Paul Mccartney L S L E O R 7 ” DISCOGRAPHY C T

Total Page:16

File Type:pdf, Size:1020Kb

Paul Mccartney L S L E O R 7 ” DISCOGRAPHY C T E BY CO THE AD LL M E C T O R S F O R C O Paul McCartney L S L E O R 7 ” DISCOGRAPHY C T PART 10 MY LOVE / THE MESS COMPILED BY MARKUS DEN BOER Collectors Guide: MY LOVE / THE MESS (1973) 1. Acetates / Acetates: MY LOVE, MY LOVE / THE MESS, MY LOVE / LETTING GO [1973-1/02a] USA Capitol Records (one-sided acetate; MY LOVE ) PW 11 [1973-1/02b] USA Capitol Records (two-sided acetate; MY LOVE / THE MESS ) PW 12 [1973-1/02c] USA Capitol Records (two-sided acetate; MY LOVE / THE MESS ) PW 12 [1973-1/04a] JPN Apple/EMI-Toshiba (two-sided acetate; MY LOVE / LETTING GO ) PW 22 2. Official single releases / Offizielle Single-Veröffentlichungen: MY LOVE / THE MESS [1973-1/01a] UK Apple Records R5985 (closed centre; white label test pressing) AS 06 [1973-1/01b] UK Apple Records R5985 (closed centre; white label test pressing) AS 06 [1973-1/01c] UK Apple Records R5985 (push-out centre; demo record) PR 06 [1973-1/01d] UK Apple Records R5985 (closed centre; wording „Paul McCartney & Wings“) PW 07 [1973-1/01e] UK Apple Records R5985 (push-out centre; FACTORY SAMPLE sticker) PW 08 [1973-1/01f] UK Apple Records R5985 (push-out centre; wording „Paul McCartney & Wings“) PR 08 [1973-1/01g] UK Apple Records R 5985 (push-out centre; wording „McCartney´s Wings“) PB 08 [1973-1/01h] UK Apple Records R5985 (push-out centre; reissue; wording „Paul McCartney & Wings“) PB 09 [1973-1/01i] UK Apple Records R 5985 (closed centre; reissue; wording „Paul McCartney & Wings“) PB 09 [1973-1/01j] UK Apple Records R5985 (push-out centre; reissue; wording „McCartney´s Wings“) PB 10 [1973-1/01y] UK EMI Records PM BOX 11 (closed centre; white label test pressing) PB 10 [1973-1/01z] UK EMI Records PM BOX 11 (closed centre; promo record) PB 11 [1973-1/02d] USA Apple Records 1861 (open centre; white label test pressing) PW 12 [1973-1/02e] USA Apple Records 1861 (open centre; Los Angeles pressing) AS 13 [1973-1/02f] USA Apple Records 1861 (open centre; Winchester pressing) AS 13 [1973-1/02g] USA Apple Records 1861 (open centre; Jacksonville pressing) AS 14 [1973-1/02h] USA Apple Records 1861 (open centre; Jacksonville mispressing) AS 14 [1973-1/02i] USA Capitol Records 1861 (open centre; LA reissue; label with MPL logo) CS 17 [1973-1/02j] USA Capitol Records 1861 (open centre; Winchester reissue; diff. label) CS 17 [1973-1/02k] USA Columbia Records 13-33407 (open centre; „Hall Of Fame“; red label) CS 18 [1973-1/02l] USA Columbia Records 13-33407 (open centre; „Hall Of Fame“; add. sticker) CS 18 [1973-1/02m] USA Columbia Records 13-33407 (open centre; „Hall Of Fame“; grey label) CS 18 [1973-1/02x] USA Apple Records 1861 (fake/fantasy picture sleeve) PS 20 [1973-1/02y] USA Apple Records 1861 (fake/fantasy picture sleeve) PS 20 [1973-1/03a] CAN Apple Records 1861 (open centre) AS 21 [1973-1/03b] CAN Capitol Records 1861 (open centre; reissue) CS 21 [1973-1/03c] CAN Capitol Records 1861 (open centre; reissue; diff. label) CS 22 [1973-1/03d] CAN Columbia Records 13-33407 (open centre; „Hall Of