Media, Culture & Society
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Confronting the Challenges of Participatory Culture: Media Education for the 21St Century
An occasional paper on digital media and learning Confronting the Challenges of Participatory Culture: Media Education for the 21st Century Henry Jenkins, Director of the Comparative Media Studies Program at the Massachusetts Institute of Technology with Katie Clinton Ravi Purushotma Alice J. Robison Margaret Weigel Building the new field of digital media and learning The MacArthur Foundation launched its five-year, $50 million digital media and learning initiative in 2006 to help determine how digital technologies are changing the way young people learn, play, socialize, and participate in civic life.Answers are critical to developing educational and other social institutions that can meet the needs of this and future generations. The initiative is both marshaling what it is already known about the field and seeding innovation for continued growth. For more information, visit www.digitallearning.macfound.org.To engage in conversations about these projects and the field of digital learning, visit the Spotlight blog at spotlight.macfound.org. About the MacArthur Foundation The John D. and Catherine T. MacArthur Foundation is a private, independent grantmaking institution dedicated to helping groups and individuals foster lasting improvement in the human condition.With assets of $5.5 billion, the Foundation makes grants totaling approximately $200 million annually. For more information or to sign up for MacArthur’s monthly electronic newsletter, visit www.macfound.org. The MacArthur Foundation 140 South Dearborn Street, Suite 1200 Chicago, Illinois 60603 Tel.(312) 726-8000 www.digitallearning.macfound.org An occasional paper on digital media and learning Confronting the Challenges of Participatory Culture: Media Education for the 21st Century Henry Jenkins, Director of the Comparative Media Studies Program at the Massachusetts Institute of Technology with Katie Clinton Ravi Purushotma Alice J. -
Seleucid Research Bibliography
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff SELEUCID RESEARCH BIBLIOGRAPHY Draft 1.1 – Updated 27 March, 2013 compiled by Altay Coskun and Alex McAuley 1) Specialist Editions of Primary Sources: Ager IA Ager, Sheila: Interstate Arbitrations in the Greek World, 337–90 BC, Berkeley 1996. Austin2 Austin, Michel M.: The Hellenistic World from Alexander to the Roman Conquest. A Selection of Ancient Sources in Translation. Second Edition, Cambridge 2006. Bringmann/Steuben Bringmann, Klaus/ von Steuben, Hans (eds.): Schenkungen hellenistischer Herrscher an griechische Städte und Heiligtümer, Part 1, Berlin 1995. del Monte del Monte, Giuseppe F.: Testi dalla Babilonia Ellenistica. Volume I: Testi cronografici, Pisa 1997. Schoene, Alfred/ Petermann, H./ Roediger, R.: Eusebi Chronicorum canonum quae supersunt, 1Berlin 1866, Nd. (=2. Aufl.) Dublin 1967. FGrH Jacoby, Felix: Die Fragmente der griechischen Historiker, Leiden Teil II, 1961/83; Teil III, 1950/55. Houghton/Lorber, SC Houghton, Arthur/Lorber, Catharine: Seleucid Coins. A Comprehensive Catalogue. With Metrological Tables by Brian Kritt. Part I: Seleucus I through Antiochus III. Volume I: Introduction, Maps, and Catalogue, Volume II: Appendices, Indices, and Plates, New York & London 2002. I.Didyma Rehm, Albert: Die Inschriften von Didyma, ed. posthum. by Richard Harder, Berlin 1958 (=Theodor Wiegand: Didyma, Zweiter Teil: Die Inschriften, von Albert Rehm). I.Erythrai I–II Engelmann, Helmut/Merkelbach, Reinhold: Die Inschriften von Erythrai und Klazomenai, Teil I (Nr. 1–200); Teil 2 (Nr. 201–536), Bonn 1972/73. (IGSK 1–2) I.Iasos I–II Blümel, Wolfgang: Die Inschriften von Iasos, 2 vols., Bonn 1985. -
Communication, Culture and Community: Towards a Cultural Analysis of Community Media
The Qualitative Report Volume 7 Number 3 Article 6 9-1-2002 Communication, Culture and Community: Towards A Cultural Analysis of Community Media Kevin Howley DePauw University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/tqr Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, and the Social Statistics Commons Recommended APA Citation Howley, K. (2002). Communication, Culture and Community: Towards A Cultural Analysis of Community Media. The Qualitative Report, 7(3), 1-24. https://doi.org/10.46743/2160-3715/2002.1975 This Article is brought to you for free and open access by the The Qualitative Report at NSUWorks. It has been accepted for inclusion in The Qualitative Report by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Communication, Culture and Community: Towards A Cultural Analysis of Community Media Abstract This paper promotes a research agenda committed to a sustained, multiperspectival cultural analysis of community-based media. In doing so, the essay takes up two interrelated arguments. First, it is suggested that community media represent a conspicuous blind spot in cultural approaches to communication studies: a situation that is at odds with the hallmarks of cultural studies scholarship, especially its affirmation of popular forms ofesistance r and its celebration of and keen appreciation for local cultural production. Second, the author maintains that as a site of intense struggle over cultural production, distribution, and consumption within and through communication and information technologies, community media demand the rigorous, interdisciplinary approaches and interventionist strategies associated with the finest traditions of cultural studies scholarship. -
