Gods & Goddesses, Kings & Queens
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2012: Providence, Rhode Island
The 63rd Annual Meeting of the American Research Center in Egypt April 27-29, 2012 Renaissance Providence Hotel Providence, RI Photo Credits Front cover: Egyptian, Late Period, Saite, Dynasty 26 (ca. 664-525 BCE) Ritual rattle Glassy faience; h. 7 1/8 in Helen M. Danforth Acquisition Fund 1995.050 Museum of Art Rhode Island School of Design, Providence Photography by Erik Gould, courtesy of the Museum of Art, Rhode Island School of Design, Providence. Photo spread pages 6-7: Conservation of Euergates Gate Photo: Owen Murray Photo page 13: The late Luigi De Cesaris conserving paintings at the Red Monastery in 2011. Luigi dedicated himself with enormous energy to the suc- cess of ARCE’s work in cultural heritage preservation. He died in Sohag on December 19, 2011. With his death, Egypt has lost a highly skilled conservator and ARCE a committed colleague as well as a devoted friend. Photo: Elizabeth Bolman Abstracts title page 14: Detail of relief on Euergates Gate at Karnak Photo: Owen Murray Some of the images used in this year’s Annual Meeting Program Booklet are taken from ARCE conservation projects in Egypt which are funded by grants from the United States Agency for International Development (USAID). The Chronique d’Égypte has been published annually every year since 1925 by the Association Égyptologique Reine Élisabeth. It was originally a newsletter but rapidly became an international scientific journal. In addition to articles on various aspects of Egyptology, papyrology and coptology (philology, history, archaeology and history of art), it also contains critical reviews of recently published books. -
In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Sudan a Country Study.Pdf
A Country Study: Sudan An Nilain Mosque, at the site of the confluence of the Blue Nile and White Nile in Khartoum Federal Research Division Library of Congress Edited by Helen Chapin Metz Research Completed June 1991 Table of Contents Foreword Acknowledgements Preface Country Profile Country Geography Society Economy Transportation Government and Politics National Security Introduction Chapter 1 - Historical Setting (Thomas Ofcansky) Early History Cush Meroe Christian Nubia The Coming of Islam The Arabs The Decline of Christian Nubia The Rule of the Kashif The Funj The Fur The Turkiyah, 1821-85 The Mahdiyah, 1884-98 The Khalifa Reconquest of Sudan The Anglo-Egyptian Condominium, 1899-1955 Britain's Southern Policy Rise of Sudanese Nationalism The Road to Independence The South and the Unity of Sudan Independent Sudan The Politics of Independence The Abbud Military Government, 1958-64 Return to Civilian Rule, 1964-69 The Nimeiri Era, 1969-85 Revolutionary Command Council The Southern Problem Political Developments National Reconciliation The Transitional Military Council Sadiq Al Mahdi and Coalition Governments Chapter 2 - The Society and its Environment (Robert O. Collins) Physical Setting Geographical Regions Soils Hydrology Climate Population Ethnicity Language Ethnic Groups The Muslim Peoples Non-Muslim Peoples Migration Regionalism and Ethnicity The Social Order Northern Arabized Communities Southern Communities Urban and National Elites Women and the Family Religious -
The Newsletter of the Friends of the Egypt Centre, Swansea
Price 50p INSCRIPTIONS The Newsletter of the Friends of the Egypt Centre, Swansea Whatever else you do this Issue 28 Christmas… December 2008 In this issue: Re-discovery of the Re-discovery of the South Asasif Necropolis 1 South Asasif Necropolis Fakes Case in the Egypt Centre 2 by Carolyn Graves-Brown ELENA PISCHIKOVA is the Director of the South Introducing Ashleigh 2 Asasif Conservation Project and a Research by Ashleigh Taylor Scholar at the American University in Cairo. On Editorial 3 7 January 2009, she will visit Swansea to speak Introducing Kenneth Griffin 3 on three decorated Late Period tombs that were by Kenneth Griffin recently rediscovered by her team on the West A visit to Highclere Castle 4 Bank at Thebes. by Sheila Nowell Life After Death on the Nile: A Described by travellers of the 19th century as Journey of the Rekhyt to Aswan 5 among the most beautiful of Theban tombs, by L. S. J. Howells these tombs were gradually falling into a state X-raying the Animal Mummies at of destruction. Even in their ruined condition the Egypt Centre: Part One 7 by Kenneth Griffin they have proved capable of offering incredible Objects in the Egypt Centre: surprises. An entire intact wall with an Pottery cones 8 exquisitely carved offering scene in the tomb of by Carolyn Graves-Brown Karakhamun, and the beautifully painted ceiling of the tomb of Irtieru are among them. This promises to be a fascinating talk from a very distinguished speaker. Please do your best to attend and let’s give Dr Pischikova a decent audience! Wednesday 7 January 7 p.m. -
The Ptolemies: an Unloved and Unknown Dynasty. Contributions to a Different Perspective and Approach
