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2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
Cyclopaedia 15 – Alternate History Overview
Cyclopaedia 15 – Alternate History By T.R. Knight (InnRoads Ministries * Article Series) Overview dimensions, or technological changes to explore these historical changes. Steampunk, Alternate History brings up many thoughts dieselpunk, and time/dimensional travel and feelings. To historical purists, this genre stories are good examples of this subcategory of fiction can look like historical revisionism. of Alternate History. Alternate History rides a Speculative fiction fans view these as “What fine line between Historical Fiction and If” scenarios that challenge us to think Science Fiction at this point. outside historical norms to how the world could be different today. Within the science Whatever type of Alternate History you fiction genre, alternate history can take on enjoy, each challenges your preconceived many sub-genres such as time travel, understandings and feelings for a time period alternate timelines, steampunk, and in history, perhaps offering you new dieselpunk. All agree that Alternate History perspectives on the people and events speculates to altered outcomes of key events involved. in history. These minor or major alterations Most common types of have ripple effects, creating different social, political, cultural, and/or scientific levels in Alternate History? the world. Alternate History has so many sub-genres Alternate History takes some queues from associated with it. Each one has its own Science Fiction as a genre. Just like Science unique alteration of history, many of which Fiction, Alternate History can be organized are considered genres or themes unto into two sub-categories that are “Hard” and themselves. “Soft” like Science Fiction. 80s Cold War invasion of United “Hard” Alternate History could be viewed as States stories and themes that stay as true to actual Axis victory in World War II history as possible with just one or two single Confederate victory in American changes that change the outcome, such as Civil War the Confederate Army winning the Civil War Dieselpunk or the Axis winning World War 2. -
The Ninth Science Fiction Megapack Is Copyright © 2014 by Wildside Press LLC
Contents COPYRIGHT INFO . 3 A NOTE FROM THE PUBLISHER . 6 . THE MEGAPACK SERIES . 9 INTERVIEW: DAN SIMMONS, conducted by Darrell Schweitzer . 16 . THE SPIRES OF DENON, by Kristine Kathryn Rusch . 30 AIN’T NOTHIN’ BUT A HOUND DOG, by Brenda W . Clough . 128 FOR I AM A JEALOUS PEOPLE! by Lester del Rey . .139 . LUVVER, by Mack Reynolds . 187 FROG LEVEL, by Bud Webster . 202 CAPTAINS CONSPIRING AT THEIR MUTINIES, by Jay Lake . 224 . SHIFTING SEAS, by Stanley G . Weinbaum . 264 . THROUGH TIME AND SPACESample WITH FERDINAND file FEGHOOT: 8, by Grendel Briarton . 290 ROCK GARDEN, by Kevin O’Donnell, Jr . 291 THE GENOA PASSAGE, by George Zebrowski . 308 . EIGHT O’CLOCK IN THE MORNING, by Ray Faraday Nelson . 321. I AM TOMORROW, by Lester del Rey . 327 WHEN THEY COME FROM SPACE, by Mark Clifton . 370. THE SEALED SKY, by Cynthia Ward . 532. METEOR STRIKE! by Donald E . Westlake . .538 . WAITING FOR THE COIN TO DROP, by Dean Wesley Smith . 575 . Contents | 2 BEYOND THE DARKNESS, by S . J . Byrne . 587 THE SMALLEST GOD, by Lester del Rey . 670 THE SCIENCE FICTION ALPHABET, by Allen Glasser . 710 . CANAL, by Carl Jacobi . .713 . THE LOCH MOOSE MONSTER, by Janet Kagan . 729 MY FAIR PLANET, by Evelyn E . Smith . 763. BEFORE EDEN, by Arthur C . Clarke . 780 SEQUENCE, by Carl Jacobi . 793 PREFERRED RISK, by Frederik Pohl and Lester del Rey . 800 . INTEVIEW: FREDERIK POHL, conducted by Darrell Schweitzer . 969 . ABOUT THE AUTHORS . 979 Sample file Contents | 3 COPYRIGHT INFO The Ninth Science Fiction Megapack is copyright © 2014 by Wildside Press LLC . -
