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Workplace Harassment in the Contemporary Music Industries of Australia and New Zealand
TUNESMITHS AND TOXICITY: WORKPLACE HARASSMENT IN THE CONTEMPORARY MUSIC INDUSTRIES OF AUSTRALIA AND NEW ZEALAND by Jeffrey Robert Crabtree Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy under the supervision of Professor Mark Evans and Doctor Susie Khamis University of Technology Sydney Faculty of Arts and Social Sciences August, 2020 CERTIFICATE OF ORIGINAL AUTHORSHIP I, Jefrey Robert Crabtree, declare that this thesis is submitted in fulfillment of the requirements for the award of Doctor or Philosophy in the School of Communications at the University of Technology Sydney. This thesis is wholly my own work unless otherise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This document has not been submitted for qualifications at any other academic institution. This research is supported by the Australian Government Research Training Program. Signature: Production Note: Signature removed prior to publication. Date: ii ACKOWLEDGEMENTS I wish to acknowledge the incredible support of my wife, who was not only very encouraging but also incredibly understanding whilst in the throes of completing her own doctorate at the same time as this study. I acknowledge my two highly talented daughters who inspire me with their creativity. Both of them have followed music careers and this research was undertaken in the hope that the working environment of the music industry will become a more welcoming space for women. I also wish to recognise my extraordinary supervisors, Professor Mark Evans and Doctor Susie Khamis, whose wise counsel and steady hands have guided this work. -
052710 Seminole Beacon
Look for EMINOLE EACON SVolume XXXII, No. 4 B May 27, 2010 www.TBNweekly.com Dealing with a disaster Tar balls inside this issue County remain Pinellas adjusts evacuation map primary The beginning of the 2010 At- lantic hurricane season is June 1, and county officials are alerting residents that evacuation maps threat have changed. ... Page 3. By BOB McCLURE Police ST. PETE BEACH – The com- Van fire forces manding officer of the U.S. Coast bank evacuation Guard’s Tampa-St. Petersburg Sec- tor said May 19 that if west-central Pinellas County Sheriff’s Florida is affected by the Deepwater deputies responded to a vehicle Horizon oil spill, it will most likely fire May 18 in the drive-through be by tar balls. lane of a Seminole bank. Speaking before a crowd of about ... Page 5. 100 at the Tradewinds Resort dur- ing a public forum on measures Entertainment being taken by the Florida Wildlife Commission, Capt. Tim Close said New movies open it is highly unlikely area beaches A number of new movies open will be covered by a huge oil slick. this week in the area, including “The likelihood remains that we Jake Gyllenhaal in “Prince of Per- will be affected in the St. Petersburg sia: The Sands of Time.” sector,” Close said. “If so, it will be Photo by BOB McCLURE ... Page 14. tar balls.” A pair of young screech owls peer out from their baby bird feeding area at the Suncoast Seabird Sanctuary. The Nick Wiley, executive director of Sanctuary needs volunteers to help with the feeding program while others help out with birds affected by the oil spill. -
Keir Nuttall Thesis
I’m With Muriel: Applying a Persona- Centred Songwriting Technique to the Creation of a New Australian Musical Keir Nuttall BMus Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Creative Practice Faculty of Creative Industries, Education and Social Justice QUT 2021 Table of Contents Table of Figures ......................................................................................................................... 5 Abstract ..................................................................................................................................... 6 Statement of Original Authorship .............................................................................................. 8 Acknowledgements ................................................................................................................... 9 Chapter 1: Introduction............................................................................................................ 11 Situating the Researcher ............................................................................................................................. 16 Chapter 2: Literature and Contextual Review ........................................................................... 24 Part One: Authenticity and the Music Business ........................................................................ 24 The Artist vs Culture and Society ................................................................................................................ 25 -