Fame“) CS 22 [1973-1/04b] JPN Apple Records EAR-10350 (open centre; first issue; red vinyl) PS 23 [1973-1/04c] JPN Apple Records EAR-10350 (open centre; first issue; black vinyl) PS 24 [1973-1/04d] JPN Apple Records EPR-10785 (open centre; reissue 1975; Apple label) PS 24 [1973-1/04e] JPN Capitol Records EPR-10785 (open centre; reissue 1975; Capitol label) PS 25 [1973-1/04f] JPN EMI/Odeon Records EPS-17196 (open centre; reissue 1981; EMI/Odeon label) PS 25 [1973-1/05a] GER Apple / EMI Electrola 1C 006-05301 (open centre) PS 27 [1973-1/05b] GER Apple / EMI Electrola 1C 006-05301 (open centre; label & cover variation) PS 27 [1973-1/05c] GER Apple / EMI Electrola 1C 006-05301 (open centre; label misprint „grey logo“) PS 27 [1973-1/05d] GER Apple / EMI Electrola 1C 006-05301 (open centre; reissue) PS 28 [1973-1/07a] FRA Apple Records 2C 006-05301 (open centre; white label test pressing) PW 29 [1973-1/07b] FRA Apple Records 2C 006-05301 (open centre; white label test pressing) PW 29 [1973-1/07c] FRA Apple Records 2C 006-05301 (open centre; with flipbacks) PS 29 [1973-1/07d] FRA Apple Records 2C 006-05301 (open centre; with flipbacks; mispress) PS 30 [1973-1/07e] FRA Apple Records 2C 006-05301 (open centre; without flipbacks) PS 30 [1973-1/08a] ITA Apple Records 3C 000-60038 (open centre; white label jukebox record) CS 30 [1973-1/08b] ITA Apple Records 3C 006-05301 (open centre; white label test pressing) PW 34 [1973-1/08c] ITA Apple Records 3C 006-05301 (open centre) PS 35 [1973-1/08d] ITA Apple Records 3C 006-05301 (die-cut picture sleeve) PS 35 [1973-1/09a] BEL Apple Records 4C 006-05301 (push-out centre; sleeve Belgium, vinyl UK) PS 37 [1973-1/10a] NED Apple Records 5C 006-05301 (open centre) WS 37 [1973-1/10b] NED Apple Records 5C 006-05301 (open centre; sleeve mispressing) WS 38 [1973-1/12a] SWE Apple Records 4E 006-05301 (push-out centre) PS 38 [1973-1/14a] DEN Apple Records R 5985 (push-out centre) PS 38 [1973-1/15a] IRE Apple Records R(I)5985 (push-out centre) AS 39 [1973-1/15b] IRE Apple Records R(I)5985 (push-out centre; different label typeset) AS 39 [1973-1/15c] IRE Apple Records R(I)5985 (push-out centre; different label typeset) AS 39 [1973-1/16a] ESP EMI/Odeon 1J 006-05.301 (open centre; promo sticker) PS 40 [1973-1/16b] ESP EMI/Odeon 1J 006-05.301 (open centre) PS 40 [1973-1/16c] ESP EMI/Odeon 1J 006-05.301 (open centre; radio station copy) PS 40 [1973-1/17a] POR Parlophone 8E 006-05 301 MF (open centre; variation 1) PS 41 [1973-1/17b] POR Parlophone 8E 006-05 301 MF (open centre; variation 2) PS 42 PS = picture sleeve/Bildcover; AS = Apple company sleeve/Apple Firmencover; WS = Wings sleeve/Wings Cover; CS = company sleeve/Firmencover; PW = plain white sleeve/weißes unbedrucktes Cover; PB = plain black sleeve/schwarzes unbedrucktes Cover PART 10: MY LOVE / THE MESS 1973-1-3 Collectors Guide: MY LOVE / THE MESS (1973) 2. Official single releases / Offizielle Single-Veröffentlichungen: MY LOVE / THE MESS (CONTINUED / FORTSETZUNG) [1973-1/17c] POR Parlophone 8E 006-05 301 MF (open centre; variation 3) PS 42 [1973-1/17d] POR Parlophone 8E 006-05 301 MF (open centre; variation 