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October 2008 Comedy Channel Highlights
www.comedychannel.com.au OCTOBER 2008 HIGHLIGHTS THE MERRICK & ROSSO SHOW WORLD PREMIERE Thursday October 2 @ 8.30pm Continues Thursdays at 8.30pm Merrick and Rosso are back on the box where they belong, with the keys to the Foxtel car - and enough fuel in the tank to really cause some chaos! They’ll finally return to their broadcasting birth place at The Comedy Channel with THE MERRICK & ROSSO SHOW. So what’s on the cards for the new show? Each week the boys will front up before a live studio audience with their unique take on anything and everything. From what’s happening in the world of news to the big questions: Can you deep fry a watermelon? On THE MERRICK & ROSSO SHOW, celebrities will make regular guest appearances from in-studio interviews to recorded comedy pieces to show you a side of them never before seen. Into the mix will go plenty of studio audience interaction and more mayhem and stupidity than is legal in three states. For perhaps the first time, Merrick Watts and Tim Ross will truly focus the energy and excitement of their legendary sell-out live comedy shows and bring that force to the electric television. It’s hotter than Gordon Ramsay’s kitchen, is sure to top Brendan Nelson’s approval ratings and it’s ‘wronger’ than an Austrian family get-together. THE MERRICK & ROSSO SHOW will allow nobody to be immune from their parodies and sketch comedy. Finally, as Merrick and Rosso are keen to point out, “Put simply, the show is Morcambe and Wise meets The Star Wars Christmas Special at an Alcoholics Anonymous meeting during The French Renaissance… on a weeknight.” Buckle up Australia, for a riotous half hour of THE MERRICK & ROSSO SHOW. -
Joanne Donahoe-Beckwith DOP/Camera Operator CV
!1 ! ABN 13 074 384 133 JOANNE DONAHOE-BECKWITH DIRECTOR OF PHOTOGRAPHY CAMERA OPERATOR VIMEO SITE https://vimeo.com/user6075584 WEB SITE www.joannedonahoebeckwith.com.au AGENT Freelancers Promotions Phone +61 3 96822722 Phone +61 414 741 548 Email [email protected] TELEVISION SERIES/SPECIALS 2016 THE BIG DISEASE - DOP MAIN UNIT - ONAIR MID 2017 Series 1 , 3 x Episodes - Documentary Series Production: CJZ Cordel Jigsaw in association with SBS and Screen Australia Series Producer: Bruce Permezel Producers: Esther Coleman-Hawkins & Tamara Bodenham HOMELESS (woking title) - DOP MAIN UNIT - ONAIR 2017 Series 1 , 3 x Episodes - Documentary Series Production: Blackfella Films in association with SBS and Screen Australia Producer: Darren Dale Series Producer: Jacob Hickey Series Director: Cian O'Clery LITTLE ACORNS - DOP MAIN UNIT Web Series 1, 9 x Episodes - Comedy Production: Pocket TV Pty Ltd in association with Guilty and Screen Australia Producer: Eyvonne Carfora Associate Producer: Genevieve Morris & Rachel Griffiths Directors: Trudy Hellier, Maria Theodorakis, Chris Benz FIRST CONTACT - DOP MAIN UNIT with Justin Brickle & Simeon Bryan Series 2 , 3 x Episodes - Documentary Series Production: Blackfella Films in association with SBS and Screen Australia Producer: Darren Dale Series Producer: Jacob Hickey Directors: Bruce Permezel & David Grusovin DADVICE - DOP MAIN UNIT Web Series 1, 4 x Episodes for Beyond Blue Production Company: Stand Up Productions in association with J. WALTER THOMPSON Producer: Dave Dellar Director: Nick -
Tony Martin Was Born in Te Kuiti, New Zealand, in 1964, and Has Spent The
