Items-Styles-Periods and Names of French Furniture We Are Looking to Buy at Sarasota Antique Buyers

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Items-Styles-Periods and Names of French Furniture we are looking to buy at Sarasota Antique Buyers 19 TH CENTURY SCULPTURE ANTIQUE BRASS FIGURES ANTIQUE FRENCH BAKERS RACK ANTIQUE FRENCH COMMODE ANTIQUE FRENCH DESKS BERGERE FAUTEUIL BERGERE LOUIS XV BERGERE LOUIS XVI BLACK MARBLE MANTEL BRONZE DESK BRONZE ORMOLU BUREAU A CYLINDRE BUREAU LOUIS 16 BUREAU PLAT BUREAU PLAT DESK BUREAU PLAT LOUIS XV BUREAU PLAT LOUIS XVI BUREAU STYLE LOUIS PHILIPPE CABRIOLET LOUIS XVI CANAPÉ STYLE LOUIS XVI CANDELABRA WALL LIGHTS CHAISE LOUIS XVI CHAISE STYLE LOUIS XVI CHAISE STYLE LOUIS XVI CHANDELIER LOUIS XV CONSOLE LOUIS 15 DESK ACCESSORIES FAUTEUIL FAUTEUIL BERGERE FAUTEUIL BOUDOIR FAUTEUIL CABRIOLET FAUTEUIL CABRIOLET LOUIS XVI FAUTEUIL LOUIS 14 FAUTEUIL LOUIS 15 FAUTEUIL LOUIS XIII FAUTEUIL LOUIS XVI FAUTEUIL NOIR FAUTEUIL VINTAGE FINE FRENCH FURNITURE FRANÇOIS LINKE FRENCH ANTIQUE DESKS FRENCH BAROQUE FURNITURE FRENCH CHAIRS FRENCH ORMOLU DESK FRENCH DESKS FRENCH DRESSING TABLE FRENCH INKWELLS FRENCH LOUIS STYLE FURNITURE FRENCH MIRRORS ANTIQUE FRENCH ORMOLU FRENCH ORMOLU MANTEL CLOCK FRENCH PERIOD FURNITURE FRENCH SETTEE FRENCH SOFA FRENCH VITRINE CABINET FURNITURE LOUIS XVI GILTWOOD MIRRORS GOLD ORMOLU GUERIDON NAPOLEON 3 GUERIDON NAPOLEON III LOUIS 1V FURNITURE LOUIS DESK LOUIS QUINZE CHAIR LOUIS STYLE MIRROR LOUIS XIV FURNITURE LOUIS XV BUREAU PLAT LOUIS XV CHANDELIER LOUIS XVI CHAIRS LOUIS XVI CHANDELIER LOUIS XVI FURNITURE LOUIS XVI MANTEL CLOCK LOUIS XVI MIRROR LOUIS XVI SIDE TABLE LOUIS XVI WRITING DESK MEUBLE LOUIS XVI MEUBLES LOUIS XVI NAPOLEON III FURNITURE ORMOLU CANDELABRA ORMOLU VASE PAUL SORMANI FURNITURE SALON STYLE LOUIS 16 SCULPTURE 19TH CENTURY SECRETAIRE NAPOLEON III SECRÉTAIRE STYLE LOUIS XVI STYLE REGENCE TABLE DEMI LUNE LOUIS XVI TABLE LOUIS 16 TABLE LOUIS XVI VICTORIAN STYLE DESKS VITRINE LOUIS XVI .

