Caecilia V91n03 1964
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The Companion to the Edington Music Festival
The Priory Church of Saint Mary, Saint Katharine and All Saints, Edington, near Westbury, Wiltshire THE COMPANION TO THE EDINGTON MUSIC FESTIVAL Sunday, 20 August to Sunday, 27 August 2000 1 Contents Introduction Peter Barley Welcome to the Edington Festival of Music within the Liturgy for the year 2000. Whatever one's views on where the millennium really comes, and whether this is really a great birthday for the Church, it is clearly a momentous milestone, and not least for Edington — the forty-fifth festival and the year that sees the launch of the Festival Association. O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim. I find these words from the well-known 19th century Epiphany hymn by J.S.B. Monsell (and also familiar from Psalm 96 and settings by Elgar and Wesley) particularly poetic and meaningful when it comes to considering worship at Edington. The beauty of holiness has a special resonance for all those of us lucky enough to be worshippers at this unique Introduction 3 Festival, where we are able to rejoice in, celebrate and relish the quality of our liturgy and worship — its beauty and holiness. Festival & General Information 6 The word 'liturgy' is derived from two Greek words (leitos and ergos) which translate as 'public action'. Thus we have acts of public worship, made up of praise, penitence, prayer Acknowledgements 6 and thanksgiving. Canon Neil Heavisides spoke eloquently and movingly about the life and work of Ralph Dudley on Friends' Day at last year's Festival, and alluded to Dudley's clear vision of liturgy as 'the people's work', where not just music and the spoken word Edington Festival 2001 7 but also deportment was an art. -
Direction 2. Ile Fantaisies
CD I Josquin DESPREZ 1. Nymphes des bois Josquin Desprez 4’46 Vox Luminis Lionel Meunier: direction 2. Ile Fantaisies Josquin Desprez 2’49 Ensemble Leones Baptiste Romain: fiddle Elisabeth Rumsey: viola d’arco Uri Smilansky: viola d’arco Marc Lewon: direction 3. Illibata dei Virgo a 5 Josquin Desprez 8’48 Cappella Pratensis Rebecca Stewart: direction 4. Allégez moy a 6 Josquin Desprez 1’07 5. Faulte d’argent a 5 Josquin Desprez 2’06 Ensemble Clément Janequin Dominique Visse: direction 6. La Spagna Josquin Desprez 2’50 Syntagma Amici Elsa Frank & Jérémie Papasergio: shawms Simen Van Mechelen: trombone Patrick Denecker & Bernhard Stilz: crumhorns 7. El Grillo Josquin Desprez 1’36 Ensemble Clément Janequin Dominique Visse: direction Missa Lesse faire a mi: Josquin Desprez 8. Sanctus 7’22 9. Agnus Dei 4’39 Cappella Pratensis Rebecca Stewart: direction 10. Mille regretz Josquin Desprez 2’03 Vox Luminis Lionel Meunier: direction 11. Mille regretz Luys de Narvaez 2’20 Rolf Lislevand: vihuela 2: © CHRISTOPHORUS, CHR 77348 5 & 7: © HARMONIA MUNDI, HMC 901279 102 ITALY: Secular music (from the Frottole to the Madrigal) 12. Giù per la mala via (Lauda) Anonymous 6’53 EnsembleDaedalus Roberto Festa: direction 13. Spero haver felice (Frottola) Anonymous 2’24 Giovanne tutte siano (Frottola) Vincent Bouchot: baritone Frédéric Martin: lira da braccio 14. Fammi una gratia amore Heinrich Isaac 4’36 15. Donna di dentro Heinrich Isaac 1’49 16. Quis dabit capiti meo aquam? Heinrich Isaac 5’06 Capilla Flamenca Dirk Snellings: direction 17. Cor mio volunturioso (Strambotto) Anonymous 4’50 Ensemble Daedalus Roberto Festa: direction 18. -