Tony Martin was born in Te Kuiti, New Zealand, in 1964, and has spent the last thirty-odd years in Melbourne, Australia, writing, producing, directing and performing what his grandmother would have called ‘a lot of nonsense carry-on’. His credits are too numerous, or in some instances, too poor, to list in full, but include The D-Generation, The Late Show, Martin/Molloy and Get This. He is the author of Lolly Scramble, A Nest of Occasionals, Scarcely Relevant and that episode of Upper Middle Bogan where they go to Smorgy’s. DEADLY KERFUFFLE TONY MARTIN 1 THE GET-GO It was clear, from what Herb Turgent was saying, that the people at number 14 were different. ‘They’re different, that’s for sure,’ he’d said, even before Gordon had unhooked the chain on the back door. ‘And I wouldn’t put anything past ’em. You heard it here first.’ Herb was always saying ‘You heard it here first,’ and Gordon, his closest friend and neighbour, was always shaking his head, a response Herb chose to read as agreement. ‘Am I putting the jug on?’ Gordon enquired, as Herb stumbled into the kitchen, disentangling himself from a glaringly inappropriate parka. ‘Mandarin Breakfast?’ he offered, waving some orange packets of tea he’d won at the bowls club. A puff of bluster implied yes, so Gordon filled the kettle and steeled himself for Herb’s findings. ‘I reckon they could be a cell.’ Here we go. ‘A what? ’ ‘I saw this on Current Affair,’ said Herb, lowering his voice for effect. -
THE ARCHITECT by AIDAN FENNESSY Welcome
THE ARCHITECT BY AIDAN FENNESSY Welcome The Architect is an example of the profound role theatre plays in helping us make sense of life and the emotional challenges we encounter as human beings. Night after night in theatres around the world, audiences come together to experience, be moved by, discuss, and contemplate the stories playing out on stage. More often than not, these stories reflect the goings on of the world around us and leave us with greater understanding and perspective. In this world premiere, Australian work, Aidan Fennessy details the complexity of relationships with empathy and honesty through a story that resonates with us all. In the hands of Director Peter Houghton, it has come to life beautifully. Australian plays and new commissions are essential to the work we do at MTC and it is incredibly pleasing to see more and more of them on our stages, and to see them met with resounding enthusiasm from our audiences. Our recently announced 2019 Season features six brilliant Australian plays that range from beloved classics like Storm Boy to recent hit shows such as Black is the New White and brand new works including the first NEXT STAGE commission to be produced, Golden Shield. The full season is now available for subscription so if you haven’t yet had a look, head online to mtc.com.au/2019 and get your booking in. Brett Sheehy ao Virginia Lovett Artistic Director & CEO Executive Director & Co-CEO Melbourne Theatre Company acknowledges the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which Southbank Theatre and MTC HQ stand, and we pay our respects to Melbourne’s First Peoples, to their ancestors and Elders, and to our shared future. -
Feduni Researchonline Copyright Notice
FedUni ResearchOnline https://researchonline.federation.edu.au Copyright Notice This is an original manuscript/preprint of an article published by Taylor & Francis in Continuum in September 2020, available online: https://doi.org/10.1080/10304312.2020.1782838 CRICOS 00103D RTO 4909 Page 1 of 1 Comic investigation and genre-mixing: the television docucomedies of Lawrence Leung, Judith Lucy and Luke McGregor Lesley Speed In the twenty-first century, comedians have come to serve as public commentators. This article examines the relationship between genre-mixing and cultural commentary in four documentary series produced for the Australian Broadcasting Corporation (ABC) that centre on established comedians. These