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Season 2016-2017 27 Season 2016-2017 Thursday, October 6, at 8:00 The Philadelphia Orchestra Simon Rattle Conductor Mahler Symphony No. 6 in A minor I. Allegro energico, ma non troppo II. Andante moderato III. Scherzo: Wuchtig IV. Finale: Allegro moderato This program runs approximately 1 hour, 20 minutes, and will be performed without an intermission. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 29 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and impact through Research. is one of the preeminent the Orchestra continues The Orchestra’s award- orchestras in the world, to discover new and winning Collaborative renowned for its distinctive inventive ways to nurture Learning programs engage sound, desired for its its relationship with its over 50,000 students, keen ability to capture the loyal patrons at its home families, and community hearts and imaginations of in the Kimmel Center, members through programs audiences, and admired for and also with those who such as PlayINs, side-by- a legacy of imagination and enjoy the Orchestra’s area sides, PopUP concerts, innovation on and off the performances at the Mann free Neighborhood concert stage. The Orchestra Center, Penn’s Landing, Concerts, School Concerts, is inspiring the future and and other cultural, civic, and residency work in transforming its rich tradition and learning venues. The Philadelphia and abroad. of achievement, sustaining Orchestra maintains a strong Through concerts, tours, the highest level of artistic commitment to collaborations residencies, presentations, quality, but also challenging— with cultural and community and recordings, The and exceeding—that level, organizations on a regional Philadelphia Orchestra is by creating powerful musical and national level, all of which a global ambassador for experiences for audiences at create greater access and Philadelphia and for the home and around the world. engagement with classical US. Having been the first Music Director Yannick music as an art form. American orchestra to Nézet-Séguin’s connection The Philadelphia Orchestra perform in China, in 1973 to the Orchestra’s musicians serves as a catalyst for at the request of President has been praised by cultural activity across Nixon, the ensemble today both concertgoers and Philadelphia’s many boasts a new partnership with critics since his inaugural communities, building an Beijing’s National Centre for season in 2012. Under his offstage presence as strong the Performing Arts and the leadership the Orchestra as its onstage one. With Shanghai Oriental Art Centre, returned to recording, with Nézet-Séguin, a dedicated and in 2017 will be the first- two celebrated CDs on body of musicians, and one ever Western orchestra to the prestigious Deutsche of the nation’s richest arts appear in Mongolia. The Grammophon label, ecosystems, the Orchestra Orchestra annually performs continuing its history of has launched its HEAR at Carnegie Hall while also recording success. The initiative, a portfolio of enjoying summer residencies Orchestra also reaches integrated initiatives that in Saratoga Springs, NY, and thousands of listeners on the promotes Health, champions Vail, CO. For more information radio with weekly Sunday music Education, eliminates on The Philadelphia afternoon broadcasts on barriers to Accessing the Orchestra, please visit WRTI-FM. orchestra, and maximizes www.philorch.org. 4 Music Director Chris Lee Music Director Yannick Nézet-Séguin is now confirmed to lead The Philadelphia Orchestra through the 2025-26 season, an extraordinary and significant long-term commitment. Additionally, he becomes music director of the Metropolitan Opera beginning with the 2021-22 season. Yannick, who holds the Walter and Leonore Annenberg Chair, is an inspired leader of the Orchestra. His intensely collaborative style, deeply rooted musical curiosity, and boundless enthusiasm have been heralded by critics and audiences alike. The New York Times has called him “phenomenal,” adding that under his baton, “the ensemble, famous for its glowing strings and homogenous richness, has never sounded better.” Highlights of his fifth season include an exploration of American Sounds, with works by Leonard Bernstein, Christopher Rouse, Mason Bates, and Christopher Theofanidis; a Music of Paris Festival; and the continuation of a focus on opera and sacred vocal works, with Bartók’s Bluebeard’s Castle and Mozart’s C-minor Mass. Yannick has established himself as a musical leader of the highest caliber and one of the most thrilling talents of his generation. He has been music director of the Rotterdam Philharmonic since 2008 and artistic director and principal conductor of Montreal’s Orchestre Métropolitain since 2000. He was also principal guest conductor of the London Philharmonic from 2008 to 2014. He has made wildly successful appearances with the world’s most revered ensembles and has conducted critically acclaimed performances at many of the leading opera houses. Yannick Nézet-Séguin and Deutsche Grammophon (DG) enjoy a