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FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected]
Contact: Tatiana Moton FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected] GLOBAL ICON MÝA RETURNS WITH BRAND NEW SINGLE CELEBRATING 20TH YEAR ANNIVERSARY MÝA ANNOUNCES THIRTEENTH ALBUM, ARRIVING 2018 Grammy-winning recording artist, Mýa, unveiled the release of her brand new single, from her highly anticipated upcoming 13th studio project. The global entertainer and humanitarian surprised eager fans by ushering in Valentine’s Day with a debut of her new music, once again breaking the mold with a sexy, sultry, soulful sound that is sparking scores of praise and raving fanfare. The new single, “You Got Me,” now available on all digital outlets worldwide, celebrates the 20th year anniversary of Mýa’s debut single, the Billboard chart- topping hit, “It’s All About Me,” featuring R&B singer, Sisqo. Released in 1998, it was the leading single on the self-titled, double platinum, debut album, Mýa, which would launch the then 18-year-old Mýa into the fabric of pop-culture. The celebrated singer, songwriter, producer, musician, dancer/choreographer, designer, actress, activist and philanthropist has electrified audiences over the years with world smash hits including, “It’s All About Me,” “Movin On,” “Ghetto Superstar,” “Take Me There,” “Case of the Ex,” “Best of Me,” “My Love Is Like Wo,” “Fallen” and more. Mýa’s impressive catalog of music includes her second double platinum album, Fear of Flying, released in 2000. In 2001, Mýa collaborated with Christina Aguilera, Lil’ Kim, P!nk and Missy Elliot on a remake of LaBelle’s “Lady Marmalade,” which is featured in Baz Luhrman’s “Moulin Rouge.” Selling over 5.5 million copies, it became the most successful airplay-only single in history, winning the Grammy Award for Best Pop Collaboration and garnering numerous awards. -
Phila DJ Lee Jolles Obit 20120805
FOR IMMEDIATE RELEASE Monday, August 5, 2012 Further Information See Contact on Page Two Doo-Wop DJ Lee, “Mister Lee” Jolles Dies; Philadelphia Businessman, Record Collector and Rock-and-Roll Group Harmony Expert Was Known Across U.S. From His Weekend Radio Show PHILADELPHIA -- Businessman, DJ, and doo-wop group harmony champion Lee, “Mister Lee” Bain Jolles, 66, died July 10th. A lifelong lover of the distinctly American rock-and-roll genre, Jolles owned a well-known Philadelphia cheesesteak eatery; headed the Philadelphia Group Harmony Association (PGHA) and produced sell-out oldies shows for the association for two decades. In 1986 he became DJ, “Mister Lee,” at a small Delaware Valley non-profit FM radio station whose weekend doo-wop listenership exploded coast to coast thanks to Internet streaming. Jolles’s funeral drew a “sellout” crowd of more than 500 persons, mourners who knew him from entertainment, radio, business, and listening to his 4-to-6 p.m. Saturday program on WRDV FM (streamed at WRDV.org) and the Live 365.com “Station PGHA” channel. Those Live 365 shows were recorded from his FM show and can still be heard today. Growing up in the golden age of rock n’ roll and group harmony, Jolles remembered being a nine-year-old elementary school student when Frankie Lymon’s, “Why Do Fools Fall in Love” was first released. “…it seemed that the whole school yard was on fire! I knew I found our own music,” according to autobiographical “liner notes” on the Live 365 PGHA channel. Jolles attended West Philadelphia’s John Bartram High, whose alumni include doo-wop luminaries Lee Andrews and the Hearts, Danny and the Juniors, Patti LaBelle, the Superiors, the Blendtones and Little Billy and the Essentials, and, according to Wikipedia, Solomon Burke. -
Selected Discography
