Clay Studio Vince Pitelka, 2016 Glossary of Ceramics Terminology
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Fast Fossils Carbon-Film Transfer on Saggar-Fired Porcelain by Dick Lehman
March 2000 1 2 CERAMICS MONTHLY March 2000 Volume 48 Number 3 “Leaves in Love,” 10 inches in height, handbuilt stoneware with abraded glaze, by Michael Sherrill, Hendersonville, North FEATURES Carolina. 34 Fast Fossils 40 Carbon-Film Transfer on Saggar-Fired Porcelain by Dick Lehman 38 Steven Montgomery The wood-firing kiln at Buck Industrial imagery with rich texture and surface detail Pottery, Gruene, Texas. 40 Michael Sherrill 62 Highly refined organic forms in porcelain 42 Rasa and Juozas Saldaitis by Charles Shilas Lithuanian couple emigrate for arts opportunities 45 The Poetry of Punchong Slip-Decorated Ware by Byoung-Ho Yoo, Soo-Jong Ree and Sung-Jae Choi by Meghen Jones 49 No More Gersdey Borateby JejfZamek Why, how and what to do about it 51 Energy and Care Pit Firing Burnished Pots on the Beach by Carol Molly Prier 55 NitsaYaffe Israeli artist explores minimalist abstraction in vessel forms “Teapot,” approximately 9 inches in height, white 56 A Female Perspectiveby Alan Naslund earthenware with under Female form portrayed by Amy Kephart glazes and glazes, by Juozas and Rasa Saldaitis, 58 Endurance of Spirit St. Petersburg, Florida. The Work of Joanne Hayakawa by Mark Messenger 62 Buck Pottery 42 17 Years of Turnin’ and Burnin’ by David Hendley 67 Redware: Tradition and Beyond Contemporary and historical work at the Clay Studio “Bottle,” 7 inches in height, wheel-thrown porcelain, saggar 68 California Contemporary Clay fired with ferns and sumac, by The cover:“Echolalia,” San Francisco invitational exhibition Dick Lehman, Goshen, Indiana. 29½ inches in height, press molded and assembled, 115 Conquering Higher Ground 34 by Steven Montgomery, NCECA 2000 Conference Preview New York City; see page 38. -
Mass-Produced Handmade Ceramics Cynthia Vardhan
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 2004 Mass-produced handmade ceramics Cynthia Vardhan Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Vardhan, Cynthia, "Mass-produced handmade ceramics" (2004). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY MASS-PRODUCED HANDMADE CERAMICS A THESIS SUBMITTED TO THE FACULTY OF THE COLLEGE OF IMAGING ARTS AND SCIENCES IN CANDIDACY FOR THE DEGREE OF MASTER OF FINE ARTS INDUSTRIAL DESIGN DEPARTMENT BY CYNTHIA VARDHAN ROCHESTER NEW YORK MAY 2004 Approvals Chief Advisor, Professor David Morgan: David Morgan Date: Associate Advisor, Professor Stan Rickel: Stan Rickel Date: Associate Advisor, Professor Julia Galloway: Julia Galloway Date: School Chairperson, Professor Patti Lachance Patti Lachance Date: I I I, Cynthia Vardhan, hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Date: Cynthia Vardhan 3 '//."1 II Copyright 2003 by Cynthia Vardhan All rights reserved To Aniket Love your experiments (as you would an ugly child) Bruce Mau "An Incomplete Manifesto for Growth" CONTENTS LIST OF ILLUSTRATIONS vi Chapter 1. THESIS SUMMARY 1 Components ofThesis Necessity ofThesis Goals Limitations 2. BACKGROUND OF PRODUCTION METHODS 6 The Handrnade-to-Machine-Made Continuum Current Processes in Use Case Studies My Niche in the Spectrum 3. -
Earthenware Pottery Production Techniques and the Bradford Family Pottery of Kingston, MA Martha L
University of Massachusetts Boston ScholarWorks at UMass Boston Graduate Masters Theses Doctoral Dissertations and Masters Theses 6-1-2015 Ubiquitous and Unfamiliar: Earthenware Pottery Production Techniques and the Bradford Family Pottery of Kingston, MA Martha L. Sulya University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/masters_theses Part of the Archaeological Anthropology Commons, Cultural History Commons, and the United States History Commons Recommended Citation Sulya, Martha L., "Ubiquitous and Unfamiliar: Earthenware Pottery Production Techniques and the Bradford Family Pottery of Kingston, MA" (2015). Graduate