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The Care of Antiques & Works Of
THE BRITISH ANTIQUE DEALERS’ ASSOCIATION The Care of Antiques & Works of Art The Care of Antiques & Works of Art Antiques have been passed down by our ancestors over the centuries to our present generation, so by their very nature have stood the test of time. They may have taken a few knocks in those earlier ages, but surprisingly, despite all our 21st-century creature comforts, it is the modern world, with its central heating and chemical cleaning products, which poses particular challenges for such objects. You may have spent a considerable sum acquiring a beautiful and valuable antique, so you do not want to throw away that investment by failing to look after it. Half the battle is knowing just when to try and remedy a defect yourself and when to leave it to the experts. Here are some basic recommendations, compiled through extensive consultation with specialists who have the greatest experience of handling antiques on a daily basis – members of The British Antique Dealers’ Association. We hope this guide helps you to decide what to do, and when. INTERNATIONAL DIVISION As specialist ﬁne art & antique Lloyd’s insurance brokers we are delighted to sponsor this BADA guide. Besso Limited • 8‒11 Crescent • London ec3n 2ly near America Square Telephone +44 ⁽0⁾20 7480 1094 Fax +44 ⁽0⁾20 7480 1277 [email protected] • www.besso.co.uk Published for The British Antique Dealers’ Association by CRAFT PUBLISHING 16–24 Underwood Street • London n1 7jq T: +44⁽0⁾207 1483 483 E: [email protected] www.craftpublishing.com The Association gratefully acknowledges the editorial assistance of Nöel Riley in compiling this guide.
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French Furniture in the Middle Ages and Under Louis Xiii French Furniture
«IW'T--W!*W'. r,-.,»lk«»«».^*WIWP^5'5.^ Mi|i#|MMiMii^^ B0B€RT>4OlM€S FOK MAMV YEARSATEACHER iH THIS COLLECE.0nP^-.Syi THIS Bffl)K.lSONE9FA)vlUMB9? FROMTJ4E UBJ?AK.y9^JvLR>lOiMES PIJESENTED T01}4EQMTAglO CDltEGE 9^A^ DY HIS RELA.TIVES / LITTLE ILLUSTRATED BOOKS ON OLD FRENCH FURNITURE I. FRENCH FURNITURE IN THE MIDDLE AGES AND UNDER LOUIS XIII FRENCH FURNITURE I. French Furniture in the Middle Ages and under Louis XIII II. French Furniture under Louis XIV III. French Furniture under Loujs XV IV. French Furniture under Louis XVI AND THE Empire ENGLISH FURNITURE (Previously published) I. English Furniture under the Tudors and Stuarts II. English Furniture of the Queen Anne Period III. English Furniture of the Chippen- dale Period IV. English Furniture of the Sheraton Period Each volume profusely illustrated with full-page reproductions and coloured frontispieces Crown SvOf Cloth, price 4s. 6d. net LONDON: WILLIAM HEINEMANN LTD. Cupboard in Two Parts (Middle of the XVIth Century) LITTLE ILLUSTRATED BOOKS ON OLD FRENCH FURNITURE I FRENCH FURNITURE IN THE MIDDLE AGES AND UNDER LOUIS XIII BY ROGER DE FELICE Translated by F. M. ATKINSON LONDON MCMXXIII WILLIAM HEINEMANN LTD. / OS^'i S5 First published, 1923 Printed in Great Britain hy Woods & Sons, Ltd,f London, N. i. INTRODUCTION A CONSECUTIVE and complete history of French furniture—complete in that it should not leave out the furniture used by the lower middle classes, the artisans and the peasants —remains still to be written ; and the four little books of this series are far from claiming to fill such a gap.
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Summer Art Acquisitions
COMMUNICATIONS & MARKETING VIRGINIA MUSEUM OF FINE ARTS 200 N. Boulevard I Richmond, Virginia 23220-4007 www.vmfa.museum/pressroom I T 804.204.2704 FOR IMMEDIATE RELEASE July 15, 2013 Summer Art Acquisitions The following artworks were approved by the VMFA Board of Trustees in June 2013. VMFA is a state agency and a public/private partnership. All works of art are purchased with private funds from dedicated endowments. After VMFA’s board approves proposed acquisitions on a quarterly basis, the art becomes the property of the Commonwealth of Virginia to protect, preserve, and interpret. 1. Head of a Herm, Augustan (late 1st c. BCE—early 1st century CE), marble, 19¾‖ (w/o base); 26¾‖ (w/base). Arthur and Margaret Glasgow Endowment. This beautifully carved image of a bearded god is VMFA’s first major acquisition of ancient art in recent years and a significant addition to the museum’s holdings of Greek and Roman sculpture. As a late Hellenistic or Roman creation based on an original from the mid-fifth century BCE, this sculpture reflects the esteem later generations of artists held for the art of classical Athens. The head came from a herm, a type of sculpture that consists of a head surmounting a tall pillar with projecting posts evoking arms and an erect phallus. Early herms had a sacred character and served as distance and boundary markers with the power to ward away evil. Later herms had different type of heads, including female heads and even portraits. The form of the herm has remained part of the visual vocabulary of Western art with a wide variety of adaptations.
