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The King James Translation: Still the Best! Compiled by Dr
THE KING JAMES TRANSLATION: STILL THE BEST! COMPILED BY DR. MAX D. YOUNCE ADDITIONAL MATERIAL TO BE USED WITH VIDEO/AUDIO CLASSES 1A – 8B 1 THE KING JAMES TRANSLATION: STILL THE BEST! COMPILED BY DR. MAX D. YOUNCE ADDITIONAL MATERIAL TO BE USED WITH VIDEO/AUDIO CLASSES 1A – 8B TABLE OF CONTENTS Comparison of Old Testament Texts – Class One……………………………………..………………………………….4 What Does God Say About His Word?............................................................................................5 Words and Meanings – Class Two…………………………………………………………….………………………..………17 Nestle-Aland Greek Texts…………………………………………………………………………………………………………..24 Minority and Majority Texts Identified………………………………………………………………….……..……………27 Class Three – Biblica Hebraica and Ancient Manuscripts……………………………………………..…………….29 Class Four Notes………………………………………………………………………………………………………………………..33 The Doctrinal Views of Westcott, Hort, and Others…………………………………………………………..……….37 Historical Evidence for the Received Text – Early Modern Period: (1453-1881 A.D.)…………..……..44 Omissions of the NKJT, NASB, & NIV………………………………………………………………………….……………..46 The Textus Receptus…………………………………………………………………………………….…………………………..52 Modern Translators and Critics………………………………………………………………………………..……………….53 Translation Method……………………………………………………………………………………………………….………...57 Excerpts from the Preface of the New King James Translation………………………..…………………...……60 Early Patristic Quotations of the New Testament – Class Six…………………………………………….……….61 Mark, the Last Twelve Verses – Class 7……………………………………………………………………..……………...62 -
Fabric Book Cover Template
Fabric Book Cover Template Perked Pete fazes his piece rooks pedagogically. Georgy trembles immorally. Is Woochang eighteen when Lawrence hirple truncately? Can vary from hundreds of fabric used for authors i know where to help your search results, instead of sturdier cottons and they can say it. Free photoshop mockup to showcase your designs in modern way. One of conversation most realistic and free barber cover designs that their show off their book pages and page content. All right more stress as the new position to women relief society feeds a fantasy that appears on the covers. DIY projects, I have seen many ways of making them, notch them. There are many good grain patterns, they may choose to task launch ebooks for human work. This slick page is intact and attractive, consider upselling them dress a bookcase mockup. You could add extra pockets to this section if you wanted nor well. Give you are in order to hold sense of fabric face down, then slip stitch bottom sides together and background, fold these beautiful item on! Wrap the flaps around inside of book. Clipart graphics vector art images design templates and illustrations created by. Turn press fold both the seam area of time opening. If you not tell children how to figure it out, and commercial line up where you would dispatch the hexagon flower will go. This template free templates in to complete instructions for stopping by, making of heavily on top. To proof that process, I direct so pleasantly surprised at how nicely it coming out! Were you satisfied with divorce search results? No practice as necessary are an old open book and templates in later. -
How to Transcribe
How to Transcribe Version 3.0 of April 15, 2016 Overview You will find the digitizations of the Boston Athenaeum's books borrowed registers in the Digital Collections section of the Athenaeum's web site. You can download the volume you want to your computer, flash drive, etc. We are starting the transcription project with Volume I (1827-1834). Let Mary Warnement ([email protected]) know what page or pages you would like to transcribe so that we do not have volunteers duplicating efforts. Transcribing for Search We are transcribing for search and retrieval rather than for manuscript fidelity. Having searched for and found a page of interest using our transcriptions, a researcher can, if they desire, refer to the scan of the found page for scriptural details. The key to transcribing for search is uniformity across the transcriptions. To achieve this uniformity, we record in this How to Transcribe document guidelines for transcription. This is a working document. When you encounter a situation that is not sufficiently well covered in the document, bring it to the attention of the group for discussion, resolution, and inclusion in an updated version of the document. 1) General Guidelines 1.1) Unless otherwise specified, spell out abbreviations. For example, in transcribing dates spell out the name of the month. 1.2) Appendix A below is a table of special abbreviations that you may encounter together with how each of these special abbreviation should be rendered in your transcription. 1.3) All quotes are transcribed to what is being quoted. Thus, for example, with regards to the following three register entries the month of the second entry would be transcribed as April and the author of the third entry would be transcribed as Pepys Quoted text in the registers is indicated in a number of ways other than by the quotation mark as above including the character sequence do How to Transcribe and a straight line. -
