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wwee''rree ddiiggggiinngg iinnttoo tthhee vvaauulltt tthhiiss llaabboorr ddaayy wweeeekkeenndd 9 AM: RUNNING ON EMPTY - JACKSON BROWNE 9 AM: Mud Slide Slim And The Blue Horizon - JAMES TAYLOR 10 AM: Scenes From The Southside - BRUCE HORNSBY 10 AM: Blood On The Tracks - BOB DYLAN 11 AM: BROTHERS - BLACK KEYS 11 AM: World On The Ground - SARAH JAROSZ 12 PM: LET IT BE - BEATLES 12 PM: Born Under A Bad Sign- ALBERT KING 1 PM: UNDER THE TABLE & DREAMING - DAVE MATTHEWS BAND 1 PM: BLUE - JONI MITCHELL 2 PM: TEXAS FLOOD - STEVIE RAY VAUGHAN 2 PM: LEGEND - BEST OF BOB MARLEY - BOB MARLEY 3 PM: WORKINGMAN'S DEAD - GRATEFUL DEAD 3 PM: Let It Bleed - ROLLING STONES 4 PM: WATCHHOUSE - WATCHHOUSE 4 PM: True Sadness - AVETT BROTHERS 5 PM: GRACELAND - PAUL SIMON 5 PM: Layla And Other Love Songs - DEREK AND THE DOMINOS 6 PM: THE NASHVILLE SOUND - JASON ISBELL 6 PM: Shake Your Money Maker- BLACK CROWES 7 PM: BORN TO RUN - BRUCE SPRINGSTEEN 7 PM: Rosemary - DILLON FENCE 8 PM: MOONDANCE - VAN MORRISON 8 PM: The Darkside of the Moon - PINK FLOYD 9 PM: MCCARTNEY III - PAUL MCCARTNEY 9 PM: Plastic Ono Band - JOHN LENNON 9 AM: The Road to Escondido - ERIC CLAPTON/J.J. CALE 9 AM: American Beauty - GRATEFUL DEAD 10 AM: Come Away With Me - norah jones 10 AM: God Willin' & The Creek Don't Rise - RAY LAMONTAGNE 11 AM: dixie chicken - little feat 11 AM: Damn The Torpedoes - TOM PETTY 12 PM: sigh no more - mumford & sons 12 PM: A Sailor's Guide to Earth - STURGILL SIMPSON 1 PM: Synchronicity - the POLICE 1 PM: Rumours - FLEETWOOD MAC 2 PM: Quietly Blowing It - HISS GOLDEN MESSENGER 2 PM: Aja - STEELY DAN 3 PM: Stardust - WILLIE NELSON 3 PM: The Joshua Tree - U2 4 PM: Sticky Fingers - ROLLING STONES 4 PM: Tapestry - CAROLE KING 5 PM: Bring The Family - JOHN HIATT 5 PM: Green - R.E.M. 6 PM: What's Going On - MARVIN GAYE 6 PM: Goodbye Yellow Brick Road - ELTON JOHN 7 PM: Copperhead Road - STEVE EARLE 7 PM: Luck of The Draw - BONNIE RAITT 8 PM: Odelay - BECK 8 PM: How Did You Find Me Here - DAVID WILCOX 9 PM: Who's Next - the WHO lliisstteenn ttoo wwiinn && aa nneeww rreeccoorrdd ppllaayyeerr.