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Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Casting Rodin’s Thinker Sand mould casting, the case of the Laren Thinker and conservation treatment innovation Beentjes, T.P.C. Publication date 2019 Document Version Other version License Other Link to publication Citation for published version (APA): Beentjes, T. P. C. (2019). Casting Rodin’s Thinker: Sand mould casting, the case of the Laren Thinker and conservation treatment innovation. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:07 Oct 2021 Chapter 2 The casting of sculpture in the nineteenth century 2.1 Introduction The previous chapter has covered the major technical developments in sand mould casting up till the end of the eighteenth century. These innovations made it possible to mould and cast increasingly complex models in sand moulds with undercut parts, thus paving the way for the founding of intricately shaped sculpture in metal.
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Copyrighted Material
14_464333_bindex.qxd 10/13/05 2:09 PM Page 429 Index Abacus, 12, 29 Architectura, 130 Balustrades, 141 Sheraton, 331–332 Abbots Palace, 336 Architectural standards, 334 Baroque, 164 Victorian, 407–408 Académie de France, 284 Architectural style, 58 iron, 208 William and Mary, 220–221 Académie des Beaux-Arts, 334 Architectural treatises, Banquet, 132 Beeswax, use of, 8 Academy of Architecture Renaissance, 91–92 Banqueting House, 130 Bélanger, François-Joseph, 335, (France), 172, 283, 305, Architecture. See also Interior Barbet, Jean, 180, 205 337, 339, 343 384 architecture Baroque style, 152–153 Belton, 206 Academy of Fine Arts, 334 Egyptian, 3–8 characteristics of, 253 Belvoir Castle, 398 Act of Settlement, 247 Greek, 28–32 Barrel vault ceilings, 104, 176 Benches, Medieval, 85, 87 Adam, James, 305 interior, viii Bar tracery, 78 Beningbrough Hall, 196–198, Adam, John, 318 Neoclassic, 285 Bauhaus, 393 202, 205–206 Adam, Robert, viii, 196, 278, relationship to furniture Beam ceilings Bérain, Jean, 205, 226–227, 285, 304–305, 307, design, 83 Egyptian, 12–13 246 315–316, 321, 332 Renaissance, 91–92 Beamed ceilings Bergère, 240, 298 Adam furniture, 322–324 Architecture (de Vriese), 133 Baroque, 182 Bernini, Gianlorenzo, 155 Aedicular arrangements, 58 Architecture françoise (Blondel), Egyptian, 12-13 Bienséance, 244 Aeolians, 26–27 284 Renaissance, 104, 121, 133 Bishop’s Palace, 71 Age of Enlightenment, 283 Architrave-cornice, 260 Beams Black, Adam, 329 Age of Walnut, 210 Architrave moldings, 260 exposed, 81 Blenheim Palace, 197, 206 Aisle construction, Medieval, 73 Architraves, 29, 205 Medieval, 73, 75 Blicking Hall, 138–139 Akroter, 357 Arcuated construction, 46 Beard, Geoffrey, 206 Blind tracery, 84 Alae, 48 Armchairs.