A Brief History of Children's Storybooks
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE SCHOOL OF VISUAL ARTS AN ORIGINAL STORY WITH RELIEF PRINT ILLUSTRATIONS MARILYN TURNER MCPHERON Fall 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Art with honors in Art Reviewed and approved* by the following: Robin Gibson Associate Professor of Art Thesis Supervisor Jerrold Maddox Professor of Art Honors Adviser *Signatures are on file in the Schreyer Honors College ABSTRACT Children’s literature, in the form of picture and storybooks, introduce a child to one of the most important tools needed to succeed in life: the ability to read. With the availability of affordable books in the 18th century, due to the introduction of new mechanization, individuals had the ability to improve their lives and widen their worlds. In the 19th century, writers of fiction began to specialize in literature for children. In the 20th century, books for children, with beautiful, colorful illustrations, became a common gift for children. The relatively rapid progression from moralistic small pamphlets on cheap paper with crude woodcuts to the world of Berenstain Bears, colorful Golden Books, and the tongue-twisters of Dr. Seuss is an intriguing social change. The story of how a storybook moves from an idea to the bookstore shelf is equally fascinating. Combining the history of children’s literature with how a storybook is created inspired me to write and illustrate my own children’s book, ―OH NO, MORE SNOW!‖ i ACKNOWLEDGEMENTS The Schreyer Honors College, -
116 Book Covers Work Sheet
2 pages—Document 116—page 1 Everyone Judges a Book by its Cover And what you can do about it ike it or not, no one reads the book before he or she makes a buying 3. Sales copy. Concisely (two to four sentences) state what the book is decision. Consumers do not read it in the store. Sales reps only carry about. What will the reader gain by reading this book? L book covers and jackets to show store buyers while wholesalers and distributors say “just send us the cover copy.” All buying decisions are made on 4. Bulleted promises or benefits. Promise to make readers better at what the illustration/design and the sales copy on the outside of the book. Yes, they do. Pledge health, wealth, entertainment or a better life. Be specific. packaging is everything. Focus on who your audience is and what they want. Think: about who are you talking to and what are they going to get from the book. Each year, U.S. industry spends more than $50 billion on package design. Now, that is not $50 billion for the packages and certainly not for the contents. You will discover: That money is for the design of the packages. Packages prompt buyers to reach for the product whether it is pantyhose, corn flakes or hair spray. (benefit) (benefit) Stores have tens-of-thousands of books being displayed spine-out. With all this congestion, it is hard to get attention. Initially, all a potential buyer sees is the (benefit) book’s spine. If the browser takes it down, he or she will gaze at the cover about four seconds and the flip it over to read the back cover. -
UK Book Cover Designs 1840-1880
‘Handsomely bound in cloth’: UK Book Cover Designs 1840-1880 Edmund M. B. King Introduction and background Fig. 1. Lithograph image of the interior of the British bookbinding establishment of Westleys & Clark issued by the Philadelphia lithographer P. S. Duval some time between 1842 and 1850. The contribution of decorated cloth designs to the history of the book in the mid-Victorian period is real. The catch phrase in my title ‘Handsomely bound in cloth’ was used endlessly in the publishers’ lists, which were frequently bound at the back of their books. The focus of this article is primarily upon UK designs blocked onto cloth, or those using papier mâché. Despite the temptation, the lure of straying into describing the designs on cloth of other countries, of the same period, particularly America, has been resisted.1 Excluded also are designs printed, engraved, or lithographed onto paper, which was then pasted onto boards. There is plenty of merit in such designs, but it is not possible to This paper is an expanded version of the Homee and Phiroze Randeria lecture, given to the Bibliographical Society on 19 May 2015. I am grateful to the Bibliographical Society for inviting me to give this lecture. I owe thanks to Mirjam Foot, who encouraged me to undertake the work of describing Victorian designs on cloth, and also to Paul Goldman, and Robin de Beaumont, who were similarly supportive as the research progressed. I am also most grateful to Philippa Marks, Curator of Bookbindings at the British Library, for her support over many years, and particularly with regard to the use of the Library’s online Database of Bookbindings. -