Extraterrestrial Places in the Cthulhu Mythos
Extraterrestrial places in the Cthulhu Mythos 1.1 Abbith A planet that revolves around seven stars beyond Xoth. It is inhabited by metallic brains, wise with the ultimate se- crets of the universe. According to Friedrich von Junzt’s Unaussprechlichen Kulten, Nyarlathotep dwells or is im- prisoned on this world (though other legends differ in this regard). 1.2 Aldebaran Aldebaran is the star of the Great Old One Hastur. 1.3 Algol Double star mentioned by H.P. Lovecraft as sidereal The double star Algol. This infrared imagery comes from the place of a demonic shining entity made of light.[1] The CHARA array. same star is also described in other Mythos stories as a planetary system host (See Ymar). The following fictional celestial bodies figure promi- nently in the Cthulhu Mythos stories of H. P. Lovecraft and other writers. Many of these astronomical bodies 1.4 Arcturus have parallels in the real universe, but are often renamed in the mythos and given fictitious characteristics. In ad- Arcturus is the star from which came Zhar and his “twin” dition to the celestial places created by Lovecraft, the Lloigor. Also Nyogtha is related to this star. mythos draws from a number of other sources, includ- ing the works of August Derleth, Ramsey Campbell, Lin Carter, Brian Lumley, and Clark Ashton Smith. 2 B Overview: 2.1 Bel-Yarnak • Name. The name of the celestial body appears first. See Yarnak. • Description. A brief description follows. • References. Lastly, the stories in which the celes- 3 C tial body makes a significant appearance or other- wise receives important mention appear below the description. -
SFRA Newsletter I July/August 1990, No
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 8-1-1990 SFRA ewN sletter 179 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 179 " (1990). Digital Collection - Science Fiction & Fantasy Publications. Paper 124. http://scholarcommons.usf.edu/scifistud_pub/124 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. ISFRA Newsletter I July/August 1990, No. 179 In This Issue: President's Message (Hull) 3 Pioneer Announcement (Williams) ~ 5 Pioneer Presentation (fatsumi) 6 Pioneer Acceptance (Hollinger) 8 Pilgrim Presentation (Cummins) 11 Pilgrim Acceptance (fymn) 13 Nominating Committee Report (Hardesty) 16 Current Works in Progress 17 Studies for New Literary Genre Series Sought (Barron) 18 The Shape of Films to Come (Krulik) 18 Recent and Forthcoming Books (Barron) 22 Executive Committee Meeting Minutes (Mead) 24 Business Meeting Minutes (Mead) 27 Miscellany (Barron) 29 Directory Update (Mead) 30 Call for Papers (Slusser) 33 Feedback 34 Campbell & Sturgeon Awards (Gunn) 35 Editorial (Harfst) 36 REVIEWS: Non-Fiction: Ellison, Harlan Ellison's Watching (Klossner) 37 Engle, Rod Serling: The Dreams and Nightmares of Life in the Twilight Zone (Klossner) 38 Huntington, Rationalizing Genius (Mellott) 39 laValley, Invasion ofthe BodySnatchers (Klossner) .41 Weinberg, Dziemianowirtz, and Greenberg, Rivals of Weird Tales (Heller) .42 Fiction: Asprin, M. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
Patrick Olliffe Interview & Demo Al Williamson the Man & His Work Remembered by Torres, Blevins, Schultz, Yeates, Ross, and Veitch
#23 SUMMER 2012 $7.95 In The US THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS AND CARTOONING PATRICK OLLIFFE INTERVIEW & DEMO AL WILLIAMSON THE MAN & HIS WORK REMEMBERED BY TORRES, BLEVINS, SCHULTZ, YEATES, ROSS, AND VEITCH ROUGH STUFF’s BOB McLEOD CRITIQUES A Spider-Man TM Spider-Man & ©2012 Marvel Characters, Inc. NEWCOMER’S WORK PLUS: MIKE MANLEY AND BRET BLEVINS’ Contains nudity for demonstration of figure drawing • Mature Readers Only 0 2 1 82658 27764 2 THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS & CARTOONING WWW.DRAW-MAGAZINE.BLOGSPOT.COM SUMMER 2012 TABLE OF CONTENTS VOL. 1, NO. 