DOCSLIB.ORG

Making Woodblock Prints Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Making Woodblock Prints Ebook MAKING WOODBLOCK PRINTS PDF, EPUB, EBOOK Merlyn Chesterman,Rodger Nelson | 112 pages | 01 Oct 2015 | The Crowood Press Ltd | 9781847979032 | English | Ramsbury, United Kingdom Making Woodblock Prints PDF Book Some courier delivery are slightly slower than normal due to high demand. Views Read Edit View history. You basically put the sheet of paper that you want to print onto ON TOP OF the woodblock, which is ink side up, obviously, then you use the spoon to rub the paper down onto the block, as if you were doing a brass rubbing. The following text was written by the artist Tom Kristensen himself. A few specimen of wood block printing, possibly called tarsh in Arabic , [7] have been excavated from a 10th-century context in Arabic Egypt. Later the bindings were sewn rather than pasted. That's what it feels like to me, and what it looks like in my head, although the second image below probably shows it a little clearer than what I'm trying to describe. When the ink is mixed with rice paste the printed texture will be smooth. Introducing my Treasure Chest - a set of 24 postcard-size prints, packed together with a storage box that doubles as a beautiful display stand. There is an emphasis on keeping all your cutting tools very sharp, for ease of cutting and to avoid any accidents, trying to force blunt cutting tools through the wood, laser cutting can also be used for typography. To make a print one needs paper, colour and blocks. The Art and Architecture of China. I came across Keizaburo Matsuzaki during my research and there is a great YouTube video which shows the traditional method of Ukiyo-e printing today. Help Learn to edit Community portal Recent changes Upload file. The 'Table of Contents' page This front page for the site gives immediate access to all the content - an overview of my work, images of all the prints I have made, stories about them, on-line copies of my newsletter, and many many other things to see and read. So I'm actually trying out some water based inks at the moment. SklavenitesD 4 years ago. I don't have a scientific method for lining up the paper with the block I don't have a scientific method for anything, actually. I am trying block printing, too. They've been really reliable and quick. Good luck with your project s. Thanks for posting this. I Made It! YouTube Channel. A drawing to cut from and a pencil In the end, you're going to have to do some kind of 'art' to put on your bit of wood. Arts of Asia Magazine to appear. Making Woodblock Prints Writer Our office and delivery services are open as normal. I'm not that happy with my printing attempt in the image below. I'm happy for the copied version to not be a perfect facsimile of the original. If economy is the barrier to using boxwood, maybe try thinking outside the box pun shamelessly intended. The technique may be spread from China or an independent invention, [8] but had very little impact and virtually disappeared at the end of the 14th century. We thank Tom for his kind permission to publish it. After I finish a carving, I apply a think layer of gloss varnish to the panel on all sides to waterproof it. You're just rubbing with a spoon, though. For Japanese woodblock printing, see Woodblock printing in Japan. The method was also used extensively for printing playing cards. There are ways of transferring sketches onto the wood with transfer paper etc. It's a good idea to annotate your first print with the changes you want to make, rather than just trying to remember. However none of these used ink, which is necessary for printing on a proper definition , but stamped marks into relatively soft materials. Over the past few years, I have come to discover that having video of my work is a very powerful tool to help people better understand woodblock printmaking. Our YouTube channel is packed with interesting videos How to make a woodblock print? Poplar wood works well as does clear pine or ash. In this blog I am going to summarise these areas to bring it in line with my research to answer my research question. Early books were on scrolls , but other book formats were developed. Go to your? Name required. Some wood. Share it with us! And of course you can buy Tom' prints in artelino 's art auctions. It also remains in use for making cloth, mostly in small artisanal settings, for example in India. This book is nothing short of brilliant, it goes through everything any print artist needs to know to start woodblock printing or to develop their existing skills. I'm amazed at the price of your wood! Making the complete set took me ten years - from through A drawing to cut from and a pencil In the end, you're going to have to do some kind of 'art' to put on your bit of wood. When sketching I tend to jump between larger, more detailed images and small, 'to scale' ones. Printing onto cloth had spread much earlier, and was common in Europe by Tom Kristensen born The more expensive the wood, the tighter its wood grain and the harder the wood. Lets look at the materials first and the woodblock itself, I know in my conversation with Julia Manning, she will use plywood, solid pieces of oak plank, anything that she can source including lino and working with etching plates, when I saw these etching plates in her studio they were made from copper. Prints are staggered to balance the transfer of moisture. In Japan , a multi-colour technique called nishiki-e "brocade pictures" spread more widely, and was used for prints from the s on. These are the oil based inks that I've used. Thank you for bidding in our auctions. Take your sheet of glass and put a blob of ink in the middle, about the size of a reasonably proportioned bean I'm thinking of the English runner bean, here - again, probably better to look at the pictures if you're not familiar with our vegetables. Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Retrieved 28 February They look so cool in the pictures. Scrolling down the page you are now on will give an alternate method of visiting much of the site - showing each of the major sections as though they were independent websites Topics include cutting a block, adding colour, mark making, layering blocks, proofing, editioning and advanced woodcut techniques. This website displays the delicate and beautiful 'surimono' prints that I made in the five years following the end of my ten-year long 'Hyakunin Isshu' print series. You do have to work the varnish into the cut out parts so those areas are sealed, too. Read all about it on these pages. Making Woodblock Prints Reviews Current news: The 8 Views of Cats! Though the Jesuits operated a movable type printing-press in Nagasaki , printing equipment [19] which Toyotomi Hideyoshi 's army seized from Korea in [20] had far greater influence on the development of the medium. I've just started making rubber stamps, but am wondering about making wooden ones. The 'Hyakunin Isshu' print series. I would like to make a rubbing or other impression of the carving and frame it for my niece. Retrieved You do have to work the varnish into the cut out parts so those areas are sealed, too. We used basswood, which is soft but has a fine grain. In East Asia, the state involved itself in printing at a relatively early stage; initially only the government had the resources to finance the carving of the blocks for long works. Once I have my finalised image on paper I scan it onto my PC. As a result, Japan began to see something of literary mass production and increasing literacy. The moisture content of the paper must be carefully regulated. Sketched images can be transferred to the woodblocks using a variety of methods. I've actually been trying to find a way into printing for a while, but don't have any access locally to equipment or classes. It is also now established that the use in Europe of the same process to print substantial amounts of text together with images in block-books only came about four hundred years after the development of movable type by Bi Sheng — during the Northern Song Dynasty of China. A non-slip mat is recommended to put the block onto whilst carving, sharp tools, brush and masking tape, as well as good lighting. The 'Surimono Albums' This website displays the delicate and beautiful 'surimono' prints that I made in the five years following the end of my ten-year long 'Hyakunin Isshu' print series. A few specimen of wood block printing, possibly called tarsh in Arabic , [7] have been excavated from a 10th-century context in Arabic Egypt. You pretty much have to know what you're going to carve before actually sticking the graver in. The text is added to the bottom of the print with a rubber stamp and signed with a pencil. If you want a print that is predominantly white a 'positive' one, if you like you'll have to do a lot of carving to get rid of the black areas.
Load more

Recommended publications
  • Introduction to Printing Technologies
    Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography.
    [Show full text]
  • The Story of Abraham (Page from Heiligenleben)
    TITLE: The Story of Abraham (page from Heiligenleben) ARTIST: Unknown DATE: 1496 SIZE: 10 x 6 ½ inches MEDIUM: Woodcut and Moveable Type ACQUISITION #: 2001.1.102 ADDITIONAL WORK IN COLLECTION BY ARTIST: No. VOCABULARY Illuminated Manuscript: a manuscript in which the text is supplemented with decoration such as initials, borders, and miniature illustrations. Woodblock print: technique for printing text, images, or patterns used. It is a block of wood engraved in relief which is used to print. Hagiography: The writing of the lives of saints. The word comes from the Greek “hagios” which means “holy” and “graphia” which means “writing.” The word literally means “holy writing.” CONTEXTUAL INFORMATION Just like books of gospels and biblical illuminated manuscripts, this page contains the detail and precision of other religious works. The literal meaning for “Heiligenleben” is “holy life.” This page, which tells the story of Abraham is an example of hagiography. This page is possibly a part of a hagiographic illuminated manuscript, such as Der SOURCES Heiligen Leben or The Lives of Saints, produced by a Dominican monastery in Nuremberg, Germany during the 1400s.This manuscript https://en.wikipedia.org/wiki/Movable_type was as large as a bible and provided readings over the course of a year http://education.asianart.org/explore-resources/background- information/ukiyo-e-woodblock-printing-process and included saints’ feast days as well. Many such illuminated https://www.inksaver.co.za/en/blog/History‐of‐printing‐part‐1‐ manuscripts were created simply to teach people about saints and/or woodblock‐printing.php https://www.degruyter.com/view/product/24901 martyrs.
