 1.1.2 Artificial insemination........................................................................................... 9 1.1.3 Planned selection of male/female at insemination (embryo and sperm sexing) . 10 1.1.4 Twinning ............................................................................................................. 11 1.1.5 Lifetime efficiency (calves, cattle, cows / meat, milk) ....................................... 11 1.1.6 Multi use of cows (milk, calves and meat).........................................................
    [Show full text]
  • OCCASION This Publication Has Been Made Available to the Public on The
    OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] 1.0 22 iii; 2 0 111111.1 11111~~ 25 4 111111. 1:1111.
    [Show full text]
  • Architectural Terra Cotta Recreating the Past Shaping the Future TABLE of CONTENTS
    Architectural Terra Cotta Recreating the Past Shaping the Future TABLE OF CONTENTS Company & Product Overview | 5 Main Office Project Installations: Restoration | 11 6860 South Abbott Road Orchard Park, New York 14127 tel 716.649.7490 Project Installations: New Construction | 27 toll free 1.888.214.3655 www.BostonValley.com Terra Cotta Manufacturing Process | 41 General Inquiries [email protected] Extrusion Die Catalog | 63 Estimating [email protected] Performance & Sustainability | 77 Sales Support [email protected] Sales representatives are available across many regions of the US, Canada and Asia. Please contact our main office for more details. 2 ARCHITECTURAL TERRA COTTA 3 Through constant pursuit of technological innovations and creative problem solving, architectural terra cotta has been brought into the modern age. COMPANY & PRODUCT OVERVIEW Our Company | 6 OUR TEAM Product Introduction | 8 TERRA COTTA PRODUCTS TERRA COTTA PROPERTIES LEAD TIMES OF TERRA COTTA ARCHITECTURAL TERRA COTTA 5 Boston Valley Terra Cotta will support its clients from planning through installation with expert personnel in all areas of the process. Our passion for ceramic innovation drives us to constantly explore new and old technologies to push the envelope in quality, design and service. OUR COMPANY BOSTON VALLEY TERRA COTTA WAS ESTABLISHED York. Since that time, the company has by the Krouse family in 1981 following the been awarded contracts for some of the purchase of Boston Valley Pottery, a company most notable buildings around the country. which had been in existence since 1889. We are awarded contracts based not Originally a brick manufacturing facility only on the cost of our product but also and later a clay pot manufacturer, Boston because of our ability to meet and exceed Valley Pottery was converted to an expectations in regard to service and the architectural terra cotta facility by the quality of our terra cotta products.
    [Show full text]
  • Graduate Programs in Ceramic Art
    ceramic artsdaily.org Graduate Programs in Ceramic Art profiles of several top institutions for obtaining an MFA in ceramics www.ceramicartsdaily.org | Copyright © 2010, Ceramic Publications Company | Graduate Programs in Ceramic Art | i Graduate Programs in Ceramic Art profiles of several top institutions for obtaining an MFA in ceramics If you’re an undergraduate trying to determine where to study for your MFA in ceramics, this will help you get started in your search. If you’re already in graduate school, it will keep you informed of what’s going on in Ceramics MFA programs at other institutions. And if you’re just worried that there is no next generation of studio ceramic artists and potters, never fear! Graduate Programs in Ceramic Art makes it clear that clay is alive and well in post-secondary education. With works by the ceramics faculty as well as graduate students, and a snapshot of the facilities and MFA program high- lights, this collection of some of the best graduate ceramics programs serves as a window into what is coming in terms of new work and new inspiration in ceramic art! MFA Ceramics Programs included: New York State College of Ceramics at Alfred University, Alfred, New York Arizona State University, Tempe, Arizona Bowling Green State University, Bowling Green, Ohio California College of the Arts, San Francisco & Oakland Edinboro University, Edinboro, Pennsylvania Louisiana State University, Baton Rouge, Louisiana The Ohio State University, Columbus, Ohio Ohio University, Athens, Ohio Penn State University, State
    [Show full text]
  • NMCLAY Catalog
