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Bob Doyle 12Th February 1916
Bob Doyle: 12th February 1916 - 22nd January 2009: 'An Unus... http://www.indymedia.ie/article/90779 features events publish about us contact us traditional newswire Advanced Search enter search text here Bob Doyle: 12th February 1916 - 22nd January Publishing Guide 2009: 'An Unusual Communist' Recent articles by anarchaeologist Featured Stories international | miscellaneous | feature Friday January 23, 2009 23:37 Up to 600 take to the streets of Open Newswire by anarchaeologist Dublin to say farewell to Bob Doyle 11 comments Latest News The death has Opinion and Analysis Cheap winter goodies, mulled wine Press Releases occurred in London and seasonal scoff... 0 comments Event Calendar of Bob Doyle, the Other Press last surviving Irish Images of Spanish Civil War Latest Comments soldier of the XV volunteers now on line 4 comments International Photo Gallery Recent Articles about International Brigade of the Miscellaneous News Archives Spanish Hidden Articles Republican Army. The revolution delayed: 10 years of Hugo List Bob, whose health Chávezʼs rule Feb 21 09 by El Libertario, had been failing for Venezuela Videos some time had Autonomous Republic Declared in Dublin survived a recent Feb 20 09 by Citizen of the Autonomous double heart Republic of Creative Practitio attack, before Why BC performed best behind closed passing peacefully doors Feb 10 09 by Paul O' Sullivan about us | help us last night surrounded by his Upcoming Events family. He was a few weeks short of International | Miscellaneous his 93rd birthday. Apr 09 Bring back Bob's career as an APSO...for one night political activist has only! been recorded in his book Jun 14 The Brigadista, which Palestinian Summer recounted his early Celebration 2009 life in Dublin as a Republican volunteer and later New Events as a member of the Bob Doyle International Republican Congress, prior to his abortive first attempt to fight against Franco in July 1937, which saw him stow away on a 06 Mar International ship to Valencia. -
Why Memorialize? Stephen Spender's Aesthetics of Remembrance in Vienna
WHY MEMORIALIZE? STEPHEN SPENDER’S AESTHETICS OF REMEMBRANCE IN VIENNA* Esther Sánchez-Pardo González Universidad Complutense de Madrid ASBTRACT Drawing from current theorization on aesthetics and from the heated debates of the repre- sentation of war and violence in arts, humanities and the media, this paper engages with the issue of art (and literature) and its condition in the world today, always at risk of mask- ing the extremity or reality of suffering, either by suffocating it or assimilating it and turn- ing it into an object of pleasure for the reader or spectator. With a reflection on issues on mourning and trauma, and within the domain of cultural memory, we take Stephen Spender’s poetry, and his long poem Vienna (1934), as a prime exponent of cultural production where loss and its aftermath—crucial as well in subject formation—becomes constitutive of the aesthetic, formal, and material properties of a good number of poems. KEY WORDS: War poetry, Stephen Spender, mourning, cultural memory, melancholia, trauma. RESUMEN A partir de la teorización actual sobre estética y de los acalorados debates sobre la represen- tación de la guerra y la violencia en las artes, las humanidades y los medios de difusión, este 39 artículo incide en la problemática de la representación de todas estas cuestiones en el arte y la literatura en la actualidad. Arte y literatura corren el riesgo de enmascarar situaciones extremas de sufrimiento, bien acallándolas, bien asimilándolas y convirtiéndolas en objeto placentero para ser observado y examinado por lectores y espectadores. A través de una reflexión sobre cuestiones de duelo y trauma, y dentro del marco de la memoria cultural, ilustramos estos debates mediante la poesía de Stephen Spender, y en concreto, de su poe- ma largo Vienna (1934) como exponente de primer orden en el que la pérdida y sus secuelas —cruciales también en la formación de la subjetividad—se convierten en constitutivas de la propiedades estéticas, formales y materiales de éste y otros volúmenes del mismo autor. -
1 Abbey Books; #4 Richard Abel Bookseller; 1973:1, S
