Student Life Committee Backs Pub Operation the Stolen Key Ring
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Extensions of Remarks 29497 Extensions of Remarks Commonwealth Heads of 5
October 27, 1987 EXTENSIONS OF REMARKS 29497 EXTENSIONS OF REMARKS COMMONWEALTH HEADS OF 5. Meeting for the first time in full session the exception of Britain we will initiate an GOVERNMENT STATEMENT ON since the publication of the Report, we expert study, drawing on independent SOUTHERN AFRICA warmly commend the work of the EPG and sources, to examine this aspect of the South agree that the EPG mission offered a real African economy. opportunity for the South African Govern 11. Finally, mindful of our commitment at HON. MERVYN M. DYMALLY ment to initiate a negotiating process be Nassau which we reaffirm here in Vancou OF CALIFORNIA tween the Government and the true repre ver, we agree that we will continue to take sentatives of the black majority, leading ul IN THE HOUSE OF REPRESENTATIVES further action individually and collectively timately to a peaceful resolution of the as deemed appropriate in response to the Tuesday, October 27, 1987 problem of apartheid and to a break in the situation as it evolves until apartheid is dis cycle of violence in the region. Pretoria's re Mr. DYMALLY. Mr. Speaker, recently I had mantled, in the case of all but Britain that jection of the "Negotiating Concept" sub includes sanctions. the privilege of meeting with His Excellency mitted by the EPG, which was underlined Shridath Ramphal, Secretariat, Common by its brutal attacks against Botswana, SOUTH AFRICA AND ITS NEIGHBOURS wealth Heads of Government, during his Zambia and Zimbabwe on 19 May 1986, was 12. In addition to our programme of United Nations visit, in New York, to discuss nothing less than a tragedy for the region. -
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21. -
Iar 1St Class
Friday, September 22, 1972 YOUNGSTOWN STATE UNIVERSITY Volume 50 No. 1 iar 1st class The Jambar has been awarded a rating of "First Class" from the Associated Collegiate Press for by Jack Hagan the second year in a row based NewsEditor • upon newspapers published dur• The issue of possible faculty cutbacks is expected to be ing Spring quarter of last year. settled in the next few weeks, Dr. Thomas A. Shipka, The newspaper received assistant professor of philosophy and chief negotiator for "Marks of Distinction" in Editor• the YSU Ohio Education Association said yesterday. Atty.- ial Leadership and Writing and John Weed Powers, the chief negotiator for the university, Editing, two of the five areas also states that he hopes the retrenchment issue will be evaluated, for the second year. settled soon. records dating from 1967 wuen The critique commented that Dr. Shipka and Atty. Powers "relevant topics are given mature YSU become a state institution. have agreed not to release specific Dr. Shipka said that there are treatment" in the editorials and information concerning issues un• that the news staff writes "like still many issues on the table that der current negotiation. have to be se.ttled including pros." ON THE RIGHT TRACK - Mr. John Vitco (left), operating The OEA became the sole several proposals that the OEA The ACP is a national organ• engineer for the Charles Shutrump Construction Company, and Bob bargaining agent for the faculty as university ization of over 1,000 college and has presented t0 the Hobart, Junior secondary education, discuss progress on the a result of a election held last negotiating team headed by (Cont. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
Paul and the Ancient Celebrity Circuit
