Downtown Culture Walk
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Soho Arts Network Soho Arts Network Map of Nonprofit Art Spaces
SoHo Arts Network 1 apexart 291 Church St. 11 International Center 250 Bowery 212 . 431 . 5270 of Photography Museum 212 . 857 . 0000 Tue – Sat: 11am – 6pm Tues – Sun: 10am – 6pm apexart.org *Thu open until 9pm $14, $12 for seniors, 2 Artists Space 55 Walker St. $10 for students, free for members Books & Talks 212 . 226 . 3970 and children under 14 Wed – Sun: 12 – 6pm icp.org artistsspace.org 12 Judd Foundation 101 Spring St. 3 Center for Architecture, 536 LaGuardia Pl. 212 . 219 . 2747 AIA New York Chapter 212 . 683 . 0023 Visits by appointment Mon – Fri: 9am – 8pm, Tue, Thu, and Fri: 1pm, 3pm, and 5pm Sat: 11am – 5pm Sat: 11am, 1pm, 2pm, and 4pm centerforarchitecture.org $24, $11.50 for students and seniors, free for high school students 4 CIMA – Center for Italian 421 Broome St., 4th fl. juddfoundation.org Modern Art 646 . 370 . 3596 Fri – Sat 13 Leslie-Lohman Museum 26 Wooster St. Tours: 11am and 2pm, of Gay and Lesbian Art 212 . 431 . 2609 Open hours: 1 – 6pm Wed – Sun: 12 – 6pm $10, free for members and students *Thu open until 8pm *Advance registration recommended $9 suggested donation italianmodernart.org leslielohman.org 5 Dia: The Broken 393 West Broadway 14 Museum of Chinese 215 Centre St. Kilometer 212 . 925 . 9397 in America 212 . 619 . 4785 Wed – Sun: 12 – 6pm (closed 3 – 3:30pm) Tue – Sun: 11am – 6pm diaart.org *Thu open until 9pm $10, $7 for seniors and students, free 6 Dia: The New York 141 Wooster St. for members and cool culture families SoHo Arts Network Earth Room 646 . -
Soho Arts Network
Downtown Culture Walk is a self-guided walking tour SoHo Arts Network SoHo Arts Network presented by the SoHo Arts Network (SAN), highlighting 1 the nonprofit art spaces in the SoHo and downtown Downtown Culture Walk neighborhoods. SAN celebrates the rich history of our nyartmaps.com unique creative community and collectively shares our Saturday, April 27, 2019 distinct cultural contributions with neighborhood residents 12 – 6pm and visitors. On April 27, members of SAN will open their doors for Downtown Culture Walk, inviting participants 3 2 to discover the nonprofit art spaces in the neighborhood. Walkthroughs, talks, open hours, and other programming 4 will be offered that day for free or reduced admission. Map courtesy of NY Art Maps, NY of Map courtesy 5 6 1. Swiss Institute 11. Dia: The Broken 38 St. Marks Pl. Kilometer 7 8 393 West Broadway 9 2. The Sylvia Wald DOWNTOWN & Po Kim Art Gallery 12. Storefront for Art 417 Lafayette St., 4th floor and Architecture 97 Kenmare St. CU LT UR E 3. Grey Art Gallery New York University 13. The Drawing Center 100 Washington Sq. East 35 Wooster St. 10 WA LK 4. 80 Washington 14. CIMA - Center for 11 Square East Italian Modern Art 12 New York University 421 Broome St., 4th floor 5. AIA New York | Center 15. Leslie-Lohman Museum for Architecture of Gay and Lesbian Art 536 LaGuardia Pl. 26 Wooster St. 14 13 6. The Renee & Chaim 16. Museum of Chinese Gross Foundation in America 526 LaGuardia Pl. 215 Centre St. 17 15 7. Dia: The New York 17. -
UC Santa Cruz Pacific Arts: the Journal of the Pacific Arts Association
UC Santa Cruz Pacific Arts: The Journal of the Pacific Arts Association Title Making Room for Earth in Hawaiʻi: Sean Connelly’s A Small Area of Land Permalink https://escholarship.org/uc/item/4b79w9v6 Journal Pacific Arts: The Journal of the Pacific Arts Association, 20(1) Author Katzeman, Aaron Publication Date 2021 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California AARON KATZEMAN Making Room for Earth in Hawaiʻi: Sean Connelly’s A Small Area of Land Abstract In 2013, Pacific Islander American artist and architect Sean Connelly formed a geometric sculpture with 32,000 pounds of earthen matter at the now-closed ii Gallery in the Kakaʻako neighborhood of Honolulu. Titled A Small Area of Land (Kakaʻako Earth Room), the work was composed of volcanic soil and coral sand—deemed by Connelly as “two of Hawaiʻi’s most politically charged materials and highly valued commodities”—sourced from various locations on the island of Oʻahu. Connelly allowed his sculpture to slowly erode in the gallery over the course of its instal- lation, a non-gesture toward what might seem to be uncontrollable disintegration. A Small Area of Land adds a divergent dimension to Euro-American art movements, pushing back against the rigidity and firmness of minimalism and the grand impositions of land art that initially inspired him. In doing so, Connelly expands the notion of “land” beyond a material or merely site-specific interest for artists into something that additionally includes more explicit references to struc- tural systems of dispossession, exploitation, theft, and lasting injustices. -