Alonso Lobo Sacred Vocal Music
95789 ALONSO LOBO SACRED VOCAL MUSIC Coro Victoria Ana Fernández-Vega Alonso Lobo (1555-1617) Sacred Vocal Music 1. Ave Regina Caelorum a 5 3’00 7. Regina Caeli Laetare 2’30 From Missa Simile est regnum caelorum 14. Ego Flos Campi 2’07 13. Agnus Dei 4’10 From Missa O Rex Gloriae 8. Credo Romano 6’45 Agnus Dei II a 6: Élia Casanova · Manon 15. O quam suavis est Domine 2. Kyrie 2’40 Incipit: Jagoba Fadrique baritone Chauvin sopranos Bonus Track 3’53 Christe: Èlia Casanova soprano Hugo Bolívar countertenor Élia Casanova soprano Julieta Viñas mezzo soprano 9. Cum audisset Ioannes Francisco Braojos tenor Manuel Minguillón vihuela Francisco Braojos tenor in vinculis 2’31 Jagoba Fadrique · Oriol Mallart baritones Jagoba Fadrique baritone 3. Gloria 3’51 From Missa Petre ego pro te rogavi Incipit: Jagoba Fadrique baritone 10. Sanctus-Benedictus 4’24 Benedictus: Élia Casanova · Manon 4. Ave Maria a 8 4’01 Chauvin sopranos Élia Casanova · Manon Chauvin Julieta Viñas mezzo soprano sopranos Francisco Braojos tenor Julieta Viñas · Beverley Green mezzo Élia Casanova · Manon Chauvin & Cristina Teijeiro sopranos Julieta Viñas · Beverley Green mezzo sopranos sopranos 11. Versa est in luctum a 6 4’25 Hugo Bolívar countertenor Hugo Bolívar countertenor Élia Casanova · Manon Chauvin Francisco Braojos · Emiliano Cano tenors sopranos Francisco Braojos · Emiliano Cano & Jesús Navarro tenors Pablo Acosta bass Hugo Bolívar countertenor Jagoba Fadrique · Oriol Mallart baritones Francisco Braojos · Emiliano Cano tenors Pablo Acosta bass 5. Vivo Ego, dicit Dominus 2’32 Jagoba Fadrique baritone Ana Fernández-Vega conductor 6. Erunt signa in sole 3’13 12. -
The Choir of King's College London
The Choir of King’s College London Gareth Wilson The Choir of King’s College London Gareth Wilson IN MEMORIAM Alexander May, Graham Thorpe organ 1 William Byrd (1539/40–1623) Laudibus in sanctis [5:18] 9 Robert Busiakiewicz (b. 1990) Ego sum resurrectio et vita [2:27] 2 Matthew Kaner (b. 1986) Duo seraphim [5:09] Rob Keeley (b. 1960) Magnificat & Nunc dimittis Eleanor Williams, Mimi Doulton, Elizabeth Gornall, Eleanor Wood sopranos 10 Magnificat [4:15] Ben Taylor-Davies, Billie Hylton, Caitlin Goreing, Jacob Werrin, Rosanna Goodall altos 11 Nunc dimittis [2:52] James Rhoads, Miles Ashdown tenors Alexander May organ Freddie Benedict, Alex Pratley basses Antony Pitts (b. 1969) Pie Jesu (Prayer of the Heart) Gareth Wilson (b. 1976) Magnificat & Nunc dimittis (Collegium Regale) 12 I [6:55] 3 Magnificat [5:33] 13 II [5:38] 4 Nunc dimittis [5:27] Ciara Power, Lindsey James sopranos Graham Thorpe organ Caitlin Goreing, David Lee altos Silvina Milstein (b. 1956) ushnarasmou – untimely spring James Rhoads tenor Scott Richardson, Joey Edwards basses 5 ushnarasmou [4:01] 6 kusumaani [4:41] 14 Matthew Martin (b. 1976) An Invocation to the Holy Spirit [2:43] Eleanor Williams, Mimi Doulton solo sopranos Lindsey James, Charlotte Nohavicka ripieno sopranos 15 Giovanni Pierluigi Quam pulchri sunt gressus tui [4:38] Matthew O’Keeffe, Rosanna Goodall solo altos da Palestrina (1525–1594) Billie Hylton, Jacob Werrin ripieno altos Robyn Donnelly soprano Miles Ashdown, James Green solo tenors Jaivin Raj ripieno tenor 16 Jacob Clemens non Papa (c.1510–1555/6) Ego flos campi [5:27] Joey Edwards, Alex Pratley, Dominic Veall ripieno basses 17 Francis Grier (b. -
TRACKLIST P.4 ENGLISH P.8 FRANÇAIS P.21 ESPAÑOL P.31 DEUTSCH P.41
MENU — TRACKLIST p.4 ENGLISH p.8 FRANÇAIS p.21 ESPAÑOL p.31 DEUTSCH p.41 Cover illustration: Diego Velázquez, Self-portrait, c. 1640, Valencia, Museo de Bellas Artes © Album / Oronoz / akg images. Booklet illustration: Diego Velázquez, Th e musicians, Berlin, Staatliche Museum. © Album / Oronoz / akg-images Th e excerpts used in this CD have been taken from recordings made by Ricercar between 2008 and 2012; tracks 6-9 have been taken from CDs made by Glossa. Les musiques réunies ici sont issues d'enregistrements réalisés par le label Ricercar entre 2008 et 2012 ; les plages 6 à 9 proviennent d'enregistrement édités par Glossa. VELÁZQUEZ AND THE MUSIC OF HIS TIME CAPPELLA MEDITERRANEA CLEMATIS CHŒUR DE CHAMBRE DE NAMUR Leonardo García Alarcón: direction & organ LA FENICE / Jean Tubéry SYNTAGMA AMICI ENSEMBLE LA ROMANESCA LA REAL CÁMARA Menu Matheo Romero (c. 1575-1637) 1. Entre dos mansos arroyos, romance a 4 6'42 2. Romerico fl orido, folía a 2 3'52 3. ¡Ay, qué muero de zelos!, letrilla a 3 4'31 CAPPELLA MEDITERRANEA Mariana Flores & Capucine Keller: sopranos Fabían Schofrin: counter-tenor Fernando Guimarães: tenor CLEMATIS Stéphanie de Failly: violine Rodrigo Calveyra: recorder & cornet François Joubert-Caillet: treble & bass viol Margaux Blanchard: bass viol Th omas Dunford & Vincent Flückiger: vihuelas Marie Bournisien: harp Th ierry Gomar: percussions Leonardo García Alarcón: direction & organ Fray Bartolomé de Selma y Salaverde (c. 1580/90-after 1638) 4. Canzon prima a doi, Basso e Soprano 5'17 SYNTAGMA AMICI Stéphanie de Failly: violine Jérémie Papasergio: bassoon Angélique Mauillon: harp Jean-Marc Aymes: harpsichord & organ Hernando de Cabezon (1541-1601) 5. -
AMS Newsletter February 2005
AMS NEWSLETTE R THE AMERICAN MUSICOLOGICA L S O C I E T Y CONSTITUENT MEMBER OF THE AMERICAN COUNCIL OF LEARNED SOCIETIES VOLUME XXXV, NUMBER 1 February, 2005 ISSN 0402-012X 2005 Annual Meeting AMS Launches the OPUS Campaign The American Musicological Society will The American Musicological Society hold its 2005 National Meeting in Washing- launched an ambitious new five-year capital ton, D.C. An extraordinary array of muse- campaign at the Annual Meeting in Seattle. ums, theaters, art galleries, and national mon- OPUS—Opening Paths to Unlimited Schol- uments awaits visitors. Late October weather arship—reflects the Society’s goal of serving is generally mild, perfect for a stroll under the a broad spectrum of members at all stages American elms along the National Mall, with of their careers. Realizing that there is no its spectacular view of the U.S. Capitol at one single career path to excellent scholarship end and the Washington Monument at the and no single kind of scholarship, we seek other. In close proximity to cities and towns to give all our members as much access to in Maryland and Virginia, the District of Co- research tools, travel, fellowships, publica- lumbia is a fine starting point for daytrips to tions, and recognition as we are able. Our either Baltimore or Richmond. commitments to scholarly excellence and to the needs of our members demand no less. Washington abounds The OPUS Campaign recognizes that with musical life the AMS is a work in progress, seeking to support excellence in the work of its The Society will meet Oct. -
Rn Anapo Usic Estiva 21
22^32^^ THE rn anapo usic estiva 21[) 1 presented si 967 by Indianapolis Early O; W////////////////A V//////////////M^^^ 55M^ t^^r'' JUNE 23-JULY 16, -< V EUGENE AND MARlC GLICK INDIANA HISTO 450 W. OHIO STRE 4APOLIS,IN 4620 DOWNTOWN WESTCARMEL/ZIONSVILLE 107 North Pennsylvania Street 106th and North Michigan Road NORTHWEST WESTCLAY' Ditch Road and 84th Street Towne Road near 1 list Street THE ON FAME RICA TOWER CARM EL One American Square East Carmel MERIDIANKESSLER WESTFIELD/CARMEL 49th and Pennsylvania Street East 146th Street at Cool Creek Commons CHAMBER OE COMMERCE G FIST/FISHERS 320 North Meridian Street Olio Road at 1 16th Street CASTLETON GREENWOOD Bash Road and East 82nd Street West Smith Valley Road and SR 135 THE NATIONAL X BANMNDIANAPOLIS 261-9000 THE 2017 Indianapolis Early Music Festival Presented since 1967 by Indianapolis Early Music 3646 BAY ROAD SOUTH DRIVE, INDIANAPOLIS, IN 46240 (317) 577-9731 II [email protected] // WWW.EMINDY.ORG Board of Directors Leslie Bartolowits FRIDAY, JUNE 23, 7:30 PM Ingrid Bellman Hesperus plays a live sound track for the 1921 classic Suzanne B. Blakeman The Three Musketeers Roberr Bolyard Charlotte Elizabeth Brayton SATURDAY, JUNE 24, 11:00 AM Stephen S. Brockmann The Peabody Consort Dr. David H. Chandler FREE Family Concert. Laura Goetz Rusty Jones SUNDAY, JUNE 25, 4:00 PM Andrew Kerr The Peabody Consort with the Echoing Air Vocal Ensemble Marcia Krieg "A Vanished World: Words and Music of Three Faiths" 1' Christine Kyprianides FRIDAY, JULY 7, 7:30 PM G.B. Landrigan Kim Linton Michael Slattery and La Nef Ellen Patterson "The People's Purcell" li Susan N. -
Jan Pıeterszoon Sweelınck´In Toccata´Larının Klasik Gitar Ile Icra
Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü Piyano Anasanat Dalı JAN PIETERSZOON SWEELINCK´İN TOCCATA´LARININ KLASİK GİTAR İLE İCRA EDİLEBİLMESİ ÜZERİNE BİR ARAŞTIRMA Kerim Özcan DAL N11230441 Yüksek Lisans Tezi Ankara, 2014 i JAN PIETERSZOON SWEELINCK´İN TOCCATA´LARININ KLASİK GİTAR İLE İCRA EDİLEBİLMESİ ÜZERİNE BİR ARAŞTIRMA Kerim Özcan DAL N11230441 Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü Piyano Anasanat Dalı Yüksek Lisans Tezi Ankara, 2014 iv ÖZET DAL, Kerim Özcan. Jan Pieterszoon Sweelinck’in Toccataları’nın Klasik Gitar ile İcra Edilebilmesine Yönelik Bir Araştırma, Yüksek Lisans Tezi, Ankara, 2014. Jan Pieterszoon Sweelinck’in Toccataları’nın Klasik Gitar ile İcra Edilebilmesi bu araştırmanın temelini oluşturmaktadır. “Giriş” kısmında bulgulara yön verecek şekilde bazı tanımlar yapılacak, çeşitli kavramlar açıklığa kavuşturulacak ve problem durumuna değinilecektir. “Yöntem” kısmında araştırmada hangi yöntemlerle kaynak tarandığı ve bulgulara ulaşıldığı açıklanacaktır. Ardından “Bulgular ve Yorumlar” kısmında araştırmanın problem durumuna yönelik bulgular elde edilecek ve bunlar yorumlanacaktır. Son olarak araştırmanın “Sonuç ve Öneriler” kısmında, elde edilen bulgular ışığında ulaşılan sonuçlara yer verilerek öneriler getirilecektir. Anahtar Sözcükler Jan Pieterszoon Sweelinck, Toccata, İki gitar, Klasik gitar v ABSTRACT DAL, Kerim Özcan. A Research About Performing Jan Pieterszoon Sweelinck’s Toccatas on Classcical Guitar, Master´s Thesis, Ankara, 2014. The aim of this work is to perform toccatas written for organ by the Renaissance period composer Jan Pieterszoon Sweelinck. In the first part, there will be definitions and well-substantiated explanations to cast more light on the findings. The second part will cover the methods of scanning sources to reach findings of the research. The third part will include the findings with their interpretation. Finally, there will be results about the findings obtained, along with suggestions that made in the conclusion of this research. -
Philippe Rogier
irected b d y PH Linn Records AT IL CKD 348 IC IP IF C Label of the Year N A G V A E “Linn is the very model of a modern record company, M ≈ ensuring that the highest standards are maintained ≈ from the studio right through the company’s very impressive digital store.” JAMES JOLLY, EDITOR-IN-CHIEF, GRAMOPHONE R Philippe ogier Discover the world of Linn Records Download at www.linnrecords.com Now you can explore Linn music on-line with even greater ease by using our innovative download facility. Linn albums and tracks are available to download at studio master and CD quality – the quality you desire to achieve the best possible sound. MP3 downloads are also available. ≈ ≈ linnrecords.com is a multi-format music delivery system that delivers music on vinyl, CD H I S and download. Register online today at www.linnrecords.com to keep up to date about our S latest releases and to fi nd out more about our artists. T M LINN RECORDS, GLASGOW ROAD, WATERFOOT, GLASGOW G76 0EQ UK E t: +44 (0)141 303 5027/9 f: +44 (0)141 303 5007 e: [email protected] A N JE R S O TY C S ND SAGBUTS A R Philippe ogier (c. 1561~1596) .................. 5.53 1 Motet: Domine Dominus noster directed by PHILIP CAVE Missa Domine Dominus noster ≈ HIS MAJESTYS SAGBUTS AND CORNETS ≈ ..................................................................................... 2.01 2 Kyrie eleison R ........................................................................ 5.16 3 Gloria in excelsis Philippe ogier ................................................................ 8.35 4 Credo in unum Deum ..................................................................................................... 1.41 5 Sanctus .............................................................................................. -
Caecilia V91n02 1964
caeci la The Life and Times of Flemish Boy Choristers in 16th Century Spain VOL.. 91, NO" 2 SUMMER, 1964 CAECILIA Published four times a year, Spring, Summer, Autumn and Winter. Second-Class Postage Paid at Omaha, Nebraska Subscription Price-~3.00 per year All articles for publication must be in the hands of the editor, 3558 Cass Ste, Omaha 31, Nebraska, 30 days before month of publication. Business Manager: Norbert Letter Change of address should be sent to the circulation manager: Paul Sing, 3558 Cass St., Omaha 31, Nebraska Postmaster: Form 3579 to Caecilia, 3558 Cass St., Omaha 31, Nebr. caeclla TABLE OF CONTENTS The Life and Times of Flemish Boy Choristers in 16th Century Spain-By Lavern J. Wagner -- ----- ---- .______ 35 Some Linguistic Criteria in Accommodating English Mass. Texts to Sung Recitative and Melody 48 Congregational Singing-William F. Pohl 63 Liturgy and Congregational Singing from Pastoral Liturgy 71 Cesar Franck, Complete Organ Works Reviewed by Seth Bingham 80 Index to Volume 89 ~------------------------------------------- Supplement Insert VOL. 91, NO. 2 SUMMER, 1964 CAECILIA A Quarterly Review devoted to the liturgical musi.~ apostolate. Published· with ecclesiastical approval by the Society· of Saint Caecilia in Spring, Summer, Autumn' and Winter. Established in 1874'by John B. Singenberger, K.C.S.G., K.C.S.S. (1849-1924). Editor Very Rev. Msgr. Francis P. Schmitt CONTRIBUTING EDITORS Francis A. Brunner, C.Ss.R. Elmer Pfeil Louise Cuyler Richard Schuler David Greenwood Lavern Wagner Paul Koch Roger Wagner Paul Manz Abbot Rembert Weakland, O.S.B. C. Alexander Peloquin James Welch CAECILIA ASSOCIATES Dr. -
Subscription Order Form Enclosed
Subscription Order SOUTH FLORIDA’S GRAMMY® NOMINATED VOCAL ENSEMBLE Form Enclosed “Wonderfully CRISP AND CELEBRATORY” WELCOME CONTENTS TO OUR 2020-2021 SEASON! Founder & Artistic Director 2020-2021 Programs . 5-11 Patrick Dupré Quigley Subscriptions . 12-13 The Seraphic Fire Experience: Venues . 14 Hear the finest vocal artists Seraphic Fire on Tour . 14 perform engaging and uplifting programming Support Seraphic Fire . 15 in South Florida’s reverberant and intimate spaces NOVEMBER 2020 The most CREATIVE, Featuring: SMARTEST, Plainchant (Anonymous) consistently classical Requiem a 6 (Tomás Luis de Victoria) excellent Motets (Thomas Crequillon, MARIA OF SPAIN & Nicolas Gombert, Pierre Manchicourt, music ticket in South Florida . Philippe Rogier) Tomás Luis de Victoria Patrick Dupré Quigley, conductor Sometimes an especially intriguing person – in this case Maria of Spain, a future Holy Roman Empress – inspires a composer – Victoria – to produce a commensurately intriguing work . Born in 1528 to Holy Roman Emperor Charles V and Isabella of Portugal, Maria was part of the most elite royal family in Europe and was a patron of the greatest musical artists of her time . After the death of her husband, Maxmillian II, Maria retired to the Monasterio de las Descalzas Reales in Madrid and had as her personal chapelmaster the inimitable Tomás Luis de Victoria . Upon her death, Victoria composed his six-voice Requiem, arguably the composer’s greatest work and a testament to Maria’s legacy . Join us for a Pre-Concert Conversation one hour before each -
THE IBERIAN SONGBOOK Saturday, April 14, 2018 Spanish Songs & Dances, C
THE IBERIAN SONGBOOK Saturday, April 14, 2018 Spanish Songs & Dances, c. 1450–1625 First Church in Cambridge, Congregational Sunday, April 15, 2018 The Parish of All Saints, Ashmont THE IBERIAN SONGBOOK Spanish Songs & Dances, c. 1450–1625 I Scott Metcalfe director, violin & harp ? Philippe Rogier (c. 1561-1596) Cancion (strings) Margot Rood Pierre Francisque Caroubel (1556-1611 or 1615) Martin Near Pavane de Spaigne (dance) Jason McStoots Juan del Encina (1468-1529 or 1530) Mark Sprinkle Pues no te duele mi muerte Sumner Thompson Encina Paul Guttry Más vale trocar plaser por dolores voices Anonymous Scott Metcalfe Rodrigo Martines Johanna Novom Anna Griffis Laura Jeppesen II Emily Walhout Juan Vásquez (c.1500-c.1560) violin consort Ojos morenos ¿quándo nos veremos? Simon Martyn-Ellis Nicolas Gombert (c. 1495-c. 1560) Daniel Zuluaga (c. 1500-after 1557) arr. Enríquez de Valderrábano vihuelas & guitars Assiste parata (vihuelas) Juan de Cabezón (d. 1566) Jonathan Hess Quien llamó al partir partir percussion Vásquez Quien amores tiene ¿cómo duerme? Ken Pierce Camilla Finlay dancers III Mateo Flecha (1481-c. 1553) La Bomba Anonymous La de las medias-La de las damas-La francesa (dances) Intermission 2 IV Pre-concert talk in Cambridge Fabritio Caroso (d. after 1605) by Daniel Zuluaga La Spagnoletta sponsored in part by Anonymous The Cambridge Society Stava la gentil dama for Early Music Caroubel & Michael Praetorius (1571-1621) L’espagnolette & Spagnoletta(dance) V Blue Heron is Anonymous funded in part Claros y frescos ríos by the Massachusetts Rogier Cultural Council, Cancion (strings) a state agency. Valderrábano Música para discantar sobre el atambor (vihuelas) Juan Blas de Castro (c.