Wissenschaftliche Untersuchungen zum Neuen Testament Herausgeber/Editor Jörg Frey (Zürich) Mitherausgeber/Associate Editors Markus Bockmuehl (Oxford) ∙ James A. Kelhoffer (Uppsala) Tobias Nicklas (Regensburg) ∙ Janet Spittler (Charlottesville, VA) J. Ross Wagner (Durham, NC) 430 James R. Harrison Paul and the Ancient Celebrity Circuit The Cross and Moral Transformation Mohr Siebeck James R. Harrison, born 1952; 1976 BADipEd; 1989 MA; 1997 PhD (Macquarie Univer- sity); 2002–12 Head of the School of Theology, Wesley Institute, Sydney, Australia; cur- rently Research Director, Sydney College of Divinity, Macquarie Park, Australia. ISBN 978-3-16-154615-0 / eISBN 978-3-16-157019-3 DOI 10.1628/978-3-16-157019-3 ISSN 0512-1604 / eISSN 2568-7476 (Wissenschaftliche Untersuchungen zum Neuen Testament) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- graphie; detailed bibliographic data are available at http://dnb.dnb.de. © 2019 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitt- ed by copyright law) without the publisher’s written permission. This applies particular- ly to reproductions, translations and storage and processing in electronic systems. The book was typeset and printed on non-aging paper by Gulde Druck in Tübingen. It was bound by Buchbinderei Spinner in Ottersweier. Printed in Germany. Preface My interest in the “celebrity circuit,” ancient and modern, was first provoked as an undergraduate student at Macquarie -
Dawson's Auctioneers
Dawson's Auctioneers The Auction House 9 King's Grove Estate Maidenhead Rock & Pop Music Vinyl & Memorabilia Berkshire SL6 4DP Started 04 Nov 2017 10:00 GMT United Kingdom Lot Description The Beatles A rare printer's proof of The Beatles 'For Sale' album, (stereo), (A rejected proof due to too much red used on the band 1 member's faces), 1970's issue, 76 x 35.5 cm. Thin Lizzy original xerox copy of the Reading Festival 1981 contract over 14 pages, showing a stage plan Thin Lizzy to recieve £25,000, 2 together with Flexipop! magazine with single 'Song For Jimmy', etc. The Rolling Stones, Bridges to Babylon Fully signed promotional pack, (one of only 10 signed by the band) to include poster, box and 3 promotion-only Double CD pack. Assorted Reggae albums, original and unusual 1970's LP's on Trojan catalogue TRLS81, TRLS76, Others all TBL numbers, TBL209, 4 193 188, 191, 198, all examples in excellent condition. Five Lp's of English Psychedlia 'Rubble' albums to include 'The Psychedelic Snarl', 'The Electric Crayon Set', 'The 49 Minute 5 Techniclour Dream', 'Nightmares In Wonderland' 'Pop-Sike Pipe Dreams (to include Idle Race) All on Pilot records, features artists such as The Mark 4, Jason Crest, Kaleid ...[more] Oasis, a signed album 'Definitely Maybe' an original release 1994 gatefold double album on Creation records, signed to front cover by 6 the entire original band (Liam Gallagher, Noel Gallagher, Paul Arthurs, Paul McGuigan and Tony McCarroll). 7 Curved Air and Saturnalia Early picture discs (late 1960's), 'Air Conditioning' and 'Magical Love' (Magical Love missing booklet). -
Cowboy Politics: the Changing Frontier Myth and the Presidencies Of
COWBOY POLITICS: THE CHANGING FRONTIER MYTH AND PRESIDENCIES OF THEODORE ROOSEVELT, LYNDON JOHNSON, RONALD REAGAN AND GEORGE W. BUSH A Dissertation Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Interdisciplinary Studies Graduate Program UNIVERSITY OF SASKATCHEWAN SASKATOON BY DAVID ALEXANDER SMITH © Copyright David Alexander Smith, April 2016. All rights reserved. PERMISSION TO USE In presenting this dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my dissertation work was done. It is understood that any copying or publication of use of this dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my dissertation. DISCLAIMER Reference in this dissertation to any specific commercial products, process, or service by trade name, trademark, manufacturer, or otherwise, does not constitute or imply its endorsement, recommendation, or favouring by the University of Saskatchewan. The views and opinions of the author expressed herein do not state or reflect those of the University of Saskatchewan, and shall not be used for advertising or product endorsement purposes. -