IN IRAN Submitted to the Graduate College of Bowling Green Fulfillment
HISTORY AND DEVELOPMENT OF BROADCASTING IN IRAN Bigan Kimiachi A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY June 1978 © 1978 BI GAN KIMIACHI ALL RIGHTS RESERVED n iii ABSTRACT Geophysical and geopolitical pecularities of Iran have made it a land of international importance throughout recorded history, especially since its emergence in the twentieth century as a dominant power among the newly affluent oil-producing nations of the Middle East. Nearly one-fifth the size of the United States, with similar extremes of geography and climate, and a population approaching 35 million, Iran has been ruled since 1941 by His Majesty Shahanshah Aryamehr. While he has sought to restore and preserve the cultural heritage of ancient and Islamic Persia, he has also promoted the rapid westernization and modernization of Iran, including the establishment of a radio and television broadcasting system second only to that of Japan among the nations of Asia, a fact which is little known to Europeans or Americans. The purpose of this study was to amass and present a comprehensive body of knowledge concerning the development of broadcasting in Iran, as well as a review of current operations and plans for future development. A short survey of the political and spiritual history of pre-Islamic and Islamic Persia and a general survey of mass communication in Persia and Iran, especially from the Il iv advent of the telegraph is presented, so that the development of broadcasting might be seen in proper perspective and be more fully appreciated. -
Satellite Jamming in Iran: a War Over Airwaves
SATELLITE JAMMING IN IRAN: A WAR OVER AIRWAVES A Small Media Report // November 2012 // This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License Satellite Jamming in Iran: 3 A War Over Airwaves TABLE OF CONTENTS 6 executive summary 1 how disruptive is satellite jamming 35 for broadcasters and audiences? 1 6.1 Broadcasters 36 5 introduction 6.2 Viewers 42 2 what is the importance of satellite 7 television in the islamic republic of iran 9 is satellite jamming a health risk? 47 3 8 historical overview of satellite jamming 15 international responses and 52 the role of satellite providers 4 8.1 The role of satellite providers 56 what is satellite jamming, how does it work, 19 9 how much does it cost? recommendations 63 4.1 Orbital jamming 22 4.2 Terrestrial jamming 24 10 4.3 How easy is it to jam a frequency? 26 footnotes 67 5 satellite ownership and jamming legislation in the islamic republic of iran 29 Satellite Jamming in Iran: 1 A War Over Airwaves EXECUTIVE SUMMARY Satellite jamming is a problematic and pervasive reality in Iran, a country where, for the vast majority of inhabitants, satellite television is the only access point to information and entertainment not regulated by the authorities. “Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers.” Article 19 of the Universal Declaration of Human Rights. Satellite Jamming in Iran: Executive summary 3 A War Over Airwaves // There are at least 120 Persian-language satellite TV channels // Throughout this report, we emphasise the issues raised Glwiz.com, an online broadcasting into Iran from the diaspora, incomparable with by those who have been directly affected by satellite jamming aggregated ‘on demand’ the use of satellite TV in any other diasporic community in the or are directly involved in the fight for freedom of information. -
Jeff Lewis: Media, Culture and Communication Inquiry Human Violence: from Savage Volume 4 Issue 1, P
Book Review KOME − An International Journal of Pure Jeff Lewis: Media, Culture and Communication Inquiry Human Violence: From Savage Volume 4 Issue 1, p. 92-94. © The Author(s) 2016 Lovers to Violent Complexity. Reprints and Permission: Rowman & Littlefield International [email protected] Published by the Hungarian Communication Ltd., 2015, p. 287. Studies Association DOI: 10.17646/KOME.2016.18 Juliana Cunha Costa Radek Jacobs University Bremen, Germany, Universidade Federal de Bahia, Brazil, and CAPES Foundation, Ministry of Education of Brazil The book Media, Culture and Human Violence: From Savage Lovers to Violent Complexity, released in 2015 by Jeff Lewis – a Professor and Co-director of the Human Security and Disasters Research Program at Royal Melbourne Institute of Technology University (RMIT) in Melbourne, Australia – is divided into nine parts, with an introduction followed by seven chapters and a conclusion. To begin with, Media, Culture and Human Violence contains some of the most difficult concepts to be defined within the Social Sciences and Humanities, since they carry different meanings and broad understanding. Nevertheless, the author interconnected these concepts proposing that media, as a convergence of social apparatus linked with cultural diversities of the human body, creates, shares and disputes meanings. The central inquiry of this publication is to demonstrate how the Savage Lovers had turned into Violent Complexity of contemporary through the rise of agricultural civilizations to the most recent advanced world societies. Lewis designed a magisterial, detailed and transdisciplinary analysis between these concepts, in a web of knowledge, in order to elucidate how culture and media (communication) play an important role in shaping the complexity of human violence. -
