ISSUE 679 / 26 MAY 2016
TOP 5 MUST-READ ARTICLES record of the week
} Adele set to sign Back To 95 See page 11 with Sony Music. Corey Bowen for contact (Sun) details Conflict Of Interest out now } Chance the Rapper album frst streaming- Middlesbrough lad Corey Bowen continues to see plenty of interest exclusive to debut from around the industry following his debut appearance here back in in US top 10. August with his sublime track If Birds Wish To Fly. This latest track is (Billboard) a perky, upbeat nugget of sunshine, extolling the virtues of teenage carefree days when the holidays roll around and you’ve a bit of cash a big supporter along with Bob Fisher at BBC Introducing in Corey’s } BPI releases Music to splash, hopefully without your parents knowing what mischief you native Teesside. We hear that a possible label deal is imminent with Market Review might be getting up to. It was recorded at Abbey Road and mixed by talks ongoing. In the meantime, he’s fnishing up a new EP at home, 2016; warns of Jolyon Thomas, noted for his work on Slaves debut album last year. and arrives back in London for a gig as part of Huw’s regular showcase music’s “value gap”. Huw Stephens at Radio 1 premiered the song recently and made it night for new talent at The Social on June 14. Like a warm fresh breath (RotD) his track of the week, whilst John Kennedy at Radio X continues to be of invigorating summer air, we adore this song and you will too.
} Spotify’s revenues increased by CONTENTS 80% in 2015. (FT) P2 Review: The Great Escape Festival } Kobalt Music Group reports P6 Compass: Hottest increased revenue unsigned acts of the The Great Escape: Wytches Compass: EAT FAST Records of the Week: Carnival Youth and losses. P2 P6 P10 moment (Billboard) Plus all the regulars WORLDWIDE SALES including Gigs, Tweets, 6am, Word On, Business MARKETING AND News, Media Watch and DISTRIBUTION Chart Life 1 review The Great Escape 2016
That time of year again, playlists listened to, schedule planned, weather app optimistically opened on the train to Brighton… The Great Escape has grown considerably as an event, both “Friday saw plenty of as a conference and live music showcase, and this year Ruth opportunity to get Kilpatrick was there to seek out some alternative gems involved for those just arriving – with As tipped in last week’s Record Of The unfnished. Lyrics alone were enough to fall countless fringe outside trying to peek in. First up was Ewan Day, the Thursday afternoon showcases of for, but with Soph’s enviable guitar skills on Watson, a Brighton resident and relative #TGE16 left many spoilt for choice. Going with show, plus her obvious to all approachability, events and free newbie to showcasing. Performing with the our gut meant heading over to Nowhere Man it’s no wonder Our Girl go on to play some of shows, as well as Mark and Kristian Band (both members Café – a great multi-purpose space on Upper the most popular sets of the whole weekend. of The Wytches) behind him, Ewan’s North Street, ran by two of the friendliest Later the same night it was an out of the the usual street songs came to life and found themselves a northerners you’ll fnd. Come 6pm there was way show that caught our eye, at Electric brand new audience in doing so. Sounding already a queue to get down into the soon at- Rehearsal Rooms BN2. Featuring a long line performers turning unlike anything else on the bill, Ewan had a capacity basement, largely due to the arrival up of offcial #TGE16 acts, the practice room up on any pavement presence that kept our attention, long after the of a solo Soph Nathan, singer and guitarist of space lent itself to a much more relaxed set free beers were gone. You can take a look at Our Girl (and also of The Big Moon). up. Birmingham based God Damn drew a with a footfall that a little snippet here. Playing stripped back versions of current crowd, despite the 1.30am slot. would have them.” Next up were one of the most hyped tracks to an openly adoring audience soon Friday saw plenty of opportunity to bands of the weekend, Dream Wife, who saw any nerves shift, meaning we were get involved for those just arriving – with as announced last week have just signed also able to hear a new song or two as yet countless fringe events and free shows, as a deal with Lucky Number. Expect to hear well as the usual street performers turning up much more from them, and no doubt on much on any pavement with a footfall that would bigger stages if the queue outside Photomatic have them. The arrival of the actual sun made was any indication of future fans. a noticeable difference to the atmosphere as Brand new Heavenly signings from Spain, a whole – and after a much-needed Nordic The Parrots, were the afternoon headliners, breakfast event (at Kooks) it was off to the demonstrating why there’s been renewed conference to catch the HMUK and CMU interest in the Madrid based three-piece. With discussions on Mental Health in Music. I’m previous releases through LuvLuvLuv and sure you’ve all seen the VICE short featuring Burger Records, their ‘Live at The Social’ Bill Ryder Jones and Rob Harvey by now, cassette is no doubt just the start of a fruitful but if not then you can catch up here. relationship with Jeff Barrett and co. It was Another highlight had to be down at over to the Paganini Ballroom next for the Photomatic on Gardner Street. Already a BBC Music Introducing showcase, featuring popular shop and sometime venue space, it a great new band called Vulgarians. Hailing Soph Nathan Photomatic on Gardner Street Photographs: Ruth Kilpatrick wasn’t long before the majority were stuck from Hull they’ve had a fair amount of airplay }} 2 review