4) PS 42 [1973-1/17e] POR Parlophone 8E 006-05 301 MF (open centre; variation 5) PS 42 [1973-1/17f] POR Parlophone 8E 006-05 301 MF (open centre; variation 6) PS 43 [1973-1/18a] GRE Apple Records R 5985 (push-out centre) AS 43 [1973-1/19a] YUG Apple Records SAP-88669 (open centre) PS 44 [1973-1/22a] TUR Apple Records 45-LA 4345 (push-out centre; promo stamp) AS 45 [1973-1/22b] TUR Apple Records 45-LA 4345 (push-out centre) PS 45 [1973-1/23a] LEB Apple Records R 5985 (open centre) CS 46 [1973-1/24a] ISR Apple Records R 5985 (closed centre) PS 46 [1973-1/24b] ISR Apple Records R 5985 (closed centre; wrong flipbacks) PS 46 [1973-1/26a] MEX Apple Records 7340 (open centre) AS 47 [1973-1/26b] MEX Apple Records 7340 (open centre; different label typeset) AS 47 [1973-1/27a] GUA Odeon Records 4291 (open centre) CS 47 [1973-1/27b] GUA Odeon Records 4291 (open centre; different font & font size) CS 48 [1973-1/27c] GUA Odeon Records 4291 (open centre; mispressing) CS 48 [1973-1/28a] NIC Apple Records 01-0690 (open centre; label silver lettering) CS 48 [1973-1/28b] NIC Apple Records 01-0690 (open centre; label silver lettering; var. 1) CS 49 [1973-1/28c] NIC Apple Records 01-0690 (open centre; label silver lettering; var. 2) CS 49 [1973-1/28d] NIC Apple Records 01-0690 (open centre; label black lettering) CS 49 [1973-1/30a] BAR Parlophone Records R5985 (open centre) CS 50 [1973-1/31a] VEN Apple Records 4AP.1827 (open centre; A-side full apple; B-side sliced apple) CS 50 [1973-1/31b] VEN Apple Records 4AP.1827 (open centre; wording rotated 180°; add. price tag) CS 50 [1973-1/33a] EQU Apple Records 45-97164 (open centre; promo stamp) CS 51 [1973-1/33b] EQU Apple Records 45-97164 (open centre) CS 51 [1973-1/34a] PER Apple Records 11835 (open centre) CS 51 [1973-1/34b] PER Apple Records 11835 (open centre; different label typeset) CS 52 [1973-1/34c] PER Apple Records 11835 (open centre; another label variation) CS 52 [1973-1/35a] BRA Apple Records S7BT-67 (closed centre) AS 52 [1973-1/35b] BRA Apple Records S7BT-67 (closed centre; fake picture sleeve) PS 53 [1973-1/35c] BRA Apple Records S7BT-67 (closed centre; different fake picture sleeve) PS 53 [1973-1/35d] BRA Apple Records S7BT-67 (closed centre; different back as previously) PS 53 [1973-1/37a] CHI Apple Records 38 (closed centre; promo stamp) CS 54 [1973-1/37b] CHI Apple Records 38 (closed centre; different label typeset) CS 54 [1973-1/37c] CHI Apple Records 38 (closed centre; different label typeset) CS 55 [1973-1/37d] CHI Apple Records 38 (closed centre; different label typeset) CS 55 [1973-1/37e] CHI Apple Records 38 (closed centre; different label typeset) CS 55 [1973-1/37f] CHI Apple Records 38 (closed centre; different label typeset) CS 56 [1973-1/37g] CHI Apple Records 38 (closed centre; different label typeset) CS 56 [1973-1/37h] CHI Apple Records 1022 (closed centre; different label typeset) CS 56 [1973-1/38a] ARG Apple Records 1859 (closed centre; white logo; promo stamp) CS 57 [1973-1/38b] ARG Apple Records 1859 (closed centre; regular issue) PS 57 [1973-1/38c] ARG Apple Records 1859 (closed centre; regular issue; diff.
Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • John Pizzarelli and Freddy Cole: Celebrating the Centenary of Nat
    TD Jazz Concerts John Pizzarelli and Freddy Cole: Celebrating the centenary of Nat King Cole @ 100 Thursday, February 14, 2019 at 8:00pm Pre-concert Talk at 7:00pm This is the 913th concert in Koerner Hall John Pizzarelli, vocals & guitar Mike Karn, bass Konrad Paszkudzki, piano Freddy Cole, piano & vocals Elias Bailey, bass Randy Napoleon, guitar Quentin Baxtor, drums John Pizzarelli World-renowned guitarist and singer John Pizzarelli, established as one of the prime contemporary interpreters of the Great American Songbook, has expanded that repertoire by including the music of Paul McCartney, Joni Mitchell, Neil Young, Tom Waits, Antônio Carlos Jobim, and The Beatles. Having concentrated on the music of Paul McCartney, Johnny Mercer, and Frank Sinatra over the last two years, Pizzarelli has returned to the bossa nova of Jobim with his 2017 release Sinatra & Jobim @ 50. With co- vocalist Daniel Jobim, grandson of the legendary Brazilian composer, the two explore songs Sinatra and Jobim recorded, as well as add new songs flavoured with the spirit of the classic Francis Albert Sinatra and Antonio Carlos Jobim album. Pizzarelli has toured North America, South America, Asia, and Europe, performing shows centered on Frank Sinatra’s centennial, the songs of Johnny Mercer, and a McCartney program, in which his quartet is joined by strings and a horn section. He also tours on a double bill with pianist Ramsey Lewis. While plenty of jazz greats influenced his work, Nat King Cole has been Pizzarelli’s hero and foundation over the last 25 years. He devoted two albums to his music, Dear Mr.
    [Show full text]
  • LSUG Feb. 17Th 2013
    PLAYLIST FEB. 17TH 2013 HOUR I The Beatles - The Ballad Of John And Yoko – Past Masters Recorded April 14, 1969 by John 7 Paul only. Released as a single in UK April 11, 1969 And in the USA May 5th 1969. Released less than a month after Get Back (John needed an A- Side) First STEREO single in the UK. Banned by the BBC and some US stations as well. It was actually recorded during the beginning of the Abbey Road sessions. The Beatles – Birthday - The Beatles Recorded Sept. 18th 1968 Recorded after watching the movie The Girl Can Help It at Paul’s house. The 1956 film starred Jayne Mansfield and featured performances by Fats domino, the Platters, Gene Vincent and Little Richard. Lennon: “it was a piece a garbage”. Features backing vox by Pattie and Yoko. McCartney .7 Lennon .3 2.04 BREAK The Beatles - You Really Got A Hold On Me – With The Beatles (Robinson) Lead vocal: John Recorded June 18, 1963, Paul McCartney’s 21st birthday. Originally recorded by the Miracles and released as a single by Motown Records in November 1962. The single was a crossover smash, topping the Billboard R&B chart and reaching #8 on the Billboard pop chart. Miracles’ lead singer William “Smokey” Robinson is the credited songwriter. It is one of three Motown songs covered by The Beatles on their second LP. On U.S. album: The Beatles’ Second Album - Capitol LP The Beatles - Please Mister Postman – With The Beatles (Dobbins-Garrett-Brianbert) Lead vocal: John Beatlemania was not only a boon for record shops and merchants selling any number of licensed Beatles products (Beatle wigs, Beatles boots, paperback books, magazines, board games, buttons and other novelties), it also gave a significant financial boost to songwriters and music publishers of the non-original songs the group covered on its early albums.