THE PTOLEMIES: AN UNLOVED AND UNKNOWN DYNASTY. CONTRIBUTIONS TO A DIFFERENT PERSPECTIVE AND APPROACH JOSÉ DAS CANDEIAS SALES Universidade Aberta. Centro de História (University of Lisbon). Abstract: The fifteen Ptolemies that sat on the throne of Egypt between 305 B.C. (the date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII) are in most cases little known and, even in its most recognised bibliography, their work has been somewhat overlooked, unappreciated. Although boisterous and sometimes unloved, with the tumultuous and dissolute lives, their unbridled and unrepressed ambitions, the intrigues, the betrayals, the fratricides and the crimes that the members of this dynasty encouraged and practiced, the Ptolemies changed the Egyptian life in some aspects and were responsible for the last Pharaonic monuments which were left us, some of them still considered true masterpieces of Egyptian greatness. The Ptolemaic Period was indeed a paradoxical moment in the History of ancient Egypt, as it was with a genetically foreign dynasty (traditions, language, religion and culture) that the country, with its capital in Alexandria, met a considerable economic prosperity, a significant political and military power and an intense intellectual activity, and finally became part of the world and Mediterranean culture. The fifteen Ptolemies that succeeded to the throne of Egypt between 305 B.C. (date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII), after Alexander’s death and the division of his empire, are, in most cases, very poorly understood by the public and even in the literature on the topic. -
Graffiti-As-Devotion.Pdf
lsa.umich.edu/kelsey/ i lsa.umich.edu/kelsey/ lsa.umich.edu/kelsey/ iii Edited by Geoff Emberling and Suzanne Davis Along the Nile and Beyond Kelsey Museum Publication 16 Kelsey Museum of Archaeology University of Michigan, 2019 lsa.umich.edu/kelsey/ iv Graffiti as Devotion along the Nile and Beyond The Kelsey Museum of Archaeology, Ann Arbor 48109 © 2019 by The Kelsey Museum of Archaeology and the individual authors All rights reserved Published 2019 ISBN-13: 978-0-9906623-9-6 Library of Congress Control Number: 2019944110 Kelsey Museum Publication 16 Series Editor Leslie Schramer Cover design by Eric Campbell This book was published in conjunction with the special exhibition Graffiti as Devotion along the Nile: El-Kurru, Sudan, held at the Kelsey Museum of Archaeology in Ann Arbor, Michigan. The exhibition, curated by Geoff Emberling and Suzanne Davis, was on view from 23 August 2019 through 29 March 2020. An online version of the exhibition can be viewed at http://exhibitions.kelsey.lsa.umich.edu/graffiti-el-kurru Funding for this publication was provided by the University of Michigan College of Literature, Science, and the Arts and the University of Michigan Office of Research. This book is available direct from ISD Book Distributors: 70 Enterprise Drive, Suite 2 Bristol, CT 06010, USA Telephone: (860) 584-6546 Email: [email protected] Web: www.isdistribution.com A PDF is available for free download at https://lsa.umich.edu/kelsey/publications.html Printed in South Korea by Four Colour Print Group, Louisville, Kentucky. ♾ This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). -
Varieties and Sources of Sandstone Used in Ancient Egyptian Temples
The Journal of Ancient Egyptian Architecture vol. 1, 2016 Varieties and sources of sandstone used in Ancient Egyptian temples James A. Harrell Cite this article: J. A. Harrell, ‘Varieties and sources of sandstone used in Ancient Egyptian temples’, JAEA 1, 2016, pp. 11-37. JAEA www.egyptian-architecture.com ISSN 2472-999X Published under Creative Commons CC-BY-NC 2.0 JAEA 1, 2016, pp. 11-37. www.egyptian-architecture.com Varieties and sources of sandstone used in Ancient Egyptian temples J. A. Harrell1 From Early Dynastic times onward, limestone was the construction material of choice for An- cient Egyptian temples, pyramids, and mastabas wherever limestone bedrock occurred, that is, along the Mediterranean coast, in the northern parts of the Western and Eastern Deserts, and in the Nile Valley between Cairo and Esna (fig. 1). Sandstone bedrock is present in the Nile Valley from Esna south into Sudan as well as in the adjacent deserts, and within this region it was the only building stone employed.2 Sandstone was also imported into the Nile Valley’s limestone region as far north as el-‘Sheikh Ibada and nearby el-‘Amarna, where it was used for New Kingdom tem- ples. There are sandstone temples further north in the Bahariya and Faiyum depressions, but these were built with local materials. The first large-scale use of sandstone occurred near Edfu in Upper Egypt, where it was employed for interior pavement and wall veneer in an Early Dynastic tomb at Hierakonpolis3 and also for a small 3rd Dynasty pyramid at Naga el-Goneima.4 Apart from this latter structure, the earliest use of sandstone in monumental architecture was for Middle Kingdom temples in the Abydos-Thebes region with the outstanding example the 11th Dynasty mortuary temple of Mentuhotep II (Nebhepetre) at Deir el-Bahri. -
