The Helsinki-Based Label TUM Records Releases the Finnish
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Trouble with the Neighbours: Jazz, Geopolitics and Finland's Totalitarian
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk O’Dair, Marcus (2016) Trouble with the neighbours: jazz, geopolitics and Finland’s totalitarian shadow. In: Jazz and Totalitarianism. Johnson, Bruce, ed. Transnational Studies in Jazz . Routledge, pp. 136-154. ISBN 9781138887824. [Book Section] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/19803/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Press Release, Tum Cd 045 Kirkastus
JUHANI AALTONEN & IRO HAARLA Kirkastus TUM CD 045 01 Evening Prayer /02 Out of the Depths / 03 Still Waters / 04 Kirkastus / 05 Arie – A Song for a Lost Love / 06 Nightjar / 07 Farewell to Valomäki / 08 Long Sole Sound / 09 Hear My Cry / 10 Lead Me to the Rock Juhani Aaltonen tenor saxophone (01, 03, 04, 06, 07, 09, 10), flute (02), alto flute (05), bass flute (08) Iro Haarla piano (01, 02, 04, 05, 07, 09, 10), harp (03, 06, 08), chen (06), percussion (02) International release: December 1, 2015 Saxophonist/flutist Juhani Aaltonen and pianist /harpist Iro Haarla, two longstanding leaders in European improvised music, release their first duo recording, Kirkastus. All compositions on the record are by Iro Haarla. Saxophonist/flutist Juhani Aaltonen and pianist/harpist Iro Haarla first collaborated in drummer/composer Edward Vesala’s various ensembles in the late 1970s and early 1980s appearing on many of Vesala’s most important recordings. Aaltonen, Haarla and Vesala also performed together as the Edward Vesala Trio in 1983. Aaltonen and Haarla picked up their collaboration when Juhani Aaltonen formed his much praised quartet by expanding his trio in 2008 with the addition of Haarla on the piano and harp (Conclusions, TUM CD 021, and To Future Memories, TUM CD 036). Aaltonen and Haarla have also occasionally performed as a duo but Kirkastus marks their first duo recording and presents a new height for their collaborations. On Kirkastus, Aaltonen and Haarla play exclusively Haarla’s compositions with the mood ranging from quiet contemplation to powerful crescendos. Most of the compositions were composed specifically for this recording with a number of them inspired by Haarla’s favorite Psalms. -
Jazz2009-Kasiohjelma.Pdf
LAUANTAI 31.10. | SATURDAY, 31 OCT Ohjelma Pakkahuone | Old Customs House Hall | 14.00 | 20/15 € 14.00 Angles ........................................................................ 18 15.30 People, Places & Things .............................................. 20 PROGRAMME 17.00 Mikko Innanen & Innkvisitio ....................................... 24 Pakkahuone | Old Customs House Hall | 20.00 | 32/25 € 20.00 Trio M ......................................................................... 26 TORSTAI 29.10. | THURSDAY, 29 OCT 21.30 Jon Hassell & Maarifa Street ....................................... 28 23.00 Dave Douglas Quintet ................................................. 30 Klubi | 20.00 | free TALIAN 20.00 Film: Marc Ribot ”The Lost String” .................................. 4 Telakka | 21.00 | 12 € 22.00 Black Motor feat. Verneri Pohjola .................................... 5 21.00 Sun Trio ..................................................................... 32 INE BAR & XX.XX Dj Pauli Kallio 22.30 Nordic Trinity “A Tribute to Edward Vesala” ................. 33 24.00 Auteur Jazz ................................................................. 34 ESTAURANT Dj Justin Case .............................................................. 40 I PERJANTAI 30.10. | FRIDAY, 30 OCT Klubi | 24.00 | 15 € W Pakkahuone | Old Customs House Hall | 20.00 | 32/25 € 24.00 DJ Matti Nives ............................................................. 40 20.00 Portico Quartet ............................................................. 6 01.00 Dr. -
Contemporary Finnish Music for Big Band