M-106 BOOKSELLER’S CATALOGS A & R BOOKSELLERS; #1 ABACUS BOOKSHOP; #1 ABBEY BOOKS; #4 RICHARD ABEL BOOKSELLER; 1973:1, Sale edition; 1974: 1 ABI BOOKS; #10-11, 15, 22-23, 30; Edward Gordon Craig; 1982: Early autumn, Spring, Edward Gorey; 1983: Spring ABINGTON BOOKS; 1973: Autumn ABOUT BOOKS; #3, 9-10, 61-64, 67-69 BEN ABRAHMSON’S ARGUS BOOK SHOP; #1-5, 7-12, 14-17, 20-34, Along the north wall, Along the south wall, 383, 623, 626, 969, 975, 985, 1944: Oct. HERMAN ABROMSON; #5-6, 7-10, 12 ACADEMIC BOOK COLLECTION; #9 ACADEMY BOOK SHOP; #61 PAUL ADAMS; Botany ADCO SPORTS BOOK EXCHANGE; 1808 TO DATE RICHARD ADAMIAK; #29 RICHARD H. ADELSON; 1981: Spring ; 1983: Spring ; 1992-93: Winter; 1994-95: Winter ADS AUTOGRAPHS; #1-3, 6-10, 13 ADVENTURE BOOK STORE; #1 ; 1988: Nov. AEONIAN PRESS; 1 catalog (unnumbered/undated) AESOP BOOKS; #8 CHARLES AGVENT; #2-5 AHAB RARE BOOKS; #26-27 ALASTOR RARE BOOKS; #16 EDWIN ALBERT; #1 l ALBION BOOKS; #3-4; 1979: Dec. ALCAZAR BOOK SERVICE; #51, 156 ALDREDGE BOOK STORE; #53, 87, 89-90, 114-116 ALEX ALEC-SMITH; #10, 14/16, 18 ALEPH-BET BOOKS; #3, 8-12, 14, 32, 35, 38-41, 43-45, 49, 53, 65; 2004: April 19 ALEXANDERSON & KLOSINSKI BOOKSELLERS; #1-2 ALFA ANTIQUARIAN BOOKSELLER; #79 LIBRAIRIE ALIX; #1 D.C. ALLEN; #32-33, 36, 58, 60, 62 R.R. ALLEN BOOKS; #21, 66-67, 70, 74, 79, 81-82, 84, 86, 92-96; 1996 WILLIAM H. ALLEN BOOKSELLER; #189, 206, 219, 224-225, 227-228, 231-232, 235-236, 239, 244-245, 249-251, 254-256, 259-261, 264-266, 268, 271-273, 275-276, 279-281, 283-284, 287-288, 290-291, 293- 294, 296-297, 300-301, 303-305, 307, 310-311, 313-314, 316-318, 320-321, 323-324; Special mailing 20 DUNCAN M. -
BTC Catalog 172.Pdf
Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material. -
50% Off List Copy
! ! ! ! ! ! James M. Dourgarian, Bookman! 1595-B Third Avenue! Walnut Creek, CA 94597! (925) 935-5033! [email protected]" www.jimbooks.com! ! Any item is returnable for any reason with seven days of receipt, if prior notice is given, and! if the same item is returned in the same condition as sent.! !Purchases by California resident are subject to 8.5% sales tax.! !Postage is $4 for the first item and $1 each thereafter.! Payment in U. S. dollars only. Visa, MasterCard, Discover, and American Express accepted.! ! Items are offered at a 50% discount on the prices shown. No other discounts apply. This discount applies only to direct orders. It does not apply to orders via ABE, Biblio, the! ABAA website, or my own website, which I would encourage you to visit.! 1. Algren, Nelson. Walk On The Wild Side. Columbia, 1962, first edition thus, self- wrappers. Softcover. An original-release film pressbook, 12 pages, with advertising supplement laid in. Fine. JD5 $10.00.! 2. Allen, Woody. Side Effects. NY, Random House, 1980, first edition, dust jacket. Hardcover. Very fine. JD17 $25.00.! 3. Allison, Dorothy. Two Or Three Things I Know For Sure. NY, Dutton, August 1995, first edition, dust jacket. Hardcover. Inscribed by author to the Jack London Foundation for use in an auction fund-raiser. Very fine, unread. JD31 $30.00.! 4. Benson, Jackson J. Wallace Stegner His Life And Work. NY, Viking, 1996, first edition, slick photographic wrappers. Softcover. Advance copy, an uncorrected proof of this long-awaited biography, this was the biographer's own personal copy, so Signed by Benson. -
120 Banned Books, Censorship Histories of World Literature
120 banned Books, second edition CENSORSHIP HISTORIES OF WORLD LITERATURE NICHOLAS J. KAROLIDES, MARGARET BALD AND DAWN B. SOVA To the University of Wisconsin–River Falls Chalmer Davee Library staff —N. J. K. For Jonathan, André and Daniel —M. B. To my son, Robert Gregor —D. B. S. 120 Banned Books, Second Edition Copyright © 2011 by Nicholas J. Karolides, Margaret Bald and Dawn B. Sova All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Checkmark Books An imprint of Infobase Learning 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Karolides, Nicholas J. 120 banned books : censorship histories of world literature / Nicholas J. Karolides, Margaret Bald, and Dawn B. Sova. — 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-8160-8232-2 (acid-free paper) 1. Censorship—United States—History—20th century. 2. Prohibited books—United States—History—20th century. 3. Challenged books—United States—History—20th century. 4. Censorship—History. 5. Prohibited books—United States—Bibliography. 6. Challenged books—United States—Bibliography. I. Bald, Margaret. II. Sova, Dawn B. III. Title. IV. Title: One hundred and twenty banned books. V. Title: One hundred twenty banned books. Z658.U5K35 2011 363.6'1—dc22 2011013099 Checkmark Books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. -
Learning How to “Talk Books”