    [Show full text]
  • Plant Dye Identification in Japanese Woodblock Prints
    Plant Dye Identification in Japanese Woodblock Prints Michele Derrick, Joan Wright, Richard Newman oodblock prints were first pro- duced in Japan during the sixth Wto eighth century but it was not until the Edo period (1603–1868) that the full potential of woodblock printing as a means to create popular imagery for mass consumption developed. Known broadly as ukiyo-e, meaning “pictures of the float- ing world,” these prints depicted Kabuki actors, beautiful women, scenes from his- tory or legend, views of Edo, landscapes, and erotica. Prints and printed books, with or without illustrations, became an inte- gral part of daily life during this time of peace and stability. Prints produced from about the 1650s through the 1740s were printed in black line, sometimes with hand-applied color (see figure 1). These col- ors were predominantly mineral (inorganic) pigments supplemented by plant-based (organic) colorants. Since adding colors to a print by hand was costly and slowed pro- duction, the block carvers eventually hit upon a means to create a multicolor print using blocks that contained an “L” shaped groove carved into the corner and a straight groove carved further up its side in order to align the paper to be printed (see figure 2). These guides, called kento, are located Figure 1. Actors Sanjō Kantarō II and Ichimura Takenojō IV, (MFA 11.13273), about 1719 (Kyōho 4), designed by Torii Kiyotada I, and published by in the same location on each block. They Komatsuya (31.1 x 15.3 cm). Example of a beni-e Japanese woodblock ensure consistent alignment as each color print with hand-applied color commonly made from the 1650s to 1740s.
    [Show full text]
  • Mokuhanga - Japanese Woodblock Printing- Tomoko Murakami Material List 2018
    Mokuhanga - Japanese Woodblock Printing- Tomoko Murakami Material list 2018 The material fee covers the following materials: • Two blocks of Shina plywood (9”x12”) – You will be cutting them into four 6”x9” blocks. • Paper “Masa” and Shin-trinoko • Akua-Kolor Water-based Ink • Tracing paper • Paper towel • Foam plates • Brushes • Newsprint • Carving tools (for classroom use only) General Art Supply & etc. (Please bring them to the class.) • Notebook, journal or sketchbook • Apron or work cloth • Design ideas (6” x 9” is highly recommended.) • Wood carving tools (if you have any) • A bag lunch Carving Tools (optional) If you would like to purchase your own woodcutting tools, here are two recommended sets. o Mikisho Brand Power Grip Carving - set of 5 ($39.90) or set of 7 ($55.90) o Michihamono Brand Gakudo Carving Knife Set – set of 5 ($25.90) or set of 7 ($33.90) DO NOT purchase “Niji” brand at an art-store! (Sharpening stones – get both if you can.) • Naniwa Brand 1000 Grit Carving Tool Stone ($26.20) • Honyama Brand Natural Finish Slip Stone Woodworking Water Stone 75x30x3 mm ($11.60) Hida Tool & Hardware Co., Inc. (http://www.hidatool.com) 1333 San Pablo Avenue Berkeley, CA 94702, (510) 524-3700 or (800) 443-5512 If you have time to order tools online: McClain’s printmaking supplies: http://www.imcclains.com/ Printing Paper (optional) If you would like to purchase printing paper for your own, here is a list of recommended printing paper for hand printing (Ukiyo-E technique) Blick Art • Rives Light white (115gsm) 26”x40” $ 3.25 • Chiri paper 23”x35” $ 5.76 • Hosho paper 19”x24” $ 4.99 • Kinwashi 25”x37” $4.09 • Kitakata 16”x20” $3.10 • Masa 21”x31” $ 1.29 • Mulberry 24”x33½” $5.99 • Okawara 12”x16” $4.50 You can order “Masa” and Shin-trinoko from one of the companies below.
