PDF ATAR Suggested Resources EAL/D Year 11
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Inside Today 2021 Edition
Friday, 22 January, 2021 WEATHER PAGE 20 TV GUIDE PAGES 23-24, 49-50 PUZZLES PAGE 21 CLASSIFIEDS PAGES 53-57 borderwatch.com.au | $3.00 BEEF FOCUS INSIDE TODAY 2021 EDITION 12479388-SN05-21 Summer surge THE Penola district hopes to ride the wave of domestic tourists travelling around Aus- tralia, with a new tourism strategy urging travellers to swap California for Coonawar- ra. The Coonawarra Vignerons Association initiative coincides with an influx of visitors to the premier wine region, with some cel- lar doors reporting a busier than ever sum- mer holiday boom. Story page 6 FROM CALI TO COONAWARRA: Balnaves of Coonawarra cellar door sales Georgie Mag- gie in full a with the recent introduction of the Swap California for Coonawarra tourism strategy. Picture: MOLLY TAYLOR Culture bombshell RAQUEL MUSTILLO code of conduct issues has been publicly re- media and its coverage of the internal issues, “This review left staff feeling disillusioned councillors supported engaging an indepen- [email protected] leased. and dissatisfied knowing that their input was The two-hour meeting was called partly in dent mediator and consultant to undertake a not fully documented, taken on board or AN explosive recording of a Grant District response to claims staff members were “ha- cultural review. therefore actioned,” Mr Whicker wrote. Council meeting has revealed a number of rassed and in some cased bullied, disrespect- However, staff received notice a second cul- “As chief executive officer, I am genuinely allegations relating to Mayor Richard Sage’s tural review will be undertaken by council after ed and unsupported” in interactions with Mr sorry for what happened and wish to make a behaviour towards the organisation’s staff, the initial investigation was not fully actioned. -
Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs
McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences. -
BY THORNTON WILDER DIRECTED by LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021
our town BY THORNTON WILDER DIRECTED BY LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021. It is so exciting to be back embarking on a season of theatre, with some much-loved plays and others unknown. Amanda Jolly Executive Director And what better work massive. Like reaching out to return with than this to a neighbour. Taking a great American classic moment for a colleague — directed by our own who’s struggling. Calling Artistic Director, Lee Lewis a distant friend. And and featuring a cast of 16 above all, spending time outstanding Queensland with family. We craved actors. You’ll find some togetherness, and meaning, familiar faces and discover and hope. some rising stars of Our Town celebrates all tomorrow — a village of of this and more. With its artists. simplicity and heart, it When the coronavirus reminds us of the power of pandemic forced us all theatre and how much we indoors last year, we have all been missing this eventually came to realise shared experience. Enjoy. what has been most — Best wishes, important all along. It turned Amanda out to be the little things, the things we had been too busy for, the things so tiny that they’re actually Queensland Theatre would like to acknowledge the Jagera and Turrbal people who are the Traditional Custodians of this land. We pay our respects to their Elders both past and present, and to all Aboriginal and Torres Strait Islander peoples. QUEENSLAND THEATRE IS ASSISTED BY THE AUSTRALIAN GOVERNMENT THROUGH THE AUSTRALIA COUNCIL, ITS ARTS FUNDING AND ADVISORY BODY. -
Blackwords 5 Anniversary Celebration and Symposium
BlackWords 5th Anniversary Celebration and Symposium Friday, 19 October: Avid Reader Bookshop, Boundary Street, West End. Time: 6.00 p.m. for a 6.30 p.m. start 8.00 p.m. finish The event will celebrate five years of BlackWords and almost 25 years of the David Unaipon Award which has brought so many wonderful writers to light. Some recent award winners will read, and the UQP Unaipon eBook Collection will be launched. Saturday, 20 October – UQ Art Museum – BlackWords Symposium Time: 8.30 a.m. for an 8.45 a.m. start. 7.00 p.m. finish MC – Kerry Kilner 8.45 Kerry Kilner – welcome and acknowledgements 8.50 Welcome to Country – Uncle Joe Kirk 8.55 Welcome to the Symposium – Dr Anita Heiss, Convenor 9.00 Keynote address: Melissa Lucashenko 9.45 Session one: Writing Us Speakers: Dr Sandra R Phillips; Ellen Van Neerven-Currie; Dr Anita Heiss Chair: Dr Peter Minter 10.45 Morning tea 11.15 Session two: Writing the Record Speakers: Dr Jeanine Leane; Irene Howe; Natalie Harkin Chair: Kerry Kilner 12.30 Lunch Book selling and signing 1 1.30 Session three: Writing and Editing Speakers: Dr Peter Minter; J. Linda McBride-Yuke; Simone Tur; Faye Blanche Chair: Dr Jeanine Leane 2.30 Afternoon tea 3.00 Tour of the UQ Art Museum’s Desert Country exhibition with Gillian Ridsdale 3.30 Session four: Writing Across Land and Genre Speakers: Bruce Pascoe; Dr Jared Thomas; Wesley Enoch Chair: Dr Sandra R Philips 4.30 – 5.30 Australian Children’s Laureate Boori Pryor in conversation with Dr Anita Heiss. -