    11/10/2019 Ceramics & Pottery Supplies All Prices in this catalog are old, outdated, close, or just plain wrong see NMCLAY.COM for correct prices. Designed with the potter in mind, the Shimpo VL-Lite is a belt-driven lightweight wheel. “Lite” enough to carry yet sturdy enough to throw on. Featuring a remote pedal, two-piece splashpan, workspace, 100-watt reversible motor, an automatic belt- tensioning system and a Shimpo Slab Roller Heavy-duty slab roller can produce up to a 3” thick slab. Two-roller system evenly distributes pressure on slab to reduce warping. Dual hand wheels and thickness indicator provide synchronized fine adjustment and allow for precise control of slab thickness. Price: $979.00 $810.00 and Free shipping! Terra Sigillata is a very refined clay slip, it is usually polished to a high sheen and low-fired. 2 www.nmclay.com 1-800-781-2529 Table of Contents Firing Services ....................................................................... 2 Duncan ................................................................................. 20 Pugged Moist Clay Bodies ................................... 3 Mayco ................................................................................... 21 NM Clay Descriptions ............................................................ 3 Discounts on Duncan & Mayco ........................................... 21 Clay, High Fire Cone 10 ........................................................ 4 Kilns and Accessories ........................................ 21 Laguna Cone 6 ......................................................................
    [Show full text]
  • Ryan T. Fletcher
    Ryan T. Fletcher 504 E. 18th Street Apt 205 (904) 378 6842 Kansas City, MO 64108 [email protected] Education 2010 BFA, Ceramics, Kansas City Art Institute, Kansas City, MO 2002 High School Diploma, General Education, Art Focus, Bartram Trail High School, St. Johns, FL Galleries/Exhibitions 2012 Silver and Gold, Red Star Studios, Kansas City, MO Paper Plates: Late Night Dinner Series with Chef Howard Hanna and Chef Natasha Goellner, Hotel Rieger Grill and Exchange, Kansas City, MO Porcelain Another Way, Magazyn Praga Gallery, Warsaw, Poland Porcelain Another Way, Galeria Dluga, MCC, Boleslawiec, Poland Tapas Micros with Chef Doug Flicker, Piccolo Restaurant, Minneapolis, MN Functional Redesign, Northern Clay Center, Minneapolis, MN (Invitational) Porcelain Another Way, Ceramic and Glass Gallery, Wroclaw, Poland (Invitational) 2011 XXXV Annual Porcelain Another Way, Walbrzych Museum, Walbrzych, Poland (Invitational) Red Star Studios, Kansas City, MO NCECA, National Student Juried Exhibition, National Conference for Education in Ceramic Arts, Tampa, FL NCECA, Red Star Studios Ceramic Center Gallery, Tampa, FL Comfort Food: Tapas Micros in “The Dining Room Project” Paragraph Gallery, Kansas City, MO 2010 An Evening of Warming Collaborator, Grand Arts, Kansas City, MO Zahner+KCAI Competition, Kansas City, MO Short-listed entry/Finalist Tapas Micros at Lill’s on 17th with Chef Carmen Cabia, 9 course micro menu, Kansas City, MO National Cup Show, Barrett Clay Works, Poughkeepsie, NY 2nd Place Award State of the Arts, R.G Endres Gallery, Prairie
    [Show full text]
  • Material Imperfection: Mapping Form Through Memory
    Material Imperfection: Mapping Form Through Memory THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in the Graduate School of The Ohio State University By Ashley Marie Neukamm Graduate Program in Art The Ohio State University 2014 Master’s Examination Committee: Rebecca Harvey, Advisor Alison Crocetta Steven Thurston Copyright by Ashley Marie Neukamm 2014 Abstract The trajectory of this thesis will chronicle the evolution of my MFA candidacy research at The Ohio State University. My work began with an interest in surface that ultimately shifted to a procedure and material-oriented practice that expresses my desire to map memory through ceramic process. My vessels push against traditional notions of functionality combined with a desire to interact with form. Within the realm of ceramic form, issues of flaws and beauty within functional wares drive my work. Using variations of the multiple, I explore individuality. Substantial forms that emphasize the rims, body, and feet of the vessels provide areas for modification. Variation is also derived from anomalies in the ceramic material. I push the clay to its physical limits, testing the edge of functionality, and looking for the moment where engagement meets use. ii Dedication For my parents who inspired me to follow my passions and who have unconditionally believed in me. iii Acknowledgments While it hasn’t always been easy, I am so grateful for the wisdom, advice, and encouragement from my advisor Rebecca Harvey, and committee members Alison Crocetta and Steven Thurston. Thank you so much for all your support! iv Vita 2006 ............................................................... Lake Brantley High School 2010 ..............................................................
