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Searchers After Horror Understanding H
Mats Nyholm Mats Nyholm Searchers After Horror Understanding H. P. Lovecraft and His Fiction // Searchers After Horror Horror After Searchers // 2021 9 789517 659864 ISBN 978-951-765-986-4 Åbo Akademi University Press Tavastgatan 13, FI-20500 Åbo, Finland Tel. +358 (0)2 215 4793 E-mail: [email protected] Sales and distribution: Åbo Akademi University Library Domkyrkogatan 2–4, FI-20500 Åbo, Finland Tel. +358 (0)2 -215 4190 E-mail: [email protected] SEARCHERS AFTER HORROR Searchers After Horror Understanding H. P. Lovecraft and His Fiction Mats Nyholm Åbo Akademis förlag | Åbo Akademi University Press Åbo, Finland, 2021 CIP Cataloguing in Publication Nyholm, Mats. Searchers after horror : understanding H. P. Lovecraft and his fiction / Mats Nyholm. - Åbo : Åbo Akademi University Press, 2021. Diss.: Åbo Akademi University. ISBN 978-951-765-986-4 ISBN 978-951-765-986-4 ISBN 978-951-765-987-1 (digital) Painosalama Oy Åbo 2021 Abstract The aim of this thesis is to investigate the life and work of H. P. Lovecraft in an attempt to understand his work by viewing it through the filter of his life. The approach is thus historical-biographical in nature, based in historical context and drawing on the entirety of Lovecraft’s non-fiction production in addition to his weird fiction, with the aim being to suggest some correctives to certain prevailing critical views on Lovecraft. These views include the “cosmic school” led by Joshi, the “racist school” inaugurated by Houellebecq, and the “pulp school” that tends to be dismissive of Lovecraft’s work on stylistic grounds, these being the most prevalent depictions of Lovecraft currently. -
Searching for Superwomen: Female Fans and Their Behavior
SEARCHING FOR SUPERWOMEN: FEMALE FANS AND THEIR BEHAVIOR _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by SOPHIA LAURIELLO Dr. Cynthia Frisby, Thesis Supervisor DECEMBER 2017 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled SEARCHING FOR SUPERWOMEN: FEMALE FANS AND THEIR BEHAVIOR presented by Sophia Lauriello, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Cynthia Frisby Professor Amanda Hinnant Professor Lynda Kraxberger Professor Brad Desnoyer FEMALE FANS AND THEIR BEHAVIOR ACKNOWLEDGEMENTS I would like to acknowledge Dr. Cynthia Frisby for all of her work and support in helping this thesis go from an idea to a finished paper. Thank you to everyone on my committee who was as enthused about reading about comic books as I am. A huge acknowledgement to the staff of Star Clipper who not only were extremely kind and allowed me to use their game room for my research, but who also introduced me to comic book fandom in the first place. A thank you to Lauren Puckett for moderating the focus groups. Finally, I cannot thank my parents enough for not only supporting dropping out of the workforce to return to school, but for letting me (and my cat!) move back home for the last year and a half. Congratulations, you finally have your empty nest. ii FEMALE FANS AND THEIR BEHAVIOR TABLE OF CONTENTS ACKNOWLEDGEMENTS ............................................................................................... -
The Reflection of Sancho Panza in the Comic Book Sidekick De Don
UNIVERSIDAD DE OVIEDO FACULTAD DE FILOSOFÍA Y LETRAS MEMORIA DE LICENCIATURA From Don Quixote to The Tick: The Reflection of Sancho Panza in the Comic Book Sidekick ____________ De Don Quijote a The Tick: El Reflejo de Sancho Panza en el sidekick del Cómic Autor: José Manuel Annacondia López Directora: Dra. María José Álvarez Faedo VºBº: Oviedo, 2012 To comic book creators of yesterday, today and tomorrow. The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is. [Grant Morrison, “Grant Morrison: Master & Commander” (2004: 2)] TABLE OF CONTENTS 1. Acknowledgements v 2. Introduction 1 3. Chapter I: Theoretical Background 6 4. Chapter II: The Nature of Comic Books 11 5. Chapter III: Heroes Defined 18 6. Chapter IV: Enter the Sidekick 30 7. Chapter V: Dark Knights of Sad Countenances 35 8. Chapter VI: Under Scrutiny 53 9. Chapter VII: Evolve or Die 67 10. -
By Lee A. Breakiron a CIMMERIAN WORTHY of the NAME, PART
