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Herr der Bücher: Marcel Reich-Ranicki in seiner Frankfurter Wohnung MONIKA ZUCHT / DER SPIEGEL SPIEGEL-GESPRÄCH „Literatur muss Spaß machen“ Marcel Reich-Ranicki über einen neuen Kanon lesenswerter deutschsprachiger Werke SPIEGEL: Herr Reich-Ranicki, Sie haben für die an der Literatur interessiert sind. Gibt es um die Schule geht, für den Unterricht den SPIEGEL Ihren persönlichen literari- es überhaupt einen Bedarf für eine solche besonders geeigneter Werke. Die Frage, ob schen Kanon zusammengestellt, die Sum- Liste literarischer Pflichtlektüre? wir einen solchen Katalog benöti- me Ihrer Erfahrung als Literaturkritiker – Reich-Ranicki: Ein Kanon ist nicht etwa ein gen, ist mir unverständlich, denn für Schüler, Studenten, Lehrer und dar- Gesetzbuch, sondern eine Liste empfehlens- über hinaus für alle, werter, wichtiger, exemplarischer und, wenn Das Gespräch führte Redakteur Volker Hage. Chronik der deutschen Literatur Marcel Reich-Ranickis Kanon Johann Wolfgang von Goethe, Andreas Gryphius, 1749 –1832 1616 –1664 „Die Leiden des Gedichte jungen Werthers“, Gotthold Ephraim Lessing, „Faust I“, „Aus Walther von der Christian Hofmann Johann Christian 1729 –1781 meinem Leben. Das Nibe- Vogelweide, Martin Luther, von Hofmannswaldau, Günther, „Minna von Barnhelm“, Dichtung und lungenlied ca. 1170 –1230 1483 –1546 1616 –1679 1695 –1723 „Hamburgische Dramaturgie“, Wahrheit“, (um 1200) Gedichte Bibelübersetzung Gedichte Gedichte „Nathan der Weise“ Gedichte MITTELALTER16. JAHRHUNDERT 17. JAHRHUNDERT 18. JAHRHUNDERT 212 der spiegel 25/2001 Titel der Verzicht auf einen Kanon würde den der verfassten Rahmenrichtlinien und und auch die liebe Elke Heidenreich. Be- Rückfall in die Barbarei bedeuten. Ein Lehrpläne für den Deutschunterricht an merkenswert der Lehrplan des Sächsischen Streit darüber, wie der Kanon aussehen den Gymnasien haben einen generellen Staatsministeriums für Kultus: Da werden sollte, kann dagegen sehr nützlich sein. -
Goethe and Older German Literature
CORE Metadata, citation and similar papers at core.ac.uk Provided by OpenSIUC GOETHE AND OLDER GERMAN LITERATURE BY GUSTAVE O. ARLT^ Indiana University IN March, 1832, only a few days before Goethe's death, Ecker- mann records the following statement: "As a human being and as a citizen the poet will love his fatherland ; but the fatherland of his poetic powers and of his poetic activity is the good, the noble, the beautiful, which is bound to no particular province and to no particular country and which he grasps and forms wherever he finds it. In this respect he is like the eagle that hovers with far- seeing eye above all lands." While these words of the poet may be regarded as expressive in a general way of his views on nationalism and patriotism, they are particularly applicable to his attitude on older German litera- ture. In a period when his contemporaries were prostrating them- selves in undiscriminating worship before the shrine of ancestral literature, Goethe remained cooly aloof from the popular cult. German or Italian, French or English, he regarded with unclouded judgment and chose with calm deliberation that which suited his immediate literary needs. Neither Oberlin nor Herder of the Strasz- burg period, neither von der Hagen nor Biisching of the heyday of romanticism was able to instill into the poet that unbounded enthusiasm for Germanic antiquity which inspired each of them. And yet the charge of utter indifference toward the writings of his ancestors cannot be brought against Goethe. On the contrary, there is ample evidence that he was at all times fully aware of contem- porary research in the older field and that he gave these efforts his sympathetic support. -
Johann Peter Hebel