    [Show full text]
  • Media Kit 2018
    ARCHITECTURAL CERAMIC ASSEMBLIES WORKSHOP MEDIA KIT 2018 For more information, contact Sarah Caroll at [email protected] or call 716-649-7490 ext. 160 PRESS RELEASE FOR IMMEDIATE RELEASE: MEDIA CONTACT (not for publication) July 13, 2018 Jill Wisz 716.882.3802 [email protected] ARCHITECTURAL CERAMIC Architectural Ceramic Assemblies Workshop Pushes the Envelope of ASSEMBLIES WORKSHOP Architectural Design August 13–16 Industry experts gather in Buffalo, NY to explore bioclimatic features of terra cotta facades. 2018 BUFFALO, NY – For a third year, experts in the fields of architecture and design will gather in Buffalo, New York to attend the Architectural Ceramic Assemblies Workshop (ACAW) being held Monday, August 13 through Thursday, August 16. Presented by Boston Valley Terra Cotta and the University at Buffalo School of Architecture and Planning and supported by the UB Sustainable Manufacturing and Advanced Robotic Technologies (SMART), the weeklong workshop combines the models of academic research, artistic experimentation and industry expertise to explore the design of ceramic components for large-scale production. This year’s event will be highlighted with a keynote presentation from Christopher Sharples, Principal of SHoP Architects. Architecture’s top professionals from SHoP Architects, AECOM, Morphosis, Radical Craft, The Matter Factory, Sasaki and Studio NYL will form blended teams to tackle a variety of theoretical and practical challenges designing ceramic assemblies for high-performance buildings. Team members explore and learn from a leader in architectural ceramic manufacturing, Boston Valley Terra Cotta, with assistance from the faculty and students from the University at Buffalo School of Architecture and Planning and Alfred University. Following two successful events, this year’s ACAWorkshop looks to build upon the knowledge gained from the previous workshops.
    [Show full text]
  • Mass-Produced Handmade Ceramics
    Rochester Institute of Technology RIT Scholar Works Theses 2004 Mass-produced handmade ceramics Cynthia Vardhan Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Vardhan, Cynthia, "Mass-produced handmade ceramics" (2004). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY MASS-PRODUCED HANDMADE CERAMICS A THESIS SUBMITTED TO THE FACULTY OF THE COLLEGE OF IMAGING ARTS AND SCIENCES IN CANDIDACY FOR THE DEGREE OF MASTER OF FINE ARTS INDUSTRIAL DESIGN DEPARTMENT BY CYNTHIA VARDHAN ROCHESTER NEW YORK MAY 2004 Approvals Chief Advisor, Professor David Morgan: David Morgan Date: Associate Advisor, Professor Stan Rickel: Stan Rickel Date: Associate Advisor, Professor Julia Galloway: Julia Galloway Date: School Chairperson, Professor Patti Lachance Patti Lachance Date: I I I, Cynthia Vardhan, hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Date: Cynthia Vardhan 3 '//."1 II Copyright 2003 by Cynthia Vardhan All rights reserved To Aniket Love your experiments (as you would an ugly child) Bruce Mau "An Incomplete Manifesto for Growth" CONTENTS LIST OF ILLUSTRATIONS vi Chapter 1. THESIS SUMMARY 1 Components ofThesis Necessity ofThesis Goals Limitations 2. BACKGROUND OF PRODUCTION METHODS 6 The Handrnade-to-Machine-Made Continuum Current Processes in Use Case Studies My Niche in the Spectrum 3.
    [Show full text]