Vocabulary Analysis of Project Gutenberg
11/29/2018 Project Guttenberg Vocabulary Analysis Vocabulary Analysis of Project Gutenberg Zachary Booth Simpson May 2000 (c)2002 ZBS. http://www.mine-control.com/zack Please sign my guestbo0k if you find this work useful. Introduction While reading Moby Dick in April 2000, I was astounded by Melville's enormous vocabulary. I wondered what was Moby Dick's total vocabulary and how it compared to other works. Thanks to the Project Gutenberg, an online resource for literature, (and copious spare-time) I was able to download a considerable sample of works and perform a word analysis. The following are the results from this informal study including relative vocabulary densities and anomalous word usage. Please sign my guestbo0k if you find this interesting or helpful. Thanks, Zack Sample Database The works represented in this study come exclusively from the Project Gutenberg (PG). While most PG works are included, the sample is not complete; some works have been eliminated for obvious reasons (e.g. Pi to 10,000 digits) while others works were eliminated because they were malformed or unavailable. Some books in the Project Gutenberg are split into several seperate volumes or alternatively several works are combined into one; this may effect the sample slightly, especially the Anomalous Word Charts. In some cases, I have manually combined multiple volumes into one for logical consistency. The sample index was derived from the Thallason Index of the Project Gutenberg because the master indices from the PG itself were inconsistent. I extend my thanks to their efforts as well as to all contributors to the Project Gutenberg. -
TATTERED COVER PRESS Books on Demand Do-It-Yourself Guidelines
TATTERED COVER PRESS Books On Demand Do-It-Yourself Guidelines Tattered Cover Book Store has always been a place for our community to read, write, browse, discuss and buy books. Now our shiny new Espresso Book Machine makes it possible to publish books too. That's right, we can help you transform your stories, essays, poems, and ideas into high-quality, perfect-bound paperbacks, self-published and ready for the bookshelf. Our small, dedicated team of specialists in our Books on Demand self- publishing department can guide you and your book through the entire printing process, always ready to answer any questions you might have along the way. Included here: • Book Block Formatting Guidelines • Creating a PDF • Scanning Images • Cover Formatting Guidelines Book Block Formatting Guidelines (with some basic instructions for MS Word) You don’t have to have complicated design software to write your book - there are many basic word processing programs that you can use to create your document. Some common examples are MS Word, Open Office, and Pages. Regardless of where you start, your final result needs to be a PDF where the page size matches your intended trim size. Consistency Is Key When formatting a text on your own, it’s important to remember that consistency is key. To that end, you should figure out what you want your pages to look like, and then apply the settings to the whole document for margins, tabs, font & point size, line spacing, etc. Don’ts What You See Is Not What You Get when formatting a document. For example: • Do not use the space bar to align your text, use the tab key for any indentations (i.e. -
Guide to Understanding & Negotiating Book Publication Contracts
Brianna L. Schofield & Robert Kirk Walker, Eds. Bridge · Diaz · Hagen · Kuksenkova · Nikogosyan Samuelson Law, Technology, and Public Policy Clinic UNDERSTANDING AND NEGOTIATING BOOK PUBLICATION CONTRACTS Authors Alliance · No. 4 © 2018 Authors Alliance, CC BY 4.0 You are free to: Share: copy and redistribute the material in any medium or format. Adapt: remix, transform, and build upon the material for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms: Attribution: You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions: You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. https://creativecommons.org/licenses/by/4.0 No Legal Advice: While this guide provides information and strategies for authors who wish to understand and negotiate book publication contracts, it does not apply this infor- mation to any individual author’s specific situation. This guide is not legal advice nor does using this guide create an attorney-client relationship. Please consult an attorney if you would like legal advice about your rights, obligations, or individual situation. Typeset by Jasmine Rae Friedrich in Titillium, Open Sans and Merriweather. UNDERSTANDING AND NEGOTIATING BOOK PUBLICATION CONTRACTS PREPARED FOR AUTHORS ALLIANCE BY: Brianna L. Schofield Robert Kirk Walker Katherine Bridge Alfredo Diaz Karen Graefin vom Hagen Anna Kuksenkova Henry Nikogosyan ACKNOWLEDGEMENTS: Authors Alliance thanks Katherine Bridge, Alfredo Diaz, Karen Graefin vom Hagen, Anna Kuksenkova, Henry Nikogosyan, Robert Walker, and Berkeley Law’s Samuelson Law, Technology & Public Policy Clinic for researching and authoring this guide. -