479 of 522 selected discography 6932 Lawrence / LOVE SAVES THE DAY / sheet The following discography lists all of the recordings referred to in Love Saves the Day. It provides basic information on the name of the artist, the title of the recording, the name of the label that originally released the recording, and the year in which the recording was first released. Entries are listed in alphabetical order, first according to the name of the artist, and subsequently according to the title of the recording. Albums are highlighted in italics, whereas individual album cuts, seven-inch singles, and twelve-inch singles are written in normal typeface. Abaco Dream. ‘‘Life and Death in G & A.’’ , . Area Code . ‘‘Stone Fox Chase.’’ Polydor, . Ashford & Simpson. ‘‘Found a Cure.’’ Warner Bros., . '.‘‘It Seems to Hang On.’’ Warner Bros., . '. ‘‘Over and Over.’’ Warner Bros., . '. ‘‘Stay Free.’’ Warner Bros., . Atmosfear. ‘‘Dancing in Outer Space.’’ Elite, . Auger, Brian, & the Trinity. ‘‘Listen Here.’’ , . Ayers, Roy, Ubiquity. ‘‘Don’t Stop the Feeling.’’ Polydor, . '. ‘‘Running Away.’’ Polydor, . Babe Ruth. ‘‘The Mexican.’’ Harvest, . Barrabas. Barrabas. , . '. ‘‘Wild Safari.’’ , . '. ‘‘Woman.’’ , . Barrow, Keith. ‘‘Turn Me Up.’’ Columbia, . Bataan, Joe. ‘‘Aftershower Funk.’’ Mericana, . '. ‘‘Latin Strut.’’ Mericana, . '. ‘‘Rap-O Clap-O.’’ Salsoul, . '. Salsoul. Mericana, . Bean, Carl. ‘‘I Was Born This Way.’’ Motown, . Beatles. ‘‘Here Comes the Sun.’’ Apple, . Tseng 2003.10.1 08:35 481 of 522 !. ‘‘It’s Too Funky in Here.’’ Polydor, . !. ‘‘Mother Popcorn (You Got to Have a Mother for Me).’’ King, . Brown, Peter. ‘‘Do Ya Wanna Get Funky With Me.’’ , . !. ‘‘Love in Our Hearts.’’ , . B. T. Express. ‘‘Do It (’Til You’re Satisfied).’’ Scepter, . -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion. -
Lady Marmalade”—Labelle (1974) Added to the National Registry: 2020 Essay by Adele Bertei (Guest Post)*
“Lady Marmalade”—Labelle (1974) Added to the National Registry: 2020 Essay by Adele Bertei (guest post)* Labelle Labelle. Hear the name and most will immediately think of Patti LaBelle, diva supreme, but the story is far more profound than the connection suggests. Over the course of 16 years together, Nona Hendryx, Sarah Dash, and Patti LaBelle created a musical legacy unlike any other group before or since. Patti’s incredible voice led the way, undoubtedly. But it was Sarah Dash’s sweet soaring soprano, the deep resonance of Nona Hendryx’s voice and lyrical imagination, and the utopian vision of manager Vicki Wickham that would ultimately result in the creation of the Labellian cosmology--a map of sonic starlight. In 1962, Patti LaBelle and the Bluebelles were a traditional girl group with a few minor hits. Ten years later, they dropped the girl group tropes and became Labelle, reinventing the role of Black women in popular music as bona fide rock stars in 1974. The torque accelerating their ascendancy was a song called “Lady Marmalade.” Co-written by Bob Crewe and Kenny Nolan, “Lady Marmalade” is the story of a Creole sex worker strutting a solicitation--”Voulez vous coucher avec moi, ce soir?”--a phrase that became a French-language primer for every American in love with pop music. Any record company trepidation about presenting this brazen shout-out for Black women’s sexual agency to the listening world was extinguished by the undeniable brilliance of the recording. The song might not have been written by Labelle, but their delivery made it a worldwide sensation. -
Patti Labelle Singer and Actor Known for Her Passionate Stage Performances and Family and Friends Gave Labelle the Nickname Patsy