Untitled (Forever), 2017
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
Size, Scale and the Imaginary in the Work of Land Artists Michael Heizer, Walter De Maria and Dennis Oppenheim
Larger than life: size, scale and the imaginary in the work of Land Artists Michael Heizer, Walter De Maria and Dennis Oppenheim © Michael Albert Hedger A thesis in fulfillment of the requirements for the degree of Doctor of Philosophy Art History and Art Education UNIVERSITY OF NEW SOUTH WALES | Art & Design August 2014 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hedger First name: Michael Other name/s: Albert Abbreviation for degree as given in the University calendar: Ph.D. School: Art History and Education Faculty: Art & Design Title: Larger than life: size, scale and the imaginary in the work of Land Artists Michael Heizer, Walter De Maria and Dennis Oppenheim Abstract 350 words maximum: (PLEASE TYPE) Conventionally understood to be gigantic interventions in remote sites such as the deserts of Utah and Nevada, and packed with characteristics of "romance", "adventure" and "masculinity", Land Art (as this thesis shows) is a far more nuanced phenomenon. Through an examination of the work of three seminal artists: Michael Heizer (b. 1944), Dennis Oppenheim (1938-2011) and Walter De Maria (1935-2013), the thesis argues for an expanded reading of Land Art; one that recognizes the significance of size and scale but which takes a new view of these essential elements. This is achieved first by the introduction of the "imaginary" into the discourse on Land Art through two major literary texts, Swift's Gulliver's Travels (1726) and Shelley's sonnet Ozymandias (1818)- works that, in addition to size and scale, negotiate presence and absence, the whimsical and fantastic, longevity and death, in ways that strongly resonate with Heizer, De Maria and especially Oppenheim. -
Universidade De São Paulo
UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES - ECA USP PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES VISUAIS Paulo Cezar Barbosa Mello Site Specificity na Arte Contemporânea Inhotim São Paulo 2015 Paulo Cezar Barbosa Mello Site Specificity na Arte Contemporânea Inhotim Tese de doutorado apresentada ao Progra- ma de Artes Visuais da Escola de Comu- nicações e Artes da Universidade de São Paulo - ECA-USP, na área de concentração Teoria, Ensino e Aprendizagem da Arte, na linha de pesquisa História, Crítica e Teo- ria da Arte, sob a orientação da Professora Doutora Elza Maria Ajzenberg. São Paulo 2015 Autorizo a reprodução e divulgação total ou parcial des- te trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. As imagens aqui contidas são de propriedade de seus autores creditados, não tendo sido liberadas ao uso que não seja acadêmico e sem fins comerciais. Quando identificados com CC as imagens são licenciadas como Creative Com- mons. Catalogação na Publicação Serviço de Biblioteca e Documentação Escola de Comunicações e Artes da Universidade de São Paulo Dados fornecidos pelo autor. Mello, Paulo Cezar Barbosa Site Specificity na Arte Contemporânea: Inhotim / Paulo Cezar Barbosa Mello. -- São Paulo: P. B. Mello, 2015. 188 p.: il. Tese (Doutorado) - Programa de Pós-Graduação em Artes Visuais - Escola de Comunicações e Artes / Universidade de São Paulo. Orientadora: Elza Ajzenberg Revisora: Larissa Arten / Alemão Li Bibliografia 1. Site Specific Art 2. Arte Contemporânea 3. Museu Contemporâneo 4. Espaço 5. Inhotim I. Ajzenberg, Elza II. Título. CDD 21.ed. - 700 FOLHA DE APROVAÇÃO MELLO, PC. -
Walter De Maria Bibliography
