2020 in Science & Culture
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Press Release 13 October 2019
Under embargo until 13 October 2019, 10am GMT Press Release 13 October 2019 Five shortlisted artists announced for the 8th edition of the Max Mara Art Prize for Women 2019 – 2021 The Whitechapel Gallery, Collezione Maramotti and Max Mara are delighted to announce the five shortlisted artists for the 8th edition of the Max Mara Art Prize for Women: Allison Katz, Katie Schwab, Tai Shani, Emma Talbot and Hanna Tuulikki. This weekend the artists travelled to Collezione Maramotti in Reggio Emilia, Italy, for the announcement, and to celebrate the opening of the major art work Che si può fare, by the seventh winner of the prize, Helen Cammock. Che si può fare tours from the Whitechapel Gallery where it was unveiled this summer. The artists shortlisted for the 2019 - 2021 iteration of the prize were selected by a judging panel chaired by Iwona Blazwick OBE, Director of the Whitechapel Gallery, joined by gallerist Florence Ingleby, artist Chantal Joffe, collector Fatima Maleki and art critic Hettie Judah. The Max Mara Art Prize for Women was established by Whitechapel Gallery in collaboration with the Max Mara Fashion Group in 2005. Its aim is to promote emerging female artists based in the UK, enabling them to develop their potential; and to inspire new artistic perspectives on 21st century Italy. The winning artist, announced in early 2020, is awarded a bespoke six-month artist residency in locations around Italy after presenting the judges with a proposal for a new body of work. The resulting work is premiered at the Whitechapel Gallery and travels to the Collezione Maramotti in Reggio Emilia, Italy, in 2021. -
Craters on (101955) Bennu's Boulders
EPSC Abstracts Vol. 14, EPSC2020-502, 2020, updated on 30 Sep 2021 https://doi.org/10.5194/epsc2020-502 Europlanet Science Congress 2020 © Author(s) 2021. This work is distributed under the Creative Commons Attribution 4.0 License. Craters on (101955) Bennu’s boulders Ronald-Louis Ballouz1, Kevin Walsh2, William Bottke2, Daniella DellaGiustina1, Manar Al Asad3, Patrick Michel4, Chrysa Avdellidou4, Marco Delbo4, Erica Jawin5, Erik Asphaug1, Olivier Barnouin6, Carina Bennett1, Edward Bierhaus7, Harold Connolly1,8, Michael Daly9, Terik Daly6, Dathon Golish1, Jamie Molaro10, Maurizio Pajola11, Bashar Rizk1, and the OSIRIS-REx mini-crater team* 1Lunar and Planetary Laboratory, University of Arizona, Tucson, AZ, USA 2Southwest Research Institute, Boulder, CO, USA 3University of British Columbia, Vancouver, Canada 4Laboratoire Lagrange, Université Côte d’Azur, Observatoire de la Côte d’Azur, CNRS, Nice, France 5Smithsonian Institution, Washington, DC, USA 6The Johns Hopkins University Applied Physics Laboratory, Laurel, MD, USA, (7) Lockheed Martin Space, Little-ton, CO, USA 7Lockheed Martin Space, Littleton, CO, USA, 8Dept. of Geology, Rowan University, Glassboro, NJ, USA 9York University, Toronto, Canada 10Planetary Science Institute, Tucson, AZ, USA 11INAF-Astronomical Observatory of Padova, Padova, Italy *A full list of authors appears at the end of the abstract Introduction: The OSIRIS-REx mission’s observation campaigns [1] using the PolyCam instrument, part of the OSIRIS-REx Camera Suite (OCAMS) [2 3], have returned images of the surface of near-Earth asteroid (NEA) (101955) Bennu. These unprecedented-resolution images resolved cavities on Bennu’s boulders (Fig. 1) that are near-circular in shape and have diameters ranging from 5 cm to 5 m. -
SPACE RESEARCH in POLAND Report to COMMITTEE
SPACE RESEARCH IN POLAND Report to COMMITTEE ON SPACE RESEARCH (COSPAR) 2020 Space Research Centre Polish Academy of Sciences and The Committee on Space and Satellite Research PAS Report to COMMITTEE ON SPACE RESEARCH (COSPAR) ISBN 978-83-89439-04-8 First edition © Copyright by Space Research Centre Polish Academy of Sciences and The Committee on Space and Satellite Research PAS Warsaw, 2020 Editor: Iwona Stanisławska, Aneta Popowska Report to COSPAR 2020 1 SATELLITE GEODESY Space Research in Poland 3 1. SATELLITE GEODESY Compiled by Mariusz Figurski, Grzegorz Nykiel, Paweł Wielgosz, and Anna Krypiak-Gregorczyk Introduction This part of the Polish National Report concerns research on Satellite Geodesy performed in Poland from 2018 to 2020. The activity of the Polish institutions in the field of satellite geodesy and navigation are focused on the several main fields: • global and regional GPS and SLR measurements in the frame of International GNSS Service (IGS), International Laser Ranging Service (ILRS), International Earth Rotation and Reference Systems Service (IERS), European Reference Frame Permanent Network (EPN), • Polish geodetic permanent network – ASG-EUPOS, • modeling of ionosphere and troposphere, • practical utilization of satellite methods in local geodetic applications, • geodynamic study, • metrological control of Global Navigation Satellite System (GNSS) equipment, • use of gravimetric satellite missions, • application of GNSS in overland, maritime and air navigation, • multi-GNSS application in geodetic studies. Report -
