Fdi201 Sewing Instructions
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Senior Textile Artist Badge Workshop
Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts. -
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”. -
Placket Construction Options
Placket Construction Options 1 Type1: Two Separate Bound Edges on a rectangular stitching box The key to this structure is that the bindings are initially stitched only to the seam allowances on each side, and NOT stitched across the end, of the clipped box, which means that they, and the clipped triangle at the bottom, remain loose and can be arranged before the nal nishing to go on either side of the fabric, as well as either over or under the other, after joining them at the sides. The widths and lengths of the bindings and the space between the sides of the clipped box determine all the other options available in this most exible of all the placket types I know of. Variation 1: Both bindings t inside the stitching box If you cut the bindings so the nished, folded widths of both are equal to or smaller than the space between the initial stitching lines, as shown above, you can arrange both ends at the clipped corners to all go on one side of the fabric (right or wrong side), along with the clipped triangle on the garment. You’ll get the best results if the underlapping binding is slightly smaller than the overlapping one. This can be man- aged by taking slightly deeper seam allowances when you join this piece, so they can initially be cut from the same strip. Or, you can place one end on each side with the Both ends on RS One end on RS, Both ends on WS triangle sandwiched in between. -
The American Lady-Tailor Glove-Fitting System of Dress Making
' : - . fdfl . - . ... • • . 1 i , 1 • • • • i ft) '•-.; r i. # i ' ".. - i ! It r it ; . CvAMDkPS^ fedt Improved and Simplified. LIBRARY OF CONGRESS. ®|ap. - ®W'Sl l 1« # Slielf .vGr..2? fc UNITED STATES OF AMERICA. 4$ f. L Second Edition.] [Price, Five Dollars, THE AMERICAN Lady-Tailor Gloye-Fitting- System OP- DRESS-MAKING Invented and Taught by ^ • Mrs, Elizabeth Gartland IN HER SCIENTIFIC COLLEGE. KE^nSED, iLLTJSTBiLTED # SlIMIIF'IQjIIF'IEID- PHILADELPHIA, PA. 1884. Entered according to Act of Congress, in the year 1884, by Mrs. Elizabeth in the Office of the Librarian of Congress, at Washington, D. C. : IMPORTANT NOTICE. \K^ To all whom it may Concern : —Only those purchasing this Book from me or my authorized agents are hereby licensed to use my Systems of Cutting and Fitting, set forth in this work, the contents of which I have secured by copyright. And no person shall have any right whatever to sell or teach in any manner, my system, without first procuring from me or my duly authorized agents a license in writing, signed by me, specifying how and in what way it may be used. MRS. E. GARTLAND, 15 SOUTH 13th STREET, PHILADELPHIA, PA. LEADING PARIS FASHION MAGAZINES And they can be had at any time by the single number or by subscrip- tion; post-paid, at the prices given in the following list One Six Three Single Year. Months. Months. Copy. *Aquarelle Mode Weekly 9 16 20 9 9 00 $ 5 00 45c. *Album de la Toilette Semi-Monthly.. 7 25 4 00 2 25 45c. *Coquet Semi-Monthly. -
Info/How to Examine an Antique Painting.Pdf
How to Examine an Antique Painting by Peter Kostoulakos Before we can talk about the examination process, an overview of how to handle an oil painting is necessary to prevent damage to the work and liability for the appraiser. The checklist below is essential for beginning appraisers to form a methodical approach to examining art in the field without heavy, expensive equipment. Although the information may seem elementary for seasoned appraisers, it can be considered a review with a few tips to organize your observational skills. When inspecting an antique painting, as with any antique, a detailed on the spot, examination should take place. A small checklist covering composition, support, paint layers, varnish, and frame is necessary. Also, a few tools such as a UV lamp, magnifiers, camera, soft brush, cotton swabs, and