Media and Societal Acculturation: Continuing the Discourse
SINGAPOREAN JOuRNAl Of buSINESS EcONOmIcS, ANd mANAGEmENt StudIES VOl.2, NO.7, 2014 MEDIA AND SOCIETAL ACCULTURATION: CONTINUING THE DISCOURSE Charles Nwachukwu, Ph.D Mass Communication Department, Caleb University, Lagos, Nigeria. Abstract The question as to whether or not media acculturate society has since been answered in the affirmative by a number of earlier works. Consequently, the matter has been placed beyond reasonable doubt. Nonetheless, since media acculturation is a never-ending process which presents changes in intensity and manifestation from period to period, as well as place to place, contemporary discourse in this subject matter cannot but be continuing. This paper takes the discussion further, and tries to situate it in time and space. It places culture, society and media in context by seeking a clearer understanding of the concepts for the purpose of this particular paper. Their distinct features and interrelationships have also been dealt with. Whereas society is the macro factor, both culture and media are micros situate within the megastructure. Using a descriptive methodology which embraces the focus group and observation techniques, it also avails a couple of community-based local and localized instances of undelayed media acculturation. The paper observes and affirms that media acculturation continues to remain a reality, whilst noting that the questions of how exactly this takes place, and to what specific measurable degree, are yet to be sufficiently and satisfactorily answered. It has succeeded in keeping the on-going discourse alive. In addition, it offers local and localized insights for further debate and scholarly activity. Keywords: Culture; Effect, Media, Society, Acculturation. -
Media, Culture & Society
Media, Culture & Society http://mcs.sagepub.com/ Mediated politics, promotional culture and the idea of `propaganda' John Corner Media Culture Society 2007 29: 669 DOI: 10.1177/0163443707078428 The online version of this article can be found at: http://mcs.sagepub.com/content/29/4/669 Published by: http://www.sagepublications.com Additional services and information for Media, Culture & Society can be found at: Email Alerts: http://mcs.sagepub.com/cgi/alerts Subscriptions: http://mcs.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://mcs.sagepub.com/content/29/4/669.refs.html Downloaded from mcs.sagepub.com at University of Liverpool on March 4, 2011 Commentary Mediated politics, promotional culture and the idea of ‘propaganda’ John Corner UNIVERSITY OF LIVERPOOL In this commentary I want to question just how useful the concept of ‘propaganda’ is in the study of contemporary politics and media–political relations. Discussion of the Iraq war has brought an increased focus on ‘propaganda techniques’ and their influ- ence, certainly in Britain and the United States, yet there remain continuing difficul- ties in deploying this term successfully as a tool of analysis and critique. There are also indications that use of it serves to divert attention away from some pressing ques- tions about the pragmatics of modern political communication and about the ethics and expectations that can effectively be applied to political discourse and to political journalism. Here, the much-remarked development of political publicity in the con- text of societies where promotional activity is a defining characteristic not only of commercial but of public life has produced conditions very different from the ones in which ideas of propaganda gained their suggestiveness and force. -
Media Culture: Cultural Studies, Identity and Politics Between The
Media Culture Media Culture develops methods and analyses of contemporary film, television, music, and other artifacts to discern their nature and effects. The book argues that media culture is now the dominant form of culture which socializes us and provides materials for identity in terms of both social reproduction and change. Through studies of Reagan and Rambo, horror films and youth films, rap music and African- American culture, Madonna, fashion, television news and entertainment, MTV, Beavis and Butt-Head, the Gulf War as cultural text, cyberpunk fiction and postmodern theory, Kellner provides a series of lively studies that both illuminate contemporary culture and provide methods of analysis and critique. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Criticizing social context, political struggle, and the system of cultural production, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book. Kellner argues that we are in a state of transition between the modern era and a new postmodern era and that media culture offers a privileged field of study and one that is vital if we are to grasp the full import of the changes currently shaking us. -