Grayson Perry
GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art -
Bennu: Implications for Aqueous Alteration History
RESEARCH ARTICLES Cite as: H. H. Kaplan et al., Science 10.1126/science.abc3557 (2020). Bright carbonate veins on asteroid (101955) Bennu: Implications for aqueous alteration history H. H. Kaplan1,2*, D. S. Lauretta3, A. A. Simon1, V. E. Hamilton2, D. N. DellaGiustina3, D. R. Golish3, D. C. Reuter1, C. A. Bennett3, K. N. Burke3, H. Campins4, H. C. Connolly Jr. 5,3, J. P. Dworkin1, J. P. Emery6, D. P. Glavin1, T. D. Glotch7, R. Hanna8, K. Ishimaru3, E. R. Jawin9, T. J. McCoy9, N. Porter3, S. A. Sandford10, S. Ferrone11, B. E. Clark11, J.-Y. Li12, X.-D. Zou12, M. G. Daly13, O. S. Barnouin14, J. A. Seabrook13, H. L. Enos3 1NASA Goddard Space Flight Center, Greenbelt, MD, USA. 2Southwest Research Institute, Boulder, CO, USA. 3Lunar and Planetary Laboratory, University of Arizona, Tucson, AZ, USA. 4Department of Physics, University of Central Florida, Orlando, FL, USA. 5Department of Geology, School of Earth and Environment, Rowan University, Glassboro, NJ, USA. 6Department of Astronomy and Planetary Sciences, Northern Arizona University, Flagstaff, AZ, USA. 7Department of Geosciences, Stony Brook University, Stony Brook, NY, USA. 8Jackson School of Geosciences, University of Texas, Austin, TX, USA. 9Smithsonian Institution National Museum of Natural History, Washington, DC, USA. 10NASA Ames Research Center, Mountain View, CA, USA. 11Department of Physics and Astronomy, Ithaca College, Ithaca, NY, USA. 12Planetary Science Institute, Tucson, AZ, Downloaded from USA. 13Centre for Research in Earth and Space Science, York University, Toronto, Ontario, Canada. 14John Hopkins University Applied Physics Laboratory, Laurel, MD, USA. *Corresponding author. E-mail: Email: [email protected] The composition of asteroids and their connection to meteorites provide insight into geologic processes that occurred in the early Solar System. -
THE PLATFORM: VOLUME 4, ISSUE 1 October 2004
THE PLATFORM: VOLUME 4, ISSUE 1 October 2004 The Platform is published by AEA Consulting, a company that specializes in strategic and operational planning for the cultural sector. The Platform promotes discussion and understanding of the critical factors affecting cultural planning and the successful management of cultural organizations. Comments or contributions welcomed by Alexis Frasz, Editor, at [email protected]. Back issues available at www.aeaconsulting.com . If you don’t wish to receive The Platform in the future, send an e-mail to this address saying ‘not interested.’ ARTICLE China’s New Cultural Revolution By Elizabeth Casale China’s cultural sector is growing rapidly in size and scope and sophistication in parallel with that country’s staggering pace of economic development. There has been much talk in the arts community about the Chinese government’s intention to build 1,000 new museums across the country by 2015. While the number may seem exaggerated, it is not. The State Administration of Cultural Heritage, the government bureau in charge of China’s museums nationwide, indeed has announced such a plan, adding that this unprecedented state investment in cultural infrastructure will, among other things, ensure that every mid-sized and large city in the country has at least one museum. How officials arrived at the fantastic-sounding figure of 1,000 starts to become clearer once one internalizes the fact that China currently has approximately100 urban areas with a population of 1 million or more. Beijing alone is planning to add at least 32 new museums by 2008. Already underway is a $220 million expansion of the National Museum of China that will double the exhibition spaces, and, in a move that reflects a new emphasis on visitor services and earned income generation, complement them with a museum shop, café and cinema. -
Art and Society
Art and Society Module Code 4ELIT007X Module Level 4 Length Session Two, Three Weeks Site Central London Host Course London International Summer Programme Pre-Requisite None Assessment 60% Essay, 40% Presentation Special features This module may include additional costs for museum tickets. Typical visits include the Tate Modern Museum, Victoria and Albert Museum, National Portrait Museum, Museum of London, British Museum, Wallace Collection, Serpentine Galleries, Welcome Collection. Note: These visits are not the same every year and they are subject to change. Summary of module content This module is an introduction to the visual culture of London, including painting, architecture, photography and contemporary media. Students will visit the major art galleries to examine how art works exhibitions and cultural organisations can be understood within wider social contexts. The sessions also include museums and historical sites, such