series are Lawrence Leung’s Choose Your Own Adventure (2009), Judith Lucy’s Spiritual Journey (2011), Judith Lucy is All Woman (2015) and Luke Warm Sex (2016). Each series combines the documentary and comedy genres by centring on a comedian’s investigation of a theme such as spirituality, gender or sex. While appearing alongside news satire, these docucomedies depart from the latter by eschewing politics in favour of existential themes. Embracing conventions of personalized documentaries, these series use performance reflexively to draw attention to therapeutic discourses and awkward situations. Giving expression to uncertain and questioning views of contemporary spirituality, gender and mediated intimacies, the docucomedies of Lawrence Leung, Judith Lucy and Luke McGregor stage interventions in contemporary debates that constitute forms of public pedagogy. Documentary comedy These series can be identified as documentary comedies, or docucomedies, which combine humour and non-fiction representation without adhering primarily to either genre. Although the relationship between comedy and factual screen works has received little sustained attention, notes Paul Ward, a program can combine both genres (2005, 67, 78–9). -
Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture. -
SANDI CV March 2019
CURRICULUM VITAE 2019 UTOPIA series 4 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch 2018 The InBESTigators TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS Director: Robyn Butler Wayne Hope CAST: Aston Droomer Anna Cooke Abby Bergman Jamil Seka Nina Buxton Tim Bartley Ian Reiser 2017-18 BACK IN VERY SMALL BUSINESS TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS CAST: Wayne Hope Robyn Nevin Kim Gyngell Director: Robyn Butler 2017 ROMPER STOMPER TV Series Position: COSTUME BUYER NEXT GEN Designer: Anna Borghesi CAST: Toby Wallace Jacqui McKenzie David Wenham Directors: Geoffrey Wright James Napier Robertson Daina Reid DI & VIV & ROSE Theatre Prod Position: COSTUMIER MELBOURNE THEATRE CO Designer: Dale Ferguson CAST: Nadine Garner Beilinda McLory Mandy McElhinney Director: Marion Potts HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler UTOPIA series 3 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch ________________________________________________ 4 /76-80 Ireland Street, West Melbourne, Vic 3003 mobile: 0412 114 958 email: [email protected] 2016 T.V. COMMERCIALS TVC’S Position: COSTUME DESIGNER MR SMITH HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler LITTLE LUNCH series -
PETER ROWSTHRON Actor, Comedian and Writer
PETER ROWSTHRON Actor, Comedian and Writer Peter Rowsthorn is a high energy, fast paced stand up comedian one minute and a measured character actor the next. A masterful MC of corporate and private functions, he has been performing his slick & blistering stand up for almost two decades. Most recently, Peter has appeared regularly on "Thank God You're Here" series 1, 2, 3 and 4, popped up on "Talkin’ ‘Bout Your Generation" and can currently be seen hosting the delightful “Can We Help” on the ABC on Friday nights. But Peter is probably still best known as long-suffering husband and pants-man Brett Craig on “Kath & Kim”. TELEVISION TALKIN BOUT YOUR GENERATION Guest Network Ten, 2012 HENRY AND AARON’S SEVEN STEPS TO SUPER STARDOM Guest Perfectly Adequate, 2011 THE JESTERS Role: Kenny Jesters Production Pty Ltd, 2010 CELEBRITY MASTERCHEF Contestant Network Ten, 2009 TALKIN BOUT YOUR GENERATION Guest Network Ten, 2009 CAN WE HELP? Presenter ABC TV, 2006 / 07 / 08 / 09 / 10 THANK GOD YOU’RE HERE Series 1, 2, 3, 4 Regular Guest Working Dog 2006 / 07 / 08 / 09 SNAKE TALES Role: Jake