ABOUT the PRODUCTION One Day Spectrevision Producer Josh Waller Found Himself Chatting with His Niece When the Subject of Cooties Came Up
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Affective Timelines Towards the Primary-Process Emotions Of
AFFECTIVE TIMELINES TOWARDS THE PRIMARY-PROCESS EMOTIONS OF MOVIE WATCHERS: MEASUREMENTS BASED ON SELF- EXPERIENCE AND INTERACTION ANNOTATION AND AFFECTIVE NEUROSCIENCE Marko Radeta, Zhabiz Shafieyoun and Marco Maiocchi SIP Lab | Studies on Interaction and Perception | Desi!n Department, Politecnico di Milano marko@ siplab.or!, zhabiz@ siplab.or!, marco@ siplab.or! ABSTRACT The economic success of a movie depends on audience satisfaction and on how much they are emotionally en!a!ed while watchin! it. Our research is related to the identification of such kinds of emotions felt by movie watchers durin! screenin! movie screenin!. We endorse the model of 7 Primary-process emotions from A#ective Neuroscience (SEEKING, PLAY, CARE, FEAR, GRIEF, RAGE and LUST) and ask subjects to watch 14 movies and match them with these 7 emotions. We provide a self-annotatin! application and reveal “A#ective Timelines” of clicks with arousal scenes. We verify that it is possible to discriminate movie watchers’ emo- tions accordin! to their self-annotation by obtainin! 0.51 - 0.81 ran!e of accordance in an- notatin! 14 movies and comparin! them with the authors of this study. These timelines will be matched with physiolo!ical sensors in future research. KEYWORDS: A ect Annotation, Primary-process Emotions, Movie Watchers, Movie Analysis, A ective Computing. INTRODUCTION arousal scale by using the FEELTRACE (Cowie, 2000) emo- tion annotation tool. Participants viewed the films and, in Influencing the emotions is a key factor in satisfying a movie real-time, annotated their emotional responses by moving audience and for the overall success of the movie. Movies the mouse pointer on a square two-dimensional area rep- are art-forms that involve affective, perceptual and intellec- resenting the valence-arousal emotional space. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
Vi's Corner: “Presley” Authorities Arrest
PAGEEIGHT SAN FRANCISCO NEWS NOVEMBER 11, 2012 Readthenewsasithap - NEWS.....................................................PAGE1 penswithoutbias,slantor FEATURES&ENTERTAINMENT..........PAGE2 By Vi Logan prejudice.Wetellitlikeitis. POINTOFVIEW....................................PAGE3 VI’S CORNER: “PRESLEY” Forfreedomofopinion,see SPORT&LIFESTYLE.......................PAGE4 PointofView,whichallows FEATURES&ENTERTAINMENT..........PAGE5 allsidesofpolitics. CLASSIFIED.....................................PAGE6&7 BEVERLY HILLS—My name is “Pres - ture, but I’ve been told that I have very BACKPAGE............................................PAGE8 ley”, and I’m a 5 month old Jack Rus - pretty amber colored eyes that match VOLUMEVISSUE46 NOVEMBER11,2012 HOMEDELIVERY$50 sell mix. Yes, I’m another unfortunate the color of my coat! little dog that was abandoned or maybe I guess I’ve told you everything that I I should say fortunate because now I’m can about myself, so you’ll just have to here at the Friends of Animals Founda - come in to see me in person and see if tion, where I am safe and well cared for I’m the one for you. If you’d like to until that certain person comes along have an older dog, or bigger dog, or that wants to make me part of their fam - maybe you’d rather have a kitty cat - I SECOND SUSPECT NABBED ily, forever. must admit that we have some pretty Even though I’m still a puppy, I’m cute ones here – you can see all of us if AUTHORITIES ARREST SECOND CULPRIT IN BUS VANDALISM very calm and would make a great fam - you check the website, which is: By Jennifer Alcaraz ily dog. I’m very friendly and outgoing foafla.petfinder.com SAN FRANCISCO—A second arrest bus with a skateboard. -
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
Finery at Vinery
SOUTHEAST ALABAMA FLORIDA GEORGIA MISSISSIPPI NORTH CAROLINA SOUTH CAROLINA TENNESSEE Finery SOUTHEAST at Vinery In This Section LEADING SIRES IN FLORIDA BY 2011 PROGENY EARNINGS Florida training center under LEADING SIRES IN FLORIDA Ian Brennan sends out winners in bunches BY 2011 WINNERS BY LENNY SHULMAN ometimes it pays to be contrarian. While other operations have contracted over Advertisers’ the past few years, Tom Simon’s Vinery has gotten aggressive. It has supported Index Sits young stallions More Than Ready and Congrats and turned them into major success stories; it has enhanced its racing stable and come up with horses such as Kodiak Kowboy, a NATC champion in both the United States and Canada who 687 WWW.NATC.CC has now joined the Vinery stallion roster; and last year Vinery made its debut as a consignor of 2-year- VINERY SOUTH olds in training at various juvenile auctions. 689 WWW.VINERY.COM To achieve such success takes coordination among WINNING IMAGES PHOTOGRAPHY/JOSEPH DIORIO PHOTOS Ian Brennan directs Vinery's successful Florida training center 686 BloodHorse.com ■ MARCH 12, 2011 37% of our 2010 Graded Stakes Winning Graduates Won Grade I Stakes “From 2004-2008 buyers purchased 2,310 runners as juveniles for $100,000 or more. An impressive 14% went on to become stakes winners with 26% earning black type..” -The Blood-Horse MarketWatch, Feb. 2011 DAKOTA PHONE-G1 WICKEDLY PERFECT-G1 DEVIL MAY CARE-G1 Find your next Graded Stakes Winner at an upcoming Two-Year-Olds in Training Sale Mar. 15-16 OBS Selected Sale, Ocala, FL Mar. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Glee: Uma Transmedia Storytelling E a Construção De Identidades Plurais