    [Show full text]
  • Paul Mccartney Ram / Wings Over America Mp3, Flac, Wma
    Paul McCartney Ram / Wings Over America mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Ram / Wings Over America Country: Russia Released: 1999 Style: Pop Rock MP3 version RAR size: 1232 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1990 mb Rating: 4.5 Votes: 685 Other Formats: MP3 MIDI ASF MP4 VQF AA MP2 Tracklist Ram 1971 1-1 –Paul McCartney & Linda McCartney Too Many People 4:11 1-2 –Paul McCartney & Linda McCartney 3 Legs 2:48 1-3 –Paul McCartney & Linda McCartney Ram On 2:30 1-4 –Paul McCartney & Linda McCartney Dear Boy 2:16 1-5 –Paul McCartney & Linda McCartney Uncle Albert/Admiral Halsey 4:55 1-6 –Paul McCartney & Linda McCartney Smile Away 3:54 1-7 –Paul McCartney & Linda McCartney Heart Of The Country 2:24 1-8 –Paul McCartney & Linda McCartney Monkberry Moon Delight 5:26 1-9 –Paul McCartney & Linda McCartney Eat At Home 3:24 1-10 –Paul McCartney & Linda McCartney Long Haired Lady 6:05 1-11 –Paul McCartney & Linda McCartney Ram On 0:55 1-12 –Paul McCartney & Linda McCartney Back Seat Of My Car 4:38 Wings Over America 1976 1-13 –Paul McCartney & Wings Venus And Mars / Rock Show / Jet 10:21 1-14 –Paul McCartney & Wings Let Me Roll It 3:45 1-15 –Paul McCartney & Wings Spirits Of Ancient Egypt 4:06 1-16 –Paul McCartney & Wings Medicine Jar 4:07 1-17 –Paul McCartney & Wings Maybe I'm Amazed 5:21 1-18 –Paul McCartney & Wings Call Me Back Again 5:16 1-19 –Paul McCartney & Wings Lady Madonna 2:38 2-1 –Paul McCartney & Wings The Long And Winding Road 4:29 2-2 –Paul McCartney & Wings Live And Let Die 3:21 2-3 –Paul
    [Show full text]
  • MTO 11.4: Spicer, Review of the Beatles As Musicians
    Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other.
    [Show full text]
  • “N” ROLL and SPORTS AUCTION FEATURING LADY GAGA, CHER, BONO, JOHN LENNON, PAUL Mccartney, MUHAMMAD ALI and MANY MORE…
    JULIEN’S AUCTIONS ANNOUNCES HISTORICAL ROCK “N” ROLL AND SPORTS AUCTION FEATURING LADY GAGA, CHER, BONO, JOHN LENNON, PAUL McCARTNEY, MUHAMMAD ALI AND MANY MORE… Beverly Hills, CA - Monday, November 7th, 2011 - Julien‟s Auctions, the world‟s premiere entertainment and celebrity auction house will once again make history when the doors open for a star studded auction that includes items from the worlds of Rock „n Roll, Sports, the Royal family and political memorabilia on Thursday, December 1, 2011 through Sunday, December 4, 2011 at the Julien‟s Auctions gallery in Beverly Hills. Julien‟s will highlight the rock „n roll portion of the auction event with a very rare offering of items from the Fame Monster herself, Lady Gaga. The award winning multi-platinum music icon‟s unmatched style can be seen on stage, in print, on billboards and at Julien‟s gallery. Her famous structured dress worn for the cover of Madame Figaro magazine in 2001 will be offered for auction. The now famous costume designed by and is estimated to sell for $10,000 - $20,000. Additionally the prop gun used in Lady Gaga‟s music video for “Born This Way,” will also be offered with an estimate of $6,000-$8,000. When you hear the words rock royalty, any collector knows it must mean The Beatles, The Rolling Stones or U2 amongst others. Included are stage worn outfits from the Beatles that have been on display at the Rock „n Roll Hall of Fame and Museum. These include John Lennon‟s stage worn collarless suit by D.A.
