2 | ON THE COVER
Editor-in-Chief/ Creative Director Jacqueline Carlisle
Design Production Samm Jordan
Contributing Technology Editor Jacqueline Carlisle
Contributing Technology Editor Erich Zainzinger
Contributing Design Editor Alexander Horne
Contributing Fashion Editor Karyn Linnell
Guest Contributer Stylesight
Logo Design Sunny Fong
Site Services Samm Jordan
ON THE COVER Graphic Designer: Alexander Horne ISSUE 007 | 3
10 years into the 21st century and it is full steam ahead in the design world. Even though the economy remains in a dismal state, the year is ending on a high note for design. This year saw a lot of pioneers come to the surface bringing with them their A-game, and a movement similar to Post-Modernism. The Godfather of light Moritz Waldemeyer gave us an interview about his work and a glimpse inside this growing trend. It was a wonderful experience to see his work and learn IN ISSUE more about him as a designer of light. I also THIS had a tip to speak to a budding designer by the name of Ceren Tesckent a master of draping and cutting and who is currently working for Organic by Roman a Turkish chain of stores that saw the potential in selling timeless tailored clothing made from organic materials. Bucharest is steadily showing signs of reinventing creative collaborations through music and graphics, Fashion 9 Organic by Roman events are popping up more frequently. Our Stylesight wearable technology article is about upgrading our clothing through technology in the future. A three part trend report from Stylesight makes its debut in this issue again showing evidence Technology 33 of future collaborations between continents. An Interview with Moritz Waldemeyer Evidence of the future is apparent in what we Tomorrows wardrobe will be upgraded will wear and how we will live. Maybe there not replaced isn’t enough political signs pointing to a world working together but in design it couldn’t be clearer where the future lies. Design 48 Eastern Promise: The Bucharest Beat About Stylesight: Stylesight is the leading online provider of trend content, tools and technology for creative professionals in the fashion and style industries. Founded in 2003 by apparel manufacturing veteran, Frank Bober, Stylesight targets style professionals involved in the creative design and product development processes, assisting through useful tools that make the design journey more efficient, less costly, faster and accurate. Stylesight is headquartered in New York, with a Forecasting Atelier in Paris and satellite offices stationed in style capitals spanning the globe.
To learn more about Stylesight, please visit www.stylesight.com
In Stylesight's Futurist Reports, Stylesight stretches our wings beyond fashion to identify MACRO TRENDS that are shaping our world and influencing design. Each idea taps into our collective consciousness to bring the most persuasive movements across all design disciplines - Fashion, Architecture, Food, Technology, Beauty, Textiles, Interior, Art, Active, Industrial Design, and more. These are big picture ideas that are dreamy and not limited to a season but can cross over when dreams become reality. New FUTURIST reports are launched each month and compiled by Stylesight's Forecasting Team in Paris.
This concept reveals the energetic initiatives of a new generation of Indian artists and designers. A heightened level of sophistication is apparent, as rising stars seek to expose alternative cultural developments other than India’s Bollywood industry. Traditional turbans have inspired the likes of Junya Watanabe, but new cultural players do not seek to modernize the old alone. Many young people are proud of their heritage yet find fault with the hypocrisy of the caste system or with political corruption. This questioning of Indian norms while encouraging the talent within the country exposes the dichotomy of contemporary India. This concept reveals the energetic initiatives of a new generation of Indian artists and designers. A heightened level of sophistication is apparent, as rising stars seek to expose alternative cultural developments other than India’s Bollywood industry. Traditional turbans have inspired the likes of Junya Watanabe, but new cultural players do not seek to modernize the old alone. Many young people are proud of their heritage yet find fault with the hypocrisy of the caste system or with political corruption. This questioning of Indian norms while encouraging the talent within the country exposes the dichotomy of contemporary India. A range of contemporary designers looks eastward to the rich cultural heritage and tradition of craftsmanship within India. Dries Van Noten has an eye for color and pattern and has become an expert at assembling and juxtaposing diverse materials to develop chic and fresh looks. Damir Doma explores drapery and wrapping with reference to traditional Hindu garb and sari