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Places to Go, People to See Thursday, Feb
Versu Entertainment & Culture at Vanderbilt FEBRUARY 28—MARCH 12,2, 2008 NO. 7 RITES OF SPRING PLACES TO GO, PEOPLE TO SEE THURSDAY, FEB. 28 FRIDAY, FEB. 29 SATURDAY 3/1 Silverstein with The Devil Wears Prada — Rocketown John Davey, Rebekah McLeod and Kat Jones — Rocketown Sister Hazel — Wildhorse Saloon The Regulars Warped Tour alums and hardcore luminaries Silverstein bring their popular Indiana native John Davey just might be the solution to February blues — his unique pop/ Yes, they’re still playing together and touring. Yes, they can still rock sound to Nashville. The band teamed up with the Christian group The Devil folk sound is immediately soothing and appealing and is sure to put you in a good mood. with the best of ’em. Yes, you should go. Save all your money this THE RUTLEDGE Wears Prada for a long-winded U.S. tour. ($5, 7 p.m.) 401 Sixth Avenue South, 843-4000 week for that incredibly sweet sing-along to “All For You” (you know 410 Fourth Ave. S. 37201 ($15, 6 p.m.) 401 6th Avenue S., 843-4000 you love it). ($20-$45, 6 p.m.) 120 Second Ave. North, 902-8200 782-6858 Music in the Grand Lobby: Paula Chavis — The Frist Center for the Steep Canyon Rangers — Station Inn Red White Blue EP Release Show — The 5 Spot Visual Arts MERCY LOUNGE/CANNERY This bluegrass/honky-tonk band from North Carolina has enjoyed a rapid Soft rock has a new champion in Red White Blue. Check out their EP Nashville’s best-kept secret? The Frist hosts free live music in its lobby every Friday night.
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Broadway's Smash Hit Beautiful – the Carole King Musical Makes Its
FOR IMMEDIATE RELEASE Broadway’s smash hit Beautiful – The Carole King Musical makes its Worcester premiere September 26-29 Worcester, Mass. (September 9, 2019) The Tony® and Grammy® Award-winning Broadway hit Beautiful—The Carole King Musical, about the early life and career of the legendary and groundbreaking singer/songwriter, will make its Worcester premiere at The Hanover Theatre and Conservatory for the Performing Arts Thursday, September 26 - Sunday, September 29, locally sponsored by Fidelity Investments. Tickets are on sale now. “Carole King might be a native New Yorker, but her story of struggle and triumph is as universal as they come, and her music is loved the world over,” producer Paul Blake said. “I am thrilled that Beautiful continues to delight and entertain audiences around the globe, in England, Japan and Australia and that we are entering our fifth amazing year of touring the US. We are so grateful that over five million audience members have been entertained by our celebration of Carole's story and her timeless music.” With a book by Tony® and Academy® Award-nominee Douglas McGrath and direction by Marc Bruni and choreography by Josh Prince, Beautiful features a stunning array of beloved songs written by Gerry Goffin/Carole King and Barry Mann/Cynthia Weil. The show opened on Broadway at the Stephen Sondheim Theatre in January 2014, where it has since broken all box office records and became the highest grossing production in the Theatre’s history. The Original Broadway Cast Recording of Beautiful – The Carole King Musical (Ghostlight Records) won the 2015 Grammy Award for Best Musical Theater Album and is available on CD, digitally, and on vinyl.
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
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John Lee Hooker: King of the Boogie Opens March 29 at the Grammy Museum® L.A
JOHN LEE HOOKER: KING OF THE BOOGIE OPENS MARCH 29 AT THE GRAMMY MUSEUM® L.A. LIVE CONTINUING THE 100TH ANNIVERSARY OF THE BIRTH OF LEGENDARY GRAMMY®-WINNING BLUESMAN JOHN LEE HOOKER, TRAVELING EXHIBIT WILL FEATURE RARE RECORDINGS AND UNIQUE ITEMS FROM THE HOOKER ESTATE; HOOKER'S DAUGHTERS, DIANE HOOKER-ROAN AND ZAKIYA HOOKER, TO APPEAR AT MUSEUM FOR SPECIAL OPENING NIGHT PROGRAM LOS ANGELES, CALIF. (MARCH 6, 2018) —To continue commemorating what would have been legendary GRAMMY®-winning blues artist John Lee Hooker’s 100th birthday, the GRAMMY Museum® will open John Lee Hooker: King Of The Boogie in the Special Exhibits Gallery on the second floor on Thursday, March 29, 2018. On the night of the opening, Diane Hooker-Roan and Zakiya Hooker, daughters of the late bluesman, will appear at the GRAMMY Museum for a special program. Presented in conjunction with the John Lee Hooker Estate and Craft Recordings, the exhibit originally opened at GRAMMY Museum Mississippi—Hooker's home state—in 2017, the year of Hooker's centennial. On display for a limited time only through June 2018, the exhibit will include, among other items: • A rare 1961 Epiphone Zephyr—one of only 13 made that year—identical to the '61 Zephyr played by John Lee Hooker. Plus, a prototype of Epiphone's soon-to-be-released Limited Edition 100th Anniversary John Lee Hooker Zephyr signature guitar • Instruments such as the Gibson ES-335, Hohner HJ5 Jazz, and custom Washburn HB35, all of which were played by Hooker • The Best Traditional Blues Recording GRAMMY Hooker won, with Bonnie Raitt, for "I'm In The Mood" at the 32nd Annual GRAMMY Awards in 1990 • Hooker's Best Traditional Blues Album GRAMMY for Don't Look Back, which was co-produced by Van Morrison and Mike Kappus and won at the 40th Annual GRAMMY Awards in 1998 • A letter to Hooker from former President Bill Clinton • The program from Hooker's memorial service, which took place on June 27, 2001, in Oakland, Calif.