Markgräfler Persönlichkeiten: Johann Peter Hebel Geschrieben von: Dirk Dölker Johann Peter Hebel - Mundartdichter und bedeutendste Persönlichkeit der Region Hermann Hesse nannte ihn einst den größten deutschen Erzähler, auch Goethe und Tolstoi zählten zu seinen Bewunderern. Für die Markgräfler ist Johann Peter Hebel die bedeutendste Persönlichkeit ihrer Region . Er etablierte die alemannische Mundart in der deutschen Dichtkunst und machte sie weit über die Grenzen hinaus bekannt. Als Sohn eines Leinenwebers erblickte Hebel am 10.Mai 1760 in Basel das Licht der Welt. Bereits als Einjähriger verlor er seinen Vater und seine jüngere Schwester wegen einer Infektionskrankheit. Da seine Familie im Sommer in Hausen im Wiesental, im Winter dagegen in Basel wohnte, besuchte Hebel unterschiedliche Schulen. So war er Schüler der Volksschule in Hausen sowie der Lateinschule in Schopfheim. Später drückte er die Schulbank im Basler Gymnasium. In seinem Beisein erlag seine Mutter 1773 einer schweren Erkrankung. Fünf Jahre später begann er ein Theologiestudium in Erlangen, dass er 1778 abschloss. Im Anschluss an sein Studium arbeitete er zunächst als Hauslehrer in Hertingen. Später war er in Lörrach als Hilfslehrer am Pädagogium tätig. Es folgt die Berufung zum Subdiakon an das Karlsruher Gymnasium, wenig später wird er zum Hofdiakon befördert. 1778 wird Hebel zum außerordentlichen Professor ernannt. Er unterrichtete mehrere Unterrichtsfächer, unter anderem Botanik und Naturgeschichte. Trotz seiner beruflichen Erfolge quält Hebel eine gewisse Sehnsucht nach seiner Heimat, sodass er 1800 begann diese in den „Alemannischen Gedichten“ zu verarbeiten. Die 32 Gedichte wurden im Wiesentäler Dialekt verfasst und erzählen von der vielfältigen Tier- und Pflanzenwelt der südbadischen Region. Aber auch die Liebe, der Tod oder die Arbeit thematisierte Hebel in seinen Werken. -
World Literature Or Earth Literature? Remarks on a Distinction
Robert Stockhammer World literature or Earth literature? Remarks on a distinction If, as Jean Paul notes in passing in his Preparatory School for Aesthetics, “in jest and in earnestness one could set a different poetry on every planet” (Jean Paul 1987: 92), if one could reckon with the existence of Venusian elegies, Martian epics and Saturnian comedies, it follows, among other things, that the entirety of the poetry arising on the Earth could no longer simply be called world literature; we would have to call it Earth literature. This play of ideas is only in jest insofar as I do not seriously expect the detec- tion of such poetry any time soon, nor am I anticipating a situation in which humans perhaps – as currently planned1 – settle on Mars starting in 2026 and then presumably start to write poetry there. My play of ideas is also in jest insofar as I do not wish to rename the discussions about Weltliteratur that since Goethe, and above all in the last decades under the influence of contemporary globali- zation processes (nowadays mostly labeled World Literature), have grown to comprise entire libraries; there is hardly a scholar of comparative literature or a self-respecting Germanist or Sinologist of cosmopolitan disposition who has not written any programmatic contribution to this topic. Nor is Earth literature suited for a title of a future anthology that could compete with those of World Literature – the playfully invented term would be better suited to questioning the practice of anthologizing itself. However, I am quite serious in testing out this term, rather seldom used to date (evidently almost only in science fiction as well as in the sense of “literature on earth radiation”) for its ability to open a different perspective on the litera- ture that arises on this planet. -
Benjamin (Reflections).Pdf
EFLECTIOMS WALTEU BEHiAMIH _ Essays, Aphorisms, p Autobiographical Writings |k Edited and with an Introduction by p P e t e r D e m e t z SiiiiiiiiiiiiiiiiiiiiiiittiiiiiiiiiiiiiltiAMiiiiiiiAiiiiiiiiii ^%lter Benjamin Essays, Aphorisms, Autobiographical W ritings Translated, by Edmund Jephcott Schocken Books^ New York English translation copyright © 1978 by Harcourt BraceJovanovich, Inc. Alt rights reserved under International and Pan-American Copyright Conven tions. Published in the United States by Schocken Books Inc., New YoTk. Distributed by Pantheon Books, a division of Random House, Inc., New York. These essays have all been published in Germany. ‘A Berlin Chronicle” was published as B erliner Chronik, copyright © 1970 by Suhrkamp Verlag; "One-Way Street” as Einbahnstrasse copyright 1955 by Suhrkamp Verlag; "Moscow,” “Marseilles;’ “Hashish in Marseilles:’ and " Naples” as “Moskau “Marseille,” “Haschisch in Marseille,” and “Weapel” in Gesammelte Schrifen, Band IV-1, copyright © 1972 by Suhrkamp Verlag; “Paris, Capital of the Nineteenth Century," “Karl Kraus,” - and "The Destructive Character” as "Paris, die H auptskult des XlX.Jahrhvmdertsl' "Karl Kmus’,’ and “Der destruktive Charakter" in llluminationen, copyright 1955 by Suhrkamp