African Americans LaBelle, Patti L. L. Cool J.’s first role as an actor came in 1985 in a vancement of Colored People (NAACP). He received a film about the early days of Def Jam Recordings called Source Foundation Image Award for his philanthropy Krush Groove. The next year, he appeared in a film called and his work with JumpStart, a literacy program for low- Wildcats. Although he had only cameo appearances in income children. L. L. Cool J.’s longevity in the enter- both films, he won a starring role in Out of Sync in 1995. tainment industry is a testimony to his versatility and The film did not do well at the box office, but it did help talent. him earn a starring role in a sitcom called In the House. —Alison S. Burke The sitcom aired on NBC from 1995 to 1999. L. L. has appeared in several other films, including Halloween Further Reading H20 (1998), Deep Blue Sea (1999), Any Given Sunday Baughman, Brian. Hip-Hop: L. L. Cool J. Broomall, Pa.: (1999), Deliver Us from Eva (2003), S.W.A.T. (2003), Mason Crest, 2007. This biography for teenage read- and Last Holiday (2006). In 2009, L. L. Cool J. was given ers provides a general overview of the life of L. L. a prominent role as former Navy SEAL and special agent Cool J. and contains many full-color photographs Sam Hanna in the CBS drama series NCIS: Los Angeles. from different stages in his career. In addition to his music and acting careers, L. -
Music Inspired by Astronomy, Organized by Topic an Annotated Listing by Andrew Fraknoi
Music Inspired by Astronomy, Organized by Topic An Annotated Listing by Andrew Fraknoi © copyright 2019 by Andrew Fraknoi. All rights reserved. Used with permission. Borresen: At Uranienborg Cage: Atlas Eclipticalis Glass: Orion Connections between astronomy and music have been proposed since the time of the ancient Greeks. This annotated listing of both classical and popular music inspired by astronomy restricts itself to music that has connections to real science -- not just an astronomical term or two in the title or lyrics. For example, we do not list Gustav Holst’s popular symphonic suite The Planets, because it draws its inspiration from the astrological, and not astronomical, characteristics of the worlds in the solar system. Similarly, songs like Soundgarden’s “Black Hole Sun” or the Beatles’ “Across the Universe” just don’t contain enough serious astronomy to make it into our guide. When possible, we give links to a CD and a YouTube recording or explanation for each piece. The music is arranged in categories by astronomical topic, from asteroids to Venus. Additions to this list are most welcome (as long as they follow the above guidelines); please send them to the author at: fraknoi {at} fhda {dot} edu Table of Contents Asteroids Meteors and Meteorites Astronomers Moon Astronomy in General Nebulae Black Holes Physics Related to Astronomy Calendar, Time, Seasons Planets (in General) Comets Pluto Constellations Saturn Cosmology SETI (Search for Intelligent Life Out There) Earth Sky Phenomena Eclipses Space Travel Einstein Star Clusters Exoplanets Stars and Stellar Evolution Galaxies and Quasars Sun History of Astronomy Telescopes and Observatories Jupiter Venus Mars 1 Asteroids Coates, Gloria Among the Asteroids on At Midnight (on Tzadik). -
PATTI LABELLE Ith a Stage Presence As Exciting As Her Belting Soprano Voice
EDUCATION APOLLO THEATER WALK OF FAME LEGEND PATTI LABELLE ith a stage presence as exciting as her belting soprano voice and “Rock and Soul” sound she helped pioneer in the 1970s, singer Patti LaBelle is nicknamed the “Godmother of Soul.” WBorn Patricia Louise Holte on May 24, 1944 in Philadelphia, Pennsylvania, “Patsy” was shy growing up. After joining her church’s youth choir in her teens, she discovered her singing had the ability to uplift audiences. Word of Holte’s talent spread quickly through Philadelphia, and before she knew it, listeners from around the city were coming to hear her sing. Encouraged by her experience in church, she formed an all-female “Doo-Wop” group in “FROM THE DAY LABELLE high school named, The Ordettes. In 1962, after auditioning with their cover of “I Sold My Heart STEPPED OUT ONSTAGE IN THOSE to the Junkman,” the vocal quartet was OUTRAGEOUS OUTFITS, PEOPLE signed to the Bluebelle Record Company and renamed, The Bluebelles. Soon after, Holte took a new name of her own, “Patti LaBelle”; “La WOULD NEVER SEE Belle” meaning “The Beautiful” in French. GIRL GROUPS THE Within days of being signed, Patti LaBelle and the Bluebelles were booked on the nationally SAME WAY AGAIN.” televised music program, American Bandstand. The following year in 1963, they played the World Famous Apollo Theater in Harlem for the first time. Audiences loved the girls so much they nicknamed them the “Sweethearts of DO NOW the Apollo.” Wear Something Silver When the British Invasion of Rock and Roll Labelle wowed audiences not hit the U.S. -