}}so far via their recent singles Lost Sanity parts of the North East, EAT FAST had TRAAMS are always a solid choice for any Smiles and Wet Juice, both of which go down previously been fairly mysterious, uploading “Blaenavon have been line up, and the room soon starts flling up exceptionally well in the busy room. With more tracks like Byker Drone and more recently come their 7.35pm set time. The Chichester dates to announce over the summer, you’d be Fenham Dread(lock) to their sparse online threatening to be three piece have always done their own wise to keep an eye on their socials and see presence. They played two shows that day, a massive band for thing, ignoring trends or expectations, and them next time around. both of which were packed out by those resulting in two excellent albums to their Next up was a (thankfully) late running hoping to catch a glimpse. Thankfully the some time now and name. Tracks from both Grin and Modern set from Sofar Sounds at Hotel Pelirocco, expectation was more than lived up on the with latest single I Dancing go down equally well, and if you’re featuring Transgressive signed Blaenavon night, with their frantic distorted pop and clear yet to see them live then they’ll be at plenty and an eager as ever crowd. Thanks to knack for a tune cutting through the hype. Will Be The World of festivals in the coming months, be sure Spotify’s Artist House hospitality where they’d Saturday provided much of the usual already doing well, to add them to your list. spent most of the day, it was by far one of the angst, remembering that it’s the last day and A one-in one-out policy on the door most confdent sets they’ve played – and all you haven’t seen half of what you wanted to, I’m sure I’m not the downstairs and the popularity of the remaining the more memorable for it. Blaenavon have combined with the three days and nights in bands meant that Bleach was surely one been threatening to be a massive band for feeling of ‘let’s just sit down here’. Thankfully only one who can’t of the busiest venues across the weekend. some time now and with latest single I Will Be the Alternative Escape had you covered if wait for the LP.” Newbie’s Estrons were up next, followed The World already doing well, I’m sure I’m not you’d made the trip down to the Hare and by Toronto’s increasingly popular Dilly Dally, the only one who can’t wait for the LP. Hounds, and of course its upstairs neighbour complete with a cover of Drake’s Know There was just time to head along the Bleach. An impressive line up over both foors CROWS. Another busy one, CROWS have Yourself. Singer and guitarist Katie Monks seafront over to The Mucky Duck for the from early afternoon saw many delegates all come a long way and their set at Bleach was may just be my new hero; you can watch end of the Hand In Hive showcase, featuring under one roof. Seeing Our Girl again – this actually pretty captivating. Some solid touring why as they tour around the UK and Europe, one of the most talked about bands of the time with full band – was a real highlight, and an upcoming London date on June 15 will stopping at Field Day on the way back weekend EAT FAST. Hailing from various followed swiftly by heading upstairs for solidify their work so far, I’m sure. come June 11. }}
Vulgarians Blaenavon TRAAMS Estrons Photographs: Ruth Kilpatrick
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The Great Escape in Brighton celebrates another successful year as the conference strand put a clear }} Bad Breeding were as insane as ever, focus on buzzword of the moment: adding some tangible tension to the night as “…frankly, you get data. Liz Stokes reports back mic stands were dodged and personal space invaded. Everything you’ve come to expect the feeling that The from them really, nothing if not exciting. With Wytches could stand The Great Escape once again this year him last year to discuss its possibilities, those in attendance now suitably wound up it offered an annual meeting point for the which you can read here). Rogers gave his wasn’t too long before sort-of-hometowners up there and play great and the good of the music industry. As now well-rehearsed presentation on what The Wytches were up on stage. Having been anything and the Brighton bars spilt out onto the streets and he believes the technology can offer to a holed away writing and recording for the last windowless venues saw the discussions fow surprisingly full room of those still eager to six months or more, each new live set is a result would still be between anything from data to depression, learn. However, the conversation is moving chance to try more tracks, and with the addition unconditional mayhem.” what we also witnessed was the speed we’re forward at a rapid pace and by far one of the of former member Mark Breed on keys and now moving at. most animated collection thoughts on the guitar there’s added depth to play around with. Looking back at the RotD report from last subject came from the ‘reality check – who Given that debut album Annabel Dream year’s event highlights this perfectly. In 2015 needs to play ball, and why would they?’ Reader came out almost two years ago, with frankly, you get the feeling that The Wytches we saw playlists become the backbone of hour-long panel special. With Cooking a fair amount of small releases since, it’s no could stand up there and play anything and discussion. We were just discovering their Vinyl MD Martin Goldschmidt, Believe surprise that the newer tracks appear the most the result would still be unconditional mayhem. importance and what they meant for artists Digital’s Chief International Offcer Stephen exciting to those on stage. The fans front and Having been lucky enough to hear a few new and the teams around them. This year King, PPL’s Chief Technology Offcer Mark centre are still just as in love with the album songs I genuinely can’t wait for LP2, make however, we struggle to recall playlists even Douglas, MMF ‘s Chief Executive Anabella though, and it’s tracks like Wide at Midnight sure you seek them out at their festival slots vaguely mentioned. And, we believe, it’s not Coldrick and IP Consultant Amanda and Holy Tightrope that see extra bodies at the over the summer, next up is This Must Be The because they’ve died an importance death Harcourt, all