Kush Under the Twenty-Fifth Dynasty (C. 760-656 Bc)
CHAPTER FOUR KUSH UNDER THE TWENTY-FIFTH DYNASTY (C. 760-656 BC) "(And from that time on) the southerners have been sailing northwards, the northerners southwards, to the place where His Majesty is, with every good thing of South-land and every kind of provision of North-land." 1 1. THE SOURCES 1.1. Textual evidence The names of Alara's (see Ch. 111.4.1) successor on the throne of the united kingdom of Kush, Kashta, and of Alara's and Kashta's descen dants (cf. Appendix) Piye,2 Shabaqo, Shebitqo, Taharqo,3 and Tan wetamani are recorded in Ancient History as kings of Egypt and the c. one century of their reign in Egypt is referred to as the period of the Twenty-Fifth Dynasty.4 While the political and cultural history of Kush 1 DS ofTanwetamani, lines 4lf. (c. 664 BC), FHNI No. 29, trans!. R.H. Pierce. 2 In earlier literature: Piankhy; occasionally: Py. For the reading of the Kushite name as Piye: Priese 1968 24f. The name written as Pyl: W. Spiegelberg: Aus der Geschichte vom Zauberer Ne-nefer-ke-Sokar, Demotischer Papyrus Berlin 13640. in: Studies Presented to F.Ll. Griffith. London 1932 I 71-180 (Ptolemaic). 3 In this book the writing of the names Shabaqo, Shebitqo, and Taharqo (instead of the conventional Shabaka, Shebitku, Taharka/Taharqa) follows the theoretical recon struction of the Kushite name forms, cf. Priese 1978. 4 The Dynasty may also be termed "Nubian", "Ethiopian", or "Kushite". O'Connor 1983 184; Kitchen 1986 Table 4 counts to the Dynasty the rulers from Alara to Tanwetamani. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
Where Kings Met Gods the Great Enclosure at Musawwarat Es Sufra1
2010 Nachrichten aus Musawwarat Dieter Eigner Where Kings met Gods The Great Enclosure at Musawwarat es Sufra1 The Great Enclosure is the most enigmatic archi- Wolf, P. (2001): “The lion’s den”. Cult temple for tectural monument of the Meroitic culture. Ever Apedemak (temple 100), for his female companion since it became known to the world outside Sudan, (temple 200), mammisi (temple 300). which was through the visit of Linant de Bellefonds Török, L. (2002: 173-186): desert- (hunting- ) in the year 1822, various ideas on function and use palace of the king, and place of his investiture and of the building complex have been put forward by legitimation. Török has changed his opinion about various authors. The most recent overview on these function of architectural elements of the Great ideas was presented by St. Wenig (1999): monastery Enclosure several times (cf. Török 1990: 157, Török or priest’s seminary, teaching institution, hunting 1997: 400, see also Wenig 1999 and 2001), until he palace for the king, “town”, hospital, pleasure palace came to this final conclusion. But Török never had of the Kandake, a khān or desert rest-house, centre doubts about the king being present at the Great for training of elephants, palace with zoological gar- Enclosure at times. den. All these theories are based more or less on mere speculation and show that little or not proper study and analysis of the complex’s architecture was done, Design if it was done at all. But there should be also mentioned G. Erbkam, Most buildings of the Great Enclosure are erected architect of the Lepsius expedition. -
Glossary Ancient Egyptian Art and Culture
Ancient Egyptian Art and Culture Glossary Africa Africa is the world's second-largest and second most-populous continent, after Asia. At about 12 million square miles it covers 20% of the Earth's total land area. Egypt is located on the Northeast corner of the African continent. Amphora A large pottery or stone vessel, usually with one or more handles and used as storage or transport container for liquids or solids. Amulet A small token, such as a hieroglyphic symbol or figurine of a god, believed to provide magical protection or other benefits to its wearer. Ankh The ankh is a hieroglyphic symbol meaning “life” and “to live.” lt was worn by many ancient Egyptians as an amulet, and is frequently depicted in art being extended by the gods. Apis Bull The Apis bull was a sacred oracle housed in the temple of Ptah at Memphis. The bulls were well treated throughout their lifetimes, given divine status as the embodiment of the god Ptah, and were mummified upon death. The Apis bulls, and later the mothers of the Apis bulls (sacred to Isis) were buried at Saqqara. Artistic perspective Egyptians used variations in size to indicate importance in their art. Viewpoints also changed within images to show the strongest characteristics of objects and people. Faces were always shown in profile, eyes were large, and legs were often shown in exaggerated poses. Artifact An artifact is something that was made by a person in the distant past. Clothing, pottery, furniture, tools, and art are all artifacts. Atef The atef is a crown with an ostrich plume on each side and horizontal ram’s horns underneath.