silhouettes. Layering and tonal hues echo simplicity and purity with a distinctly Indian flavor. Similarly, Boris Bidjan Saberi plays with contrasts, merging contemporary urban silhouettes with draped pieces to develop a style that bridges the gap between old and new cultures. A range of contemporary designers looks eastward to the rich cultural heritage and tradition of craftsmanship within India. Dries Van Noten has an eye for color and pattern and has become an expert at assembling and juxtaposing diverse materials to develop chic and fresh looks. Damir Doma explores drapery and wrapping with reference to traditional Hindu garb and sari silhouettes. Layering and tonal hues echo simplicity and purity with a distinctly Indian flavor. Similarly, Boris Bidjan Saberi plays with contrasts, merging contemporary urban silhouettes with draped pieces to develop a style that bridges the gap between old and new cultures. Many fashion designers are emerging from India with the potential to rival new designers in any established fashion capital. Anamika Khanna has already become an international name and showcases her collections at London Fashion Week. Her outlook is global yet she retains ethnic, Indian craft as her mainstay. Color and texture are priorities in her work and she is an example of the kind of young designer that straddles two worlds of tradition and technology. Likewise, designer Zubair Kirmani fuses contemporary minimalism with ethnic silhouettes to create sophisticated collections. He still retains elements of craft detailing as a nod to his Indian heritage. Many fashion designers are emerging from India with the potential to rival new designers in any established fashion capital. Anamika Khanna has already become an international name and showcases her collections at London Fashion Week. Her outlook is global yet she retains ethnic, Indian craft as her mainstay. Color and texture are priorities in her work and she is an example of the kind of young designer that straddles two worlds of tradition and technology. Likewise, designer Zubair Kirmani fuses contemporary minimalism with ethnic silhouettes to create sophisticated collections. He still retains elements of craft detailing as a nod to his Indian heritage. Gaurav Gupta feels that fabric is an extension, a form that can be abandoned to meander and grow on its own. Contradiction and experimentation are key elements in his work while his design philosophy merges Indian traditions with the Western world. The unprecedented use of fabrics like jersey and chiffon, leather and draping techniques is what makes his design aesthetic relevant today. Similarly, Rajesh Pratap Singh has developed a signature style that subtly draws from his roots in craft, making garments with faultless lines and careful detailing. He also experiments with textiles, working to technically improve khadi fabrics and to develop India’s finest cashmere. Gaurav Gupta feels that fabric is an extension, a form that can be abandoned to meander and grow on its own. Contradiction and experimentation are key elements in his work while his design philosophy merges Indian traditions with the Western world. The unprecedented use of fabrics like jersey and chiffon, leather and draping techniques is what makes his design aesthetic relevant today. Similarly, Rajesh Pratap Singh has developed a signature style that subtly draws from his roots in craft, making garments with faultless lines and careful detailing. He also experiments with textiles, working to technically improve khadi fabrics and to develop India’s finest cashmere. Cue by Rohit Gandhi & Rahul Khanna initially filled the gap for the demand for chic Western wear in an otherwise ethnic- filled fashion market. Cue draws inspiration from linear structures, geometric lines, wallpaper and contemporary art, eschewing ornamental embellishment for modern and chic silhouettes. Ashish N Soni has carved out a distinctly original niche with a sharply defined and deceptively simple aesthetic. Ashish was the first Indian designer to be invited to present a runway show at the Olympus Fashion Week in New York. The label is directional but governed by personal philosophies and experiences, bearing reflections of Indian surroundings. Cue by Rohit Gandhi & Rahul Khanna initially filled the gap for the demand for chic Western wear in an otherwise ethnic- filled fashion market. Cue draws inspiration from linear structures, geometric lines, wallpaper and contemporary art, eschewing ornamental embellishment for modern and chic silhouettes. Ashish N Soni has carved out a distinctly original niche with a sharply defined and deceptively simple aesthetic. Ashish was the first Indian designer to be invited to present a runway show at the Olympus Fashion Week in New York. The label is directional but governed by personal philosophies and experiences, bearing reflections of Indian surroundings.