23 Editor-in-Chief • Michael Manley Designer • Eric Nolen-Weathington PAT OLLIFFE Publisher • John Morrow Mike Manley interviews the artist about his career and working with Al Williamson Logo Design • John Costanza 3 Copy-Editing • Eric Nolen- Weathington Front Cover • Pat Olliffe DRAW! Summer 2012, Vol. 1, No. 23 was produced by Action Planet, Inc. and published by TwoMorrows Publishing. ROUGH CRITIQUE Michael Manley, Editor. John Morrow, Publisher. Bob McLeod gives practical advice and Editorial address: DRAW! Magazine, c/o Michael Manley, 430 Spruce Ave., Upper Darby, PA 19082. 22 tips on how to improve your work Subscription Address: TwoMorrows Publishing, 10407 Bedfordtown Dr., Raleigh, NC 27614. DRAW! and its logo are trademarks of Action Planet, Inc. All contributions herein are copyright 2012 by their respective contributors. Action Planet, Inc. and TwoMorrows Publishing accept no responsibility for unsolicited submissions. All artwork herein is copyright the year of produc- THE CRUSTY CRITIC tion, its creator (if work-for-hire, the entity which Jamar Nicholas reviews the tools of the trade. -
Business Division Rest to Exceed Quota Election Day
Read the Herald for Local News ^ving Summit Far SZ Ttmm loo* fw* tfta Uir awl m 62nd* o. 22 Oa tm SUMMIT, N. J., WRSDAY, NOVEMBER 2, 1950 UtMl M SWWB4 CtM* a, taw. S4AY1AH tdNfl United Campaign Rolls Past $110,000 Mark; Election Day'Disaster'Will Business Division Rest to Exceed Quota Test City's Civil Defense Units with SI&204 reported tbi*week forr 108$ per cent of liaits totaltotal , In ththee Room 10, on the second •«floo, r of the United Campaign total climbed best job in the current campaign, the Commercial Building, 332 The city's defense plans will be put to a tart Tuesday t0 the fllO.OM mirk. This repre- with more to come. Springfield avenue. when the Civil Defense Council and the local R$d Cro« st.nts T5-per t:ent of the goal to Many cards are still out in the Campaign leader* were still dis- stage a mock disaster. date. • hands of solicitors in all campaign tressed at the great number of The purpose of the "disaster" is to famlliariw tho One of the nine campaign Di« divisions and since there will be cards returned without invest- personnel of the two units with their duties and to d*» visions has already oversubscribed no more formal report sessions ments. A "clean up squad" made termine any weaknesses in til* its total. The local Business Divi- all. team captains and worker* are up of the more interested work- paper plans. Only member* of US* sion with Mrs. Richard G. Moser asked to make their report* di- ers In each division Is being defense organisations will partici- J chairman, haa reported $10,225 rectly to C&mpaini Headauarteri, formed- to go back over returned Nine Local Men pate. -
Philip K. Dick: the Last Interview and Other Conversations
PHILIP K. DICK: THE LAST INTERVIEW AND OTHER CONVERSATIONS Copyright © 2015 by Melville House Publishing “Local Kid Makes Good” © 1955 by the Oakland Tribune, First published in the Oakland Tribune on January 10, 1955. “The Acid Truth” © 1974 by Arthur Byron Cover. First published in the February 1974 issue of Vertex. “Even Paranoids Have Enemies” © by Cindy Lee Berryhill. First published in Only Apparently Real by Paul Williams (Arbor House, 1986). “Anticipating the Future” © 1987 by D. Scott Apel. First published in Philip K. Dick: The Dream Connection (The Permanent Press, 1987). “Killing the Rat” © 1980 and 2015 by Charles Platt. First published in a different form in Dream Makers: The Uncommon People Who Write Science Fiction (Berkley Books, 1980). “Blade Runner and Hollywood Temptations” © by James Van Hise. Expanded from an interview in Star Log magazine in February 1982. “Destruction and Enlightenment”: The Last Interview © by Gregg Rickman. First published in slightly different form in Philip K. Dick: The Last Testament (Fragments West / The Valentine Press, 1985). Melville House Publishing 46 John Street Brooklyn, NY 11201 and 8 Blackstock Mews Islington London N4 2BT mhpbooks.com facebook.com/mhpbooks @melvillehouse Library of Congress Cataloging-in-Publication Data Dick, Philip K. | Streitfeld, David. Philip K. Dick : the last interview and other conversations / edited and with an introduction by David Streitfeld. Brooklyn, NY : Melville House, [2015] The last interview series LCCN 2015039266 ISBN 9781612195261 (paperback) -