UNIVERSIDADE FEDERAL DA BAHIA INSTITUTO DE HUMANIDADES, ARTES E CIÊNCIAS PROGRAMA MULTIDISCIPLINAR DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Salvador 2012 ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação apresentada ao Programa Multidisciplinar de Pós-graduação, Universidade Federal da Bahia, como requisito parcial para obtenção do título de mestre em Cultura e Sociedade, área de concentração: Cultura e Identidade. Orientador: Prof. Dr. Djalma Thürler Salvador 2012 Sistema de Bibliotecas - UFBA Lima, Roberto Carlos Santana. Glee : uma Transmedia storytelling e a construção de identidades plurais / Roberto Carlos Santana Lima. - 2013. 107 f. Inclui anexos. Orientador: Prof. Dr. Djalma Thürler. Dissertação (mestrado) - Universidade Federal da Bahia, Faculdade de Comunicação, Salvador, 2012. 1. Glee (Programa de televisão). 2. Televisão - Seriados - Estados Unidos. 3. Pluralismo cultural. 4. Identidade social. 5. Identidade de gênero. I. Thürler, Djalma. II. Universidade Federal da Bahia. Faculdade de Comunicação. III. Título. CDD - 791.4572 CDU - 791.233 TERMO DE APROVAÇÃO ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação aprovada como requisito parcial para obtenção do grau de Mestre em Cultura e Sociedade, Universidade Federal da Bahia, pela seguinte banca examinadora: Djalma Thürler – Orientador ------------------------------------------------------------- -
ELIZABETH MARTUCCI Costume Designer
! ELIZABETH MARTUCCI Costume Designer www.ElizabethMartucci.com Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. SIDE HUSTLE Various Nickelodeon seasons 1-2 Prod: David Malkoff, Chris Phillips, John Beck, Ron Hart DAD, STOP EMBARRASSING ME Various Netflix season 1 Prod: Jamie Foxx, Jaime Rucker King, Chris Arrington PRIDE OF TEXAS Andy Fickman Disney Channel pilot Prod: Betsy Sullenger, Greg Hampson THE RANCH Various Netflix seasons 1-4 Prod: Melanie Patterson, Don Reo, Jim Patterson LIV & MADDIE Various Disney Channel seasons 2-4 Prod: Andy Fickman, Betsy Sullenger Emmy Nomination: Outstanding Costume Design in a Daytime Series GLEE Various Fox seasons 3-4 Prod: Ryan Murphy, Dante Di Loreto, Ian Brennan season 2 (Assistant Designer) SLAMBALL J.D. Hansen Spike TV seasons 3-4 Prod: Michael Tollin, Pat Croce TRUE BLOOD Various HBO season 5 (Costumer) Prod: Alan Ball, Gregg Fienberg SUBURGATORY Various ABC season 1 (Costumer) Prod: Emily Kapnek WORKAHOLICS Various Comedy Central season 1 (Costumer) Prod: Kevin Etten, Kyle Newacheck THE PINK HOUSE Michael Lembeck Universal Media Studios / NBC tv movie (Costumer) Prod: Kenny Schwartz NIP TUCK Various FX seasons 3-5 (Costumer) Prod: Ryan Murphy, Michael Robin CRIMINAL MINDS Various Touchstone season 4 (Costumer) Prod: Edward Bernero VALENTINE Various Media Rights Capital season 1 (Costumer) Prod: Kevin Murphy IN JUSTICE Various Touchstone season 1 (Costumer) Prod: Richard Heus, Terri Kopp SAMANTHA WHO? Various ABC season 1 (Costumer) Prod: Donald Todd, Peter Traugott Film PROJECT DIRECTOR -
Come on Meow! Ian Somerhalder Is Pick of the Litter for Catcon 2017
Come on meow! Ian Somerhalder is pick of the litter for CatCon 2017 Ian Somerhalder with a furry feline friend. The actor's foundation has been named the official charity for the CatCon event scheduled for Aug. 12- 13, 2017, in Pasadena. (Ian Somerhalder Foundation) Adam TschornContact Reporter CatCon has adopted actor Ian Somerhalder — and his charitable foundation — for its 2017 conference/symposium/celebration of all things feline set to take place in mid-August, organizers announced Wednesday. The “Vampire Diaries” actor, activist and pet parent to three rescue cats will be making a special appearance at the third event, and the nonprofit Ian Somerhalder Foundation he launched in 2010 will be the official charity beneficiary, receiving $2 from each ticket sold as well as a portion of funds raised from the celebrity meet-and-greets taking place over two days. He follows in the little cat footsteps of such feline-fancying famous folk as Jack McBrayer (“30 Rock”), Mayim Bialik (“The Big Bang Theory”), Julie Newmar (Catwoman from the ‘60s-era “Batman” series) and comedian Andy Milonakis, who have appeared at previous CatCons. Launched as CatConLA in 2015 by organizer Susan Michals as a celebration of all things feline (“I want it to be kind of like a ComicCon for cat people,” she told us at the time), the first two unspooled at the Reef in downtown Los Angeles, serving up seminars, cat-themed merchandise, adoption opportunities and chances to rub elbows (make that paws) with celebricat Lil Bub, the Internet sensation with nearly 100,000 Twitter followers. While all of that — including a return engagement by Lil Bub — is on deck for 2017, the event is shifting from June to mid-August (just past the dog days of summer, we might add) and relocating to a larger space at the Pasadena Convention Center roughly 13 miles to the northeast. -
Saw 3 1080P Dual
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