tape measure are needed. A "behind the scenes" investigation can tell you a great deal about the painting. The name of the artist, title of the painting, canvas maker, date of canvas and stretcher, exhibitions and former owners are some of the things that may be revealed upon close examination. Document your examination with notes and plenty of photographs. Handling Art Older paintings should be thought of as delicate babies. We need to think about the consequences before we pick one up. To prevent acidic oil from our skin to be transferred to paintings and frames, we must cover our hands with gloves. Museum workers have told me that they feel insecure using white, cotton gloves because their grip becomes slippery. I tried the ceremonial gloves used in the military to grip rifles while performing. -
'L::C Make a Gathered Skirt
H7l.f -·'1~ 'l::c Make A Gathered Skirt CIRCULAR 580 OCTOBER 1964 AGRICULTURAL EXTENSION SERVICE VIRGINIA POLYTECHNIC INSTITUTE BLACKSBURG, VIRGINIA Make a Gathered Skirt Prepared by MarrJaret Groseclose, Err:tension ClothinrJ Specialist •Many girls like gathered skirts and they Make a Placket • are easy to make. Plump girls look best in 1. Work with the side seam where the gored skirts. When you make a gathered opening was left for the placket. skirt, you learn to make seams, put in a 2. Fold back the front placket extension placket, fit a waistband, hem a skirt, and put to the seam line. Press and pin. on a fastener. You study what to look for in 3. Machine stitch the length of the placket choosing a fabric and how to prepare it for opening 5/ 8" from the folded edge. Stitch cutting a garment. This will help you in diagonally to the folded edge (or seam line), making other garments. catching the back extension. 4. Clip the back seam allowance almost Supplies You Will Need to the stitching line, approximately 1/2" be- low the end of the placket. Include a sewing box, thread to match 5. Press the side seams open. background of fabric, hooks and straight eyes, 6. Two snap fasteners may be used to i:maps, and fabric. The amount of fabric keep the placket closed. needed will be twice the length of your skirt, including 3" for hem plus 5" for waistband. Figure 2 Measure and Cut 1. Straighten the fabric. 2. If you are using 2 lengths for the skirt, cut a 5-1/8" strip across the fabric for the band. -
Analysis of Dress Pattern of Body Fitting Without Waist Dart on Chiffon Fabrics
Advances in Social Science, Education and Humanities Research, volume 242 2nd International Conference on Vocational Education and Training (ICOVET 2018) Analysis of Dress Pattern of Body Fitting Without Waist Dart on Chiffon Fabrics Idah Hadijah1) Endang Prahastuti2) Fashion Technology Department Fashion Technology Department Universitas Negeri Malang Universitas Negeri Malang Anik Dwi Astuti3) Fashion Technology Department Universitas Negeri Malang Abstract— The type of research used is descriptive by using position of the shoulder line that tends to backward qualitative approach with observation technique, interview, through the base of the arm, and the position of the front and documentation method. Objects in this study were the neckline is loose and bumpy". forms of dresses. They consisted of 3 models, each model Similarly, the results of research Prahastuti (2012: 28) consisted of 8 dresses. The total objects were 24 dresses. concluded, there is a difference position of the fitting The results of the study of Dress Model I, II, and III, viewed from: (1) the position of the dress fitting factor, not fit on the point basic pattern women's clothing chartmant system on waist line, neck size, and armscye ; (2) using the waist dart at various body shapes of women. Fayoomy (2014) : “that, the front; and (3) in terms of the position of wise grain in reality there is no such thing as standard or perfect chiffon fabric, used length wise grain. Position of the wise figure, the formulas for constructing basic flat pattern has grain of the chiffon fabric from the waistline until the lower designed and developed for the standard figure”. -