Clickview ATOM Guides 1 Videos with ATOM Study Guides Title Exchange Video Link 88
ClickView ATOM Guides Videos with ATOM Study Guides Title Exchange Video Link 88 http://online.clickview.com.au/exchange/videos/8341/88 http://online.clickview.com.au/exchange/videos/21821/the-100- 100+ Club club 1606 and 1770 - A Tale Of Two Discoveries https://clickviewcurator.com/exchange/programs/5240960 http://online.clickview.com.au/exchange/videos/8527/8mmm- 8MMM Aboriginal Radio aboriginal-radio-episode-1 http://online.clickview.com.au/exchange/videos/21963/900- 900 Neighbours neighbours http://online.clickview.com.au/exchange/series/11149/a-case-for- A Case for the Coroner the-coroner?sort=atoz http://online.clickview.com.au/exchange/videos/12998/a-fighting- A Fighting Chance chance https://online.clickview.com.au/exchange/videos/33771/a-good- A Good Man man http://online.clickview.com.au/exchange/videos/13993/a-law- A Law Unto Himself unto-himself http://online.clickview.com.au/exchange/videos/33808/a-sense-of- A Sense Of Place place http://online.clickview.com.au/exchange/videos/3226024/a-sense- A Sense Of Self of-self A Thousand Encores - The Ballets http://online.clickview.com.au/exchange/videos/32209/a- Russes In Australia thousand-encores-the-ballets-russes-in-australia https://online.clickview.com.au/exchange/videos/25815/accentuat Accentuate The Positive e-the-positive Acid Ocean http://online.clickview.com.au/exchange/videos/13983/acid-ocean http://online.clickview.com.au/exchange/series/8583/addicted-to- Addicted To Money money/videos/53988/who-killed-the-economy- http://online.clickview.com.au/exchange/videos/201031/afghanist -
Aboriginal and Torres Strait Islander Perspectives
NOVELS Baillie, Allan The First Voyage F BAI:A An adventure story set in our very distant past, 30,000 years ago, when the first tribes from Timor braved the ocean on primitive rafts to travel into the unknown, and reached the land mass of what is now Australia. Baillie, Allan Songman F BAI:A This story is set in northern Australia in 1720, before the time of Captain Cook. Yukuwa sets out across the sea to the islands of Indonesia. It is an adventure contrasting lifestyles and cultures, based on an episode of our history rarely explored in fiction. Birch, Tony, The White Girl F BIR:T Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves. Boyd, Jillian Bakir and Bi F BOY:J Bakir and Bi is based on a Torres Strait Islander creation story with illustrations by 18-year-old Tori-Jay Mordey. Bakir and Mar live on a remote island called Egur with their two young children. While fishing on the beach Bakir comes across a very special pelican named Bi. A famine occurs, and life on the island is no longer harmonious. Bunney, Ron The Hidden F BUN:R Thrown out of home by his penny-pinching stepmother, Matt flees Freemantle aboard a boat, only to be bullied and brutalised by the boson. -
Department of Conservation and Land Management SPECIAL ACKNOWLEDGMENTS
Department of Conservation and Land Management SPECIAL ACKNOWLEDGMENTS Many Nyoongar people contributed to this package. Their help has been vital. While the contribution of individuals is acknowledged in the appropriate place in the text, o t h wis e therefor s member m tea t Projec . cited t no s i s other y man h wit s discussion express their appreciation to the following Nyoongars for the ideas and general information : package s thi o t d contribute y the Josey Hanson Geri Hayden Joan Hill p Nannu l Noe Trevor Penny Joe Wally Lang Williams Joyce Winsley Department of Conservation and Land Management Department of Conservation and Land Management Design: Sandra van Brugge Illustrations: Kellee Merritt Printing: Daytone Printers Published by: Dr Syd Shea, Executive Director, Department of Conservation and Land Management, 50 Hayman Road, . 6152 a Australi n Wester , Como This project was funded under the National Estate Grants Program, a Commonwealth-financed grants e Heritag e th d an ) Government l (Federa n Commissio e Heritag n Australia e th y b d administere e schem Council of Western Australia (State Government). The views expressed in this publication are those of the authors and do not necessarily represent the views or policies of the Australian Heritage Commission or the Heritage Council of WA. © 1996, 1998 ISBN 0 7309 6847 2 Revised and reprinted 1998. h Burc e Louis y b d incorporate k wor n desig d an s Amendment d Provide . Act t Copyrigh e th y b d impose s restraint e th n withi k boo s thi f o e us s welcome M CAL acknowledgment is made of the source, Australian Government and non-government school staff are g communicatin n i r o s school n i s student g teachin f o e purpos e th r fo y freel l materia e th y cop o t d permitte with parents and others in the community. -