    [Show full text]
  • Laser Printer - Wikipedia, the Free Encyclopedia
    Laser printer - Wikipedia, the free encyclopedia http://en. rvi kipedia.org/r,vi ki/Laser_pri nter Laser printer From Wikipedia, the free encyclopedia A laser printer is a common type of computer printer that rapidly produces high quality text and graphics on plain paper. As with digital photocopiers and multifunction printers (MFPs), Iaser printers employ a xerographic printing process but differ from analog photocopiers in that the image is produced by the direct scanning of a laser beam across the printer's photoreceptor. Overview A laser beam projects an image of the page to be printed onto an electrically charged rotating drum coated with selenium. Photoconductivity removes charge from the areas exposed to light. Dry ink (toner) particles are then electrostatically picked up by the drum's charged areas. The drum then prints the image onto paper by direct contact and heat, which fuses the ink to the paper. HP I-aserJet 4200 series printer Laser printers have many significant advantages over other types of printers. Unlike impact printers, laser printer speed can vary widely, and depends on many factors, including the graphic intensity of the job being processed. The fastest models can print over 200 monochrome pages per minute (12,000 pages per hour). The fastest color laser printers can print over 100 pages per minute (6000 pages per hour). Very high-speed laser printers are used for mass mailings of personalized documents, such as credit card or utility bills, and are competing with lithography in some commercial applications. The cost of this technology depends on a combination of factors, including the cost of paper, toner, and infrequent HP LaserJet printer drum replacement, as well as the replacement of other 1200 consumables such as the fuser assembly and transfer assembly.
    [Show full text]
  • History of the Book in China ­ Oxford Reference
    9/1/2016 40 The History of the Book in China ­ Oxford Reference Oxford Reference The Oxford Companion to the Book Edited by Michael F. Suarez, S.J. and H. R. Woudhuysen Publisher: Oxford University Press Print Publication Date: 2010 Print ISBN­13: 9780198606536 Published online: 2010 Current Online Version: 2010 eISBN: 9780199570140 40 The History of the Book in China J. S. EDGREN 1 The book before paper and printing 2 Tang to Yuan (7th–14th centuries) 3 Ming to Qing (14th–19th centuries) 4 The 20th century 1 The book before paper and printing nd th Although the early invention of true paper (2 century BC) and of textual printing (late 7 century) by *woodblock printing profoundly influenced the development of the book in China, the materials and manufacture of books before paper and before printing also left some traces. Preceding the availability of paper as a writing surface, the earliest books in China, known as jiance or jiandu, were written on thin strips of prepared bamboo and wood, which were usually interlaced in sequence by parallel bands of twisted thongs, hemp string, or silk thread. The text was written with a *writing brush and lampblack *ink in vertical columns from right to left—a *layout retained by later MSS and printed books—after which the strips were rolled up to form a primitive *scroll binding (see 17). The surviving specimens of jiance are mostly the result of 20th­ th rd century scientific archaeological recovery, and date from around the 6 century BC to the 3 century AD.
    [Show full text]
  • Watercolor Woodblock Printing with Image Analysis
    EUROGRAPHICS 2018 / D. Gutierrez and A. Sheffer Volume 37 (2018), Number 2 (Guest Editors) Watercolor Woodblock Printing with Image Analysis A. Panotopoulou1, S. Paris2 and E. Whiting3 1Dartmouth College 2Adobe Research 3Boston University (a) Input photograph (b) Laser cut woodblocks (c) Resulting watercolor print Figure 1: A Marilyn Monroe photograph was used as an input to our pipeline (a), with our hybrid fabrication process constituted by water- color paint and lasercut woodblocks (b). We created the final painting (c) through layered prints of the individual woodblocks. (Photograph by Milton H. Greene c 2018 Joshua Greene www.archiveimages.com) Abstract Watercolor paintings have a unique look that mixes subtle color gradients and sophisticated diffusion patterns. This makes them immediately recognizable and gives them a unique appeal. Creating such paintings requires advanced skills that are beyond the reach of most people. Even for trained artists, producing several copies of a painting is a tedious task. One can resort to scanning an existing painting and printing replicas, but these are all identical and have lost an essential characteristic of a painting, its uniqueness. We address these two issues with a technique to fabricate woodblocks that we later use to create watercolor prints. The woodblocks can be reused to produce multiple copies but each print is unique due to the physical process that we introduce. We also design an image processing pipeline that helps users to create the woodblocks and describe a protocol that produces prints by carefully controlling the interplay between the paper, ink pigments, and water so that the final piece depicts the desired scene while exhibiting the distinctive features of watercolor.