G A G O S I A N Walter De Maria Bibliography Books and Catalogues: 2018 Görner, Klaus, et al. Tale of Two Worlds : Arte Experimental Latinoamericano en Diálogo con la Colección MMK, 1944-1989 : una exposición conjunta entre el MMK Museum für Moderne Kunst in Frankfurt am Main y el Museo de Arte Moderno de Buenos Aires. Bielefeld: Kerber Verlag. 2017 Aldrich, Richard, Jeanne During, Faivovich & Goldberg and Terry Winters. Artists on Walter De Maria. New York: Dia Art Foundation. Delahunty, Gavin. Counterpoint: Sculpture, Music, and Walter De Maria’s Large Rod Series. Dallas: Dallas Museum of Art; New Haven: Yale Univeristy Press. Goto, Noriko, Yuko Ikehata, Thomas Bruhin, Ayano Fujiwara and Yoko Hemmi, eds. Chichu Art Museum. Kagawa: Fukutake Foundation. Morgan, Jessica. Walter De Maria: The Lightning Field. New York: Dia Art Foundation. Raicovich, Laura. At the Lightning Field. Minneapolis: Coffee House Press. Westheider, Ortrud and Michael Philipp, eds. From Hopper to Rothko: America's Road to Modern Art. Potsdam: Museum Barberini. 2016 Bürgi, Bernhard Mendes and Kunstmuseum Basel, eds. Sculpture on the Move, 1946- 2016. Ostfildern and Basel: Hatje Cantz and Kunstmuseum Basel. Friedel, Helmut, Katrin Schwarz and Georges Sturm. Die Kerze: Ein Motiv in der zeitgenössischen Kunst. Edited by Helmut Friedel. Baden-Baden and Cologne: Museum Frieder Burda and Verlag der Buchhandlung Walther König. McFadden, Jane. Walter De Maria: Meaningless Work. London: Reaktion Books. Meyer, James S., Paige Rozanski and Virginia Dwan. Los Angeles to New York: Dwan Gallery, 1959-1971. Washington, Chicago and London: National Gallery of Art in association with the University of Chicago Press. -
NEW YORK HIDDEN ART GEMS, JARROD SCOTT, the CARLYLE and the Expat GUIDE to EATING and DRINKING in N.Y.C
WISH NEW YORK HIDDEN ART GEMS, JARROD SCOTT, THE CARLYLE AND THE EXPat GUIDE TO EATING AND DRINKING IN N.Y.C. MARCH 2016 BEYOND MOMA you’ve found your wAy out of the met and you’ve ticked off the GUGGENHEIM, BUT YOUR NEW YORK ART JOURNEY HAS JUST BEGUN. HERE ARE A FEW OF THE LESSER-KNOWN GEMS DOTTED AROUND THE CITY. STORY MARK HUGHES Manhattan The New York City Subway Let’s start with the basics and one of the biggest surprises. The Metropolitan Transit Authority has a long and rich history of commissioning some of the best of the city’s artists to install work in subway stations. While it’s never a good idea to stand still in peak hour commuter rush to look at some art (you may not survive the experience) it is worth keeping your eyes open as you join a connecting train line or enter and exit the subway. Some of my favourites include the Nancy Spero theatrical mosaic on the 1 line (Lincoln Center station), Roy Lichtenstein’s huge enamel wall painting (Times Square); Elizabeth Murray’s ew York City’s mosaic (Lexington Avenue/59th St); Leo Villareal’s reputation for being the centre of the art world still dynamic light work (Bleecker St/Lafayette St); and Sol stands firm, with an abundance of fabulous jaw- LeWitt’s joyous colourful wall installation (59th Street/ dropping and heart-stopping museums. It seems Columbus Circle). Nthat you can spend weeks in NYC just looking at art at these beloved institutions; for anyone remotely Donald Judd house interested in culture no visit to New York is complete For a more in-depth understanding of an artist’s without a pitstop to MoMA, the Metropolitan working and personal life, it’s hard to go past the and, most recently, the new Whitney Museum of home and studio of the late minimalist artist Donald American Art. -
New-York-City-8-Contents.Pdf
©Lonely Planet Publications Pty Ltd New York City “All you’ve got to do is decide to go and the hardest part is over. So go!” TONY WHEELER, COFOUNDER – LONELY PLANET THIS EDITION WRITTEN AND RESEARCHED BY Brandon Presser, Cristian Bonetto, Carolina A Miranda Contents PlanPlan Your Your Trip Trip page 1 4 Welcome to If You Like… ....................22 Drinking & Nightlife ...38 New York City .................. 4 Month by Month ............25 Gay & Lesbian .............41 New York City’s Top 16 ...6 With Kids ........................29 Entertainment ...........43 What’s New .....................17 Like a Local ....................32 Shopping ..................... 46 Need to Know ................ 18 Eating .......................... 34 Sports & Activities .... 49 Top Itineraries ...............20 Explore New York City 52 Neighborhoods at a Greenwich Village, Upper West Side & Glance ......................... 