The Richard Deming Mystery MEGAPACK™ Is Copyright © 2015 by Stacy Ford
Contents COPYRIGHT INFO . 3 A NOTE FROM THE PUBLISHER . 5 . The MEGAPACK™ Ebook Series . 8. THE ART OF DEDUCTION . 19 . THE CLOCK IS CUCKOO . 37 . SAY IT WITH FLOWERS . 55. STOLEN GOODS . 77 MR . OLEM’S SECRET . 99 . CHEERS . 114 HE’LL KILL YOU . Sample . .file . 135 A GIRL MUST BE PRACTICAL . 139 ACTING JOB . .156 . BLACK BELT . 166 A PUTTING AWAY OF TOYS . 178. DAN AND THE DEATH-CELL BLUFF . 199. HOUSEBOAT . .254 . NICE GUY . 274 Contents | 1 A GOOD FRIEND . 297 THIS IS MY NIGHT (Novel Sample) . 311 DRAGNET: THE CASE OF THE COURTEOUS KILLER (Novel Sample) 329 PACIFIC STANDOFF (Novel Sample) . 353 . Sample file Contents | 2 COPYRIGHT INFO The Richard Deming Mystery MEGAPACK™ is copyright © 2015 by Stacy Ford . All rights reserved . Cover art © Fotolia . * * * * The MEGAPACK™ and MINIPACK™ ebook series names are trademarks of Wildside Press, LLC . All rights reserved . * * * * “The Art of Deduction” was originally published in Alfred Hitch- cock’s Mystery Magazine, June 1973 . Copyright © 1973 by Richard Deming . “The Clock Is Cuckoo” was originally published in Alfred Hitch- cock’s Mystery Magazine, May 1969 . Copyright © 1969 by Richard Deming . “Say It with Flowers” was originally published in Alfred Hitch- cock’s Mystery Magazine, July 1974 . Copyright © 1974 by Richard Deming . Sample file “Stolen Goods” was originally published in Alfred Hitchcock’s Mystery Magazine, November 1979 . Copyright © 1979 by Richard Deming . “Mr . Olem’s Secret” was originally published in Alfred Hitch- cock’s Mystery Magazine, August 1971 . Copyright © 1971 by Rich- ard Deming . “Cheers” was originally published in Alfred Hitchcock’s Mystery Magazine, February 1968 . -
Universidade Federal De Santa Catarina Pós
UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS/INGLÊS E LITERATURA CORRESPONDENTE WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE Dissertação Submetida à Universidade Federal de Santa Catarina em cumprimento dos requisitos para obtenção do grau de MESTRE EM LETRAS Florianópolis Fevereiro, 2003 My heart gave a sudden leap of unholy glee, and pounded against my ribs with demoniacal force as if to free itself from the confining walls of my frail frame. H. P. Lovecraft Acknowledgments: The elaboration of this thesis would not have been possible without the support and collaboration of my supervisor, Dra. Anelise Reich Courseil and the patience of my family and friends, who stood by me in the process of writing and revising the text. I am grateful to CAPES for the scholarship received. ABSTRACT WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE UNIVERSIDADE FEDERAL DE SANTA CATARINA 2003 Supervisor: Dra. Anelise Reich Corseuil The objective of this thesis is to verify if the concept of weird fiction can be classified not only as a sub-genre of the horror literary genre, but if it constitutes a genre of its own. Along this study, I briefly present the theoretical background on genre theory, the horror genre, weird fiction, and a review of criticism on Lovecraft’s works. I also expose Lovecraft’s letters and ideas, expecting to show the working behind his aesthetic theory on weird fiction. The theoretical framework used in this thesis reflects some of the most relevant theories on genre study.