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How to Paint Black Furniture-A Dozen Examples of Exceptional Black Painted Furniture
How To Paint Black Furniture-A Dozen Examples Of Exceptional Black Painted Furniture frenchstyleauthority.com /archives/how-to-paint-black-furniture-a-dozen-examples-of-exceptional-black- painted-furniture Black furniture has been one of the most popular furniture paint colors in history, and a close second is white. Today, no other color comes close to these two basic colors which always seem to be a public favorite. No matter what the style is, black paint has been fashionable choice for French furniture,and also for primitive early American, regency and modern furniture. While the color of the furniture the same, the surrounds of these distinct styles are polar opposite requiring a different finish application. Early American furniture is often shown with distressing around the edges. Wear and tear is found surrounding the feet of the furniture, and commonly in the areas around the handles, and corners of the cabinets or commodes. It is common to see undertones of a different shade of paint. Red, burnt orange are common colors seen under furniture pieces. Furniture made from different woods, are often painted a color similar to wood color to disguise the fact that it was made from various woods. Paint during this time was quite thin, making it easily naturally distressed over time. – Black-painted Queen Anne Tilt-top Birdcage Tea Table $3,000 Connecticut, early 18th century, early surface of black paint over earlier red Joseph Spinale Furniture is one of the best examples to look at for painting ideas for early American furniture. This primitive farmhouse kitchen cupboard is heavily distressed with black paint.
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Jackson's Auction
Jackson's Auction Collector's Choice: Antiques & Collectibles Wednesday - September 19, 2012 Collector's Choice: Antiques & Collectibles 675: REED & BARTON STERLING SILVER FLATWARE, 148 PIECES USD 4,000 - 6,000 A LARGE 148 PIECE SET OF REED AND BARTON FRANCIS 1ST STERLING SILVER FLATWARE, MID 20TH CENTURY. Comprising 24 table knives, 24 table forks, 24 salad forks, 35 teaspoons, 13 cream soup spoons, 5 tablespoons, 12 individual butter knives and 11 various serving pieces. Contained in two fitted chests, not matching. Total weight approximately 194 troy oz. 676: DUTCH SILVER EPERGNE, 1853 USD 1,000 - 1,500 A VERY FINE DUTCH SILVER AND CUT CRYSTAL CENTERPIECE EPERGNE, 1853. Stamp hallmarks including "Z&B" probably for Pieter Zollner and William Beijoer (1849-1871) comprising a silver entwining stem with extending foliage supporting two scallop cut crystal trays below a tulip blossom finial raised on a scalloped floral repousse and chased bell form base. Additionally stamped "Pde Meyer te'Hage." Silver weight approximately 34.76 troy oz. Height 22.5 inches (57cm). 677: WALLACE ROSE POINT STERLING SILVER FLATWARE, 63 PIECES USD 1,200 - 1,800 A VERY FINE SET OF WALLACE ROSE POINT STERLING SILVER FLATWARE, MID 20TH CENTURY. 63 pieces comprising 10 each place knives, place forks and salad forks, 20 teaspoons, 10 individual butters, a gravy ladle, sugar shell and pastry server. All contained in a fitted mahogany chest with drawer. Weight approximately 60 troy oz. 678: A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL USD 200 - 400 A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL, 20TH CENTURY. With embossed and chased facial mask within hammered scalloped lobes and grape vine rim in deep relief.
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Paul Sormani (1817 - 1877)
PAUL SORMANI (1817 - 1877) A Fine Pair of Transitional Style Gilt-Bronze Mounted Parquetry Commodes Circa: Circa 1870 86 x 111 x 53 cm (33⁷/ x 43³/ inches) gilt-bronze and marquetry France 1870 Stamped beneath the marble top to one commode ‘SORMANI’ also stamped on the lockplate ‘P. SORMANI , PARIS., 10 RUE CHARLOT’. Stamped on the back of both locks ‘B THEAU SERRURIER PARIS’, and also stamped on reverse of handle plate 'H.P.R'. A Fine Pair of Transitional Style Gilt-Bronze Mounted Parquetry Commodes, by Paul Sormani, After the Model by Charles Topino. This fine pair of commodes have shaped 'Sarrancolin Opéra' marble tops with moulded edges above guilloche banded frieze drawers and two lower drawers mounted with classical urns and rocaille. The drawers are flanked by stiles mounted with husked swags and the commodes are raised on cabriole legs with paw sabots. The commodes are illustrated by Christopher Payne in his book 'Paris Furniture: The Luxury Market of the 19th Century'; p. 181. This distinctive transitional model of commode, is based on the designs of the famous 18th century ébéniste Charles Topino, (maître in 1773). The signature mounts of classical urns beneath swaged drapery can be found on many examples of Topino’s work. These include a commode illustrated in Pradère, Alexandre. French Furniture Makers, The Art of the Ébéniste from Louis XIV to the Revolution; p. 320, fig. 363, and illustrated in Kjellberg, Pierre. Le Mobilier Français du XVIIIème siècle, (Dijon), 1998; p.844, fig.a. A related commode by Topino can be found in the collection of the Metropolitan Museum of Art, New York, [1986.156.1 ab].