    [Show full text]
  • Stardigio Program
    STARdigio チャンネル:450 洋楽アーティスト特集 放送日:2018/10/01~2018/10/07 「番組案内 (8時間サイクル)」 開始時間:4:00~/12:00~/20:00~ 楽曲タイトル 演奏者名 ■PAUL McCARTNEY 特集 (1) EVERY NIGHT PAUL McCARTNEY JUNK PAUL McCARTNEY MAYBE I'M AMAZED [恋することのもどかしさ] PAUL McCARTNEY ANOTHER DAY PAUL & LINDA McCARTNEY TOO MANY PEOPLE PAUL & LINDA McCARTNEY UNCLE ALBERT / ADMIRAL HALSEY PAUL & LINDA McCARTNEY EAT AT HOME [出ておいでよお嬢さん] PAUL & LINDA McCARTNEY THE BACK SEAT OF MY CAR PAUL & LINDA McCARTNEY GIVE IRELAND BACK TO THE IRISH(アイルランドに平和を) PAUL McCARTNEY & WINGS MARY HAD A LITTLE LAMB(メアリーの子羊) PAUL McCARTNEY & WINGS LOVE IS STRANGE PAUL McCARTNEY & WINGS TOMORROW PAUL McCARTNEY & WINGS HI, HI, HI PAUL McCARTNEY & WINGS C MOON PAUL McCARTNEY & WINGS ONE MORE KISS PAUL McCARTNEY & WINGS MY LOVE PAUL McCARTNEY & WINGS ■PAUL McCARTNEY 特集 (2) LIVE AND LET DIE (007/死ぬのは奴らだ) PAUL McCARTNEY & WINGS Helen Wheels [愛しのヘレン] PAUL McCARTNEY & WINGS BAND ON THE RUN PAUL McCARTNEY & WINGS JET PAUL McCARTNEY & WINGS Bluebird PAUL McCARTNEY & WINGS Mrs. Vandebilt PAUL McCARTNEY & WINGS Let Me Roll It PAUL McCARTNEY & WINGS Mamunia PAUL McCARTNEY & WINGS Nineteen Hundred And Eighty Five [西暦1985年] PAUL McCARTNEY & WINGS Venus And Mars WINGS(PAUL McCARTNEY) Rock Show WINGS(PAUL McCARTNEY) Letting Go (ワインカラーの少女) WINGS(PAUL McCARTNEY) Listen To What The Man Said (あの娘におせっかい) WINGS(PAUL McCARTNEY) Treat Her Gently - Lonely Old People WINGS(PAUL McCARTNEY) ■PAUL McCARTNEY 特集 (3) JUNIOR'S FARM PAUL McCARTNEY & WINGS SALLY G PAUL McCARTNEY & WINGS LET 'EM IN(幸せのノック) WINGS(PAUL McCARTNEY) SILLY LOVE SONGS(心のラヴ・ソング) WINGS(PAUL
    [Show full text]
  • Paul Mccartney MP3 Коллекция. Часть 1 Mp3, Flac, Wma
    Paul McCartney MP3 Коллекция. Часть 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: MP3 Коллекция. Часть 1 Country: Russia Released: 2005 Style: Soft Rock, Pop Rock MP3 version RAR size: 1575 mb FLAC version RAR size: 1605 mb WMA version RAR size: 1274 mb Rating: 4.4 Votes: 936 Other Formats: DTS MMF AIFF MIDI AA MOD WMA Tracklist McCartney 1 –Paul McCartney The Lovely Linda 2 –Paul McCartney That Would Be Something 3 –Paul McCartney Valentine Day 4 –Paul McCartney Every Night 5 –Paul McCartney Hot As Sun Glasses Soicide 6 –Paul McCartney Junk 7 –Paul McCartney Man We Was Lonely 8 –Paul McCartney Oo You 9 –Paul McCartney Momma Miss America 10 –Paul McCartney Teddy Boy 11 –Paul McCartney Singalong Junk 12 –Paul McCartney Maybe I'm Amazed 13 –Paul McCartney Kreen - Akrore Ram 14 –Paul & Linda McCartney Too Many People 15 –Paul & Linda McCartney 3 Legs 16 –Paul & Linda McCartney Ram On 17 –Paul & Linda McCartney Dear Boy 18 –Paul & Linda McCartney Uncle Albert - Admiral Halsey 19 –Paul & Linda McCartney Smile Away 20 –Paul & Linda McCartney Heart Of The Country 21 –Paul & Linda McCartney Monkberry Moon Delight 22 –Paul & Linda McCartney Eat At Home 23 –Paul & Linda McCartney Long Haired Lady 24 –Paul & Linda McCartney Ram On 25 –Paul & Linda McCartney The Back Seat Of My Car 26 –Paul & Linda McCartney Another Day 27 –Paul & Linda McCartney Oh Woman, Oh Why Wild Life 28 –Wings Mumbo 29 –Wings Bip Bop 30 –Wings Love Is Strange 31 –Wings Wild Life 32 –Wings Some People Never Know 33 –Wings I Am Your Singer 34 –Wings Bip Bop Link
    [Show full text]
  • Bruce Springsteen & the E Street Band Beyoncé Coldplay Guns N
    Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 268.3 Bruce Springsteen & The E Street Band 111.48 36,464 2,406,591 4,064,939 66/76 BPB Consulting / Creative Artists Agency 2 256.2 Beyoncé 114.59 48,642 2,237,542 5,573,702 46/49 Creative Artists Agency 3 241.0 Coldplay 90.05 60,828 2,676,425 5,477,701 44/60 Paradigm Talent Agency / X-ray Touring 4 188.4 Guns N’ Roses 111.00 48,490 1,697,164 5,382,317 35/44 United Talent Agency / Int’l Talent Booking 5 167.7 Adele 109.59 34,777 1,530,196 3,811,364 44/107 WME / International Talent Booking 6 163.3 Justin Bieber 92.70 20,484 1,761,642 1,898,837 86/115 Creative Artists Agency 7 110.6 Paul McCartney 127.43 28,924 867,712 3,685,852 30/36 Marshall Arts / MPL Communications 8 97.0 Garth Brooks 69.29 56,000 1,400,000 3,880,000 25/102 WME 9 90.9 The Rolling Stones 122.33 74,343 743,425 9,094,136 10/14 AEG Live 10 85.5 Celine Dion 146.26 30,766 584,560 4,500,000 19/78 ICM Partners / CDA Productions / Solo Agency 11 84.3 Drake 112.08 19,793 752,141 2,218,421 38/56 WME 12 84.1 Luke Bryan 59.00 21,597 1,425,423 1,274,242 66/81 WME 13 82.2 Madonna 216.01 19,033 380,669 4,111,410 20/33 Live Nation Global Touring 14 76.6 Billy Joel 109.67 41,086 698,459 4,505,882 17/28 Artist Group International 15 73.9 Black Sabbath 77.29 14,940 956,139 1,154,688 64/65 CAA / International Talent Booking 16 69.5 Kenny Chesney 76.32 32,512 910,330 2,481,195 28/30 Dale Morris & Associates 17 66.6 Cirque du Soleil - “Toruk - The First Flight” 69.56 21,760 957,446 1,513,636 44/293 Cirque du Soleil 18 65.5 Muse 69.18 24,916 946,805 1,723,684 38/64 United Talent Agency 19 62.9 Iron Maiden 66.00 17,018 953,030 1,123,214 56/59 Creative Artists Agency / K2 Agency 20 61.4 Rihanna 85.63 12,153 717,038 1,040,678 59/64 WME 21 60.1 Maroon 5 68.88 22,373 872,531 1,541,026 39/42 WME / International Talent Booking / CAA 22 58.5 Elton John 110.61 8,530 528,885 943,548 62/92 Howard Rose Agency / Rocket Music Ent.