AND MUSIC BY FINNISH CONTEMPORARY COMPOSERS A SELECTION OF INTERESTING BIG B For BigFor Band Finnish Music Contemporary A SELECTION OF INTERESTING BIG B Contemporary Finnish Music For Big Band This catalogue The pieces A ND MUSIC BY features a selection of interesting big band music by I have chosen for this catalogue are – with hindsight – Finnish contemporary composers. The repertoire presented mostly pieces that have been performed many times. This is suitable for advanced players. The works were selected is due to both artistic merit and practical utility: they are and written up by Jouni Järvelä, an experienced sax and pieces that are well crafted, easible to rehearse, inspiring F woodwind player with the UMO Jazz Orchestra. At the to perform and exciting to listen to. They also have enough INNISH CONTEMPOR end of the booklet there is a list of further works for big characteristic properties to function as valuable, distinctive band, including works by Finnish classical contemporary building blocks when designing a concert programme. composers. Music can be such a great thing that the force it has at its Scores and performing materials for most of these works best generates all kinds of enthusiastic activity around it, can be ordered from the Music Finland sheet music including attempts to describe it or efforts to make it more library, either by e-mail or in our web shop at composers. widely known. Writing about music in this case is precisely musicfinland.fi (Sheet Music Catalogue). The web catalogue such an act of enthusiasm, but of course it cannot replace A can be browsed by composer name or using the advanced the music itself. -
J Azzinder S Tadtkirche H Erbst 2 0
J a z z i n d e r S t a d t k i r c h e L i v e ! H e r b s t 2 0 1 2 2. September 2012, 19.30 Uhr 30. September 2012, 19.30 Uhr genberg), Debus (K.Pauls) HEINZ SAUER / MICHAEL WOLLNY VERNERI POHJOLA QUARTET »OPEN.« »ANCIENT HISTORY« Susanne Alt: Robert Glass • 9. September 2012, 17.00 Uhr 5. Oktober 2012, 19.00 (!) Uhr ULI PARTHEILS WESTERN CIRCUS DANIEL STELTER QUARTET »WESTERN CIRCUS« »KRIKELKRAKEL« Uli Partheil spielt zur Premiere des 5. Stadtkirchenkrimis Das Daniel Stelter Quartet spielt im Rahmen der LyrikNacht von Ralf Köbler "Die Blutwurst des Fritz Knippelius" mit Friedrich Ani und Albert Ostermaier Amina Figarova: Andrea Cnater • 16. September 2012, 19.30 Uhr 9. Oktober 2012, 19.30 Uhr MICHAEL WOLLNY'S [EM] FRAUCONTRABASS »Wasted & Wanted« »NEUE LIEDER« (PREMIERE!) 19. September 2012, 19.30 Uhr 14. Oktober 2012, 19.30 Uhr TONY LAKATOS QUINTET JULIAN & ROMAN WASSERFUHR QUARTET »HOME TONE« »GRAVITY« Foto auf der Titelseite: Claassen: Fay John Abbott Informationen zu Karten und Abonnement auf Seite 63 Informationen zu Karten und Abonnement auf Seite 63 Fotos Titel: Sauer (ACT / A.Meuer), (BVMI Wollny / M. Wüstenhagen) Pohjola + Wasserfuhr (ACT / Grosse-Geldermann) Stelter (S.He Heinz Sauer / Michael Wollny »open.« 2. September 2012, 19.30 Uhr HEINZ SAUER (sax) »open.« haben Heinz Sauer und Michael Woll- ny ihr neues Konzertprojekt genannt. »Offen für den Raum, für das Publikum, für die At- mosphäre, die Schwingungen, die während des Konzerts unsere Sinne erreichen. Ein mu- sikalischer Seiltanz ohne Netz und doppelten Boden. -
Music Finland UK
Music Finland UK 2012–2013 / REPORT “It seems to me that at the moment “It takes a lot to get noticed in a place “Through The Line of Best Fit’s continued like London where there is so much going on all obsession with Nordic music and our historical Finland has an awful lot to offer in music. the time. But I think with the LIFEM – The Finnish links with the likes of the Ja Ja Ja club night in Line concerts at Kings Place, the Ja Ja Ja London, we’ve always kept a very close eye on And it’s about time we need to go and find it, Festival at the Roundhouse and the Songlines the sounds coming out of Finland. In the last CD, Finnish music really did make an impact. It’s three years, the quality of emerging talent has explore it, share it with people – because it’s the quirky, surprising and adventurous quality been just incredible and we’re seeing some real- of Finnish music that stands out – alongside ly unique invention and envelope–pushing from just too good to hide!” the musical virtuosity.“ all of the bands on this special release.” SIMON BROUGHTON / SONGLINES PAUL BRIDGEWATER / THE LINE OF BEST FIT, JOHN KENNEDY / XFM COMMENTING ON THE LINE–UP FOR MUSIC FINLAND’S OFFICIAL RECORD STORE DAY RELEASE 2013 “While Finland in the past might have “One of the best musical experiences held back a little from taking its scene to the of 2013 for me was going to Helsinki’s Kuudes world, their current united front means this is Aisti festival – an amazing site and brilliant “Having recently attended festivals in “Finland’s musical life is still a shining example changing. -
