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A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
November 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri O Aotearoa Vincent O’Sullivan
Newsletter New Zealand Poetry Society PO Box 5283 November 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri o Aotearoa Vincent O’Sullivan President With the Assistance of Creative NZ James Norcliffe Arts Council of New Zealand Toi Aotearoa Email and Lion Foundation [email protected] Website ISSN 1176-6409 www.poetrysociety.org.nz Sometimes detail and setting will matter less than, say, weather and mood – a stillness that speaks of loneliness This Month’s Meeting or hope, a wild wind of energy or despair; or a prevailing sense of stories that might be winding their way beneath Turnbull House the surface. 11 Bowen Street, Wellington In ‘Dog on a Mountain’ (The Scientific Evidence of Dr Thursday 17th November Wang), a filmed landscape became the key to a poem I was Launch of the NZPS Anthology trying, unsuccessfully, to write about exile or separation Hear poets read their work from the anthology and the emotional distance of unfamiliar surroundings. MC for the night is Laurice Gilbert As the film festival was on, I left the concept to simmer Start time: 7pm, refreshments will be served and went, without expectation, to a documentary about For further information call: throat singing. The film included footage from, as I recall, Neil Furby Event Manager Mongolia. Of course, there was nothing about throat 027 489 6066 or [email protected] singing that was remotely relevant to exile. But there were connections in the mood of the stony Mongolian landscape from which the backdrop to the poem would later be Incidental Images established, as well as in the fragments of geographical Stephanie De Montalk isolation, including a lonely road and a dog howling ‘from The laptop’s on, the printer’s loaded and coffee’s in the the back of its throat’, that wove their way into the work. -
Newsletter – 21 November 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 21 November 2011 ISSN: 1178-9441 This is the 175th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. A real e-book ........................................................................................................... 1 2. Making Baby Float ................................................................................................. 2 3. Bernard Beckett ....................................................................................................... 2 4. A possible Janet Frame sighting? ........................................................................... 2 5. A poetry masterclass ................................................................................................ 3 6. Awards and prizes ................................................................................................... 3 7. Eric Olsen meets the muse ..................................................................................... 3 8. The expanding bookshelf......................................................................................... 4 9. Best New Zealand Poems ....................................................................................... 4 10. Peter Campbell RIP ............................................................................................. 4 11. Gossipy bits ........................................................................................................... -
MODERN LETTERS Te P¯U Tahi Tuhi Auaha O Te Ao
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯u tahi Tuhi Auaha o te Ao Newsletter – 27 October 2006 This is the 97th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected] 1. Time to get writing........................................................................................... 1 2. The virtual lives of a bone person ................................................................... 2 3. An outbreak of book blogs .............................................................................. 2 4. Ghost doubles................................................................................................... 2 5. New travel writer competition......................................................................... 3 6. Calling tour guides from hell........................................................................... 3 7. Brand new Snorkel .......................................................................................... 3 8. From the whiteboard ....................................................................................... 4 9. In the ice of the beholder ................................................................................. 4 10. The expanding bookshelf............................................................................. 4 11. Brush up on your kid lit............................................................................... 4 12. Recent -
Introduction: “A Refusal to Read”
ka mate ka ora: a new zealand journal of poetry and poetics Issue 1 2005 “BY WRITING AND EXAMPLE”: THE BAXTER EFFECT John Newton Introduction: fame and “folk” When James K. Baxter left the literary straight-and-narrow to immerse himself in the Jerusalem commune — in a process which transformed him into a media icon who for many may be only incidentally a writer — he created a problem which our literary culture has not yet remotely assimilated. The Baxter of the Jerusalem era achieved what for a New Zealand poet remains unrivalled celebrity. And in this self-reinvention he discovered a path, if not precisely in his poetry then through it, to the public vocation to which he had always aspired. The poet emerges as a social activist. The writings that record this transformation have been well enough received; beginning with Karl Stead in his influential Islands essay of 1973, plenty of readers have been glad to affirm the Jerusalem poetry as his crowning achievement.1 The extent of his popular exposure, however, is apt to be viewed as an irritant and a distraction. For instance Stead writes: “A haze of undiscriminating feeling surrounds Baxter . To the young . he has become a culture hero, and if his poems were much less remarkable than they are I suspect his youthful disciples would not know it and would admire them quite as much.”2 Meanwhile, in literary circles at least, the activism itself has gone largely unanalysed, sidelined in deference to what his biographer Frank McKay calls the more “lasting fruit” of his poetry and prose.3 This ambivalent response to late Baxter was rehearsed at the time of the poet’s death by his one-time sponsor, Allen Curnow: 11 A Refusal to Read Poems of James K. -