Masters Theses. Paper 326. This Open Access Thesis is brought to you for free and open access by the Doctoral Dissertations and Masters Theses at ScholarWorks at UMass Boston. It has been accepted for inclusion in Graduate Masters Theses by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. UBIQUITOUS AND UNFAMILIAR: EARTHENWARE POTTERY PRODUCTION TECHNIQUES AND THE BRADFORD FAMILY POTTERY OF KINGSTON, MA A Thesis Presented by MARTHA L. SULYA Submitted to the Office of Graduate Studies, University of Massachusetts, Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS June 2015 Historical Archaeology Program © 2015 Martha L. Sulya All rights reserved UBIQUITOUS AND UNFAMILIAR: EARTHENWARE POTTERY PRODUCTION TECHNIQUES AND THE BRADFORD FAMILY POTTERY OF KINGSTON, MA A Thesis Presented by MARTHA L. SULYA Approved as to style and content by: _____________________________________________ Christa M. Beranek, Research Scientist, Fiske Center for Archeaological Research Chairperson of Committee _______________________________________________ Stephen A. Mrozowski, Professor ______________________________________________ John M. Steinberg, Senior Scientist, Fiske Center for Archaeological Research ______________________________________ Stephen W. -
Industrial Arts Courses. It Was Include a Glossary of Ceramic Terms
DOCUMENT RESUME VT 002 002 ED 021 963 By-Hastings, James R., Ed CERAMICS, PROJECT IDEAS FORINDUSTRIAL ARTS. New York State Education Dept.,Albany. Bureau of SecondaryCurriculum Development. Pub Date 66 Note-185p. EDRS Price MF-$0.75 HC-$7.48 UNITS, Descriptors-*CERAMICS, HIGH SCHOOLS,*INDUSTRIAL ARTS, JUNIOR HIGHSCHOOLS, *RESOURCE *STUDENT PROJECTS This book of ceramic projectideas is for teacher orstudent use insecondary industrial arts courses. It wasdeveloped in a workshopby teachers. The content useful projects and unitsof instruction and togiVe direction objectives are to provide Forty-one to ceramics instructionwhich isin keeping with achanging technology. under these units: (1)Hand Forming, (2) SlabConstructing, project plans are presented Extruding, (8) (3) Free Forming, (4) PressMolding, (5) Solid Casting,(6) Slip Casting, (7) Throwing and Turning, and (9)Jiggering. Each unit givesproject plans,student activities, projectprocedures, related technicalinformation, teacher demonstrations, references. Similarly organized units cover13 tools or related- cultural information, and turning box. pieces of equipment such as...a.jiggerarm, stilts, anextrusion press, and a Information concerning the makingof glazes is also included.Supplementary materials include a glossary of ceramic terms, abibliography of books andperiodicals, and indexes to related technical andcultural topics. (EM) i, , U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. Cetaini,a, wied feaJ FOR INDUSTRIAL ARTS , THE UNIVERSITY OF THE STATE OF NEW YORK The State Education Department Bureau of Secondary Curriculum Development Albany, 1966 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of the University (with years when terms expire) EDGAR W. -
WO 2013/032520 Al 7 March 2013 (07.03.2013) P O P C T
(12) INTERNATIONAL APPLICATION PUBLISHED UNDER THE PATENT COOPERATION TREATY (PCT) (19) World Intellectual Property Organization International Bureau (10) International Publication Number (43) International Publication Date WO 2013/032520 Al 7 March 2013 (07.03.2013) P O P C T (51) International Patent Classification: (81) Designated States (unless otherwise indicated, for every F27D 1/14 (2006.01) kind of national protection available): AE, AG, AL, AM, AO, AT, AU, AZ, BA, BB, BG, BH, BN, BR, BW, BY, (21) International Application Number: BZ, CA, CH, CL, CN, CO, CR, CU, CZ, DE, DK, DM, PCT/US2012/000333 DO, DZ, EC, EE, EG, ES, FI, GB, GD, GE, GH, GM, GT, (22) International Filing Date: HN, HR, HU, ID, IL, IN, IS, JP, KE, KG, KM, KN, KP, 27 July 2012 (27.07.2012) KR, KZ, LA, LC, LK, LR, LS, LT, LU, LY, MA, MD, ME, MG, MK, MN, MW, MX, MY, MZ, NA, NG, NI, (25) Filing Language: English NO, NZ, OM, PE, PG, PH, PL, PT, QA, RO, RS, RU, RW, (26) Publication Language: English SC, SD, SE, SG, SK, SL, SM, ST, SV, SY, TH, TJ, TM, TN, TR, TT, TZ, UA, UG, US, UZ, VC, VN, ZA, ZM, (30) Priority Data: ZW. 13/222,037 31 August 201 1 (3 1.08.201 1) US (84) Designated States (unless otherwise indicated, for every (71) Applicant (for all designated States except US): SENECA kind of regional protection available): ARIPO (BW, GH, CERAMICS CORP. [US/US]; 45 Main Street, Phelps, GM, KE, LR, LS, MW, MZ, NA, RW, SD, SL, SZ, TZ, New York 14532 (US). -