    [Show full text]
  • The Importance of Calligraphy in Printing in Late Ming China Hang Lin
    The Polish Journal of the Arts and Culture. New Series 1 (1/2015): 51–76 [article] DOI: 10.4467/24506249PJ.15.003.4631 Printed as Handwritten: The Importance of Calligraphy in Printing in Late Ming China Hang Lin 1 INTRODUCTION1 The Chinese have printed their text in the form of books for more thaneleven centuries. During the seventh or eighth century, at the latest, the Chinese in- vented xylography to reproduce text by cutting written characters on woodb- locks2. Although the method was originally utilised for religious purposes, in 1Earlier versions of this paper were presented at the 3rd International Conference on the East- ern Thought Word in the Cultures of the East: Sound - Language -Book, held at Jagiellonian University in Krakow, 28–30 November 2013 and the 3rd Forum der Ostasiatischen Kunst- geschichte held at Heidelberg University, 20–21 June 2014. I am indebted to Kai Vogelsang and Annette Bügener for providing valuable comments and sharing inspiring ideas withme. Iʼm also grateful to the anonymous referees of the Polish Journal of Arts and Culture for their inspiring comments and constructive suggestions. Financial and institutional support came from the sfb 950 – Manuscript Cultures in Asia, Africa and Europe, funded by the German Research Foundation (dfg), at University of Hamburg. 2Timothy H. Barrett (see: T. H. Barrett, The Rise and Spread of Printing: A New Account ofReli- gious Factors, “SOAS Working Papers in the Study of Religions”, London 2008.) argues that printing had already been invented by the late seventh century. In another book (see: Idem, The Woman Who Discovered Printing, New Haven 2008.) Barrett goes further to claim that it was Empress Wu (625–705) who actually discovered the technology of printing.
    [Show full text]
  • Japanese-Style Woodblock Printing (Moku-Hanga)
    Japanese-style Woodblock Printing (moku-hanga) Basics ©John Amoss / www.tanukiprints.com Traditional eastern printmaking techniques use water-based relief processes using woodblocks as matrices and a printing pad as a means of pressure. I liken the results to watercolor as opposed to western techniques which are more like oil painting. To be a successful hanga printer, it is important to balance several variables which include paper, water, paste, pigment, pressure can be a bit overwhelming for the beginner who faces a steep initial learning curve. I find that the joys outweigh the difficulties and that the process allows for a direct communion with materials that are both non-toxic and natural. This handout is intended as a framework of basic technique, a smattering of my own observations, and a list of further informational resources. Printing Procedures As I mentioned before, hanga does not come easily. As your first impressions will quickly 'educate' you, I would tear down at least twice the number of sheets that you need. If you do tear as opposed to cutting, be sure to allow for clean, cut corners where the kentos will make good contact. Some people prefer to affix temporary tabs to be later removed after printing. The paper is dampened to allow for better pigment absorption and structural stability. I use a wide brush and wet each alternating sheet and store overnight in a ziplok bag. Some hard papers such as Torinoko need more water than hosho. Winter was the preferred season to print as the cold limited mildew growth while printing long editions.
    [Show full text]
  • Characteristics of Japanese Block Printed Books in the Edo Period
    University of Kentucky UKnowledge Library Faculty and Staff ubP lications University of Kentucky Libraries 2009 Characteristics of Japanese Block Printed Books in the Edo Period: 1603–1867 Kazuko Hioki University of Kentucky, [email protected] Click here to let us know how access to this document benefits oy u. Follow this and additional works at: https://uknowledge.uky.edu/libraries_facpub Part of the Archival Science Commons Repository Citation Hioki, Kazuko, "Characteristics of Japanese Block Printed Books in the Edo Period: 1603–1867" (2009). Library Faculty and Staff Publications. 58. https://uknowledge.uky.edu/libraries_facpub/58 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in Library Faculty and Staff ubP lications by an authorized administrator of UKnowledge. For more information, please contact [email protected]. Characteristics of Japanese Block Printed Books in the Edo Period: 1603–1867 Notes/Citation Information Published in The Book and Paper Group Annual, v. 28, p. 23-29. The opc yright holder has granted the permission for posting the article here. This article is available at UKnowledge: https://uknowledge.uky.edu/libraries_facpub/58 KAZUKO HIOKI Characteristics of Japanese Block Printed Books in the Edo Period: 1603–1867 INTRODUCTION In 2003 I had an opportunity to examine Japanese book- bindings from the Edo period (1603–1867) in the Asian Division of the Library of Congress. Approximately 200 items were reviewed, and the structures, materials, and dec- oration of the bindings were recorded. The Edo period texts were almost exclusively produced by wood-block printing on Japanese paper bound with a side-stitch into paper cov- ers (fig.
    [Show full text]
  • The Movable Type: How It Acted As an Agent of Information in History and Enabled Access to Knowledge
    The Movable Type: How it Acted as an Agent of Information in History and Enabled Access to Knowledge Sean Park and Aichen Qiu Junior Division Group Exhibit Student Composed Words: 499 Process Paper Word Count: 484 Process Paper When the theme of Breaking Barriers for this year’s NHD was announced, we immediately chose our topic as The Movable Type, which originated more than 1,000 years ago. Its development had been widely considered as a significant breakthrough around the world, making it a relevant topic. Within a few weeks of exploring, we quickly realized that the movable type made by East Asians and the further advancement made by Gutenberg broke the barriers of inefficiency of printing and inaccessibility of knowledge. We also liked it because the topic ties to both of our origins, China and Korea. In terms of how we came to the decision of doing an exhibit, first both of us had a strong interest in this presentation format and had experience from last year. Secondly, we felt that the creative and visual side of an exhibit would be more effective to present our research. Lastly and most importantly, the ancient moveable type is a craftsmanship that is better to present in a physical format. Our topic is international. We not only leveraged sources in English but also in other languages, including Chinese and Korean. For efficiency, while we both researched the history in Europe, we were able to divide and conquer when it came to researching Chinese and Korean history. We first started using Britannica or History.com to understand the general context.
    [Show full text]
  • The Social Organization of Book Production in China During the Sung Dynasty
    PRINTING AS AN AGENT OF SOCIAL STABILITY: THE SOCIAL ORGANIZATION OF BOOK PRODUCTION IN CHINA DURING THE SUNG DYNASTY by David Wei Ze M.Phil, Stirling University, UK, 1991 Dissertation submitted in partial fulfilment of the requirement for the degree of DOCTOR OF PHILOSOPHY in the School of Communication O David Wei Ze 1995 Simon Fraser University February 1995 All rights resewed. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME David Ze DEGREE Ph.D. TITLE l'IIIN7'IN(; AS AN A(;ENrI' EXAMINING COMMITTEE: Chair Willi,im Ricli~irds PARTIAL, COPYRIGHT LICENSE 1 hcsehy grant to Simon Fr;rscr IJn~vcssitythe sight to lend my thesis. psc!ject or c~xtcrided essay (the title of which is shown hc.low) to users ofthc Simon Fsi~serClnivcss~ty Lihrasy, and to m;rkc p;u'tial or- single copies only i'os such users or in rcsp~isc.to a rcy~cstII'rom the lihsary ot' any otlics u~iivcssity.or other educational institut~on,on it\ own hcliali' or i'os one of' its user-s. I I'u~llics agr-ce that pcrrnission for niultiplc. copying ol'tliis tIiCsis 1.0s SCIIOIIISI~ 1x11-POSCS11i;ly he gsimteti hy nlc or the Dean ofGsnd11ate Studies. It is ~~ntlcsstoodthat copying 01. publication 01' this thesis for fi~ii~ncialpi11 shall not hc ;~llowcclwithout niy written permissio~i. ABSTRACT Through a case study of the history of printing in China during the Sung Dynasty (960- 1279), this dissertation explores the use and development of a communication technology and the social factors that influenced it.
    [Show full text]