Carry-The-Flag-Press-Kit-Jmbl.Pdf
Link to Trailer https://vimeo.com/215101133/ password CTF Link to website www.tamarindtreepictures.com Contact Us AUSTRALIA Tamarind Tree Pictures Danielle MacLean +61411491613 [email protected] Synopsis Short - This is a rich and powerful story of a man whose design created meaning for a people once invisible to mainland Australia, the people of the Torres Strait. Long - In 2017 it is the 25th anniversary of the Torres Strait Flag. For Bernard Namok Jnr, ‘Bala B’ the flag is a poignant reminder of home, family and the father he hardly knew. Bernard Namok Senior won the flag design competition in 1992 but a year later, at just 31 years, he died leaving behind his wife with four young children. Journey across the Torres Straits with Bala B to honour his father’s legacy. A rich and powerful story of a man whose design created meaning for a people once invisible to mainland Australia, the people of the Torres Strait. Story Bernard Namok Jnr, is a Senior Broadcaster and presenter of ‘Mornings with Bala B’ at The Top End Aboriginal Bush Broadcasting Association – TEABBA. Everyday he speaks to thousands of Indigenous Australians across the Northern Territory but he feels disconnected from his own culture and family. When he sees the Torres Strait Islands flag flying, it is for him, not only the symbol of identity of his people, but a poignant reminder of his home and the father he hardly knew. Bernard Namok Senior won the Torres Strait Islander flag design competition in 1992 but a year after his flag was formally recognised, at 31 years of age, he died leaving behind a wife and four young children. -
JEREMY GROGAN - 1St AD 0414 457 390 [email protected]
Agent - Top Techs Management 02 9958 1611 [email protected] JEREMY GROGAN - 1st AD 0414 457 390 [email protected] FEATURES & TV DRAMA : 2019 MYSTERY ROAD : SERIES 2 Series [2nd Unit / Splinter Unit/ Time-Lapse Unit - 1st AD] Dir - Dylan River Prod - Greer Simpkin / David Jowsey Dark Matter Media / ABC TV 2019 BETWEEN TWO WORLDS Series Dir - Kriv Stenders / Caroline Bell-Booth (NZ) / Michael Hurst (NZ) Prod - Chris Martin-Jones Network Seven 2018 RAMS Feature Dir - Jeremy Sims Prod - Janelle Landers/ Aidan O'Bryan WBMC 2012 - 2018 A PLACE TO CALL HOME : SERIES 1 - 6 Series Prod - Chris Martin-Jones Foxtel/ Network Seven S6 2018: Dir - Jeremy Sims/ Amanda Brotchie/ Catherine Millar S5 2017: Dir - Jeremy Sims/ Catherine Millar S4 2016: Dir - Shirley Barrett/ Catherine Millar/ Tony Krawitz S3 2015: Dir - Ian Barry/ Shirley Barrett/ Lynn-Maree Danzey S2 2013: Dir - Mark Joffe/ Lynn Hegarty/ Lynn-Maree Danzey S1 2012: Dir - Mark Joffe/ Lynn-Maree Danzey 2017 PICNIC AT HANGING ROCK Series Dir - Larysa Kondracki (Canada) Prod - Antonia Barnard/ Brett Popplewell Fremantle Media / Foxtel 2016 CLEVERMAN : SERIES 2 Series Dir - Wayne Blair Prod - Rosemary Bright/ Ryan Griffen/ Jane Allen Goalpost Pictures/ Pukeko Pictures/ Sundance TV 2015 JANET KING : SERIES 2 Series Dir - Ian Watson/ Peter Andrikidis Prod - Greg Haddrick/ Karl Zwicky/ Lisa Scott Screentime/ ABC TV 2014 THE HOUSE OF HANCOCK Mini-Series Dir - Mark Joffe Prod - Paul Bennett/ Michael Cordell/ Claudia Karvan Cordell Jigsaw Zapruda 2012 - 2013 PUBERTY BLUES : SERIES 1 & 2 -
Aboriginal and Torres Strait Islander Strategy 2016-19
> Goldstone Aboriginal and Torres Strait Islander Strategy 2016-2019 > FOREWORD > Our Stories Our Way - NITV > Mabo Queensland has long been enriched for NITV), developing film drama scripts As we look to the future – creating a strong Aboriginal and Torres Strait by the deep storytelling traditions of in a workshop setting and working on new opportunities while demanding Islander industry that collaborates with, its Aboriginal and Torres Strait Islander attachment on prominent Queensland innovation through advances in connects to, and creatively challenges, first peoples. These rich and ancient productions, including acclaimed writer- technology, developing platforms, the mainstream screen production cultures elevate not just the business director Ivan Sen’s Goldstone. Investment new audiences