    [Show full text]
  • Bill Harry. "The Paul Mccartney Encyclopedia"The Beatles 1963-1970
    Bill Harry. "The Paul McCartney Encyclopedia"The Beatles 1963-1970 BILL HARRY. THE PAUL MCCARTNEY ENCYCLOPEDIA Tadpoles A single by the Bonzo Dog Doo-Dah Band, produced by Paul and issued in Britain on Friday 1 August 1969 on Liberty LBS 83257, with 'I'm The Urban Spaceman' on the flip. Take It Away (promotional film) The filming of the promotional video for 'Take It Away' took place at EMI's Elstree Studios in Boreham Wood and was directed by John MacKenzie. Six hundred members of the Wings Fun Club were invited along as a live audience to the filming, which took place on Wednesday 23 June 1982. The band comprised Paul on bass, Eric Stewart on lead, George Martin on electric piano, Ringo and Steve Gadd on drums, Linda on tambourine and the horn section from the Q Tips. In between the various takes of 'Take It Away' Paul and his band played several numbers to entertain the audience, including 'Lucille', 'Bo Diddley', 'Peggy Sue', 'Send Me Some Lovin", 'Twenty Flight Rock', 'Cut Across Shorty', 'Reeling And Rocking', 'Searching' and 'Hallelujah I Love Her So'. The promotional film made its debut on Top Of The Pops on Thursday 15 July 1982. Take It Away (single) A single by Paul which was issued in Britain on Parlophone 6056 on Monday 21 June 1982 where it reached No. 14 in the charts and in America on Columbia 18-02018 on Saturday 3 July 1982 where it reached No. 10 in the charts. 'I'll Give You A Ring' was on the flip.
    [Show full text]
  • Infomail 1456: Dvds Von PAUL Mccartney
    Alter Markt 12 • 06 108 Halle (Saale) • Telefon 03 45 - 290 390 0 : Di., Mi., Do., Fr., Sa., So. und an Feiertagen jeweils von 10 bis 20 Uhr InfoMail 1456: DVDs von PAUL McCARTNEY Hallo M.B.M., hallo BEATLES-Fan, wir haben folgende DVDs mit PAUL McCARTNEY: 3er DVD THE McCARTNEY YEARS. DVD 1: 1. Tug Of War; 2. Say Say Say; 3. Silly Love Songs; 4. Band On The Run; 5. Maybe I'm Amazed; 6. Heart Of The Country; 7. Mamunia; 8. With A Little Luck; 9. Goodnight Tonight; 10. Waterfalls; 11. My Love; 12. C Moon; 13. Baby's Request; 14. Hi Hi Hi; 15. Ebony And Ivory; 16. Take It Away; 17. Mull Of Kintyre; 18. Helen Wheels; 19. I've Had Enough; 20. Coming Up; 21. Wonderful Christmastime. Extra 1: Juniors Farm. Extra 2: Band On The Run. Extra 3: London Town. Extra 4: Oktober 1977: aus Fernsehsendung THE SOUTH BANK SHOW, Großbritannien: Mull Of Kintyre #2. DVD 2: 1. Pipes Of Peace; 2. My Brave Face; 3. Beautiful Night; 4. Fine Line; 5. No More Lonely Nights; 6. This One; 7. Little Willow; 8. Pretty Little Head; 9. Birthday; 10. Hope Of Deliverance; 11. Once Upon A Long Ago; 12. All My Trials; 13. Brown-Eyed Handsome Man; 14. Press; 15. No Other Baby; 16. Off The Ground; 17. Biker Like An Icon; 18. Spies Like Us; 19. Put It There; 20. Figure Of Eight; 21. C'Mon People. Extras: 1. PARKINSON; 2. So Bad. Extra 3: Donnerstag, 28. Juni 2005: CHAOS AND CREATION AT ABBEY ROAD.
    [Show full text]
  • BWTB Valentines LOVE Show 2016
    1 All Love Show 2016 1 2 9AM The Beatles - It’s Only Love- Help! / INTRO : THE WORD (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP 2 3 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S.
    [Show full text]