Thematic Manifestations: an Aesthetic Journey. Jeff Kise East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2004 Thematic Manifestations: an Aesthetic Journey. Jeff Kise East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Art and Design Commons Recommended Citation Kise, Jeff, "Thematic Manifestations: an Aesthetic Journey." (2004). Electronic Theses and Dissertations. Paper 877. https://dc.etsu.edu/ etd/877 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Thematic Manifestations: an Aesthetic Journey ______________________ A thesis presented to the faculty of the Department of Art and Design East Tennessee State University ______________________ In partial fulfillment of the requirements for the degree of Master of Fine Arts in Studio Art ______________________ by Jeff Kise May 2004 _____________________ Don Davis, Chair Anita DeAngelis Catherine Murray Keywords: Ceramics, Simplicity, Aesthetics, Saggar Firing, Flash Firing, Naked Raku ABSTRACT Thematic Manifestations: An Aesthetic Journey by Jeff Kise This thesis, in support of the Master of Fine Arts exhibition entitled Thematic Manifestations at East Tennessee State University, Carroll Reece Museum, Johnson City, Tennessee, March 2-12, 2004, describes in detail three aesthetic themes that are manifested in the work exhibited. The artist discusses his journey in establishing a “criterion of aesthetic values” whereby his work is conceptually developed. The three themes – The Paradox of Simplicity, The Decorative Power of Nature, and The Beauty of the Irregular – are founded on historical and contemporary influences and are further described in practical application of form and process. -
Fiberclay.Pdf
Sculpting a Creature with Fiber Clay By Brant Palley, New Mexico Clay (Grade Level: High School) Objectives: The Student will learn about fiber clay construction, we will experience the advantages of Fiber clay (sheepdog Cone 04) over regular clay and over more traditional paper clay; we will construct a creature from premade, bone dry, body parts. The assembly is with slip and wet clay. The classroom advantages are obvious, you don’t have to worry if the sculpture (or coiled pot) has dried out because you can add on, and even cut off! You can get a project done in 30 minutes. Read more on www.fiberclay.com Learn of Rosette Gault and Graham Hay from Australia. Use the slip and denture cream method of attaching bone dry to bone dry clay pieces together that holds together adequately. Materials: • Pre made pieces (legs, arms, necks…) • 2- lbs orange sized pieces of clay per student • Water container for slip • Plastic Forks, Tongue Depressors, Cloth for covering tables. • Sheepdog Fiberclay from New Mexico Clay References: Present visuals of Artwork by artists such as Rosette Gault and Graham Hay. Rosette Gault http://www.paperclayart.com/ Graham Hay. http://www.grahamhay.com.au/ Discuss the medium clay, what it is made of and introduce clay vocabulary words such as fire, kiln, and paper clay. Procedure: Demonstrate how to attach bone dry clay to both bone dry clay and wet clay using the slip and denture cream method. Paint slip on all surfaces to be bonded, take a small piece of wet clay and wet it with slip, smush everything together. -
Icoah.2016.3103.Pdf