Creative New Zealand Grants SECOND PROJECT FUNDING ROUND 2000/2001
Creative New Zealand Grants SECOND PROJECT FUNDING ROUND 2000/2001 This is a complete list of project grants offered in the second funding round for the 2000/2001 year. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 265 project grants totalling more than $3 million were offered to artists and arts organisations. More than $13 million was requested from 788 applications. Arts Board: Creative & Becca Wood: to attend an intensive workshop in Out Of Hand Productions: to develop “Salvage” Arizona $30,000 Professional Development $3,090 CRAF T FINE ARTS Rotaction: to develop a multimedia performance installation $8,000 Greg Barron: towards a research and workshop Art & Industry Biennial Trust: towards research for Art & Industry 2002 tour of ceramics in China MUSIC $10,000 $10,000 Soren Beech: to continue postgraduate study in Tina Barton: towards international research cello in USA This includes $2,500 from the Belinda Hager: towards a research trip $3,750 $10,000 Butland Music Scholarship. $3,000 Saskia Leek: towards a research trip to Holland Jason Hall: towards a jewellery workshop at $5,000 Manu Berkeljon: towards postgraduate violin Fluxus $2,775 studies in Australia $3,000 Anna Petersen: towards a study tour of American photographic collections Lyn Kelly: to promote a joint jewellery exhibition $5,000 $2,970 Brass Bands Association of NZ (Inc): towards an annual youth development programme LITERATURE $12,000 National Association of Woodturners NZ Inc: towards international demonstrators -
February 2004
New Zealand Poetry Society PO Box 5283 7KH1HZ=HDODQG Lambton Quay 3RHWU\6RFLHW\ WELLINGTON Patrons Dame Fiona Kidman Vincent O’Sullivan Te Hunga Tito Ruri o Aotearoa President Margaret Vos With the assistance of Creative NZ Email: [email protected] Arts Council of New Zealand Toi Aotearoa Website: www.poetrysociety.org.nz Poetry can be at times something of a risky venture, taking you mentally to places or notions you might not F 7KLV0RQWKV0HHWLQJ G have come across before. Or even more disconcertingly, where you have been but with not quite the frame of mind of the writer, as with this summer idyll from Australian poet Judith Beveridge in her sequence Ten poems in the Michael Harlow voice of Siddatha Gotama as he wanders the forest: Thursday February 19th 2004 Today has an easy somnolence. 8 p.m. Winds drift and my head nods. Turnbull House This wheat is a hypnotist’s chain Wellington swaying up remembrance. Scents mingle, then carry me off by my disparate parts. preceded by an open reading I’m no expert on Buddhism but clearly the smell of the wheat field reclaims the senses, and sets off an explosion of memories as if he’s suddenly and irresistibly split into Is reading poetry good for you? the past selves and events that make up the Siddatha of the poem. by Bernard Gadd R. A. K. Mason suggests a use for poetry for those who nod out of sync with the great and the powerful: Poetry can confirm who you are and your ideas and If the drink that satisfied feelings. -
Literary and Theatre Sources at the Hocken Collections
Reference Guide Literary and Theatre Sources at the Hocken Collections New Zealand poet and Landfall editor Charles Brasch, 1937. Charles Brasch papers, MS-0996- 012/654, S09-539a, Archives & Manuscripts collection. Hocken Collections/Te Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to New Zealand literature and theatre held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. The advanced search ‐ https://goo.gl/HVNTqH gives you several search options, and you can refine your results to the Hocken Library on the left side of the screen. -
21 December 2010 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 21 December 2010 ISSN: 1178-9441 This is the 164th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Adam Prize goes to post-apartheid tale .............................................................. 2 2. Tale of Jersey under the jackboot wins scriptwriting prize ............................. 2 3. Biggs prize awarded to Serbian poet .................................................................. 2 4. Project scholarships .............................................................................................. 3 5. A decade of Turbine .............................................................................................. 3 6. A short story reminder… ..................................................................................... 3 7. Generation next (1) – script to stage ................................................................... 3 8. April winner .......................................................................................................... 4 9. Generation next (2) ............................................................................................... 4 10. A literary job in Wellington ................................................................................. 5 11. Landfall sails on ................................................................................................... -