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RIAA/Defreese/Proposed Default Judgment and Permanent Injunction
Case 6:04-cv-01362-WEB -DWB Document 10 Filed 08/18/05 Page 1 of 2 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF KANSAS PRIORITY RECORDS LLC, ET AL., ) ) ) Plaintiffs, ) ) ) v. ) Case No. 04-1362-WEB-DWB ) ) KELLI DEFREESE, Defendant. DEFAULT JUDGMENT AND PERMANENT INJUNCTION Based upon Plaintiffs' Application For Default Judgment By The Court, and good cause appearing therefore, it is hereby Ordered and Adjudged that: 1. Defendant shall pay damages to Plaintiffs for infringement of Plaintiffs' copyrights in the sound recordings listed in Exhibit A to the Complaint, in the total principal sum of Six Thousand Seven Hundred and Fifty Dollars ($6,750.00). 2. Defendant shall pay Plaintiffs' costs of suit herein in the amount of Two Hundred and Thirty Dollars ($230.00). 3. Defendant shall be and hereby is enjoined from directly or indirectly infringing Plaintiffs' rights under federal or state law in the following copyrighted sound recordings: C "Freak On a Leash," on album "Follow the Leader," by artist "Korn" (SR# 263-749); C "The New Pollution," on album "Odelay," by artist "Beck" (SR# 222-917); C "Here With Me," on album "No Angel," by artist "Dido" (SR# 289-904); C "Best Friends," on album "Supa Dupa Fly," by artist "Missy Elliot" (SR# 245-232); C "What's Your Fantasy (Remix)," on album "Back For the First Time," by artist "Ludacris" (SR# 289-433); C "Daddy," on album "Pieces of You," by artist "Jewel" (SR# 198-481); C "Father Figure," on album "Faith," by artist "George Michael" (SR# 92-432); 1 Case 6:04-cv-01362-WEB -DWB Document
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Talking Book Topics November-December 2017
Talking Book Topics November–December 2017 Volume 83, Number 6 Need help? Your local cooperating library is always the place to start. For general information and to order books, call 1-888-NLS-READ (1-888-657-7323) to be connected to your local cooperating library. To find your library, visit www.loc.gov/nls and select “Find Your Library.” To change your Talking Book Topics subscription, contact your local cooperating library. Get books fast from BARD Most books and magazines listed in Talking Book Topics are available to eligible readers for download on the NLS Braille and Audio Reading Download (BARD) site. To use BARD, contact your local cooperating library or visit nlsbard.loc.gov for more information. The free BARD Mobile app is available from the App Store, Google Play, and Amazon’s Appstore. About Talking Book Topics Talking Book Topics, published in audio, large print, and online, is distributed free to people unable to read regular print and is available in an abridged form in braille. Talking Book Topics lists titles recently added to the NLS collection. The entire collection, with hundreds of thousands of titles, is available at www.loc.gov/nls. Select “Catalog Search” to view the collection. Talking Book Topics is also online at www.loc.gov/nls/tbt and in downloadable audio files from BARD. Overseas Service American citizens living abroad may enroll and request delivery to foreign addresses by contacting the NLS Overseas Librarian by phone at (202) 707-9261 or by email at [email protected]. Page 1 of 128 Music scores and instructional materials NLS music patrons can receive braille and large-print music scores and instructional recordings through the NLS Music Section.