Proceeding of the 3rd International Conference on Arts and Humanities, Vol. 3, 2016, pp. 15-18 Copyright © TIIKM ISSN: 2357 – 2744 online DOI: https://doi.org/10.17501/icoah.2016.3103 SAGAR BOXES AND THEIR USE: ON THEIR PAST AND PRESENT Cigdem Onder Er Anadolu University, School For The Handicapped, Eskisehir Abstract Sagar firing technique first emerged in China, during the Sai and Tang periods, as closed boxes, used for firing in the kiln. The purpose of these boxes during that period is to protect the contents from flame, ash, smoke and other materials in the kiln. Chinese ceramics craftsmen could fire high quality porcelains in a clean way and without being reduced to waste. Even, with the help of these boxes, they could produce celadons that attract high appreciation all over the world and especially in Europe. Ceramics craftsmen, who kept the Industrial Revolution alive in the heart of England, used this firing technique that they learned from the Chinese craftsmen. This technique was quite essential especially for their kiln that is heated via coal. These boxes are still use with the same purpose in today’s modern ceramic industry and art. Yet, when it comes to the 20th century, ceramic artists used sagar boxes outside their purpose, even with a contrary practice. The purpose of the 20th century ceramic artists is to achieve decorative lines, colors and effects on the surface of the ceramics. In order to fulfill this aim, along with the product to be fired, metal oxides, salts, sulfates and other combustible materials that provide a reductive atmosphere are put in the sagar boxes. -
Mini Catalog
CLAY ART CENTER MINI CATALOG CLAY ART CENTER 2636 Pioneer Way East Tacoma Wa 98404 800-952-8030 Fax 253-922-5349 www.clayartcenter.net AUG 25, 2020 CLAY ART CENTER 2636 Pioneer Way East Tacoma WA 98404 1-800-952-8030 Fax 1-253-922-5349 1 CLAY DESCRIPTIONS CONE 06 CLAYS is widely used for vitreous tiles fired at cone 4 to 6 and is also used in outdoor installations where freezing is a con- CL 027 COLEMAN RAKU cern. A fine tooth throwing body with kyanite grog. Will resist firing stress and gain in strength as the mullite develops. The clay will fire as hot as cone 10 and retain its off white color. CONE 4-6 CLAYS CL 141 AKIO SCULPTURE CL 126 COLEMAN RAKU GROG A heavy grogged clay that is excellent for large sculpture. A throwing body with larger kyanite grog. Will resist firing Brown in reduction, fires to cone 6. stress and gain in strength as the mullite develops. The clay will fire as hot as cone 10 and retain its off white color. CL 140 ARLEO Thin chopped nylon fiber adds stength to this medium CL 171 HUSKY WHITE smooth clay. Perfect for difficult sculpture work. Light tan, Husky White is a low fire white earthenware body with fine fires to cone 6. sand. Ideal for throwing and handbuilding. CL 108 BC6 CL155 HUTCHINS RAKU A great throwing, white, stoneware. Very smooth and plastic, Great throwing smooth raku body, light color with good crack excellent glaze fit. Gray to off-white in oxidation. -
Holds the Key Ingredient... Contents
2016 holds the key ingredient... Contents About Us 3 How To Choose The Right Clay For You 4 Our Clays 6 Terracotta 6 Alex Shimwell Stoneware 7 Earthstones 10 Professional 13 Porcelain 16 Earthenware 17 French Regional Clays 18 Paper Clays 18 Powdered Clays 19 Slips 21 Casting Slips 21 Pouring Slips 21 Decorating Slips 21 Raw Materials 22 China/Ball Clays 22 Raw Clays 22 Fluxes 22 Oxides 23 Groggs 23 Plasters 23 Deflocculants 23 Sundry Materials 24 Custom Clay Formulas & Special Order Clays 25 Warranties & Responsibilities 25 Technical Information 26 Jane Wheeler 2016 Price List 30 Distributors 34 Front cover images are provided by... Top: Clare Wakefield Bottom: Beverley Gee, Garry & Pollie Uttley, Susanne Luckacs-Ringel 2 INFO About Us In the heart of the potteries over the past 36 years over 90 clay bodies to choose from Valentine Clays has Valentine Clays, a family run manufacturer, has worked ensured that there is a product to suit a potters every directly with the studio potter community formulating need whether you are a beginner or a professional. and fine tuning clays using