Presenting An Independent Study Conducted by Stephanie Selah Learning How To “Talk Books” A Guide to the Contemporary Publishing Industry A Guide to This Guide April 17, 2007 Dear Publishing Enthusiast, You may be wondering to yourself why I am qualified to be writing a guide to the publishing industry. You may even be asking yourself, “What does she know about publishing? After all, she’s still an undergraduate living in Pittsburgh.” If these were your initial thoughts, I have a confession to make: I am not an expert on the publishing industry. But, I hope to become one, or at least work in the publishing industry in the near future. In an effort to increase my knowledge—and yours—about the world of book publishing, and specifically the strategies and techniques involved in successfully marketing published books, I have created this multi-faceted guide as: • a reference (see “Walk the Walk, Talk the Talk”; “Industry Report”; and “So You Want to Be in Publishing?”); • an insight into professional publishing careers at both a large trade publisher and an independent press (see “Publishing Profiles”); • and a memoir (see “On a Personal Note: A Summer Publishing Internship in the Big Apple”). Researching, writing, and compiling this guide have allowed me to explore and combine two areas of study that I am most passionate about: literature and marketing. Additionally, creating this guide has also allowed me to gain a greater insight into the career path to which I am drawn, and I only hope that after reading this guide, you too will be better informed about pursuing a career in this competitive and rewarding industry. -
John Lehmann and the Acclimatisation of Modernism in Britain
JOHN LEHMANN AND THE ACCLIMATISATION OF MODERNISM A.T. Tolley It is easy to see the cultural history of modernism in terms of key volumes, such as Auden’s Poems of 1930, and to see their reception in the light of significant reviews by writers who themselves have come to have a regarded place in the history of twentieth-century literature. Yet this is deceptive and does not give an accurate impression of the reaction of most readers. W.B. Yeats, in a broadcast on “Modern Poetry” in 1936 could say of T.S. Eliot: “Tristam and Iseult were not a more suitable theme than Paddington Railway Station.”1 Yeats was then an old man; but most of Yeats’s listeners would have shared the hostility. Yet, in the coming years, acclimatisation had taken place. Eliot’s Little Gidding, published separately as a pamphlet in December 1942, sold 16,775 copies – a remarkable number for poetry, even in those wartime years when poetry had such impact. John Lehmann had a good deal to do with the acclimatisation of modernist idiom, most notably through his editing of New Writing, New Writing & Daylight and The Penguin New Writing, the last of which had had at its most popular a readership of about 100,000. The cultural impact of modernism came slowly in Britain, most notably through the work of Eliot and Virginia Woolf. The triumph of modernism came with its second generation, through the work of Auden, MacNeice and Dylan Thomas in poetry, and less markedly through the work of Isherwood and Henry Green in prose. -
Poor Print Quality
DOCUMENT RESUME ED 435 267 HE 032 485 TITLE Can Small Business Compete with Campus Bookstores? Hearing before the Committee on Small Business, United States Senate, One Hundred Fifth Congress, Second Session. INSTITUTION Congress of the U.S., Washington, DC. Senate. REPORT NO Senate-Hrg-105-784 ISBN ISBN-0-16-057913-9 PUB DATE 1999-09-24 NOTE 191p. AVAILABLE FROM U.S. Government Printing Office, Superintendent of Documents, Congressional Sales Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Bookstores; Business Administration; *College Stores; *Competition; Entrepreneurship; Federal Aid; Federal Legislation; Hearings; Higher Education; *Small Businesses; Student Financial Aid IDENTIFIERS Congress 105th ABSTRACT This transcript records testimony concerning Senate Bill 2490 which would bar federal aid from being used at colleges that directly or indirectly discriminate against off-campus businesses. The bill responds to difficulties small businesses have in competing with college campus bookstores due to the ability of colleges to channel student financial aid to college businesses and college bookstores. Following opening statements by Senators Lauch Faircloth and Olympia J. Snowe, the transcript presents the full testimonies of the following individuals: Graham Gillette, on behalf of Campus Bookstores, Inc.; William D. Gray, president of Gray's College Bookstore and national chairman of the Campus Area. Small Business Alliance; Rob Karr, representing the Illinois Retail Merchants Association, and Anthony Samu, president:of the United States Student Association. Also included are comments for the record from: John-Paul de Bernardo, of Campus Area Small Business Alliance; Daniel Lieberman, of Dynamic Student Services; David Longanecker, of the Office. -
OCTOBER JULY 2010 Jlgmonthly