Satellite Jamming in Iran: a War Over Airwaves
SATELLITE JAMMING IN IRAN: A WAR OVER AIRWAVES A Small Media report revealing the importance of satellite television in Iran and explaining how the authorities are limiting access to it. SATELLITE JAMMING IN IRAN: A WAR OVER AIRWAVES A Small Media Report // November 2012 // This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License Satellite Jamming in Iran: A War Over Airwaves TABLE OF CONTENTS executive summary 1 1 introduction 5 2 what is the importance of satellite television in the islamic republic of iran 9 3 historical overview of satellite jamming 15 4 what is satellite jamming, how does it work, how much does it cost? 19 4.1 Orbital jamming 22 4.2 Terrestrial jamming 24 4.3 How easy is it to jam a frequency? 26 5 satellite ownership and jamming legislation in the islamic republic of iran 29 5 6 how disruptive is satellite jamming 35 for broadcasters and audiences? 6.1 Broadcasters 36 6.2 Viewers 42 7 is satellite jamming a health risk? 47 8 international responses and 52 the role of satellite providers 8.1 The role of satellite providers 56 9 recommendations 63 10 footnotes 67 Satellite Jamming in Iran: A War Over Airwaves 1 EXECUTIVE SUMMARY Satellite jamming is a problematic and pervasive reality in Iran, a country where, for the vast majority of inhabitants, satellite television is the only access point to information and entertainment not regulated by the authorities. “Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers.” Article 19 of the Universal Declaration of Human Rights. -
Digital Identity and Digital Culture
Online Journal of Communication and Media Technologies, 2019, 9(2), e201911 The Impact of New Media on The Forms of Culture: Digital Identity and Digital Culture Sami Çöteli Doğuş Üniversity, TURKEY 0000-0002-0577-4764 Q-7771-2018 [email protected] ARTICLE INFO Received: 22 March 2019 Accepted: 3 May 2019 Published: 8 May 2019 DOI: https://doi.org/10.29333/ojcmt/5765 ABSTRACT Culture is the entirety of all values that might differ and regenerate with respect to the values societies retain. Changes occurring on the whole of current societal dynamics play a major role with respect to culture as well. In this age of internet and mobile technologies, culture also has been instrumentalized and digitalized. Digitalization of culture primarily results from the individuals’ abstraction from real life and obtaining digital identities, and striving for reinforcement of their identities in that medium. Digital identities created by individuals in a virtual world generated a consequent imperialistic effect by affecting other individuals and the real life, which in turn led to serious changes regarding the concept of culture. In this regard, an individual’s identity in real life has been transformed by the created digital identity and on a macro scale, the culture of real life is led by a commonly created digital culture. Keywords: cyberspace, public sphere, new media, digital culture, digital identity INTRODUCTION The concept of culture (kultur), if considered to be derived from soil cultivation, is related to climate and soil structure, in order words, to all environmental characteristics. Societies also build their cultural identities within the framework of environmental conditions and beliefs. -
Media, Culture & Identities Strand Descriptions Media & Everyday Life
Media, Culture & Identities strand descriptions Media & Everyday Life: This strand explores the significance of the media in our everyday lives. “Media” is defined in a very broad sense to include the both the traditional forms of media, such as broadcast (radio and television) and print media (newspapers and magazines), as well as the new forms of mobile and online media such as social media platforms and the internet more generally. The media thus play an important role in our everyday lives. The media provide information about the world, they provide messages about how we should behave and act, and they also entertain us. Who owns and works in the media, what messages are contained within media texts, and how audiences make sense of and decode the media are key questions for this strand. The media can be analyzed from a number of perspectives, including looking at the history of media industries, through to analyzing specific media texts, to understanding how people use media technologies in their daily lives. The media are not neutral channels through which meaning is produced and messages communicated, instead they play a more fundamental role in shaping our understandings of how the world works and our place within it. Identities, Communities & Place: This strand focuses on the importance of belonging in the modern world. Social theorists have argued that modernity creates an increased sense of isolation meaning that we increasingly view ourselves as self-contained, autonomous individuals, rationally pursuing our self-interested and directed goals. But we are also social animals who need and require social interaction with others.