and fresh approaches sector. of storytelling but society as a whole. has also been made into mid career and to storytelling – Screen Queensland Screen Queensland is a proud partner to established talent to develop projects is committed to moving forwards in Screen Queensland would like to many passionate Aboriginal and Torres and businesses, including: Carbon partnership with its Aboriginal and Torres thank all the producers and screen Strait Islander practitioners whose talent Media’s landmark footy show League Strait Islander companies and creatives. practitioners, community leaders and and achievements have brought diverse Nation Live and its Network Ten children’s industry experts who contributed to and powerful stories to our screens, and television series The Timeshifters; Bunya The focus of the Screen Queensland the thinking that underpins the Screen acclaim to our local screen industry. Productions’ Blue Water Empire – a Aboriginal and Torres Strait Islander Queensland Aboriginal and Torres Strait history of the Torres Straits for the ABC; Strategy 2016-19 will be to advance the Islander Strategy 2016-19. -
Electronic Document
GriffithREVIEW47.indb 1 21/01/2015 3:43 pm Praise for Griffith Review ‘Essential reading for each and every one of us.’ Readings ‘A varied, impressive and international cast of authors.’ The Australian ‘Griffith Review is a must-read for anyone with even a passing interest in current affairs, politics, literature and journalism. The timely, engaging writing lavishly justifies the Brisbane-based publication’s reputation as Australia’s best example of its genre.’ The West Australian ‘There is a consistently high standard of writing: all of it well crafted or well argued or well informed, as befits the various genres.’ Sydney Review of Books ‘This quarterly magazine is a reminder of the breadth and talent of Australian writers. Verdict: literary treat.’ Herald Sun ‘Griffith Review editor Julianne Schultz is the ultra-marathoner of Australian cultural life.’ Canberra Times ‘At a time when long form journalism is under threat and the voices in our public debate are often off-puttingly condescending, hectoring and discordant, Griffith Review is the elegant alternative.’ Booktopia Buzz ‘Griffith Review is a consistently good journal. There is some terrific writing on display as well as variety and depth to the issues being grappled with.’ The Age ‘Australia’s most important literary essay magazine.’ Courier-Mail ‘At once comfortable and thought-provoking, edgy and familiar, [it] will draw the reader through its pages.’ Australian Book Review ‘Griffith Review is a wonderful journal. It’s pretty much setting the agenda in Australia and fighting way above its weight… You’re mad if you don’t subscribe.’ Phillip Adams ‘Once again, Griffith Review has produced a stunning volume of excellent work. -
Sbs Submission to the Department of Infrastructure, Transport
SBS SUBMISSION TO THE DEPARTMENT OF INFRASTRUCTURE, TRANSPORT, REGIONAL DEVELOPMENT AND COMMUNICATIONS SUPPORTING AUSTRALIAN STORIES ON OUR SCREENS – OPTIONS PAPER JULY 2020 The Special Broadcasting Service Corporation (SBS) appreciates the opportunity to submit to Screen Australia and the Australian Communications and Media Authority (the ACMA), regarding the Supporting Australian Stories on Our Screens—Options Paper (the Options Paper), as part of the Government’s consultation on options to support Australian stories on our screens in a modern, multi-platform environment (the Consultation). For over 40 years, SBS has developed compelling and thought-provoking content that tells the stories of a truly diverse Australia. SBS content is delivered free across broadcast and online platforms to all Australians in multiple languages. As part of SBS, National Indigenous Television (NITV) continues to deliver cultural benefits to audiences through its distinctive content and landmark events. NITV creates inspiring storytelling for all Australians, sharing trusted children’s content, news and current affairs, sport and entertainment programming through an Indigenous lens. There is a pressing need to review the current regulatory framework governing the production and communication of Australian stories and SBS is uniquely placed to play an even greater role in supporting the production of high-quality Australian content, if additional funding is made available to SBS to commission additional Australian stories untold by other media. The Options Paper sets out a broad spectrum of potential reforms. SBS does not endorse any of the proposed models as written in the Options Paper, but Option 3 with a number of variations, as outlined in this submission, is preferred.