as the British Museum and St Paul’s Cathedral, as well as art galleries. The classes will explore how these institutions reveal the complex cultural identity and history of London. The module develops students’ skills in visual analysis and critical thinking about culture. Learning outcomes By the end of the module the successful student will be able to: x Demonstrate ability to make a visual analysis of works of art x Demonstrate an understanding of visual arts x Demonstrate an understanding of the ways in which historical displays and sites can be related to a political, social or cultural context x Discuss the role of London as a cultural centre x Develop appropriate skills in academic presentation and writing. Course outcomes the module contributes to: Students will be able to demonstrate: NA 14 NB This module does not form part of the BA English Literature and cannot be taken by students on this pathway. -
VISITOR FIGURES 2015 the Grand Totals: Exhibition and Museum Attendance Numbers Worldwide
SPECIAL REPORT VISITOR FIGURES2015 The grand totals: exhibition and museum attendance numbers worldwide VISITOR FIGURES 2015 The grand totals: exhibition and museum attendance numbers worldwide THE DIRECTORS THE ARTISTS They tell us about their unlikely Six artists on the exhibitions blockbusters and surprise flops that made their careers U. ALLEMANDI & CO. PUBLISHING LTD. EVENTS, POLITICS AND ECONOMICS MONTHLY. EST. 1983, VOL. XXV, NO. 278, APRIL 2016 II THE ART NEWSPAPER SPECIAL REPORT Number 278, April 2016 SPECIAL REPORT VISITOR FIGURES 2015 Exhibition & museum attendance survey JEFF KOONS is the toast of Paris and Bilbao But Taipei tops our annual attendance survey, with a show of works by the 20th-century artist Chen Cheng-po atisse cut-outs in New attracted more than 9,500 visitors a day to Rio de York, Monet land- Janeiro’s Centro Cultural Banco do Brasil. Despite scapes in Tokyo and Brazil’s economic crisis, the deep-pocketed bank’s Picasso paintings in foundation continued to organise high-profile, free Rio de Janeiro were exhibitions. Works by Kandinsky from the State overshadowed in 2015 Russian Museum in St Petersburg also packed the by attendance at nine punters in Brasilia, Rio, São Paulo and Belo Hori- shows organised by the zonte; more than one million people saw the show National Palace Museum in Taipei. The eclectic on its Brazilian tour. Mgroup of exhibitions topped our annual survey Bernard Arnault’s new Fondation Louis Vuitton despite the fact that the Taiwanese national muse- used its ample resources to organise a loan show um’s total attendance fell slightly during its 90th that any public museum would envy. -
Chelsea Space for IMMEDIATE RELEASE
PRESS RELEASE Chelsea Space FOR IMMEDIATE RELEASE ORGASMIC STREAMING ORGANIC GARDENING ELECTROCULTURE Beatrice Gibson, Alison Knowles, Ghislaine Leung, Annea Lockwood, Claire Potter, Charlotte Prodger, Carolee Schneemann, Tai Shani, Mieko Shiomi Private view: Tuesday 24 April, 6-8.30pm Exhibition continues: 25 April – 25 May 2018 Touching, performance with microphone and script fragments, 2016. Claire Potter. Image courtesy of the artist. ORGASMIC STREAMING ORGANIC GARDENING ELECTROCULTURE is a group exhibition looking at practices that emerge between text and performance, the page and the body, combining a display and events programme of historical and contemporary works. Newly commissioned and existing works will intersect with an array of archival material located in Carolee Schneemann's Parts of a Body House [1968-1972], from which the exhibition title derives, and Alison Knowles and Annea Lockwood's score anthology Womens Work [1975- 8]. ORGASMIC STREAMING ORGANIC GARDENING ELECTROCULTURE seeks an alternative framework to look at the influence of conceptual procedures as well as experimental writing within contemporary feminist performance practices across visual art, sound and text. The exhibition seeks to highlight these significant trans- historical sensibilities, whilst acknowledging their disjuncts. Each artist brings a particular method, procedure or interrogation to the act of writing or performing text, blurring descriptions such as text, score, work, performance, version and iteration. ORGASMIC STREAMING ORGANIC GARDENING ELECTROCULTURE’s exhibition display is accompanied by a day of live performance, a workshop, a publication and an affiliated symposium to take place in May 2018. Curated by Karen Di Franco and Irene Revell. Chelsea Space Chelsea College of Arts 16 John Islip Street, London, SW1P 4JU www.chelseaspace.org PRESS RELEASE Chelsea Space FOR IMMEDIATE RELEASE Parts of a Body House is a score, a document and a piece of speculative fiction, written by Carolee Schneemann between 1957-68. -
Visitor Figures 2016 Exhibition & Museum Attendance Survey
