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Self Study Report
Self Study Report Submitted To NATIONAL ASSESSMENT AND ACCREDITATION COUNCIL Bangalore-560072 By Arya Vidyapeeth College (Affiliated to Gauhati University, Guwahati) Gopinath Nagar Guwahati-781016 ASSAM Office of the Principal ARYA VIDYAPEETH COLLEGE: GUWAHATI-781016 Ref. No. AVC/Cert./2015/ Dated Guwahati the 25/12/2015 Certificate of Compliance (Affiliated/Constitutent/Autonomous Colleges and Recognized Institute) This is to certify that Arya Vidyapeeth College, Guwahati-16, fulfills all norms: 1. Stipulated by the affiliating University and/or 2. Regulatory council/Body [such as UGC, NCTE, AICTE, MCI, DCI, BCI, etc.] and 3. The affiliation and recognition [if applicable] is valid as on date. In case the affiliation/recognition is conditional, then a detailed enclosure with regard to compliance of conditions by the institution will be sent. It is noted that NAAC’s accreditation, if granted, shall stand cancelled automatically, once the institution loses its university affiliation or recognition by the regulatory council, as the case may be. In case the undertaking submitted by the institution is found to be false then the accreditation given by the NAAC is liable to be withdrawn. It is also agreeable that the undertaking given to NAAC will be displayed on the college website. Place: Guwahati (Harekrishna Deva Sarmah) Date: 25-12-2015 Principal Arya Vidyapeeth College, Guwahati-16 Self Study Report Arya Vidyapeeth College Page 2 Office of the Principal ARYA VIDYAPEETH COLLEGE: GUWAHATI-781016 Ref. No. AVC/Cert./2015/ Dated Guwahati the 25/12/2015 DECLARATION This is to certify that the data included in this Self Study Report (SSR) is true to the best of my knowledge. -
Prospectus-2019.Pdf
TEZPUR UNIVERSITY PROSPECTUS Autumn 2019 Tezpur University Napaam, Sonitpur Assam, INDIA 784028 www.tezu.ernet.in Contents Section I General Information about the University…………..…………… 3-16 Section II Programmes, Intake and Eligibility for Admission……………. 17-29 Section III Admission Procedure……………………………………………………… 30-38 Section IV Departments/ Centres………………………………………………………. 39-165 Section V Important Dates, Fee Structure, Forms and Contact Details… 166-178 SECTION- I General Information about the University 1.1 Introduction 1.2 Awards/Accolades 1.3 Facilities and Services 1.4 Training and Placement Cell 1.5 List of Academic Programmes 1.6 Curricula 1.7 Evaluation System 1.8 Important academic Rules 1.9 Important Rules GENERAL INFORMATION ABOUT THE UNIVERSITY 1.1 : Introduction Tezpur University was established on January 21, 1994 by an Act of Parliament of India, The Tezpur University Act, 1993 (Act No. 45 of 1993), as a non-affiliating and residential Central University. The University is located at Napaam, about 15 km east of Tezpur town in the Sonitpur District of Assam. The serene and green University Campus of about 262 acres provides an excellent ambience including modern infrastructure conducive for learning and dedicated research. The academic programmes, offered in the University, have a distinct focus on Science, Technology, Management, Humanities, and Social Sciences, reflecting the objectives of the University. At present, the University offers a number of Programmes of Under-Graduate Degree/Diploma/Certificate, Integrated Programmes, Post-Graduate Degree/Diploma and Doctor of Philosophy Degree in various Disciplines. The University offers Add-on courses on Yoga and Violin too. During the last 25 years of its existence, the University has engaged itself in the process of capacity building, both in terms of infrastructure and human resource development. -
Assam - a Study on Bihugeet in Guwahati (GMA), Assam