REHEAPA Vernal Equinox 2014 By Lee A. Breakiron A CIMMERIAN WORTHY OF THE NAME, PART THREE During his crusade to revitalize Robert E. Howard fanzines with his The Cimmerian, Leo Grin not only initiated a blog, as we saw last time, but also started publishing a new chapbook series called The Cimmerian Library. They were in the same format as the TC journal issues, but had reddish copper covers in a run of 100 copies for $15.00 each. He issued four titles (“volumes”): REHupan Rob Roehm’s An Index to Cromlech and The Dark Man (2005), REHupan Chris Gruber’s “Them’s Fightin’ Words”: Robert E. Howard on Boxing (2006) citing all of Howard’s quotations on the manly sport from his correspondence, with an introduction and index; John D. Haefele’s A Bibliography of Books and Articles Written by August W. Derleth Concerning Derleth and the Weird Tale and Arkham House Publishing (2006) with one “Addenda” [sic] (2008); and Don Herron’s “Yours for Faster Hippos”: Thirty Years of “Conan vs. Conantics” (2007) containing his pivotal critique of REH pasticheurs, especially L. Sprague de Camp, as well as some personal commentary on it and on Bran Mak Morn, Karl Edward Wagner, and Bruce Lee. And to properly celebrate the Centennial of Howard’s birth, as well as the 70th anniversary of his death, the 60th year since the publication of the landmark Arkham House volume Skull-Face and Others, and the 20th year since the first pilgrimage of REHupans to Cross Plains, Texas, Grin wondered what he could “do to make it extra special, to truly convey the respect and admiration I have for the man and his writings?” (Vol. -
Eddy, Lovecraft, and 'The Loved Dead'
Digital Scholarship in the Humanities Advance Access published July 29, 2015 Stylometry and Collaborative Authorship: Eddy, Lovecraft, and ‘The Loved Dead’ ............................................................................................................................................................ Alexander A. G. Gladwin, Matthew J. Lavin and Daniel M. Look St. Lawrence University, Canton, NY, USA ....................................................................................................................................... Abstract The authorship of the 1924 short story ‘The Loved Dead’ has been contested by family members of Clifford Martin Eddy, Jr. and Sunand Tryambak Joshi, a leading scholar on Howard Phillips Lovecraft. The authors of this article use stylometric methods to provide evidence for a claim about the authorship of the story and to analyze the nature of Eddy’s collaboration with Lovecraft. Correspondence: Alexander Further, we extend Rybicki, Hoover, and Kestemont’s (Collaborative authorship: A. G. Gladwin, 753 Franklin Conrad, Ford, and rolling delta. Literary and Linguistic Computing, 2014; 29, 422– Ave. Columbus, OH 43205 31) analysis of stylometry as it relates to collaborations in order to reveal the United States. necessary considerations for employing a stylometric approach to authorial E-mail: [email protected] collaboration. ................................................................................................................................................................................ -
Representation of Identities in Neil Gaiman's the Sandman
SOMEWHERE OVER THE RAINBOW: REPRESENTATION OF IDENTITIES IN NEIL GAIMAN’S THE SANDMAN Andrés Romero Jódar Universidad de Zaragoza ABSTRACT Neil Gaiman’s The Sandman is a graphic novel that explores the complexities of reality and identity. The main asset of this work is its presentation of a plurality of narratives that, together, create not only a completely new world vision according to comic-book stand- ards, but also a novel conception of cultural identity. This essay aims to analyze how The Sandman deals with identity construction as fashioned by two different but related no- tions: on the one hand, identity as the outcome of the confrontation between old concep- tions of the world and new roles, duties and values; on the other hand, identity as a change of situation, as the individual wilfully escaping from old masks that imprison the self inside predetermined patterns of behaviour. KEY WORDS: Comic-book, graphic novel, Neil Gaiman, The Sandman, identity. RESUMEN The Sandman de Neil Gaiman es una novela gráfica que explora las complejidades de la 149 realidad y de la identidad. El principal valor de esta obra es la presentación de una plurali- dad de narrativas que, en conjunto, crean tanto una visión del mundo completamente nueva respecto a los cánones del cómic, así como una concepción novel de la identidad cultural. El objetivo de este ensayo es analizar cómo The Sandman trata la construcción de la identidad como resultado de dos conceptos diferentes pero relacionados: por un lado, identidad como el resultado de la confrontación entre viejas concepciones del mundo y nuevos roles, deberes y valores; por otro lado, identidad como un cambio de situación, en el que el individuo escapa voluntariamente de viejas máscaras que aprisionan al sujeto dentro de modelos de comportamiento predeterminados. -
Dragon Magazine #236