Goodnight Saigon: Billy Joel’S Musical Epitaph to the Vietnam War
Touro Law Review Volume 32 Number 1 Symposium: Billy Joel & the Law Article 5 April 2016 Goodnight Saigon: Billy Joel’s Musical Epitaph to the Vietnam War Morgan Jones Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Law Commons, and the Other Music Commons Recommended Citation Jones, Morgan (2016) "Goodnight Saigon: Billy Joel’s Musical Epitaph to the Vietnam War," Touro Law Review: Vol. 32 : No. 1 , Article 5. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol32/iss1/5 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Jones: Goodnight Saigon GOODNIGHT SAIGON: BILLY JOEL’S MUSICAL EPITAPH TO THE VIETNAM WAR Morgan Jones* Billy Joel adopted new personae and took on new roles in several songs on both 1982’s The Nylon Curtain1 and his penultimate studio album to date, 1989’s Storm Front.2 In what some have seen as an attempt to reach a more adult audience, to “move pop/rock into the middle age and, in the process, earn critical respect,”3 Joel put on new hats (literally, at times: his fedora-wearing balladeer appears prominently in the video for “Allentown”) for “Allentown” and “The Downeaster ‘Alexa’,” “Pressure” and “We Didn’t Start the Fire,” and “Goodnight Saigon” and “Leningrad.”4 Each of these pairs of songs saw Joel endeavoring to make statements about issues that were bigger than he and his own life, which was in stark contrast to his sources of inspiration for his earlier, more self-centered albums. -
Sandspur, Vol 116, No 17, February 26, 2010
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 2-26-2010 Sandspur, Vol 116, No 17, February 26, 2010 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 116, No 17, February 26, 2010" (2010). The Rollins Sandspur. 1903. https://stars.library.ucf.edu/cfm-sandspur/1903 GABBY CHASSAGNE the sandspur A tragic accident occurred Feb 24 in Orlando at Sea World's Shamu Stadium. Tilikum the Orca Whale dragged veter an trainer Dawn Brancheau down to the bottom of his makeshift enclosure. This was not the first time Tilikum has been responsible for the death of a person. Reporter Mike Holfeld died from an attack in 1999 as did a 20 year old trainer who had fallen into his tank in 1999. The audience watched on in utter horror. Some witnesses say Ti likum came to the surface and attacked Brancheau, while other reports claim she slipped into the tank. "Nothing like this has ever occurred before in our facility/' said President of Sea World Dan Brown. COURTESY OF MCT CAMPUS Jim Solomons of the Orange County GIANT PERFORMERS: At Orlando's SeaWorld, audiences watch killer whales perform various Sheriff's Office stated that there was no COURTESY OF FBI.GOV tricks commanded by specialized trainers. -
Parking Permits
UTutnews.utoledo.edu NEWSAUG. 23, 2010 VOLUME 11, ISSUE 1 Students to receive USA Today WELCOME BACK! in electronic format For students in this issue: By Tobin J. Klinger Safety update ............................................................. p. 2 he next time University of Toledo students check their Rockets Te-mail accounts, they will have access to one of the nation’s most popular newspapers in a convenient electronic format. Starbucks, Student Union renovations .......p. 3 With the beginning of the new academic year, UT is partnering with USA Today as part of the publication’s Collegiate Readership President’s barbecue, tailgate party ............p. 3 Program to deliver the e-edition each weekday, while again making print copies available in some locations. “This program builds on the success of our partnership with The Blade to deliver a Rocket MyCollegeStuff.net .................................................p. 4 edition of Toledo’s daily newspaper to our students,” said Lawrence J. Burns, vice president for external affairs and interim vice president for equity and diversity. “Through that partnership, Student Affairs ...........................................................p. 6 we have been able to keep our students informed about the community in which they live, but also of the latest happenings across the region. “By joining forces with USA Today, we are bolstering the program in such a way that our Parking permits .........................................................p. 7 students will stay better informed about the world around them,” Burns added. “It is our hope that this will not only help to increase their enjoyment of the Toledo area, but will also help to keep them a more informed citizenry.” Rocket football schedule ....................................p. -