the best possible ingredients. For advice or help with any technical issues please call This close working relationship enables the world-leading 01782 271200 or email [email protected] clay manufacturer and raw materials supplier; based we will be only too pleased to help. in Stoke-on-Trent, to successfully develop ceramic clay bodies to suit the specific requirements of a long list of renowned British and International potters. The team at Valentine Clays prides itself on constant development of new and innovative clays bodies using Kind regards, the latest ceramic manufacturing equipment; with The Valentine Clays Team Thank you to the studio potters whose images, taken from our online gallery, have been used in this brochure. -
MEACAP: Survey of Technical and Management-Based Mitigation
MEACAP – D7a Technical and management-based mitigation measures in agriculture – June 2005 SIXTH FRAMEWORK PROGRAMME PRIORITY 8: Policy-Oriented Research SPECIFIC TARGETED RESEARCH PROJECT n°SSPE-CT-2004-503604 Impact of Environmental Agreements on the CAP Document number: MEACAP WP3 D7a Dissemination level: public Survey of technical and management-based mitigation measures in agriculture Author: A. Weiske Author’s Organisation(s): Institute for Energy and Environment (IE) Date: June 2005 1 MEACAP – D7a Technical and management-based mitigation measures in agriculture – June 2005 TABLE OF CONTENTS Introduction............................................................................................................... 7 1 Measures related to livestock and poultry farming ....................................... 9 1.1 Animal breeding and husbandry ................................................................................. 9 1.1.1 Livestock breeding ................................................................................................ 9 1.1.2 Artificial insemination........................................................................................... 9 1.1.3 Planned selection of male/female at insemination (embryo and sperm sexing) . 10 1.1.4 Twinning ............................................................................................................. 11 1.1.5 Lifetime efficiency (calves, cattle, cows / meat, milk) ....................................... 11 1.1.6 Multi use of cows (milk, calves and meat)......................................................... -
Ceramics Monthly Apr04 Cei04
editor Sherman Hall associate editor Tim Frederich assistant editor Renee Fairchild design Paula John production manager John Wilson production specialist David Houghton advertising manager Steve Hecker advertising assistant Debbie Plummer circulation manager Cleo Eddie publisher Marcus Bailey editorial, advertising and circulation offices 735 Ceramic Place Westerville, Ohio 43081 USA telephone editorial: (614) 895-4213 advertising: (614) 794-5809 classifieds: (614) 895-4212 customer service: (614) 794-5890 fax (614) 891-8960 e-mail [email protected] [email protected] [email protected] [email protected] website www.ceramicsmonthly.org Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by The American Ceramic Society, 735 Ceramic Place, Westerville, Ohio 43081; www.ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The Ameri can Ceramic Society. subscription rates: One year $32, two years $60, three years $86. Add $25 per year for subscriptions outside North America. In Canada, add GST (registration number R123994618). change of address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation De partment, PO Box 6136, Westerville, OH 43086-6136. contributors: Writing and photographic guidelines are available on request. Send manuscripts and visual sup port (slides, transparencies, photographs, drawings, etc.) to Ceramics Monthly, 735 Ceramic PI., Westerville, OH 43081. We also accept unillustrated texts e-mailed to [email protected] or faxed to (614) 891-8960. indexing: An index of each year's feature articles appears in the December issue.