The dying game y first PC was a fighter named Random. I had just read “Let’s go!” we cried as one. Roger Zelazny’s Nine Princes in Amber and thought that Mike held up the map for us to see, though Jeff and I weren’t Random was a hipper name than Corwin, even though the lat- allowed to touch it. The first room had maybe ten doors in it. ter was clearly the man. He lasted exactly one encounter. Orcs. One portal looked especially inviting, with multi-colored veils My second PC was a thief named Roulette, which I thought drawn before an archway. I pointed, and the others agreed. was a clever name. Roulette enjoyed a longer career: roughly “Are you sure you want to go there?” asked Mike. one session. Near the end, after suffering through Roulette’s “Yeah. I want a vorpal sword,” I said greedily. determined efforts to search every 10’-square of floor, wall, and “It’s the most dangerous place in the dungeon,” he warned. ceiling in the dungeon, Jeff the DM decided on a whim that the “I’ll wait and see what happens to him,” said Jeff. The coward. wall my thief had just searched was, in fact, coated with contact “C’mon, guys! If we work together, we can make it.” I really poison. I rolled a three to save. wanted a vorpal sword. One by one they demurred, until I Thus ensued my first player-DM argument. There wasn’t declared I’d go by myself and keep all the treasure I found. -
By Lee A. Breakiron ONE-SHOT WONDERS
REHeapa Autumnal Equinox 2015 By Lee A. Breakiron ONE-SHOT WONDERS By definition, fanzines are nonprofessional publications produced by fans of a particular cultural phenomenon, such as a literary or musical genre, for the pleasure of others who share their interests. Readers themselves often contribute to fanzines by submitting their own articles, reviews, letters of comment, and fan fiction. Though the term fanzine only dates from 1940 when it was popularized within science fiction and comic book fandom, the first fanzines actually date back to at least the nineteenth century when, as a uniquely American development, literary groups formed amateur press associations or APAs in order to publish collections of poetry, fiction, and commentary. Few, if any, writers have had as many fanzines, chapbooks, and other ephemera dedicated to them as has Robert E. Howard. Howard himself self-published his own typed “zine,” The Golden Caliph of four loose pages in about August, 1923 [1], as well as three issues of one entitled The Right Hook in 1925 (discussed later). Howard collaborated with his friends Tevis Clyde “Clyde” Smith, Jr., and Truett Vinson in their own zines, The All-Around Magazine and The Toreador respectively, in 1923 and 1925. (A copy of The All-Around Magazine sold for $911 in 2005.) Howard also participated in an amateur essay, commentary, and poetry journal called The Junto that ran from 1928 to 1930, contributing 10 stories and 13 poems to 10 of the issues that survive. Only one copy of this monthly “travelogue” was circulated among all the members of the group. -
The Ideologies of Lived Space in Literary Texts, Ancient and Modern
The Ideologies of Lived Space in Literary Texts, Ancient and Modern Jo Heirman & Jacqueline Klooster (eds.) ideologies.lived.spaces-00a.fm Page 1 Monday, August 19, 2013 9:03 AM THE IDEOLOGIES OF LIVED SPACE IN LITERARY TEXTS, ANCIENT AND MODERN ideologies.lived.spaces-00a.fm Page 2 Monday, August 19, 2013 9:03 AM ideologies.lived.spaces-00a.fm Page 3 Monday, August 19, 2013 9:03 AM THE IDEOLOGIES OF LIVED SPACE IN LITERARY TEXTS, ANCIENT AND MODERN Jacqueline Klooster and Jo Heirman (eds.) ideologies.lived.spaces-00a.fm Page 4 Monday, August 19, 2013 9:03 AM © Academia Press Eekhout 2 9000 Gent T. (+32) (0)9 233 80 88 F. (+32) (0)9 233 14 09 [email protected] www.academiapress.be The publications of Academia Press are distributed by: UPNE, Lebanon, New Hampshire, USA (www.upne.com) Jacqueline Klooster and Jo Heirman (eds.) The Ideologies of Lived Space in Literary Texts, Ancient and Modern Gent, Academia Press, 2013, 256 pp. Lay-out: proxessmaes.be Cover: Studio Eyal & Myrthe ISBN 978 90 382 2102 1 D/2013/4804/169 U 2068 No part of this publication may be reproduced in print, by photocopy, microfilm or any other means, without the prior written permission of the publisher. ideologies.lived.spaces.book Page 1 Saturday, August 17, 2013 11:47 AM 1 Contents INTRODUCTION . 3 The Ideologies of ‘Lived Space’, Ancient and Modern Part 1 LIVED SPACE AND SOCIETY CAVE AND COSMOS . 15 Sacred Caves in Greek Epic Poetry from Homer (eighth century BCE) to Nonnus (fifth century CE) Emilie van Opstall SPACE AND MYTH . -
Doctoral Thesis History in Robert E. Howard's Fantastic Stories: from An