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The Caravan Playlist 231 Friday, December 29, 2017 Hour 1 Artist
The Caravan Playlist 231 Friday, December 29, 2017 Hour 1 Artist Track CD/Source Label Verlon Thompson Always Trust Your Cape Live at the Thomas Center Verlon Thompson - c 2006 Guy Clark Bunkhouse Blues Cold Dog Soup Sugarhill - c 1999 Reverend Charley's Patent Medicine Show John Law Live RCPMS - c 2014 Chris Thomas King Red Mud Red Mud Session 21st Century Blues - c 2005 Robert Johnson Kind Hearted Woman The Centennial Collection Sony Legacy - c 2011 Paper Moon Shiners Come On In My Kitchen Paper Moon Shiners Paper Moon Shiners - c 2013 Verlon Thompson Marie Live at the Thomas Center Verlon Thompson - c 2006 Townes Van Zandt Our Mother The Mountain Our Mother The Mountain Fat Possum c 1969 Little Pink Anderson He's in the jailhouse now Carolina Bluesman Music Maker Recordings - c 2001 Pink Anderson Weeping Willow Blues Carolina Bluesman Fantasy Records - c 2006 Buddy Flett Born in Mississippi (Mr. Hubert) Rough Edges Honeybee - c 2013 Hubert Sumlin Play It Cool (Album Version) Healing Feeling Shout Factory - c 2009 Hour 2 Artist Track Concert Source Jason Isbell in Concert Palmetto Rose Newport Folk 2015 NPR Music/Newport - c 2015 Jason Isbell in Concert Stockholm Newport Folk 2015 NPR Music/Newport - c 2015 Jason Isbell in Concert Something More Than Free Newport Folk 2015 NPR Music/Newport - c 2015 Jason Isbell in Concert 24 Frames Newport Folk 2015 NPR Music/Newport - c 2015 Jason Isbell in Concert Codeine Newport Folk 2015 NPR Music/Newport - c 2015 Jason Isbell in Concert Speed Trap Town Newport Folk 2015 NPR Music/Newport - c 2015
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ARTIST SONG AC/DC Back in Black Adele Rolling in the Deep Al Green
ARTIST SONG AC/DC Back In Black Adele Rolling In The Deep Al Green Let’s Stay Together Alanis Morrisette Ironic Alien Ant Farm Smooth Criminal Amy Winehouse Valerie Aretha Franklin Respect Bill Withers Ain’t No Sunshine Bob Dylan Knocking on Heaven's door Bob Marley I Shot The Sherriff Bon Jovi You Give Love A Bad Name Britney Spears Toxic Bruno Mars Runaway Baby Bruno Mars Treasure Carly Rae Jepsen Call Me Maybe Cee Lo Green Forget You Chic Everybody Dance Chic Le Freak Chic Good Times Deep Purple Black Night Diana Ross Ain't No Mountain High Enough Electric Six Gay Bar Eric Clapton Cocaine Etta James I’d Rather Go Blind Etta James I Just Wanna Make Love to You Foo Fighters Times Like These Fountains Of Wayne Stacy's Mom Gloria Gaynor I Will Survive Gnarls Barkley Crazy Greenday American Idiot Jaco Pastorius The Chicken John Cage's 4'33 Justin Timberlake Sexy Back Led Zeppelin Good Times Bad Times Lee Ritenour Fly By Night Linkin Park Numb Luther Vandross Never Too Much Lynyrd Skynyrd Sweet Home Alabama Maroon 5 Harder To Breathe Maroon 5 This Love Marvin Gaye Through The Grape Vine Metallica Enter Sandman Michael Jackson Beat It Michael Jackson PYT Motorhead Ace of Spades Muse Starlight Muse Time is Running Out No Doubt Don’t Speak Olly Murs Troublemaker Otis Redding Sitting on the dock of the bay Paramore Misery business Paul Simon Diamonds on the Soles of Her Shoes Pixie Lott Cry Me Out Prince Kiss Rage Against The Machine Killing In The Name Red Hot Chili Peppers Aeroplane Red Hot Chili Peppers Californication Rose Royce Car Wash
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On the Beat Calderone School of Music
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, October 10, 2002 Page 21 Peter Gabriel’s ‘Up’ Is Downer; But Indies Don’t Disappoint Arts & Entertainment By ANDY GOLDENBERG happening. Specially Written for The Westfield Leader and The Times Universal Music sent some good As fall arrives, the quantity of CD reissue material beginning with a two- Pen & Ink releases continues unabated. disc Deluxe Edition of The Who’s CONTINUED FROM PAGE 22 Beginning with his first album in “My Generation” album complete and make trouble,” encouraged about 30 (well, 10) years by Peter with bonus material and the sound Sarandon, who coincidentally has Gabriel, “Up” on Geffen Records is quality is extraordinary. Also from not as much a return to Universal come great a movie coming out this month. form as it is a continua- compilations of “Kiss” As inappropriate as the enter- tion of form from his last and “T-Rex.” tainment industry’s desperate album “Us.” Some smaller labels The moody keyboard have put out some great scramble to stage a 9/11 sounds abound, there is a reissue and new material fundraiser (which I’m still con- lot of dark lyrical imag- beginning with Cunei- vinced was done to keep the peace ery. While the themes of form Records out of the last album dealt with Maryland. Known for the between their pocketbooks and relationships, “Up” deals devotion to Progressive their adoring fans), it is equally more with the finality and Rock, Cuneiform has just improper for celebrities to get fragility of life.