Knitting Teacher | Designer | Author Construction Basics: When It Comes to Fit, Every Sweater Construction Has Different Needs
knitting teacher | designer | author Construction Basics: When it comes to fit, every sweater construction has different needs. When getting the fit we want we must consider not only required ease for that construction, but also how each sweater works with bust, armhole and shoulder. The armhole fit can be the most confusing when looking at sweaters other than the set-in sleeve. So how do the chest, armholes and shoulder size connect? If you have a large bust and narrow shoulders, you’ll need to consider how you narrow your sweater as you move to your shoulders, in your armhole shaping of course! Let’s take a look at your six basic sweater shapes: 1) Drop Shoulder: Cabled Coat by Patty Lyons Armhole: General Properties: - Top of sleeve must be very wide in a traditional drop - Easiest to knit, unshaped. shoulder for it to fit you right. - Perfect backdrop for complex stitch patterns, cables, and - In a traditional drop shoulder, the armhole depth is half of color work. the upper arm; the arm folds in half and seams into the side - No armhole shaping. of the sweater. This will create an armhole depth at least 1” – 2” deeper than a set-in sleeve. Fit considerations: - In the more modern drop shoulder style, the sleeve is - Size will be based on your full chest measurement. narrower. To fit the body without bunching under the arm, - Must be knit with a lot of ease, usually 6” – 8”. This is the body must be wide enough for the sleeve to hit farther because part of the body “drops down” to become the top down on the upper arm. -
Early-Bird Team Shirts Offers & Order Form
EARLY-BIRD TEAM SHIRTS OFFERS & ORDER FORM THE NUMBER ONE ONLINE DARTS SUPERSTORE www.dartscorner.co.uk Hi there! The sooner you order your team shirts, the more We know it’s been a tough year, so as well as our you save! Order 6 shirts or more and get: Samurai II Dartboard offer we’d also like to help you kit out your team with new shirts. If we can add a small Darts Corner logo on the shirt pocket or sleeve we’ll give you the above offers in return. This brochure shows our shirts range (including the 25% OFF SHIRTS & new Arraz range), our personalisation options and a JUNE form to place your order. PERSONALISATION EARLY-BIRD OFFER + FREE DELIVERY Please send your order to [email protected] and we’ll call you to take payment. All the best for the new season from everyone 25% OFF at Darts Corner! PERSONALISATION JULY OFFER Personalised Polos Personalised designer from only branded shirts from only Available on shirts from: Delivered: (Darts Corner Exclusive) £10.16 £17.66 THE NUMBER ONE ONLINE DARTS SUPERSTORE @DartsCorner www.dartscorner.co.uk T: 01204 384400 STEP 1: SELECT YOUR SHIRT Arraz Flare Darts Shirts: Arraz Flare Darts Shirts: Arraz Flare Darts Shirts: Black & Blue £19.95 Black & Green £19.95 Black & Orange £19.95 Arraz Flare Darts Shirts: Arraz Flare Darts Shirts: Arraz Flare Darts Shirts: Black & Purple £19.95 Black & Red £19.95 Black & Yellow £19.95 Please note: We do not place personalisation over patterns, so not all locations are available on all shirts. -
HEG88-237 Sewing with Stripes
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Historical Materials from University of Nebraska-Lincoln Extension Extension 1988 HEG88-237 Sewing With Stripes Rose Marie Tondl University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/extensionhist Part of the Agriculture Commons, and the Curriculum and Instruction Commons Tondl, Rose Marie, "HEG88-237 Sewing With Stripes" (1988). Historical Materials from University of Nebraska-Lincoln Extension. 