long-term collaboration. Under his leadership The Philadelphia Orchestra returned to recording with two CDs on that label. He continues fruitful recording relationships with the Rotterdam Philharmonic on DG, EMI Classics, and BIS Records; the London Philharmonic for the LPO label; and the Orchestre Métropolitain for ATMA Classique. In Yannick’s inaugural season The Philadelphia Orchestra returned to the radio airwaves, with weekly Sunday afternoon broadcasts on WRTI-FM. A native of Montreal, Yannick studied piano, conducting, composition, and chamber music at Montreal’s Conservatory of Music and continued his studies with renowned conductor Carlo Maria Giulini; he also studied choral conducting with Joseph Flummerfelt at Westminster Choir College. Among Yannick’s honors are an appointment as Companion of the Order of Canada, Musical America’s 2016 Artist of the Year, Canada’s National Arts Centre Award, the Prix Denise-Pelletier, and honorary doctorates from the University of Quebec in Montreal, the Curtis Institute of Music in Philadelphia, and Westminster Choir College of Rider University in Princeton, NJ. To read Yannick’s full bio, please visit www.philorch.org/conductor. 31 Conductor Johann Sebastian Hanel Conductor Simon Rattle made his Philadelphia Orchestra debut in 1993 conducting Mahler’s Symphony No. 9 and has been a familiar presence on the podium with the Philadelphians ever since. It is the only U.S. orchestra he appears with this season. He has been chief conductor and artistic director of the Berlin Philharmonic since 2002, and this season undertakes an extensive tour of the U.S. with the ensemble. In the 2017-18 season he becomes music director of the London Symphony. From 1980 to 1998 he was principal conductor and artistic adviser, then music director, of the City of Birmingham Symphony. Mr. Rattle is currently leading the season- opening performances of Wagner’s Tristan and Isolde at the Metropolitan Opera. He is also a Carnegie Hall “Perspectives” artist for the 2016-17 season. Mr. Rattle has made over 70 recordings for EMI (now Warner Classics) and has received numerous international awards for recordings on various labels. Releases with the Berlin Philharmonic on EMI include Stravinsky’s Symphony of Psalms, which won the 2009 Grammy Award for Best Choral Performance; Berlioz’s Symphonie fantastique; Mahler’s Symphony No. 2; and Stravinsky’s The Rite of Spring. In August 2013 Warner Classics released Rachmaninoff’s The Bells and Symphonic Dances. Mr. Rattle’s most recent releases (the Beethoven, Sibelius, and Schumann symphonies, and the Bach Passions) have been for Berliner Philharmoniker Recordings, the orchestra’s in-house label, established in early 2014. He regularly conducts the Vienna Philharmonic, with which he has recorded the complete Beethoven symphonies and piano concertos with Alfred Brendel. Born in Liverpool, Mr. Rattle studied at the Royal Academy of Music. He was knighted in 1994 and in the New Year’s Honors of 2014 received the Order of Merit from the Queen of England. His partnership with the Berlin Philharmonic has broken new ground with the educational program Zunkunft@Bphil, which has earned numerous prizes. He and the Philharmonic were also appointed international UNICEF ambassadors, the first time the honor has been conferred on an artistic ensemble. Mr. Rattle appears by kind permission of the Metropolitan Opera. 32 Framing the Program Mahler performed his Sixth Symphony just three times Parallel Events in his career and on the last occasion, in Vienna, the 1904 Music title “Tragic” was printed in the program. While so much Mahler Puccini of Mahler’s music is deeply personal, and much of it Symphony Madame despairing, he plumbed new depths in this work. No. 6 Butterfly Literature Long after Mahler’s death, his widow recounted elaborate Chekhov stories about the autobiographical meanings of the The Cherry Symphony, which culminates with “blows of fate” sounded Orchard by a hammer in the final movement. The possible meanings Art the Sixth Symphony may have held for Mahler can never be Rousseau determined, but its passion, integrity, and innovations remain The Wedding extraordinarily powerful for performers and audiences alike History more than a hundred years after its composition. Work begins on the Panama Canal 33 The Music Symphony No. 6 The Sixth Symphony is widely viewed as one of Gustav Mahler’s most personal and darkest creations. There is, admittedly, a good deal of competition in this regard among his compositions and what we know (or think we know) about his music is often based on other’s accounts rather than on what Mahler himself said or indicated in sketches and the manuscript. He wrote the Symphony during the summers of 1903 and 1904, by which stage he had decisively moved away from explicit extra-musical programs to guide audiences. In his first four symphonies Gustav Mahler he had called upon sections from his own earlier songs or Born in Kalischt (Kaliště), had actually incorporated songs and choruses within them.
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