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Dp Mobilier Anglais.Indd
1 PrESS rELEASE THE 18TH AUX SOUrCES DU DESIGN FUrNITUrE MASTErPIECES FrOM 1650 TO 1790 28 OCTOBEr 2014 – 22 FEBrUArY 2015, SALLE D’AFrIqUE AND SALLE DE CrIMÉE THE PALACE OF VErSAILLES IS PrOUD TO PrESENT ITS EXHIBITION OF FUrNITUrE MASTErPIECES FrOM 1650 TO 1789, with representative examples of the rich creativity of the period. Th e exhibition off ers a glimpse of the ingenuity of a bygone era viewed through the lens of the present day and showcases the innovative and avant-garde nature of the shapes, tech niques, ornamentation and materials used in 18th century furniture. Th is is the fi rst exhibition of its kind since 1955. The exhibition includes a hundred or so works owned by some of the wealthiest art-lovers of the time, including the royal family and its entourage, arist ocrats and fi nanciers, and illust rates the revolution in furniture-making that took place in the 18th century. Works from all the great mast ers will be on disp lay, including those by André-Charles Boulle, Antoine-Robert Gaudreaus, Charles Cressent, Bernard van Risenburgh II, Jean-François Œben, Jean-Henri Riesener and Georges Jacob. Alongside major works from collections at the Palace of Versailles, the Exhibition curators Musée du Louvre, the Musée des Arts Décoratifs, the Château de Fontainebleau and the Getty Daniel Alcouff e Museum, previously-unknown works from private collect ions will be shown to the public for the Honorary curator fi rst time. Yves Carlier Head Curator at the Musée National des Châteaux de Versailles As visitors make their way around the exhibition, they will come to underst and how et de Trianon furniture shapes and forms evolved over time, from the expansiveness of mid-17th century cabinets Patrick Hourcade to the playful curves of the Louis XV st yle to the st raight lines of the late 18th century.
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Antique French Empire Ormolu Mounted Mahogany Sofa C.1900
anticSwiss 28/09/2021 22:29:41 http://www.anticswiss.com Antique French Empire Ormolu Mounted Mahogany Sofa c.1900 FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Impero +44 2088099605 447836294074 Height:102cm Width:126cm Depth:57cm Price:2100€ DETAILED DESCRIPTION: This is a fantastic and highly decorative antique French Empire sofa, circa 1900 in date. It has been crafted from fabulous solid mahogany and is smothered in fabulous high quality ormolu mounts reminiscent of the Empire style with Egyptian motifs such as sphinxes, urns, laurels and Napoleonic symbols. The arms terminating in classical female masks and standing on elegant tapering legs that terminate in ormolu sabots. This gorgeous antique sofa has been reupholstered in a fabulous ivory coloured fabric and will be a wonderful addition to one special room in your home. Condition: In excellent condition having been beautifully restored and reupholstered in our workshops, please see photos for confirmation. Dimensions in cm: Height 102 x Width 126 x Depth 57 - sofa Dimensions in inches: Height 3 foot, 4 inches x Width 4 foot, 2 inches x Depth 1 foot, 10 inches - sofa Empire style, is an early-19th-century design movement in architecture, furniture, other decorative arts, and the visual arts followed in Europe and America until around 1830. The style originated in and takes its name from the rule of Napoleon I in the First French Empire, where it was intended to idealize Napoleon's leadership and the French state. 1 / 4 anticSwiss 28/09/2021 22:29:41 http://www.anticswiss.com The style corresponds to the Biedermeier style in the German-speaking lands, Federal style in the United States and to the Regency style in Britain.
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Fabulous French Furniture: Part 1 What Makes Antiques Special and Medieval- Louis XIV.3 CEU
Fabulous French Furniture: Part 1 What Makes Antiques Special and Medieval- Louis XIV.3 CEU 3807 Riley St. Houston, Texas 77005 Tel. 713 464-0055 Cell 713 269-6909 Email: [email protected] Website: www.InteriorDesign-ED.com www.vosko.com and click on InteriorDesign-ED Beverly Vosko’s InteriorDesign-ED Fabulous French Furniture Medieval- Louis XIV Handouts Welcome to out Seminar! What Makes Antiques Special In America, a furniture item is considered to be an Antique if it is 100 years old. The best Antiques are Period Furniture Pieces. Period Furniture is furniture manufactured during the time period that its design style was invented, during the Golden Age of English Furniture 1703-1830. After 1830, furniture was never again handcrafted to the same standard of technical excellence and never retained the caliber it achieved during the Golden Age. Antiques are Special to Everyone based upon their: Design, Handcraftsmanship and Time Design: Period furniture is the combination and culmination of the 5000 years of great design styles that preceded it, and was especially influenced by the following civilizations: 1. Ancient Egypt 3500 BC-1352 BC Provides us with earliest furniture specimens known to date Used mitered joints and dove tails Developed the art of inlay Developed the drawer 2. Ancient Greece 650 BC-80 BC Developed the concept of regular people owning furniture Developed the art of carving and became masters of proportion Invented the Klismos Chair 3. Ancient Rome 200 BC-400 AD Developed the concept that furniture was designed for its esthetic value The Greco/Roman civilization utilized Classical motifs such as wreaths, swags, urns, garlands, rounded arches, rosettes, acanthus leaves, cherubs and mythological figures Handcraftsmanship: utilizing Specialization of Labor Time: The English didn’t care how long it took to make a piece of furniture They were interested in perfection and that is what they achieved Antiques are Extra Special to me because: 4.
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DEFINING STYLE Fine European Furniture, Sculpture, Works of Art, Silver and Gold Boxes Wednesday 18 November 2015
EUROPE - DEFINING STYLE Fine European Furniture, Sculpture, Works of Art, Silver and Gold Boxes Wednesday 18 November 2015 Lots 9, 50, 55, 77, 78, 100, 104, 111, 135 INTERNATIONAL FURNITURE, SCULPTURE, SILVER AND WORKS OF ART SPECIALISTS FURNITURE, SCULPTURE AND WORKS OF ART François Le Brun Guy Savill Sally Stratton SILVER Michael Moorcroft EARLY WORKS OF ART Rachael Osborn-Howard Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Andrew McKenzie, Simon Mitchell, Jeff Muse, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Antony Bennett, Matthew Bradbury, Mike Neill, Charlie O’Brien, Giles Peppiatt, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Lucinda Bredin, Harvey Cammell, Simon Cottle, Peter Rees, Iain Rushbrook, John Sandon, Matthew Girling CEO, Andrew Currie, Paul Davidson, Jean Ghika, Tim Schofield, Veronique Scorer, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Charles Graham-Campbell, Miranda Leslie, James Stratton, Roger Tappin, Ralph Taylor, +44 (0) 20 7393 3905 fax Geoffrey Davies, Jonathan Horwich, Richard Harvey, Robin Hereford, Asaph Hyman, Shahin Virani, David Williams, James Knight, Caroline Oliphant, Charles Lanning, Gordon McFarlan, Michael Wynell-Mayow, Suzannah Yip. Hugh Watchorn. EUROPE - DEFINING STYLE Fine European Furniture, Sculpture, Works of Art, Silver & Gold Boxes Wednesday 18 November 2015 at 14.00 101 New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES IMPORTANT INFORMATION Sunday 15 November, Furniture, Sculpture Monday to Friday 8.30 to 18.00 The United States 11.00 - 15.00 & Works of Art +44 (0) 20 7447 7447 Government has banned the François Le Brun Monday 16 November, Please see page 2 for bidder import of ivory into the USA.
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