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Diplo and Beck Confirmed for Northside
Diplo 2017-12-01 09:59 CET Diplo and Beck confirmed for NorthSide Thundercat, Rhye, and Jimmy Eat World will also appear at next year's festival This year’s last round of announcements for NorthSide 2018 will significantly expand the festival’s musical spectrum and offer everything from baile funk and sophisticated electronica to fusion jazz and postmodern disco-funk. Over the last three years, Diplo has been unavoidable because of global megahits like “Lean On”, "Where Are Ü Now", and “Cold Water”. He has found chart success as a producer for M.I.A., Sia, and Beyoncé, as a member of Major Lazer and Jack Ü and as solo artist, and he is always highly ranked on DJ Mag's list of the world’s best dj’s. The productive producer’s unique take on baile funk has made its mark on charts throughout the world since the breakthrough with "Paper Planes", and as he himself put it a few years ago; Random White Dude Be Everywhere. This summer that will for the first time also include NorthSide. Diplo will play Saturday June 9th at NorthSide 2018 Earlier this year, the always unpredictable Beck released the album "Colors", which picked up the thread from the dance-friendly and fun album from 1999, “Midnite Vultures”. Through a long and ever changing career, he has sold millions of records, won Grammys, and impressed with masterpieces such as "Odelay" and most recently the understated "Morning Phase". But the acoustic guitar has taken the backseat on new songs like "Dreams" and "Wow" and the focus is now instead on getting people back on the dance floor.
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9781412929998.Pdf
Duck-3494-Prelims.qxd 1/16/2007 10:39 AM Page i Human Relationships Duck-3494-Prelims.qxd 1/16/2007 10:39 AM Page ii Duck-3494-Prelims.qxd 1/16/2007 10:39 AM Page iii Human Relationships 4th Edition Steve Duck Duck-3494-Prelims.qxd 1/16/2007 10:39 AM Page iv © Steve Duck 2007 First published 2007 Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, this publication may be reproduced, stored or transmitted in any form, or by any means, only with the prior permission in writing of the publishers, or in the case of reprographic reproduction, in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers. SAGE Publications Ltd 1 Oliver’s Yard 55 City Road London EC1Y 1SP SAGE Publications Inc. 2455 Teller Road Thousand Oaks, California 91320 SAGE Publications India Pvt Ltd B 1/I 1 Mohan Cooperative Industrial Area Mathura Road, New Delhi 110 044 India SAGE Publications Asia-Pacific Pte Ltd 33 Pekin Street #02-01 Far East Square Singapore 048763 British Library Cataloguing in Publication data A catalogue record for this book is available from the British Library ISBN 978-1-4129-2998-1 ISBN 978-1-4129-2999-8 (pbk) Library of Congress Control Number: 2006929060 Typeset by C&M Digitals (P) Ltd, Chennai, India Printed in Great Britain by The Alden Press, Witney Printed on paper from sustainable resources Duck-3494-Prelims.qxd 1/16/2007
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In the Studio: the Role of Recording Techniques in Rock Music (2006)
21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio.
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