International Journal of Science and Research (IJSR) ISSN: 2319-7064 Impact Factor (2018): 7.426 Female Participation in Folk Music of Assam - A Study on Bihugeet in Guwahati (GMA), Assam Palme Borthakur1, Bhaben Ch. Kalita2 1Department of Earth Science, University of Science and Technology, Meghalaya, India 2Professor, Department of Earth Science, University of Science and Technology, Meghalaya, India Abstract: Songs, instruments and dance- the collaboration of these three ingredients makes the music of any region or society. Folk music is one of the integral facet of culture which also poses all the essentials of music. The instruments used in folk music are divided into four halves-taat (string instruments), aanodha(instruments covered with membrane), Ghana (solid or the musical instruments which struck against one another) and sushir(wind instruments)(Sharma,1996). Out of these four, Ghana and sushirvadyas are being preferred to be played by female artists. Ghana vadyas include instruments like taal,junuka etc. and sushirvadyas include instruments that can be played by blowing air from the mouth like flute,gogona, hkhutuli etc. Women being the most essential part of the society are also involved in the process of shaping up the culture of a region. In the society of Assam since ancient times till date women plays a vital role in the folk music that is bihugeet. At times Assamese women in groups used to celebrate bihu in open spaces or within forest areas or under big trees where entry of men was totally prohibited and during this exclusive celebration the women used to play aforesaid instruments and sing bihu songs describing their life,youth and relation with the environment. -
Heritage Explorer October 2016
Heritage Explorer VOL. XV. NO.10, OCTOBER 2016 28 Pages, Size - A4 Demy A Monthly News Bulletin Contents Europe’s Ancient Nature Worshippers, Meghalaya Kids Shine in National The Pagans P-5 Yogasana Championship 2016 P-19 SISTER NIVEDITA P-7 Muslim girl from Kudla takes ABVKA’s Vision Document released yoga to Saudi Arabia P-19 by Hon’ble Chief Minister Shri Sarbananda Sonowal P-10 Bernadethe Khongsngi the Success Story of a Lady Farmer from Meghalaya P-20 Menacing Problem of Encroachment in Assam P-11 Tripura claims top literacy slot at 97.22% P-21 Conversion of Northeast Tribal Society P-12 Musical power and not Pakistan Killing the Intellectuals Muscle power is the need of and the History of the Baloch P-14 the hour…”Ishanya Symphony” P-22 Baluchistan: Baluch Movement Assamese Actress Shares Screen gets New Fillip P-15 with Sonakshi Sinha in “Akira” P-23 Solung Across Arunachal P-16 Statue of Martyr Durga Malla Funye (Fish Festival): An Unique Unveiled at Baksa P-24 Tradition of Chakhesangs P-17 Russian Court Declared Novel on Apatani Tribe of Arunachal Bhagwad Gita Legal! Dismissed wins UK Award for Historical Fiction P-17 the Christian Appeal for Ban! P-25 Japanese Students in Nagaland to India Successfully Test Fires learn traditional Naga lifestyle P-18 surface-to-air missile ‘Barak-8’ P-25 Sikkim’s Sushmita Rai wins Bronze at World Martial Arts Masterships, 2016 P-18 Of Crows and Owls P-26 Subscription may be sent by M.O./ Cheque / Demand Draft to : Heritage Foundation, # 30, F.C.Road, Uzan Bazar Annual Guwahati-781001, Ph: 0361- 2636365 Subscription e-mail: [email protected], Website: www.heritagefoundation.org.in (Please Mention Pin Code No. -
3.Maheswar-Kalita-Article.Pdf
www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed/Peer-reviewed English e-Journal Impact Factor: 4.727 (SJIF) Influence of Ramayana on Modern Assamese Poetry Dr. Maheswar Kalita Associate Professor in Assamese Cotton University, Guwahati, Assam Abstract The great Indian epic Ramayana was the origin source of the great tradition i.e. culture, not only of India but also of Nepal, Sri Lanka, Philippines, Thailand, Java, Cambodia and Indonesia. It is to be noted that the ‘culture’ may be described as the characteristics of a society. The ‘characteristics’ consist of every good work carried out by the human beings, i.e. language, literature, music, art, religion, cuisine and social habits. There are deep influences of Ramayana on Indian culture. Indian writers of different ages were influenced by the great epic. That was also seen in the writings of Assamese writers. Madhava Kandali, a famous Assamese poet of 14th century rendered the Ramayana to Assamese. That was not the beginning of the said influence on Assamese literature, as we have seen the influence on the Assamese oral literature also. The romantic and the modern poets had also great respect to Valmiki and to the Ramayana. The influential Assamese literary magazine Ramdhenu was republished in 1952 under the editorial leadership of Dr. Birendra Kumar Bhattacharya and had set trends in Assamese literature. Poets of Ramdhenu tried to combine the western literary styles with Indian ideals. They collected poetic elements from the Ramayana, Mahabharata and other Puranas. Thus, they were deeply influenced by the epics. This paper aims to analysis the influences of the Ramayana on the poetry of Ramdhenu age (1951-60) of Assamese literature. -