but major label representation front. Wasteybois gets a similar reaction but Place in Leeds on May 30th. but because we’ve, to a point, fgured them was present to consolidate where we are out, or at least fgured out why they’re so with the idea. For blockchain evangelists crucial. This year’s topics however felt much though, it wasn’t a pretty outlook. more pivotal as we drilled down on the past Almost all on the panel were in agreement in order to fx the future. that the new tech probably isn’t the future The transparency, data and blockchain for data and rights control. Douglas kicked strand on Thursday continued a debate off the conversation by pointing out that which really only came to the fore last credit card companies deal with mountains November but has arguably been bubbling of data everyday and deal with it well; the under since day dot for music: How do we fx amount of data, he said, is not the problem. our data problem? He did confess that blockchain may underpin Since Benji Rogers posted his Medium a solution at some point but, as the others piece last year, we’ve seen a slew of talks would attest, we need to frst put in place dedicated to the topic and confab as to some data solutions at the entry point. whether it can do as it presents has become Goldschmidt was very resolute with his Bad Breeding The Wytches Photographs: Ruth Kilpatrick standard procedure (RotD sat down with feelings towards the campaign, stating }} 4 review tweets we liked
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@aesychlus @joemuggs The Great Escape (Geoff Travis, (Joe Muggs, journalist) @MichaelAHann }}that he outright doesn’t think blockchain is Rough Trade) Please tell me the latest (Michael Hann, the solution “by any shadow” to the data “Data is at the Definitely not eligible iTunes for Mac update The Guardian) problem. In turn he noted that there should for a share of Princes isn’t as stupid and terrible OK, Pauw were just really be a solution and added that he believes it forefront of estate but more satisfied as I think it is. Seriously fucking great. #TGE16 defnitely will be solved in the next decade, conversations right by the knowledge that is there no way to browse although he wasn’t certain who would provide I work with Anohni. your own music by what’s @MayhemBCN that solution. now in every sense of most recently added to (Robert Kaye, MusicBrainz) Harcourt compared the music industry the word. Data around @mrdiscopop library? “Music licensing is hell! We to her time in TV, where deals are done (Mark Savage, BBC) need to find more ways to incredibly quickly. She commented that the rights, data extracted Surely the most shocking @rob_fitzpatrick monetize content!” Sigh. industry should be “ashamed of itself” with from platforms, the thing in today’s @BPi (Rob Fitzpatrick, Spotify) Where is Captain Obvious? regards to how long it takes to clear music report is that the industry re-watching the Anvil for global use, citing an example of a “well way data is delivered makes £11.95 from every movie for the first time @laurendown known catalogue” which took an enormous vinyl album sold. in 8 years. What I saw (Lauren Down, 14 months to clear for usage. and what we can back then as an absurd End of the Road) King added: “If you look at the data do with it.” @mikewalshmusic weakness I now see as When you watch a band provided to Spotify, by everyone, it’s (Mike Walsh, Radio X) an absurd strength. at TGE & think “this is absolutely appalling and shocking. We some shockingly twice as beautiful as deliver 12m tracks worldwide and we have clean data is the starting point for the end of inaccurate reports of @eldsjal anything I’ve seen” then 37 people whose only job is to clean our data disputes with the likes of Spotify. The bottom #RAJAR around at the (Daniel Ek, Spotify) you realise it’s because for clients. We have an Indian client who line was that data input at the inception of moment - by actual What so many fail to see you’re seeing double! delivered 130,000 tracks and it took us 7 a track will fx all of these problems. How ‘journalists’ is that in the realm of and a half months to get it data correct. we make sure this happens and whose ideas everything depends @Poptastic There are fundamental issues.” responsibility it is, is up in air. For now, all @ChartUpdate on perception... in the (Jessica Pinkett, Poptastic) However, investing in the process has would be advised to follow Believe’s path in (James Masterton) real world all rests on Funny how some blog proved it’s worth, King illustrated: “We investing in a mass clean up. When was the last time perseverance. hype translates into real sometimes take over catalogues and clean It’s worth noting that even if blockchain the track which opened world fans and some up the data. We look at 12 months previous doesn’t become the fnal solution for the the week at the top of doesn’t. Dagny’s gig was earnings on the catalogue then redeliver the industry, what it has done is kicked off iTunes ended it barely packed, Cloves almost catalogue with clean data and we can see the a dialogue. Data is at the forefront of scraping the Top 40? empty. #TGE16 difference between bad data and clean data conversations right now in every sense of the #stoneroses and the labels can see a massive jump in word. Data around rights, data extracted from @emilyrocks earnings, sometimes really signifcant. Just platforms, the way data is delivered and what (Emily Scoggins) on audio rights we can see how much money we can do with it. With the pressure on and I never want to see another we can make by cleaning the data.” the velocity of discussions at full throttle, we pint, band, plate of food All agreed that, as an industry, we need expect TGE 2017 to not only readdress some or friend ever again. That to nail accuracy before transparency and of these points but to present solutions too. may be an overreaction. 5 compass gigs
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