Critic's Corner
October 19, 1976 BLACK INK 9 Critic’s Corner by Stanley Brooks A Labelle needs no introduction because For those who have not heard, Jermaine they are the only black, female recording Jackson is no longer a member of the group to go beyond mediocrity to express Jackson 5 musical group. He, unlike the their views on life, love, and politics. rest of his musical family, decided to On “Chameleon,” Labelle revives the remain at Motown Records when spirit, drive and dedication expressed so Columbia-Epic enticed them late last year masterfully on the “Nightbirds” Ip. with lots of money. Chameleon has great songs and the best Although he has played and sung for singing by any female group in quite a years, “My Name is Jermaine,” signals while. However, it is the songs that make his debut as a solo performer. The album’s the album. executive producer is Berry Gordy and it All the songs are long, averaging four is obvious that this Ip is of major im minutes, but the vast majority of the songs portance to the people at Motown. are enhanced by the extensions. Four of The album itself contains songs of the six best cuts are Nona Hendryx several musical veins. It includes light, originals. These include “Who’s Watching contained disco, mellow ballads, love the Watcher,” “Come into my Ufe,” songs and even an instrumental. “Chameleon,” and the sensual “Going Down Makes Me Shiver.” Highlights on the album include hi? new The two most outstanding non-Hendryx single, “Let’s Be Young Tonight.” Other tunes are Joe Crane’s “Get You Somebody pieces are “Stay with Me,” and “I Just New” and Randy Edelman’s “Isn’t It a Want to Take this Time.” The most Shame.” These two cuts, like all the rest, arresting piece on the album is “My Touch are sung with a restrained but electric of Madness.” Jermaine sings each song energy that is uniquely Labelle. -
DECLARATION of Kelly M. Klaus in Support Re
Arista Records LLC et al v. Lime Wire Arista Records LLC et al. v. Lime Wire LLC et al. Exhibit 2 Copyright Song Album Download Plaintiff Artist Title Title SR SR Bates No. SR Claimant Agreement Bates No. Source FileName UMG-7002620; UMG-7002684; UMG-7002687; UMG-7002691; UMG-7002693; UMG-7002696; UMG-7002707; UMG-7002713; UMG-7002718; UMG-7002721; UMG-7002725; UMG-7002783; UMG-7002788; UMG-7002794; UMG-7002798; UMG-7002804; UMG-7002809; UMG-7002815; UMG-7002818; UMG-7002829; UMG-7028444; UMG-7028447; UMG-7028452; UMG-7028456; UMG-7028461; UMG-7028463; UMG-7028473; UMG-7028477; UMG-7028534; UMG-7048478; UMG-7048481; UMG-7048486; A6762.MaryJBlige. UMG Love @ Geffen Records, UMG-7048490; UMG-7048495; LoveFirstSight.70.1 Recording Mary J. Love @ 1st Sight RC00002634- Div. of UMG UMG-7048497; UMG-7048507; 88.161.143_8105.1 s, Inc. Blige 1st Sight (single) 340-891 RC00002635 Recordings, Inc. UMG-7048511; UMG-7048568 Dtecnet .zip UMG-7002620; UMG-7002684; UMG-7002687; UMG-7002691; UMG-7002693; UMG-7002696; UMG-7002707; UMG-7002713; UMG-7002718; UMG-7002721; UMG-7002725; UMG-7002783; UMG-7002788; UMG-7002794; UMG-7002798; UMG-7002804; UMG-7002809; UMG-7002815; UMG-7002818; UMG-7002829; UMG-7028444; UMG-7028447; UMG-7028452; UMG-7028456; UMG-7028461; UMG-7028463; UMG-7028473; UMG-7028477; UMG-7028534; UMG-7048478; UMG-7048481; UMG-7048486; UMG Geffen Records, UMG-7048490; UMG-7048495; A6760.MaryJBlige. Recording Mary J. Love & RC00002710- Div. of UMG UMG-7048497; UMG-7048507; NotToday.173.61.0 s, Inc. Blige Not Today Life 346-345 RC00002711 Recordings, Inc. UMG-7048511; UMG-7048568 Dtecnet .126_31086.zip Page 900 Dockets.Justia.com Doc. -