1401. https://digitalcommons.unl.edu/extensionhist/1401 This Article is brought to you for free and open access by the Extension at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Historical Materials from University of Nebraska-Lincoln Extension by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. HEG88-237 Sewing With Stripes Sewing with stripes is easier when you know what pitfalls to avoid. This Guide covers pattern selection, yardage requirements, stripe strategies and more. Rose Marie Tondl -- Extension Clothing Specialist z Pattern Selection z Yardage Requirements z Stripe Strategy z The Match Game with Crosswise Stripes z The Match Game with Lengthwise Stripes z Diagonally Striped Fabric z Pleating a Stripe z Sewing Techniques Any way you line them up, stripes make a striking fashion statement. You can be as bold or as subtle as you like with stripes. Nothing gives a garment less appeal than stripes that do not meet and match at seams. Simply defined, a stripe is a band or line which may be wide, narrow or in-between. Stripes can be horizontal vertical or diagonal, even or uneven, and one color, two color or multicolor. -
WRAP DRESS a DIY Pattern for Use with Alabama Stitch Book, Alabama Studio Style, Alabama Studio Sewing + Design, and Alabama Studio Sewing Patterns
WRAP DRESS A DIY pattern for use with Alabama Stitch Book, Alabama Studio Style, Alabama Studio Sewing + Design, and Alabama Studio Sewing Patterns theschoolofmaking.alabamachanin.com © Alabama Chanin™ 2017 Wrap Dress Instructions 1. Baste Neckline and Armholes To ensure that the neckline and armholes don’t stretch while you’re constructing your garment, use a single strand of all-purpose thread to baste around the neckline and curved edges of each piece. 2. Add Embroidery If you choose to stencil and/or embroider your project, add this to the right side of the cut Wrap Dress top-layer pieces, and let stenciled images dry thoroughly before proceeding. Add embellishment as desired. Use one of our Alabama Studio Series books for inspiration. If you’re adding beading, avoid beading in the 1/4” seam allowance. 3. Prepare for Construction After completing embellishment, choose Inside or Outside Floating or Felled Seams (see our Alabama Studio Book Series) for your garment. You will pin with fabric’s wrong sides together for seams visible on the outside of the garment or with fabric’s right sides together for seams that are finished on the inside of the garment. When pinning knit seams for construction, it is important to follow a method we call “pinning the middle.” With right sides together for inside seams and wrong sides together for outside seams, start by pinning the top of your seam, and follow by pinning the bottom of your seam. After pinning both top and bottom, place one pin in the middle, between the two initial pins. -
To Complete the Pattern Join Bodice #1 to #2 at Circle Front Bodice #1
To complete the pattern join bodice #1 to #2 at circle Chapter 2 Chapter 4 Chapter 6 Chapter 19 Front Bodice #1 1/2” FACING N CUT 1 FABRIC ON FOLD CUT 2 WITH FACING CUT 2 EXTENSIO INTERFACING USE FOR: GRAINLINE LAYOUT CUTTING FABRIC PATTERN MARKINGS DARTS SEAMS COLLARS CLOSURES CENTER FRONT FOLD To completeTo the pattern join bodice #1 to #2 at circle TO COMPLETE THE PATTERN JOIN BODICE #1 TO #2 AT CIRCLE STITCH TO MATCHPOINTS FOR DART TUCK FRONT BODICE #2 Front Bodice #2 Chapter 2 Chapter 4 Chapter 6 Chapter 19 STITCH TO MATCHPOINTS FOR DART TUCKS To complete the pattern join bodice #3 to #4 at circle Chapter 2 Chapter 4 Chapter 6 Back Bodice #3 CUT 2 FABRIC USE FOR: CK SEAM GRAINLINE LAYOUT CUTTING FABRIC CK FOLD PATTERN MARKINGS DARTS SEAMS COLLARS CENTER BA CUT HERE FOR CENTER BA To completeTo the pattern join bodice #3 to #4 at circle STITCH TO MATCHPOINTS FOR DART TUCKS Back Bodice #4 Chapter 2 Chapter 4 Chapter 6 Chapter 4 Chapter 11 Chapter 14 Chapter 17 MATCHPOINT Front Skirt #5 CUT 1 FABRIC USE FOR: V SHAPED SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED/ALINE HEM BIAS FALSE HEM CENTER FRONT FOLD Chapter 4 Chapter 11 Chapter 14 Front Yoke #6 CUT 1 FABRIC CUT 1 INTERFACING USE FOR: V SHAPE SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH C. F. FOLD C. F. MATCHPOINT Chapter 4 Chapter 6 Chapter 10 Chapter 11 Chapter 14 Chapter 17 MARK DART POINT HERE Back Skirt #7 CUT 2 FABRIC USE FOR: SEAMS ZIPPERS WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED ALINE HEM BIAS FALSE HEM Chapter 4 CUT ON FOLD Chapter 12 Chapter 17 H TC NO WHEN