Doctoral Thesis History in Robert E. Howard’s Fantastic Stories: From an Age Undreamed of to the Era of the Old West and Texas Frontier Dierk Clemens Günther April 2019 Acknowledgements For all the generous help, advice, and support received, I would like to thank the following: Prof. Dr. Shinsuke Ohchi (University of Hiroshima) and Prof. Dr. Reiko Nitta for their all their support, their valuable advice given for this thesis, and their endless patience to bring out the best in me. Lee Breakiron has been of an immense help for having been so gracious to open his archive for me and to provide me with many articles and papers that are not publicly available anymore. Words cannot express my gratitude for this generous support. Also, for always being there, answering many of my question, thanks go out to Bobby Derie, Patrice Louinet and Jeffrey Shanks. I also want to thank the members of Project Pride of Cross Plains, Texas, the staff of the Robert E. Howard Museum, Cross Plains, Texas, and the Public Library, Cross Plains, Texas for all their help in my research for this thesis. Cross Plains is a community of wonderful and kind people, all of whom deserve my thanks but too many to name them here. Nonetheless I would like to give very special thanks for all their help with my research and their friendship to Arlene and Tom Stephenson, Cross Plains, and Ann and Kennith Beeler, Cross Plains. Finally, immense gratitude goes to all my aunts, Claudia Bollacher, Luitgard Reiter, and Barbara Ecker, who always believed in me and without whom I would not be who I am today. -
Popular Culture Association - Pulp Studies Area
H-Announce Popular Culture Association - Pulp Studies Area Announcement published by Jason Ray Carney on Wednesday, September 23, 2020 Type: Conference Date: June 6, 2021 Location: United States Subject Fields: American History / Studies, Cultural History / Studies, Humanities, Literature, Popular Culture Studies POPULAR CULTURE ASSOCIATON -- PULP STUDIES AREA Pulp magazines were a series of mostly English-language, predominantly American, magazines printed on rough pulp paper. They were often illustrated with highly stylized, full-page cover art and numerous line art illustrations of the fictional content. They were sold at a price the working classes could afford, though they were popular with all classes. The earlier magazines, such asAll-Story , were general fiction magazines, though later they diversified and helped solidify many of the genres we are familiar with today, including western, detective, science fiction, fantasy, horror, romance, and sports fiction. The first pulp, Argosy, began life as the children’s magazine, The Golden Argosy, dated December 2nd, 1882 and the last of the “original” pulps was Ranch Romances and Adventures, November of 1971. Despite the limited historical range of the pulpwood magazine form, the “pulp aesthetic” continues to influence popular culture today. With this in mind, we are calling for presentations for the National PCA/ACA Conference that discuss the pulps and their legacy. Magazines: Weird Tales, Amazing Stories, Wonder Stories, Fight Stories, All-Story, Argosy, Thrilling Wonder Stories, Spicy Detective, Ranch Romances and Adventures, Oriental Stories/Magic Carpet Magazine, Love Story, Flying Aces, Black Mask, and Unknown, to name a few. Editors and Owners: Street and Smith (Argosy), Farnsworth Wright (Weird Tales), Hugo Gernsback (Amazing Stories), Mencken and Nathan (Black Mask), John Campbell (Astounding). -
Tales of Margaret Brundage Transcript
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. SFX: BUZZ MARY: These machines haven’t changed a whole lot in their constuction since 1891 since invented (FADE UNDER) It’s early in the morning – at least early for a tattoo parlor, where people don’t show up until the afternoon. Mary Joy Scott is showing me around her equipment at Ed Hardy’s Tattoo City in San Francisco. Mary is a big deal in the world of tattoo art but I was not there to get a tatto. I wanted to talk about her craft because one of the artists that she’s really inspired by is Margaret Brundage. And if you haven’t heard of Margaret Brundage, don’t worry. Most people haven’t. In the 1930s, Brundage drew covers for a pulp fiction magazine called Weird Tales. Pulp fiction is usually thought of as hard boiled detective stories. But Weird Tales specilaized in fantasy and horror stories by writers like H.P. Lovecraft and Robert E. Howard – who I talked about in my last episode. And the covers that Margaret Brundage drew for the magazine were just as iconic. MARY: They're just so beautifully rendered they have such an inner life more so than some pulp illustrations that I've seen. The most famous Brundage illustration has a woman alone on the cover. She’s wearing a black sleveless top. Her arms are raised with the back of her palms against her cheecks.