Genre Artist Song Funk, Soul, Contemporary R&B Christina
Genre Artist Song Funk, Soul, Contemporary R&B Christina Aguilara Ain't no Other Man Avicii Wake me Up Bee Gees Stayin' Alive Justin Bieber Sorry, What Do You Mean Beyonce Crazy in Love, Single Ladies Black Eyed Peas Let's Get it Started, I Gotta Feeling Black Street No Diggity James Brown I Feel Good Cameo Word up Chic Freak Out Cobra Starship You make me feel Natalie Cole This will be The Commadores Brick House Sam Cooke Twistin' The Night Away Taio Cruz Dynamite DNCE Cake by the Ocean Drake One Dance Enrique Iglesias I Like It Earth Wind and Fire Lets Groove, September Aretha Franklin Respect Flo Rida Club Can't Handle Me Michael Franti Say Hey The Gap Band Party Train Marvin Gaye I Heard It Through The Grapevine Ariana Grande Problem Selena Gomez Hands to Myself Cee Lo Green Forget You! Calvin Harris This is what you Came For Janet Jackson Black Cat Michael Jackson Don’t Stop Til You Get Enough, Billy Jean Jackson 5 ABC, I Want You Back Jennifer Lopez Let's Get Loud Demi Lovato Neon Lights Mackelmore Thrift Shop, Can't Hold Us Bruno Mars Uptown Funk, Marry You, Treasure, 24 K Magic Shawn Mendes Stitches George Michael Faith Kylie Minogue Can't Get You Outta My Head Nelly Hot In Here One Direction Drag Me Down Outkast Hey Ya!, The Way You Move Owl City Good Time Katy Perry California Girls, Firework, Hot n Cold Pharrell Happy Wilson Picket Knock on Wood, In The Midnight Hour Phillip Phillips Gone, Gone, Gone Pitbull Fireball, Give me Everything, Timber Prince Kiss Martha Reeves Dance in the Streets Rihanna Don’t Stop the Music, Umbrella, Only Girl In the World Lionel Richie All Night Long Diana Ross I'm Coming Out, Upside Down Sister Sledge We Are a Family Britney Spears Toxic Spinners Then Came You Spiral Staircase More Than Yesterday Gwen Stefani Sweet Escape Rick James Give It to Me Baby, Super Freak Carley Rae Jepson Call Me Maybe Montel Jordan This Is How We Do It Alicia Keyes No One, Girl On Fire, Ellie King Ex's and O's Evelyn C. -
“Le Freak”—Chic (1978) Added to the National Registry: 2017 Essay by Cary O’Dell
“Le Freak”—Chic (1978) Added to the National Registry: 2017 Essay by Cary O’Dell “Le Freak” 45 sleeve Original 45 label Nile Rodgers Inevitably, there seems to be a collective groan whenever that word is spoken. That word, of course, is “disco.” It is, without question the only musical genre to illicit such a response. No one smirks and recedes from “country” or “classical” or “folk.” It is also the only musical genre to ever have had its own made-to-order funeral: the public lambasting that was the famous—turned infamous—“Disco Sucks” Demolition Night held on July 12, 1979 at Comiskey Park in Chicago, Illinois. Yet, despite all the baggage attached to it, and despite the endless jokes, and the very bad fashion connected with it, the music of disco, itself, has actually aged remarkably well. And, in fact, it has never completely departed. Today, disco beats still rain down from the radio airwaves and steam upwards from the streets and meet on a million dance floors in between. It’s just that, today, instead of daring to utter the word “disco,” we hide these same grooves under euphemisms like “dance” music or “club” music. Founded, more or less, in 1976, the band known as Chic has survived, with some hiatuses, up to the present day. They have also existed in various incarnations with a wide assortment of musicians and singers coming and going over the years. At the time the group recorded their major hit “Le Freak,” however, the group consisted (in the studio, at least) of five members: Nile Rodgers, Bernard Edwards, Tony Thompson, Norman Jean Wright and Alfa Anderson.