VOLUME 4, NUMBER 3 OCTOBER JULY 2010 jlgmonthly “A Junior Library Guild Selection” I can still vividly remember that fall morning way back at the beginning of my career when the mail carrier delivered an advance copy of my second book. With trembling hands, I ripped open the manila envelope and pulled out Gabriella’s Song. For several moments I simply gazed at its lovely cover, hopeful yet trepidatious. Would anyone even notice this little book, I wondered? After all, I was a brand-new author with absolutely no name recognition. And if by some stroke of luck someone did notice it, would they like it? Finally, my head still swirling with doubts and worries, I Candace Fleming, opened the book. There—like a miracle—on the front flap Guest Columnist were five little words: A Junior Library Guild Selection. I couldn’t believe my eyes. I could hardly catch my breath. A Junior Library Guild Selection?! I whooped and hooted with joy. Yes, those five words stand for so much—prestige, quality, high literary standards. But on that fall morning, they meant even more. I felt as if I’d just received a Valentine—a great big Valentine complete with foil heart and paper doily—from my friends at Junior Library Guild. They had sent me a token of their love and esteem. They had welcomed me with open arms into the fold of children’s authors. I clutched that book with those oh-so-wonderful five words to my chest, no longer worried about being noticed or being liked. -
Download One of These Templates, Click the Help Tab from the Taskbar Near the Top of Your Screen and Select “Cover
The Guide to Independent Publishing REVISED EDITION By Brendan Clark Text © 2018 by Ingram Content Group All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission of the publisher. Library of Congress Control Number: 2018931997 ISBN: 9781513261478 (paperback) ISBN: 9781513261485 (hardbound) ISBN: 9781513261492 (e-book) Indexed by Sam Arnold-Boyd Published by Graphic Arts Books An imprint of GraphicArtsBooks.com Proudly distributed by Ingram Publisher Services GRAPHIC ARTS BOOKS Publishing Director: Jennifer Newens Marketing Manager: Angela Zbornik Editor: Olivia Ngai Design & Production: Rachel Lopez Metzger CONTENTS Introduction .............................................................. 5 Preproduction ........................................................... 9 Binding Formats ...................................................... 19 Account Setup .......................................................... 29 Title Upload .............................................................. 39 Orders and Reports .................................................83 Marketing ................................................................. 91 Glossary .................................................................. 103 Index ........................................................................113 INTRODUCTION Publishing: Traditional vs Independent To -
El English Captain De Thomas Wintringham (1939)
EL ENGLISH CAPTAIN DE THOMAS WINTRINGHAM (1939). MEMORIA Y OLVIDO DE UN BRIGADISTA BRITÁNICO English Captain by Thomas Wintringham (1939). Memory and oblivion of a British volunteer Luis ARIAS GONZÁLEZ Fecha de aceptación definitiva: 15-09-2009 RESUMEN: Thomas Wintringham llegó a ser jefe del Batallón Británico de las Brigadas Internacionales en la batalla del Jarama; sobre su experiencia en la Guerra Civil española, escribió un libro que es mucho más que unas memorias al uso al ofrecer aspectos originales de análisis e interpretación de la misma y un reflejo de su compleja personalidad. Tanto su agitada vida como su trayectoria política de izquier- das —que fue desde el comunismo más estricto al laborismo— quedarían marca- das para siempre por su intervención en España y este hecho y esta obra le convertirían en uno de los mayores expertos teóricos militares ingleses de todos los tiempos. Palabras clave: Thomas Wintringham, Brigadas Internacionales, Guerra Civil, memorias, expertos teóricos militares. ABSTRACT: Thomas Wintringham became the commanding officer of the Bri- tish Battalion in the International Brigades during the Battle of Jarama; he wrote a book about his experiences in the Spanish Civil War which is more than memories are usual because it offers original points of view about it and a real image of his complex personality. His very hectic life was affected by this experience such as his © Ediciones Universidad de Salamanca Stud. hist., H.ª cont., 26, 2008, pp. 273-303 LUIS ARIAS GONZÁLEZ 274 EL ENGLISH CAPTAIN DE THOMAS WINTRINGHAM (1939). MEMORIA Y OLVIDO DE UN BRIGADISTA BRITÁNICO left-wing political belief —from dogmatic communism to Labour Party—.