Johnson Westside Films, 2008 OUT OF THE QUESTION Guest Panellist Jigsaw/Channel 7, 2008 KATH & KIM Series 4 Role: Brett Craig Riley Turner Productions, 2007 20 to 1 Guest Nine Network, 2006 DA KATH & KIM CODE - Telemovie Role: Brett Craig Dir: Ted Emery, Riley Turner Productions / ABC TV, 2005 LITTLE OBERON Role: Miss Kafka Nine Network, 2005 KATH & KIM Series 3 Role: Brett Craig Dir: Ted Emery, Riley Turner Productions / ABC TV, 2004 ALL SAINTS Role: John ‘The Pole’ Morton Seven Network, 2003 WORLD COMEDY UNPLUGGED Stand up Granada / Nine Network, 2003 KATH & KIM Series 2 Role: Brett Craig Dir: Ted Emery, ABC TV, 2002 KATH & KIM Series 1 Role: Brett Craig Dir: Ted Emery, ABC TV, 2001 ROVE (LIVE) Guest interview Roving Enterprises, Network TEN, 2001 SUNDAY ROAST Host Fox 8, 1999 GONGED BUT NOT FORGOTTEN Host Nine Network, 1998 / 99 RECOVERY Stand up ABC TV, 1998 Peter Rowsthorn cont. -
Two of Australia's Most Prolific Comedy Talents, Dave Hughes and Ed
Two of Australia’s most prolific comedy talents, Dave Hughes and Ed Kavalee first worked together back in 2009 and have an effortless on-air chemistry and union. They have been bolstered by the addition of reporter and presenter, Erin Molan, with the trio delivering Sydney the laughs from 5.30-9am weekdays on 2DayFM and from 6-7pm across the Hit Network. DAVE ‘HUGHESY’ HUGHES Dave Hughes is one of the biggest names in Australian comedy and his easy, laconic style disguises one of the nation’s sharpest comedic minds. His unflinching honesty connects him to audiences from all walks of life, evident through his prolific career across radio, TV and live stand-up comedy. Hughesy’s hugely successful TV shows, The Masked Singer and Hughesy, We Have a Problem make him one of Australia’s most loved national personalities. ED KAVALEE Known for his lightning fast comedy, wry wit and improvisation skills, Ed Kavalee has worked extensively in Australian television and radio for over a decade. Ed is a mainstay of Network Ten’s hugely successful comedy quiz show, Have You Been Paying Attention and has also forged a radio career of his own with roles on both Hit and Triple M, including the seminal Get This with Tony Martin. Russell Crowe remarked that Ed is ‘funny as sh*t’. Gladiatorial high praise indeed. ERIN MOLAN Erin has hosted multiple sports shows for the Nine Network and is the weekend sports presenter on Sydney’s number one news bulletin. Erin earned admiration for her informative and empathic broadcasting on 2GB and 4BC during some of the worst bushfires the nation has experienced in the summer of 2020 and will bring an extra layer of lively to Hughesy and Ed’s already brilliant and established show. -
Crackerjack Tail Credits
Casting Cameron Harris Script Editor John Clarke Production Manager Magnus Mansie Production Coordinator Penelope Everett Production Secretary Melanie Brunt Production Manager Attachment Sarah Machado First Assistant Director Annie Maver Second Assistant Director Iain Pirret Third Assistant Director Brad Holyoake Continuity Paul Kiely Cast Jack Mick Molloy Stan Bill Hunter Len Frank Wilson Eileen Monica Maughan Bernie John Clarke Dave Samuel Johnson Nance Judith Lucy Gwen Lois Ramsey Norm Cliff Ellen Mrs Jenkins Esme Melville Edgar Peter Aanensen Ron Bob Hornery Cliff John Flaus Joyce Lois Collinder Barry Paul McCarthy Roger Teague Rook Peter Dino Marnika Mandy Robyn Butler Greenkeeper Brett Swain Joe Lew Lutton Ranking Official Denis Moore Official Tim Sullivan Governor Joan Murray Les Nestor Tony Martin Supervisor Chris Kirby Security Guard Steve Hutchison Police Officer Greg Francis Bert Stapler Andrew Gilmour Hollywood Stuart Baker Edward Earl Francis Julio Robert Ratti Man in Street Pete Smith George Mathew Loe Passerby Lou Virgato Commissionaire Tom Travers Driver Jim Koutsoukos Barber Alfons Beutelschiess Art Director Jayne Russell Buyer/Dresser #1 Denise Goudy Buyer/Dresser #2 Tao Weis Standby Props Ben Bauer Assistant Standby Props Amanda Williams Art Department Coordinator Cathrine McVeigh Art Department Runner George Akl Art Department Assistant James Sutherland Focus Puller Jude Lovatt Clapper Loader Simon Ozolins 2nd Camera Operator Bruce Phillips 2nd Camera Focus Puller Greg de Marigny Sound Recordist Andrew Ramage Boom Operator -
Producer Sally Mclean
EPK “ ... polished, beautifully made series from director/producer Sally McLean ... A fine use of the platform and, more importantly, a very fine adaptation of the Bard … Shakespeare Republic is put together with grace and wit. An assortment of actors do terrific work making the (non- dumbed down) dialogue accessible, prying it open with great care and skill.” THE GUARDIAN PICTURED: STEPHEN COSTAN AS “MARGARET” FROM HENRY VI, PT3 IN SHAKESPEARE REPUBLIC: #LOVETHEBARD (SEASON TWO)., FILMED AT LORD SOMERS CAMP—PHOTO BY SHAUN HERBERTSON. 2 THE Snapshot Created by Australian actor, Sally McLean in 2015, Shakespeare Republic is an internaonally award-winning, female-led and culturally diverse anthology series that celebrates not just the world’s greatest playwright, but also his insighul understanding of the big issues of his me. Insights that sll hold relevance today and form the basis for a truly diverse, invenve and epic journey into the nature of being human. Using the medium of a web series, Shakespeare Republic is a journey through the works of William Shakespeare and his fellow Elizabethan and Jacobean playwrights, with the aim of rediscovering, reinvigorang and occasionally re-interpreng these universal observaons in a modern seng, through the lens of current events and social issues of the 21st Century, in “byte size” form using Shakespeare’s original text. “ ... Sally McLean has managed to put screen adaptations of Shakespeare back on the map.” REALIST WEB FEST, RUSSIA THE Table of Contents AWARDS/NOMINATIONS SUMMARY 3 WHAT IS SHAKESPEARE -
Newsletter 12/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 12/13 DIGITAL EDITION Nr. 335 - Dezember 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 12/13 (Nr. 335) Dezember 2013 editorial Hallo Laserdisc- und DVD-Fans, erlebnis jedoch nicht schmälern!” liebe Filmfreunde! Das IMAX-Kino in Bradford ist noch Man gönnt sich ja sonst nichts. Das eines der wenigen in Europa, das tat- war vermutlich der Leitspruch unseres sächlich noch mit horizontal laufendem Film-Bloggers Wolfram, als er sich 70mm-Film arbeitet. Viele andere spontan dazu entschloss, den zweiten IMAX-Kinos wurden inzwischen be- Teil der HUNGER GAMES Saga im fer- reits digitalisiert. Dort wird mit einer 2K nen England anzuschauen. “Das war Doppelprojektion gearbeitet, die eine mein ganz persönliches Kino-Highlight Leinwand mit einem Bildseiten- 2013!” kam er freudestrahlend von sei- verhältnis von etwa 1:1.78 füllt. Das nem Kurztrip zurück. Wolfram hatte Seherlebnis in den digitalen IMAX- sich natürlich nicht irgendein beliebi- Kinos ist daher leider nicht derart ges Kino ausgesucht, um den Film an- spektakulär wie bei analoger zuschauen, sondern gleich das beste. Projektionstechnik. Seit zwei Wochen Die Rede ist vom IMAX-Kino in hat auch Karlsruhe ein solches digita- Bradford, das dort schon seit über 20 les IMAX-Kino. Es befindet sich im Jahren fester Bestandteil des National Filmpalast am ZKM und war Ziel eines Media Museums ist. “Regisseur kleinen Betriebsausflugs der Laser Francis Lawrence setzte in CATCHING Hotline.