Chicago Jazz Festival Spotlights Hometown
NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, -
Ravi Coltrane Steps out of His Parents' Shadows And
001_COVER.qxd 7/18/08 3:49 PM Page 1 DOWNBEAT RAVI COLTRANE COURTNEY PINE KENNY WERNER CRAIG TABORN COLTRANE RAVI DownBeat.com $4.99 SEPTEMBER 2008 09 0 09281 01493 5 SEPTEMBER 2008 U.K. £3.50 002-005_MAST.qxd 7/18/08 3:54 PM Page 2 002-005_MAST.qxd 7/18/08 3:55 PM Page 3 002-005_MAST.qxd 7/18/08 3:55 PM Page 4 September 2008 VOLUME 75 – NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Kansas: Kevin Whitehead; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, Willard Jenkins, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
JAZZ ORCHESTRA Christoph Cech Austria 2019
JAZZ ORCHESTRA Christoph Cech Austria 2019 Oct. 16th–19th, 2019 Graz, Vienna, Linz, Salzburg Picture: © Helmut Lackinger © Helmut Picture: JAZZ ORCHESTRA Euroblues – Impressions from Europe Conductor & Composer: Christoph Cech Oct. 16th, 20.00: Graz, University of Music and Performing Arts / WIST Oct. 17th, 19.30: Vienna, Funkhaus / Studio 3 Oct. 18th, 20.00: Linz, Anton Bruckner Private University / Großer Saal second concert: Upper Austrian Jazz Orchestra Oct. 19th, 19.00: Salzburg, Festival »Jazz & The City« / Szene LINE-UP Ajda Stina Turek (Slovenia), voice Lana Janjanin (Croatia), voice Oilly Wallace (Denmark), alto saxophone Sebastian Jonsson (Sweden), alto & soprano saxophone Štěpán Flagar (Czech Republic), tenor saxophone Danielius Pancerovas (Lithuania), baritone saxophone Tim Rabbitt (Great Britain), trumpet & flugelhorn Idar Eliassen Pedersen (Norway), trumpet & flugelhorn Ivan Radivojević (Serbia), trumpet & flugelhorn Aarni Häkkinen (Finland), trombone Janning Trumann (Germany), trombone Cyril Galamini (France), bass trombone Elza Ozolina (Latvia), piano & keyboards Andreas Erd (Austria), electric guitar Heikko-Joseph Remmel (Estonia), electric bass & double bass Daniel Bagutti (Switzerland), drums Christoph Cech (Austria), conductor & composer Since 1965, public radio stations, who are part of the European Broadcasting Union (EBU) have been sending young jazz talents under 30 to the Euroradio Jazz Orchestra every year. In the host ing country, which changes every year, they work with an established professional to de- velop and perform a new original program. In October 2019, the 16 excellent young musicians from just as many countries will be guests in Austria for the fi rst time in decades on the initia- tive of the jazz department of ORF Radio Ö1. We are honoured to engage Christoph Cech, one of the country’s most distinguished jazz orchestra experts, as composer and conductor. -
Catalogue 2009/10 ECM Paul Griffiths Bread and Water
Catalogue 2009/10 ECM Paul Griffiths Bread and Water Here is someone standing at the entrance to the gallery who goes on talking all the time while almost all the visitors who come are rushing by in their eagerness to inspect what is on show inside. The hall a little way beyond is packed with rare and wonderful things, beautifully laid out and informatively labelled. There is much to see, much to learn. This is what the visitors have come for. Why, then, linger at the doorway? Why wait? But you, you have stopped. Thank you. Yes, this is the gallery, this the exhibition: a catalogue. We can use the word either to mean this paper object you hold in your hands or the totality of items a publisher or, as in this case, record company has available for sale: the CATALOGUE, as we may put it. Such a CATALOGUE is changeable as the ocean is: things will go (though rarely, where ECM is concerned), more will come. The catalogue, on the other hand, is fixed, a photograph of the ocean. There was a moment, probably before it reached print, when the catalogue was identical with the CATALOGUE. But that moment has passed and will not come again, for the ocean is growing and the photograph cannot. Is the catalogue therefore impoverished? No, no more than a photograph is. This is no snapshot, no fuzzy image trapped half_thoughtlessly on a mobile phone. Look at what you have in your hands: this is something well made, something composed. A professional photographer must have been invited to make a study of the ocean.