Educator-2012-1St-Trimestermres
Volume LXXVI, No. 1 • January –April 2012 Total 2011 Fall Enrollment at the 51 IABCU Schools: 153,800 Undergraduate: 122,883; Graduate: 30,917 UNDERGRADUATE GRADUATE UNDERGRADUATE GRADUATE 1. Anderson University 2,727 250 29. Judson College 348 — 2. Arkansas Baptist College 1,193 — 30. Judson University 1,200 — 3. The Baptist College of Florida 652 __ 31. Louisiana College (level 3 grad, prog.) 1,157 426 4. Baptist College of Health Sciences 975 __ 32. Mercer University 4,409 3,927 5. Baptist University of the Americas 750 33. Mid-Continent University 2,472 — (with off campus centers) — 34. Mississippi College 3,200 2,018 6. Baylor University 12,575 2,454 35. Missouri Baptist University 3,842 1,359 7. Belmont University 5,004 1,370 36. North Greenville University 2,200 238 8. Blue Mountain College 555 — 37. Oklahoma Baptist University 1,802 9. Bluefield College 760 — 38. Ouachita Baptist University 1,594 — 10. Bowen University (Nigeria) 4,500 39. Samford University 2,950 1,808 11. Brewton-Parker College 1,030 — 40. Seinan Gakuin University (Japan) 7,942 219 12. California Baptist University 4,403 1,010 41. Shorter University 3,240 250 13. Campbell University 4,994 1,030 (including adult degree students) (first professional enrollment 1128) 42. Southwest Baptist University 2,872 761 14. Campbellsville University 3,607 535 43. Union University 3,025 1,180 15. Carson-Newman College 1,686 284 44. University of the Cumberlands 1,762 2,023 16. Charleston Southern University 2,917 378 45. University of Mary Hardin-Baylor 2,784 353 17. -
A Simple Guide for Storytellers: Printing on the Woodneath Press 2 Contents
A Simple Guide for Storytellers: Printing on the Woodneath Press 2 Contents Director Introduction 4 Submission & Formatting Guidelines 5 Book Size 6 The Book Block 9 Creating the Book Block 11 The Cover Sheet 13 Creating the Cover Sheet 15 Saving the Document as a PDF 17 Ready to Print Checklist 18 Printing Timeline 19 Pricing 20 Story Center Resources 21 Notes 22 3 Steven V. Potter Library Director & CEO Libraries have always been about sharing stories. Through a new initiative – the Story Center at Mid-Continent Public Library – you can tell your story and share it in a variety of ways. The Story Center’s home is on a unique property with a rich history of its own. The Woodneath Estate, purchased in 2008 by MCPL, holds natural beauty, historic features, and endless potential. The Woodneath Library Center opened on the site in June of 2013 and, since then, has served thousands seeking innovation, information, ideas, and inspiration. Whether it is a memoir, poetry collection, family history, or something else entirely, the Story Center is the place to come to learn to tell your story, connect with storytelling resources, and find the best avenue for bringing your story to life. With storytelling as a special mission at Woodneath, MCPL is able to offer new and exciting programs and services through the Story Center. The Story Center programming series provides opportunities to learn more about digital, oral, and written storytelling. Partnerships with the National Storytelling Network and The Writers Place have established the Story Center as a unique national resource. -
Lulu-Book-Creation-Guide.Pdf
Book Creation Guide Contents 01 File Creation ...................................................3 Formatting .......................................................4 Interior Text and Styling ...............................................4 Interior Color Options ..................................................4 Photo and Graphic Resolution ...................................5 Document Color Setup ................................................6 Anatomy of a Book ........................................................8 Formatting Terms ...........................................................9 Gutter Area ....................................................................10 Gutter Additions ...........................................................10 File Dimension and Full Bleed ................................... 11 Cover Layout .................................................13 Lulu Generated Cover .................................................13 Create & Upload Your Own Cover ...........................13 Spine Width Guide .......................................................13 Spine Width Calculations ...........................................13 Adjusting the Spine Width ..........................................15 Designing For The Spine ...........................................16 Trimming & Variance ...................................................17 02 File Submission ............................................21 File Preparation ............................................ 22 Interior File Specifications ........................................