FROM the DESK of VCMD from the Editor’S Desk
Volume 2, Issue 6 Jan 2017 FROM THE DESK OF VCMD From The Editor’s Desk Dear Friends, Dear All, I wish all of you a very successful 2017. To be successful we The beginning of the calen- must first learn to deal with the failures because success dar year is at its heart a fan- would come only after innumerous failures. I want to leave some thoughts on what are stages of failures and how we tasy of newness and clean can deal with them. slates—of the chance to do things differently and with STAGES OF FAILURE YOU MUST KNOW TO ACHIEVE SUCCESS more attention to pur- pose .Last year has seen a lot Success, this is not just a word, but a feeling. It's an emotion that not everyone gets to taste. Suc- of economic changes and we cess is change, it is coping up with the situation, hope for a more stable and it's art. Success doesn't come easily, it doesn't peaceful year ahead. The come when you fail hundreds of times, but it hap- journey with Nishtha has pens when you decide not to quit, no matter how weaker and tougher the situ- been a wonderful experience ation gets. and we are delighted on re- ceiving various feed- Success comes when you decide not to quit, and rise up to the situation. If you back from our readers re- want to achieve success you must need to have patience to survive the inevita- garding our post and articles. ble. Do enjoy the articles and YOU WILL HAVE TO FACE ENORMOUS PAIN. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
Progress & Impact Report 2019
PROGRESS & IMPACT REPORT April 2019 - March 2020 BALIPARA FOUNDATION Assam India Naturenomics™ : Building Rural Futures IN GRATITUDE 2019-20 has been another phenomenal year for Balipara Foundation. As we enter our 2020 vision and as we reflect on the year gone by, we are humbled by the broadened engagement with our local communities in the Eastern Himalayas with the principles of Naturenomics™ and Rural Futures, the journey has been of constantly seeking to explore innovative conservation models towards uplifting socio-economic mobility and creating natural assets in the forest-fringe communities of the Eastern Himalayas. From restoring habitats to guiding the pathway towards shaping sustainable livelihoods, we have collaborated with the best in the field – our community tribes, Adivasi, Assamese, Bengali, Bodo, Bihari, Garo, Mishing, Nepali, Nyishi and Rajbongshi who are the stalwarts of the Foundation’s vision and endeavours. We are extremely proud of the decade of experimentation in various aspects of conservation which has led to the following in 2019-20 - increase in community participation, employment through ecosystem-based services, development of stewardship behavior within the forest-fringe communities and further propagation of indigenous knowledge. Our efforts are brought to fruition with the unstinting support of our Naturenomics™ partners - Assam Investment Advisory Society, Amalgamated Plantations, APPL Foundation, Axis Bank Foundation, Centre for Microfinance & Livelihood, Globally Managed Services, Hemendra Kothari Foundation, -
51 International Film Festival of India, 2020
51st Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] 2020 51st International Film Festival of India, 2020 vkf/kdkfjd foojf.kdk: Hkkjrh; flusek Official Catalogue: Indian Cinema Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 vk;kstd & fQYe lekjksg funs'kky; lwpuk vkSj izlkj.k ea=ky;] Hkkjr ljdkj Organized by the Directorate of Film Festivals Ministry of Information and Broadcasting, Government of India 001 OFFICIAL CATALOGUE INDIAN CINEMA IFFI 2020 Festival Director: Chaitanya Prasad, Additional Director General Indian Panorama, Indian Sections & Administration: Tanu Rai, Deputy Director Editors: Shambhu Sahu (English), Pankaj Ramendu (Hindi) Assisted by: Kaushalya Mehra, Arvind Kumar, Kamlesh Kumar Rawat Festival Coordinator: Sarwat Jabin, Rudra Pratap Singh, Shyam R Raghavendran, Design & Creative Director: Mukesh Chandra Photograph (Jury): Photo Division Acknowledgements: NFAI/NFDC/Film Producers/Production Houses for providing the films and other related materials. We are also grateful to various film and festival publications/websites, the extracts from which have helped enrich this book. All views expressed in this publication are not necessarily that of the editor or of the IFFI Secretariat. Published by the Directorate of Film Festivals Ministry of Information & Broadcasting Government of India You can visit us at www.iffigoa.org. www.dif.gov.in Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 003 UNION MINISTER INFORMATION & BROADCASTING AND ENVIRONMENT, FOREST & CLIMATE CHANGE GOVERNMENT OF INDIA MESSAGE I welcome you all to the 51st edition of the International Film Festival of India. -
Heritage Explorer March 2020
Heritage Explorer VOL. XIX. NO.3, 2020 28 Pages, Size - A4 Demy A Monthly News Bulletin Contents Editorial 4 Sahityarathi statue to adorn Kolkata Assam House 22 The People with a Rare Gift of Wisdom: The Unsung Reh festival celebrated in Heroes of Nagaland 5 Anini, Roing 23 Why I Am A TRC Follower? 7 Assam CM attends Beyond Loktak 11 Ali-Aye-Ligang celebration in Lakhimpur 24 The Evolution of Modern Assamese Poetry since the Arunachal Deputy CM 1980s to the Present 16 stresses for reopening of A request to the Finance Minister 19 Stilwell Road 25 CAA should have been introduced Seed sowing festival 50 years back 21 Luira Phanit celebrated 26 Editorial Board Subscription may be sent by M.O./ Cheque / Chief Editor Romen Chakraborty Demand Draft to : Editor Amarendra Brahma Heritage Foundation, Members Dr. Jnanendra Barman Bhuvan Road, Near GMC Office, Uzan Bazar Dr. Phirmi Bodo Guwahati781001, Ph: 0361 2636365 email: [email protected], Website: Dr. Jyotirupa Sarma www.heritagefoundation.org.in Dr. Sodyong Kri (Please Mention Pin Code No. along with your full postal address in BLOCK Letters) Printed & Published by : Sri Rituparno Tamuli Phukan DDs/Cheques may please be drawn in favour of on behalf of Heritage Foundation, K.B.Road, Paltan Heritage Foundation. Bazar, Guwahati781008 and Printed at: Angik Bank A/c with PNB, Guwahati, Prakashan, GNB Road, Guwahati 781001 and A/c No. 3213 0001 0009 3631 Saraighat Offset Press, Bamunimaidan, Guwahati IFSC : PUNB0321300 781021, Published from: Heritage Foundation, Or K.B.Road, Paltan Bazar, Guwahati 781008 (Assam). Heritage Foundation. -
Staatsinstituts Und Zoologischen Museums Hamburg
Mitt. Hamburg. Zool. Mus. Inst. Band 65 S. 123—180 Hamburg, Mai 1968 Die Entomologischen Sammlungen des Zoologischen Staatsinstituts und Zoologischen Museums Hamburg VII. Teil1) Insecta IV Von Herbert Weidner und Wilhelm Wagner, Hamburg2) (Mit 3 Abbildungen) Inhalt 14. Ordnung: Caelifera 123 Ordnung: Homoptera 19. Peloridina 134 20. Cicadina (von W. Wagner) 134 21. Psyllina (von W. Wagner) 157 22. Aphidina 159 23. Aleyrodina 162 24. Coccina 163 14. Ordnung: Caelifera Die Feldheuschrecken-Sammlung des Zoologischen Museums Hamburg be steht aus insgesamt 19 787 Exemplaren in 1 046 Arten und 92 Subspecies. Von ihnen sind 986 Exemplare in Alkohol aufbewahrt. Die trocknen Exemplare sind in zwei Sammlungen aufgestellt, einer Deutschlandsammlung mit 5 909 und einer Weltsammlung mit 12 892 Exemplaren. Das unbestimmte Material ist nicht 0 Bisher sind in dieser Zeitschrift Teil I—VI in Band 57—61 und 63 und Teil X in Band 62 erschienen. 2) Anschrift der Verfasser: Professor Dr. Herbert Weidner, 2000 Hamburg 13, Von-Melle-Park 10, Zoologisches Staatsinstitut und Zoologisches Museum. Dr. h. c. Wilhelm Wagner, 2000 Hamburg 63, Farnstraße 36. 124 Herbert Weidner und Wilhelm Wagner mitgezählt. Die vertretenen Arten verteilen sich auf die einzelnen Familien folgendermaßen: Arten Arten 1. Eumasticidae 22 10. Pyrgomorphidae 83 2. Proscopiidae 12 11. Ommexechidae 7 3. Tanoceridae 0 12. Pauliniidae 1 4. Pneumoridae 4 13. Lentulidae 0 5. Xyronotidae 1 14. Acrididae 696 6. Trigonopterygidae 10 15. Tetrigidae 145 7. Charilaidae 0 16. Tridactylidae 19 8. Pamphagidae 45 17. Cylindrachetidae 1 9. Lathiceridae 0 Schrifttum über dieses Material Banerjee, S. K. & Kevan, D. K. McE.} *1960: A preliminary revision of the genus Atrac- tomorpha Saussure, 1862 (Orthoptera: Acridoidea: Pyrgomorphidae). -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai.