Citizenship, Religion and Revolution in Cuba Carolyn Watson
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The Global Visual Memory a Study of the Recognition and Interpretation of Iconic and Historical Photographs
The Global Visual Memory A Study of the Recognition and Interpretation of Iconic and Historical Photographs Het Mondiaal Visueel Geheugen Een studie naar de herkenning en interpretatie van iconische en historische foto’s (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. H.R.B.M. Kummeling, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 19 juni 2019 des middags te 2.30 uur door Rutger van der Hoeven geboren op 4 juni 1974 te Amsterdam Promotor: Prof. dr. J. Van Eijnatten Table of Contents Abstract 2 Preface 3 Introduction 5 Objectives 8 Visual History 9 Collective Memory 13 Photographs as vehicles of cultural memory 18 Dissertation structure 19 Chapter 1. History, Memory and Photography 21 1.1 Starting Points: Problems in Academic Literature on History, Memory and Photography 21 1.2 The Memory Function of Historical Photographs 28 1.3 Iconic Photographs 35 Chapter 2. The Global Visual Memory: An International Survey 50 2.1 Research Objectives 50 2.2 Selection 53 2.3 Survey Questions 57 2.4 The Photographs 59 Chapter 3. The Global Visual Memory Survey: A Quantitative Analysis 101 3.1 The Dataset 101 3.2 The Global Visual Memory: A Proven Reality 105 3.3 The Recognition of Iconic and Historical Photographs: General Conclusions 110 3.4 Conclusions About Age, Nationality, and Other Demographic Factors 119 3.5 Emotional Impact of Iconic and Historical Photographs 131 3.6 Rating the Importance of Iconic and Historical Photographs 140 3.7 Combined statistics 145 Chapter 4. -
Itinéraires, 2019-2 Et 3 | 2019 Performances of Gender in Revolutionary Contexts: the Case of Nicaragua 2
Itinéraires Littérature, textes, cultures 2019-2 et 3 | 2019 Corps masculins et nation : textes, images, représentations Performances of Gender in Revolutionary Contexts: The Case of Nicaragua Performances de genre en contextes révolutionnaires : le cas du Nicaragua Viria Delgadillo Electronic version URL: http://journals.openedition.org/itineraires/6929 DOI: 10.4000/itineraires.6929 ISSN: 2427-920X Publisher Pléiade Electronic reference Viria Delgadillo, « Performances of Gender in Revolutionary Contexts: The Case of Nicaragua », Itinéraires [Online], 2019-2 et 3 | 2019, Online since 13 December 2019, connection on 15 December 2019. URL : http://journals.openedition.org/itineraires/6929 ; DOI : 10.4000/itineraires.6929 This text was automatically generated on 15 December 2019. Itinéraires est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Performances of Gender in Revolutionary Contexts: The Case of Nicaragua 1 Performances of Gender in Revolutionary Contexts: The Case of Nicaragua Performances de genre en contextes révolutionnaires : le cas du Nicaragua Viria Delgadillo Introduction 1 Gender policies were at the heart of the 1980s Frente Sandinista de Liberación Nacional’s (FSLN) plans for social change. These policies were crucial to the legitimation of the Sandinista government, both domestically and abroad. In the existing literature on the Nicaraguan revolution, the issues of gender and legal reform as well as gender and revolutionary ideology have been dealt with at length. Molyneux’s (2001), Kampwirth’s (1998, 2006, 2013, 2015) and Montoya’s (2003) illuminating works on Sandinista law-making and gender ideology address how revolutionary ideology shapes legislation regarding women, LGBTQI individuals and the family. -
Areas and Periods of Culture in the Greater Antilles Irving Rouse
AREAS AND PERIODS OF CULTURE IN THE GREATER ANTILLES IRVING ROUSE IN PREHISTORIC TIME, the Greater Antilles were culturally distinct, differingnot only from Florida to the north and Yucatan to the west but also, less markedly,from the Lesser Antilles to the east and south (Fig. 1).1 Within this major provinceof culture,it has been customaryto treat each island or group FIG.1. Map of the Caribbeanarea. of islands as a separatearchaeological area, on the assumptionthat each contains its own variant of the Greater Antillean pattern of culture. J. Walter Fewkes proposedsuch an approachin 19152 and worked it out seven years later.3 It has since been adopted, in the case of specific islands, by Harrington,4Rainey,5 and the writer.6 1 Fewkes, 1922, p. 59. 2 Fewkes, 1915, pp. 442-443. 3 Fewkes, 1922, pp. 166-258. 4 Harrington, 1921. 5 Rainey, 1940. 6 Rouse, 1939, 1941. 248 VOL. 7, 1951 CULTURE IN THE GREATERANTILLES 249 Recent work in connectionwith the CaribbeanAnthropological Program of Yale University indicates that this approach is too limited. As the distinction between the two major groups of Indians in the Greater Antilles-the Ciboney and Arawak-has sharpened, it has become apparent that the areas of their respectivecultures differ fundamentally,with only the Ciboney areas correspond- ing to Fewkes'conception of distributionby islands.The Arawak areascut across the islands instead of enclosing them and, moreover,are sharply distinct during only the second of the three periods of Arawak occupation.It is the purpose of the presentarticle to illustratethese points and to suggest explanationsfor them. -
Preservation of the Canaanite Creation Culture in Ife1
Preservation of the Canaanite Creation Culture in Ife1 Dierk Lange For Africanists, the idea that cultures from the ancient Near East have influenced African societies in the past in such a way that their basic fea- tures are still recognizable in the present suggests stagnation and regres- sion. Further, they associate the supposed spread of cultural patterns with wild speculations on diffusion: How can Canaan, which is often con- sidered to be the culture of the Near East which preceeded Israel, have had any influence on Africa? They overlook the fact that the Phoenicians were none other than the Canaanites and that as a result of their expan- sion the Canaanite culture stretched to North Africa and to the coast of the Atlantic. In the North African hinterland it reached at least as far as the Fezzan, the most important group of oases in the Central Sahara.2 Scholars of Africa pay insufficient attention to the fact that the central Sahara, similarly to the Mediterranean, with its infertile yet easily cross- able plains and its often high ground water level, was more a benefit to communication than a hindrance.3 Finally, they misjudge the significance of the diffusion process worldwide, which has been emphasized by world historians like McNeill4: If Europe and Asia owe essential developmental impulses to ancient near eastern influences, why should not Africa as well? My current project, however, is not an attempt to show the integration of African peoples into ancient world history, but rather to explore the ne- 1 The following study owes its main thrust to discussions with my friend and colleague Prof. -
Yoruba Art & Culture
Yoruba Art & Culture Phoebe A. Hearst Museum of Anthropology University of California, Berkeley Yoruba Art and Culture PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen Editors Liberty Marie Winn Ira Jacknis Special thanks to Tokunbo Adeniji Aare, Oduduwa Heritage Organization. COPYRIGHT © 2004 PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY AND THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY ◆ UNIVERSITY OF CALIFORNIA AT BERKELEY BERKELEY, CA 94720-3712 ◆ 510-642-3682 ◆ HTTP://HEARSTMUSEUM.BERKELEY.EDU Table of Contents Vocabulary....................4 Western Spellings and Pronunciation of Yoruba Words....................5 Africa....................6 Nigeria....................7 Political Structure and Economy....................8 The Yoruba....................9, 10 Yoruba Kingdoms....................11 The Story of How the Yoruba Kingdoms Were Created....................12 The Colonization and Independence of Nigeria....................13 Food, Agriculture and Trade....................14 Sculpture....................15 Pottery....................16 Leather and Beadwork....................17 Blacksmiths and Calabash Carvers....................18 Woodcarving....................19 Textiles....................20 Religious Beliefs....................21, 23 Creation Myth....................22 Ifa Divination....................24, 25 Music and Dance....................26 Gelede Festivals and Egugun Ceremonies....................27 Yoruba Diaspora....................28 -
Literacy Practices, Situated Learning and Youth in Nepal's Maoist
104 EBHR-42 Learning in a Guerrilla Community of Practice: Literacy practices, situated learning and youth in Nepal’s Maoist movement (1996-2006) Ina Zharkevich The arts of war are better than no arts at all. (Richards 1998: 24) Young people and conflict, unemployed youth, risk and resiliencehave emerged as key research themes over the past decade or so. The so-called ‘youth bulge theories’ have contributedconsiderably to research on youth and the policy agendas that prioritise the study of youth. It is postulated that the vast numbers of young people in developing countries do not have opportunities for employment and are therefore at risk ofbecoming trouble-makers(see the critique in Boyden 2006). The situation in South Asia might be considered a good example. According tothe World Bank Survey, South Asia has the highest proportion of unemployed and inactive youth in the world (The Economist, 2013).1So, what do young unemployed and inactive people do? Since the category of ‘unemployed youth’ includes people of different class, caste and educa- tional backgrounds, at the risk of oversimplifying the picture,one could argue that some have joined leftist guerrilla movements, while others, especially in India, have filled the rank and file of the Hindu right – either the groups of RSS volunteers (Froerer 2006) or the paramilitaries, such as Salwa Judum (Miklian 2009), who are fighting the Indian Maoists. Both in Nepal and in India, others are in limbo after receiving their degrees, waiting for the prospect of salaried employment whilst largely relying on the political patronage they gained through their membership of the youth wings of various political parties (Jeffrey 2010), which is a common occurrence on university campuses in both India and Nepal (Snellinger 2007). -
AFN 121 Yoruba Tradition and Culture
City University of New York (CUNY) CUNY Academic Works Open Educational Resources Borough of Manhattan Community College 2021 AFN 121 Yoruba Tradition and Culture Remi Alapo CUNY Borough of Manhattan Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bm_oers/29 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Presented as part of the discussion on West Africa about the instructor’s Heritage in the AFN 121 course History of African Civilizations on April 20, 2021. Yoruba Tradition and Culture Prof. Remi Alapo Department of Ethnic and Race Studies Borough of Manhattan Community College [BMCC]. Questions / Comments: [email protected] AFN 121 - History of African Civilizations (Same as HIS 121) Description This course examines African "civilizations" from early antiquity to the decline of the West African Empire of Songhay. Through readings, lectures, discussions and videos, students will be introduced to the major themes and patterns that characterize the various African settlements, states, and empires of antiquity to the close of the seventeenth century. The course explores the wide range of social and cultural as well as technological and economic change in Africa, and interweaves African agricultural, social, political, cultural, technological, and economic history in relation to developments in the rest of the world, in addition to analyzing factors that influenced daily life such as the lens of ecology, food production, disease, social organization and relationships, culture and spiritual practice. -
From Maroons to Mardi Gras
FROM MAROONS TO MARDI GRAS: THE ROLE OF AFRICAN CULTURAL RETENTION IN THE DEVELOPMENT OF THE BLACK INDIAN CULTURE OF NEW ORLEANS A MASTERS THESIS SUBMITTED TO THE GRADUATE FACULTY OF LIBERTY UNIVERSITY BY ROBIN LIGON-WILLIAMS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY DECEMBER 18, 2016 Copyright: Robin Ligon-Williams, © 2016 CONTENTS ACKNOWLEDGEMENTS iv. ABSTRACT vi. CHAPTER 1. INTRODUCTION 1 History and Background 1 Statement of the Problem 1 Research Question 2 Glossary of Terms 4 Limitations of the Study 6 Assumptions 7 2. LITERATURE REVIEW 9 New Orleans-Port of Entry for African Culture 9 Brotherhood in Congo Square: Africans & Native Americans Unite 11 Cultural Retention: Music, Language, Masking, Procession and Ritual 13 -Musical Influence on Jazz & Rhythm & Blues 15 -Language 15 -Procession 20 -Masking: My Big Chief Wears a Golden Crown 23 -African Inspired Masking 26 -Icons of Resistance: Won’t Bow Down, Don’t Know How 29 -Juan “Saint” Maló: Epic Hero of the Maroons 30 -Black Hawk: Spiritual Warrior & Protector 34 ii. -Spiritualist Church & Ritual 37 -St. Joseph’s Day 40 3. METHODOLOGY 43 THESIS: 43 Descriptions of Research Tools/Data Collection 43 Participants in the Study 43 Academic Research Timeline 44 PROJECT 47 Overview of the Project Design 47 Relationship of the Literature to the Project Design 47 Project Plan to Completion 49 Project Implementation 49 Research Methods and Tools 50 Data Collection 50 4. IN THE FIELD 52 -Egungun Masquerade: OYOTUNJI Village 52 African Cultural Retentions 54 -Ibrahima Seck: Director of Research, Whitney Plantation Museum 54 -Andrew Wiseman: Ghanaian/Ewe, Guardians Institute 59 The Elders Speak 62 -Bishop Oliver Coleman: Spiritualist Church, Greater Light Ministries 62 -Curating the Culture: Ronald Lewis, House of Dance & Feathers 66 -Herreast Harrison: Donald Harrison Sr. -
Artist's Work Lets Cubans Speak out in Havana for Freedom
Artist's work lets Cubans speak out in Havana for freedom By FABIOLA SANTIAGO A packed performance art show at the 10th Havana Biennial, a prestigious international festival, turned into a clamor of ''Libertad!'' as Cubans and others took to a podium to protest the lack of freedom of expression on the island. The provocative performance Sunday night, recorded and posted Monday on YouTube, was staged by acclaimed Cuban artist Tania Bruguera, a frequent visitor to Art Basel Miami Beach who lives in Havana. Bruguera set up a podium with a microphone in front of a red curtain at the Wifredo Lam Center, an official art exhibition space and biennial venue. Two actors clad in the military fatigue uniforms of the Ministry of the Interior, the agency charged with spying on Cubans' activities, flanked the podium and carried a white dove. Bruguera let people from the standing-room only audience come to the microphone for no more than one minute. As people spoke, the white dove was placed on their shoulders by the actors. ''Let's stop waiting for permission to use the Internet,'' urged Yoani Sánchez, who has written a controversial award-winning ''Generación Y'' blog chronicling Cuban life under constant threats from the government. ''Libertad! Libertad!'' shouted one man. ''Too many years of covering the sun with one finger,'' said another. To every call for freedom, the audience responded with shouts of ``Bravo!'' The performance appeared to mock a historic Jan. 8, 1959, victory speech by Fidel Castro at which a white dove landed on his shoulder, viewed by many as a sign of divine recognition. -
The Influence of the Kingship Institution on Olojo Festival in Ile-Ife: a Case Study of the Late Ooni Adesoji Aderemi
The Influence of the Kingship Institution on Olojo Festival in Ile-Ife: A Case Study of the Late Ooni Adesoji Aderemi by Akinyemi Yetunde Blessing [email protected] Institute of African Studies, University of Ibadan, Oyo state, Nigeria Abstract In this paper an attempt is made to examine the mythic narratives and ritual performances in olojo festival and to discuss the traditional involvement of the Ooni of Ife during the festivals, making reference to the late Ọợni Adesoji Adėrėmí. This paper also investigates the implication of local, national and international politics on the traditional festival in Ile-Ife. The importance of the study arrives as a result of the significance of the Ile-Ife amidst the Yoruba towns. More so, festivals have cultural significance that makes some unique turning point in the history of most Yoruba society. Ǫlợjợ festival serves as the worship of deities and a bridge between the society and the spiritual world. It is also a day to celebrate the re-enactment of time. Ǫlợjợ festival demands the full participation of the reigning Ọợni of Ife. The result of the field investigation revealed that the myth of Ǫlợjợ festival remains, but several changes have crept into the ritual process and performances during the reign of the late Adesoji Adėrėmí. The changes vary from the ritual time, space, actions and amidst the ritual specialists. It is found out that some factors which influence these changes include religious contestation, ritual modernization, economics and political change not at the neglect of the king’s involvement in the local, national and international politics which has given space for questioning the Yoruba kingship institution. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Of Concepts and Methods "On Postisms" and Other Essays K
Of Concepts and Methods "On Postisms" and other Essays K. Murali (Ajith) Foreign Languages Press Foreign Languages Press Collection “New Roads” #9 A collection directed by Christophe Kistler Contact – [email protected] https://foreignlanguages.press Paris, 2020 First Edition ISBN: 978-2-491182-39-7 This book is under license Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) https://creativecommons.org/licenses/by-sa/4.0/ “Communism is the riddle of history solved, and it knows itself to be this solution.” Karl Marx CONTENTS Introduction Saroj Giri From the October Revolution to the Naxalbari 1 Movement: Understanding Political Subjectivity Preface 34 On Postisms’ Concepts and Methods 36 For a Materialist Ethics 66 On the Laws of History 86 The Vanguard in the 21st Century 96 The Working of the Neo-Colonial Mind 108 If Not Reservation, Then What? 124 On the Specificities of Brahmanist Hindu Fascism 146 Some Semi-Feudal Traits of the Indian Parliamentary 160 System The Maoist Party 166 Re-Reading Marx on British India 178 The Politics of Liberation 190 Appendix In Conversation with the Journalist K. P. Sethunath 220 Introduction Introduction From the October Revolution to the Nax- albari Movement: Understanding Political Subjectivity Saroj Giri1 The first decade since the October Revolution of 1917 was an extremely fertile period in Russia. So much happened in terms of con- testing approaches and divergent paths to socialism and communism that we are yet to fully appreciate the richness, intensity and complexity of the time. In particular, what is called the Soviet revolutionary avant garde (DzigaVertov, Vladimir Mayakovsky, Alexander Rodchenko, El Lissitzky, Boris Arvatov) was extremely active during the 1920s.