DIRTY LITTLE SECRETS of the RECORD BUSINESS
DIRTY BUSINESS/MUSIC DIRTY $24.95 (CAN $33.95) “An accurate and well-researched exposé of the surreptitious, undisclosed, W hat happened to the record business? and covert activities of the music industry. Hank Bordowitz spares no It used to be wildly successful, selling LI one while exposing every aspect of the business.” LI outstanding music that showcased the T producer of Talking Heads, T performer’s creativity and individuality. TLE SE —Tony Bongiovi, TLE Aerosmith, and the Ramones Now it’s in rapid decline, and the best music lies buried under the swill. “This is the book that any one of us who once did time in the music SE business for more than fifteen minutes and are now out of the life wish This unprecedented book answers this CR we had written. We who lie awake at nights mentally washing our hands CR question with a detailed examination LITTLE of how the record business fouled its as assiduously yet with as much success as Lady Macbeth have a voice DIRTYLITTLE ET DIRTY in Hank Bordowitz. Now I have a big book that I can throw at the ET own livelihood—through shortsighted- S liars, the cheats, and the bastards who have fooled me twice.” S ness, stubbornness, power plays, sloth, and outright greed. Dirty Little Secrets o —Hugo Burnham, drummer for Gang of Four, o f of the Record Business takes you on a former manager and major-label A&R executive f the the hard-headed tour through the corridors ofof thethe of the major labels and rides the waves “Nobody should ever even think about signing any kind of music industry SECRSECRETSETS contract without reading this book. -
"Summer's Gone:" Rethinking the History of the Beach Boys, 1961-1998
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2021 "Summer's Gone:" Rethinking the History of the Beach Boys, 1961-1998 Grant Wong Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Popular Culture Commons, Cultural History Commons, and the United States History Commons Recommended Citation Wong, Grant, ""Summer's Gone:" Rethinking the History of the Beach Boys, 1961-1998" (2021). Undergraduate Honors Theses. Paper 1629. https://scholarworks.wm.edu/honorstheses/1629 This Honors Thesis -- Open Access is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Summer’s Gone:” Rethinking the History of the Beach Boys, 1961-1998 A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in History from William & Mary by Grant Wong Highest Honors Accepted for ___________________________________ (Honors, High Honors, Highest Honors) ________________________________________Charles McGovern Charles McGovern, Director Jerry Watkins III ________________________________________ Jerry Watkins III Arthur Knight ________________________________________ Arthur Knight Richard Lowry ________________________________________ Richard Lowry Williamsburg, VA May 12, 2021 “Summer’s Gone:” Rethinking the History -
CHANGING LANES Early," Tewes Said
2010 POPCORN FESTIVAL SWEET i^v/VICT0RYrA9 Tasting a piece of Valparaiso history, B3 FRIDAY, SEPTEMBER 10, 2010 Valparaiso University's 2007-2010 Indiana College Student Newspaper THE TORCH Weekly of the Year Fight rumors put to rest CHANGING LANES early," Tewes said. "This is when Violence breaks everyone went back outside and that situation continued to esca out at Sigma Phi late and that was at the point when the police were called, by myself. I Epsilon fraternity called 911 and the Valparaiso City Police came." Rachael Battista Those brothers involved in the Torch News Editor fight did not reciprocate with any violent behavior. While a student brawl wasn't a "At the end of the night, none of planned part of Sigma Phi Epsilon's our guys had thrown a punch and annual "Slip and Slide" fundraising two of our guys had been hit pretty party, on Friday, Aug. 27, frater severely," Tewes said. "We were just nity members found themselves trying to get them to leave with breaking up a fight that resulted out any violent action on our part. in two innocent bystanders being That was pretty much up until they injured. ran off and the police came and we The first sign of a need for con talked to them for a while." cern was acknowledged during the As for the two students that foam party at the Phi Kappa Psi suffered injuries, neither was ad house when a select group of un mitted to the hospital but one did dergraduates began to cause prob receive on scene medical attention, lems for those in attendance. -