Vos Commerces De Proximité
BULLETIN MUNICIPAL D’INFORMATIONS - N° 114 - SEPTEMBRE/OCTOBRE/NOVEMBRE 2015 DOSSIER Vos commerces de proximité > www.92120.fr N°114 ÉDITORIAL Septembre à novembre 2015 VILLE DE MONTROUGE 43, avenue de la République Privilégiez nos 92121 Montrouge cedex Standard : 01 46 12 76 76 www.ville-montrouge.fr commerçants Page Facebook : de Galzain Virginie © « Ville de Montrouge » Montrougiens DIRECTEUR DE LA PUBLICATION : ous le savez, à Montrouge, nous Jean-Loup Metton sommes très attachés au com- RÉDACTION : merce de détail, que l’on appelle Directeur de la Communication : V affectueusement le « petit commerce ». Ghislain Magro Rédactrice en chef : Laura Buck Une ville sans commerçant est une ville Ont collaboré à ce numéro : Philippe morte. Et les quartiers les plus agréables Soulard, Laure Turbian, Sarah Mouzet, sont souvent les plus commerçants. Marie Houssiaux, Virginie de Galzain, Dans notre société du numérique, nous Anna Serwa´nska et Sandrine Gauthier. Pour adapter l’offre de stationnement, 01.46.12.75.78 sommes de plus en plus connectés. Nous avons plus de contacts, d’échanges. Mais nous avons créé des parkings publics tous PHOTOS : les 500 mètres avenue de la République et Ville de Montrouge sauf mentions ceux-ci se font en l’absence de tout des stationnements minutes. Nous avons COUVERTURE/MISE EN PAGE : contact humain, via écrans ou oreil- Studio Orient Express lettes interposés. Nous sommes donc limité les aires de livraisons à la matinée. IMPRESSION : Roto Aisne en manque de contacts physiques. Une Grâce à notre manager du commerce, nous nous occupons nous-mêmes des RÉGIE PUBLICITAIRE : partie de ce défi cit, nous le comblons en CMP - David Tiefenbach fréquentant nos commerçants. -
Waiving Miranda
WAIVING MIRANDA by VANCE E. VOYLES M.F.A. University of Central Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2011 ©2011 Vance E. Voyles ii ABSTRACT Waiving Miranda is a nonfiction collection that explores my career in law enforcement with a special emphasis on how the day-to-day association with others can lure a person into self-observation. The essays include my experiences as a road-patrol deputy, sex-crimes detective, and homicide detective in one of the largest county law enforcement agencies in the nation. Instead of the TV version of law enforcement— anecdotes of police chases and shoot outs—this thesis examines people on both sides of the yellow crimes scene tape as they face their own mortality and the gruesome truth of people’s unabashed cruelty towards one another. These essays wrestle with such issues as the following: confronting my own perceived inadequacies while encountering the expectations of those whose ideas of police work come from shows such as SWAT, Law and Order, and NYPD Blue; balancing career and parenting in the aftermath of divorce and a loss of purpose; pursuing a career in law enforcement with the idea of serving the community; discovering that policing in real life is a direct contradiction to the celluloid heroes I grew up watching on television; staging an internal war and ultimately resolving to move past resentment and move forward with a new purpose. -
'Man Alone and Men Together: Maurice Shadbolt, William Malone
‘Man Alone and Men Together: Maurice Shadbolt, William Malone and Chunuk Bair‘1 JAMES BENNETT It is hard to find a discussion of New Zealand culture in which John Mulgan‘s novel Man Alone (1939) does not figure… Actually, few of these figures are literally men alone, as that thematic is joined to a second great Australasian motif, that of mateship.