2 THE ART NEWSPAPER REVIEW Number 289, April 2017 SPECIAL REPORT VISITOR FIGURES 2016 EXHIBITION & MUSEUM ATTENDANCE SURVEY Christo helps 1.2 million people to walk on water While the Whitney breaks the hold of New York’s big two hristo’s triumph in Italy, a space in New York to five artists, including Steve Children admiring Louise Bourgeois at Tate Modern: ravenous appetite for French art McQueen, Lucy Dodd and Michael Heizer, for the institution has hung on to its spot as the world’s abroad and a shake-up in New several weeks at a time. On average, more than most popular Modern and contemporary art museum York are the big stories of The 4,000 visitors saw each of the five presentations, Art Newspaper’s 2016 attend- roughly equivalent to the number that visited the FEMALE ARTISTS DRAW BIG CROWDS ance survey. museum’s Frank Stella retrospective. Christo’s Floating Piers (2016) Despite the Whitney’s rapid rise, MoMA and Female artists feature prominently in our survey. on Lake Iseo—the New York-based artist’s first the Met continue to lead the league in New York. At the Guggenheim Bilbao, Louise Bourgeois’s Cells Coutdoor installation since 2005—was the world’s MoMA remains at the top, thanks to staffers who attracted around 4,600 visitors a day. The Japanese most-visited work of art last year. Christo erected performed each afternoon over a long weekend artist Yayoi Kusama, who in 2014 proved a phenom- 3km of fabric-covered pontoons between an island last October in a production directed by the enon in South America and Asia, continued to pull and the shore and invited the public to walk on French choreographer Jérôme Bel. -
Biography Authored Books Edited Books Journal Articles
Kirstie Fryirs Faculty of Science and Engineering Email: [email protected] Phone: +61 2 9850 8367 Biography Kirstie's work focuses on fluvial geomorphology and river management. Her research focusses on how rivers work, how they have evolved, how they have been impacted by anthropogenic disturbance, how catchment sediment budgets and (dis)connectivity work, and how to best use geomorphology in river management practice. She is probably best known as the co-developer of the River Styles Framework and portfolio of professional development short courses (see www.riverstyles.com). The River Styles Framework is a geomorphic approach for the analysis of rivers that includes assessment of river type and behaviour, physical condition and recovery potential. These analyses are used to develop prioritisation and decision support systems in river management practice. Uptake of the River Styles Framework has now occurred in many places on six continents. Kirstie has strong domestic and international collaborations in both academia and industry. She has worked for many years on various river science and management projects as part of multi-disciplinary, collaborative teams that include ecologists, hydrologists, social scientists, practitioners and citizens. Kirstie has also been lucky enough to work in Antarctica for two summer seasons, undertaking research on heavy metal contamination at Casey and Wilkes stations. Kirstie has co-written and co-edited three books titled "Geomorphology and River Management" (Blackwell, 2005), "River Futures" (Island Press, 2008) and "Geomorphic Analysis of River Systems: An Approach to Reading the Landscape" (Wiley, 2013). She holds several research, teaching and postgraduate supervision awards including the international Gordon Warwick medal for excellence in research. -
New Jersey Student Learning Assessment–Science (NJSLA–S)
New Jersey Grade Student Learning Assessment–Science 11 (NJSLA–S) Grado Parent, Student, and Teacher Information Guide Guía de información para Grade 11 los padres, los alumnos y los maestros Spring 2020 Primavera de 2020 Copyright © 2020 by the New Jersey Department of Education. All rights reserved. Table of Contents Parent Information ...........................................................................................................................1 Description of the NJ Student Learning Assessment-Science (NJSLA–S) ................................1 The NJSLA–S Experience ...........................................................................................................1 1. Who will be tested? .................................................................................................................1 2. What types of questions are on the NJSLA–S? ......................................................................1 3. How can a child prepare for the NJSLA–S? ...........................................................................2 4. How long is the 2020 test? ......................................................................................................2 5. How fair is the NJSLA–S? ......................................................................................................2 6. How can I receive more information about the NJSLA–S? ...................................................2 Student Information .........................................................................................................................3