54 Chelsea & the Central Park .................227 Meatpacking Harlem & Lower Manhattan & District .......................... 128 the Financial Upper Manhattan ........246 District ............................56 Union Square, Brooklyn .......................262 Flatiron District & Queens ........................ 296 SoHo & Chinatown ........80 Gramercy .....................160 Day Trips from East Village & Midtown.........................174 Lower East Side ...........100 New York City ...........309 Upper East Side ...........210 Sleeping .................... 326 Understand New York City 349 New York City Today .. 350 The Arts...................... -
New York Magazine
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Dia Chelsea, Reimagined, Reopens to the Public This Week After Renovation by Architecture Research Office
FOR IMMEDIATE RELEASE April 14, 2021 DIA CHELSEA, REIMAGINED, REOPENS TO THE PUBLIC THIS WEEK AFTER RENOVATION BY ARCHITECTURE RESEARCH OFFICE Part of a comprehensive, multi-year plan to strengthen and revitalize Dia’s constellation of sites in Chelsea, Beacon, and SoHo, as well as renovation of two landmark artist installations New York, NY – Dia Art Foundation and Architecture Research Office (ARO) are celebrating the completion and the public reopening of Dia Chelsea. Established in 1974, Dia Art Foundation supports the vision of artists through organizing and commissioning permanent and long-term exhibitions and installations at its constellation of sites in the United States and Germany. Dia’s collection spotlights in particular the work of artists from 1960s and 1970s, ranging from site-specific Land art such as Nancy Holt’s Sun Tunnels and Walter de Maria’s The Lightning Field, to significant works by Sam Gilliam, Richard Serra, Donald Judd, Agnes Martin, Andy Warhol and many other acclaimed artists of the past half-century. Dia originated the concept of repurposing old factories and warehouses to create generous daylit spaces for art outside the context of the ‘white cube’ museum or gallery. In the 1980’s, Dia relocated its offices and exhibition space to the west Chelsea area of New York City, a formerly industrial neighborhood that is now home to more than 200 galleries. In 2003, Dia opened Dia Beacon in upstate New York, in a nearly 300,000 square foot former Nabisco box printing factory boasting more than 34,000-square-feet of skylights. The renovation and expansion of Dia Art Foundation’s three adjacent buildings in Chelsea establishes a greater street-level public presence for Dia. -
Art and Architecture: a Place Between Jane Rendell
Art and Architecture: A Place Between Jane Rendell 1 For Beth and Alan 2 Contents List of Figures Preface Acknowledgements Introduction: A Place Between A Place Between Art and Architecture: Public Art A Place Between Theory and Practice: Critical Spatial Practice Section 1: Between Here and There Introduction: Space, Place and Site Chapter 1: Site, Non-Site, Off-Site Chapter 2: The Expanded Field Chapter 3: Space as Practised Place Section 2: Between Now and Then Introduction: Allegory, Montage and Dialectical Image Chapter 1: Ruin as Allegory Chapter 2: Insertion as Montage Chapter 3: The ‘What-has-been’ and the Now. Section 3: Between One and Another Introduction: Listening, Prepositions and Nomadism Chapter 1: Collaboration Chapter 2: Social Sculpture Chapter 3: Walking Conclusion: Criticism as Critical Spatial Practice Bibliography 3 List of Illustrations Cover 1 ‘1 ‘A Place Between’, Maguire Gardens, Los Angeles Public Library reflected in the pool of Jud Fine’s art work ‘Spine’ (1993). Photograph: Jane Rendell, (1999). Section 1 Chapter 1 2 Robert Smithson, ‘Spiral Jetty’ (1970), Salt Lake, Utah. Photograph: Cornford & Cross (2002). 3 Walter de Maria, ‘The New York Earth Room’, (1977). Long-term installation at Dia Center for the Arts, 141 Wooster Street, New York City. Photograph: John Cliett © Dia Art Foundation. 4 Joseph Beuys, ‘7000 Oaks’ (1982–), New York. Photo: Cornford & Cross (2000). 5 Dan Graham, ‘Two-Way Mirror Cylinder Inside Cube’ (1981/1991), Part of the Rooftop Urban Park Project. Long-term installation at Dia Center for the Arts, 548 West 22nd Street, New York City. Photo: Bill Jacobson. Courtesy Dia Center for the Arts.