‘2 A man alone could not survive.3 This article will consider the motivation behind, and timing of, Maurice Shadbolt‘s interventions as a writer between 1982 and 1988 to determine the extent to which cultural nationalist interpretations of Gallipoli resonated in that decade and how they came about. My argument will pivot around Shadbolt‘s powerful 1982 stage play (Once on Chunuk Bair), subsequently adapted as a low budget feature film (Chunuk Bair), and his later collection of oral histories.4 As Annabel Cooper points out, although a dramatic production Once on Chunuk Bair is a very conscious attempt to anchor a creative piece in history by drawing extensively on the work of historians to buttress the veracity of its interpretation of the event.5 To develop this line of argument further, Charlotte Caning has conceptualized performance on stage as a site for negotiation of the meaning of history by deliberately blurring the boundaries between historiography and dramaturgy.6 Although my principal cultural interest lies in history through film, the centrality of Shadbolt and his stage play to the Gallipoli debate in New Zealand necessarily broadens the scope of my discussion on cultural forms to include relevant stage plays as a supplementary interest to fiction feature films. -
Intersession Plans for University Finalidt Ud It
- ---- ----- - --- ---- I- MONA - Statesman lDECEMBER 3-8 .. .A Stoy ;rokNew . * ..r. York, . fif^ da q<NOAle --p Voe 19 Itbe 9 . .W . ..A W W .w=A, . 0- i - -ad-- Intersession Plans for University FinalIdt- .. All '1&4M A*"'-96..OWL,. 1%..mue. 01all, AWf1 Total University Shutdown 10I Aldmmmt Skp~X WJ»L14,lT6 ^ ^ A_^^ ~~-A-&_- ft""^ May Prompt CSEA Strike TI-II isii itiili ~~~~-- -A _acw b o. a m _ By JONATHAN D. SALANT work so ate may om b-y WM-ftsAw. 2 Whfe some academi- bufllbe the pefomthi dulties" V~ch am Lbrary, the Inftry and th Stony tht ould be WgL- Brook Union will remain open dusing Fo's ph= o m Acmcss ol Lant ditayta fam=rt Ia*oe to te now month-ong in s-a VW . ~~~~~~- week, adding a wek on toe end of . Uao 11tir URieSWity pkns to do" dow w^L.h2 _ A------ for two days. I it doe, capus the , ud _ o f a UetL20" cdlseri union nay cad a st. one-week "redin t~and review"p it d ' f - T -h I .. , t^ebSW^^___ suck.~~~~~~~~~~~~~~~~~~~~~~~~~~~~ The doing of an d Oom YomdC ak tn.;apit the sav Fri.<ian30 exetStao XnI Quad amd modt Edo takI* fi*~ puriod k b 1 ~dud cpe at of the $1 mMMln tat ar.M » „ - *' \o, it part of a plan to redu So the UnlvXIty WE have to redues rdat.La*t day io Abe te MaVy Univenity's uel ad electk b1l by from It budgt Ms oD ko. -
Backcover/ Title the Songs We Sang for Auntie
backcover/ title Sessions Outtakes 1964 - 1994 The Songs We Sang For Auntie page 2/7 shows by developing his famous and somewhat Back Where We Started CD One: The Songs We Sang For Auntie egocentric stage personae. You may already know both Kinks’ concerts By moving to Columbia Records in the 90s The 1. You Really Got Me 16. Mr. Churchill Says which were broadcasted by the BBC in the 70s. Kinks hoped to get some radio airplay again. (recorded 7/9/64; Playhouse Theatre) (recorded 18/12/69; Camden Theatre) Here you will hear the parts of these At least some BBC TV shows featured them 2. Got Love If You Want It 17. The Moneygoround performances not available on the official promoting their new album “Phobia”. But (recorded 1/10/64; Beat Room) (recorded 1970) release. “Father Christmas” is the only song without Columbia giving earnest support the CD 3. Hide And Seek (Winley; Byrd) 18. Marathon which was never released on bootleg before. All failed. Nevertheless the Kinks (with a session (recorded 6/8/65; Aeolian Hall, Studio 1) (recorded March 1970) the others from the so-called “Kristmas guitarist instead of Dave Davies) entered the 4. Never Met A Girl Like You Before 19. Got To Be Free Koncert” have been re-broadcasted, but this studios again in the beginning of 1994 to record (recorded 10/8/65; Playhouse Theatre) (recorded March 1970) song had been available only on video tape another radio session. 5. Milk Cow Blues (Estes) 20. Mirror Of Love before and so our recording is from an other After the tour in 1993/4 the band played before (recorded 10/8/65; Playhouse Theatre) (recorded 6/6/74; Langham Studio 1) source than the rest.