WTK Bio 2014
We the Kings Somewhere Somehow More information at www.ozonemm.com/wethekings “It was time for a creative change.” So says We the Kings frontman Travis Clark, explaining his band’s new album, Somewhere Somehow — a commercial and artistic triumph that marks, yes, a real creative change. It’s not like the band had to amend their ways. Since forming in high school in Bradenton, FL, We the Kings have rung up a string of top 10 rock albums (2007’s We the Kings, 2009’s Smile Kid and 2011’s Sunshine State of Mind) and Gold/platinum singles (“Check Yes Juliet”, “Say You Like Me”). Along the way, they toured the world several times over (including five stints on the Warped Tour) and earned an extraordinarily dedicated fanbase. But the band — Clark, Hunter Thomsen, Danny Duncan and (joining in 2011) Coley O’Toole and Charles Trippy — decided to approach their fourth album differently. They went completely DIY. “We wanted to make this record completely fan-based,” explains Clark. Which meant leaving their longtime record label. And raising the recording budget on their own. To this end, the band turned to the crowdfunding site Indiegogo, hoping to reach a modest budget goal within a month. Thanks to those diehard fans, they got there. In one day. “The Indiegogo campaign went way beyond what we imagined,” happily admits Clark. And thanks to the fans’ generous support, the group was able to fund a vinyl release, a physical CD and even offer up some creative rewards, including fan participation in the recording. -
Tom Lord-Alge SELECTED CREDITS
Tom Lord-Alge SELECTED CREDITS: The Beaches "Give it Up" - Single (Island) Mix Kensington Control (Universal Music B.V.) Mix Sum 41 13 Voices (Hopeless) Mix Fort Hope "Say No" - Single (Virgin) Mix Young Rising Sons "Turning" - Single (Interscope) Mix The Karma Killers Strange Therapy (Island) Mix One OK Rock Mighty Long Fall at Yokohama Stadium - Live DVD (Warner Bros. Japan) Mix Sleeping With Sirens Madness (Epitaph) Mix Weezer Everything Will Be Alright In The End (Republic) Mix Live The Turn (Think Loud) Mix Hanson Anthem (3CG Records) Mix Avril Lavigne Let Go/Uder My Skin (Epic) Mix The Rolling Stones GRRR! (ABKCO/Interscope) Mix Flyleaf New Horizons (A&M/Octone) Mix Forever the Sickest Kids Forever The Sickest Kids (Universal Motown) Mix Blink-182 Neighborhoods (DGC/Interscope) Mix Sum 41 Screaming Bloody Murder (Island) Mix We the Kings Sunshine State of Mind (S-Curve/Virgin) Mix Angels & Airwaves Love (Geffen) Mix Miranda Cosgrove Sparks Fly (Columbia/Epic) Mix Bon Jovi Tour Box (Island) Mix P!nk Bad Influence! (La Face) Mix Boys Like Girls Love Drunk (Columbia/Red Ink) Mix Taking Back Sunday New Again (Warner) Mix All Time Low Nothing Personal (Hopeless) Mix Five for Fighting Slice (Aware/Wind-Up) Mix The Academy Is… Fast Times at Barrington High (Fueled by Ramen) Mix P!nk Funhouse (LaFace) Mix Rev Theory Light It Up (Interscope) Mix Motion City Soundtrack Even If It Kills Me (Epitaph) Mix Angels & Airwaves I-Empire (Geffen) Mix Fall Out Boy Infinity on High (Island) Mix Yellowcard Paper Walls (Capitol) Mix Annie Lennox Songs -
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Gardner, Hyniea. 2019. The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other?. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004187 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? Hyniea (Niea) Gardner A Thesis in the Field of Anthropology and Archaeology for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2019 © May 2019 Hyniea (Niea) Gardner Abstract In 2016 the Korea Creative Content Agency (KOCCA) reported that the Korean music industry saw an overseas revenue of ₩5.3 trillion ($4.7 billion) in concert tickets, streaming music, compact discs (CDs), and related services and merchandise such as fan meetings and purchases of music artist apparel and accessories (Kim 2017 and Erudite Risk Business Intelligence 2017). Korean popular music (K-Pop) is a billion-dollar industry. Known for its energetic beats, synchronized choreography, and a sound that can be an amalgamation of electronica, blues, hip-hop, rock, and R&B all mixed together to create something that fans argue is “uniquely K-Pop.” However, further examination reveals that producers and songwriters – both Korean and the American and European specialists contracted by agencies – tend to base the foundation of the K-Pop sound in hip-hop and R&B, which has strong ties to African-American musical traditions.