Verlag; “Surrealism,” “On Language as Such and on the Language of Man,” and “On the M i me tic faculty" as “Der Silry:eaWsmus,” “Uber die Sprache ilberhaupt und ilber die Sprache des Menschen” and "Uber das mimelische Vermogen” in Angelus copyright © 1966 by Suhrkamp Verlag; “ Brecht’s Th r eep en n y Novel” as “B r e c h t ’s Dreigroschmroman" in Gesammelte Sr.hrifen, Band III, copyright © 1972 by Suhrkamp Verlag; “Conversations with Brecht” and “The Author as Producer" as “Gespriiche mit Brecht" and “Der Autor ais Produz.erit” in Ver-SMche ilber Brecht, copyright © 1966 by Suhrkamp Verlag; “Critique of Violence/' "Fate and Character,” and “Theologico-Political Fragment” as "Zur K r itiz der Gewalt',' "Schicksal und Charakter" and "Theologisch-polilisches Fr< ^ m ent" in Schrifen, Band I, copyright © 1955 by Suhrkamp Verlag. -
Staging the Fringe Before Shakespeare: Hans Sachs and the Ancient Novel
STAGING THE FRINGE BEFORE SHAKESPEARE: HANS SACHS AND THE ANCIENT NOVEL Niklas Holzberg It is well known that the plot of the Historia Apollonii regis Tyri, or more precisely a later version of this, was adapted for the stage by Shakespeare in the form of a comedy: Pericles, Prince of Tyre, writ- ten between 1606 and 1608. A few years previously in another of his comedies, Troilus and Cressida, he had also availed himself of cer- tain motifs derived ultimately from two ancient texts which, like the Historia, are classed as fringe novels: the Troy stories of Ps.-Dares and Ps.-Dictys. But Shakespeare was not the first to dramatise an- cient novels. A good fifty years earlier the Nürnberg cobbler and Meistersinger Hans Sachs (1494-1576) had turned the plots of three ancient prose narratives into his own brand of drama: a tragedy on the fall of Troy dating from 28th April 1554,1 a tragedy on the life of Alexander the Great (27th September 1558),2 and a comedy on Aesop (23rd November 1560).3 Sachs read the three fringe novels used – Ps.-Dictys’ Troy Story, Ps.-Callisthenes’ Alexander Romance, and the anonymous Aesop Romance – in the German translations by, re- spectively, Marcus Tatius Alpinus,4 Johannes Hartlieb,5 and Heinrich Steinhöwel.6 The incarnation of Hans Sachs created by Richard Wagner in his opera Die Meistersinger von Nürnberg is famous the world over, but even amongst students and teachers of German literature the histori- cal Sachs is no more than a name to all except the specialists. -
J.B.METZLER Metzler Lexikon Weltliteratur
1682 J.B.METZLER Metzler Lexikon Weltliteratur 1000 Autoren von der Antike bis zur Gegenwart Band 1 A-F Herausgegeben von Axel Ruckaberle Verlag J. B. Metzler Stuttgart . Weimar Der Herausgeber Bibliografische Information Der Deutschen National Axel Ruckaberle ist Redakteur bei der Zeitschrift für bibliothek Literatur »TEXT+ KRITIK«, beim >>Kritischen Lexikon Die Deutsche Nationalbibliothek verzeichnet diese zur deutschsprachigen Gegenwartsliteratur<< (KLG) und Publikation in der Deutschen Nationalbibliografie; beim >>Kritischen Lexikon zur fremdsprachigen detaillierte bibliografische Daten sind im Internet über Gegenwartsliteratur<< (KLfG). <http://dnb.d-nb.de> abrufbar. Rund die Hälfte der in diesen Bänden versammelten Autorenporträts stammen aus den folgenden Lexika: >>Metzler Lexikon englischsprachiger Autorinnen und Autoren<<, herausgegeben von Eberhard Kreutzer und ISBN-13: 978-3-476-02093-2 Ansgar Nünning, 2002/2006. >>Metzler Autoren Lexikon<<, herausgegeben von Bernd Lutz und Benedikt Jeßing, 3. Auflage 2004. ISBN 978-3-476-02094-9 ISBN 978-3-476-00127-6 (eBook) »Metzler Lexikon amerikanischer Autoren<<, heraus DOI 10.1007/978-3-476-00127-6 gegeben von Bernd Engler und Kurt Müller, 2000. »Metzler Autorinnen Lexikon«, herausgegeben von Dieses Werk einschließlich aller seiner Teile ist urheber rechtlich geschützt. Jede Verwertung außerhalb der Ute Hechtfischer, Renate Hof, Inge Stephan und engen Grenzen des Urheberrechtsgesetzes ist ohne Flora Veit-Wild, 1998. Zustimmung des Verlages unzulässig und strafbar. Das >>Metzler Lexikon -
GRMN0110 Intensive Beginning German GRMN0200 Beginning
GRMN0110 Intensive Beginning German An intensive, double-credit language course that meets five days a week for 9 hours and focuses on speaking, listening, reading and writing skills and the cultures of the German-speaking countries. At the end of the semester, students will be able to communicate successfully about everyday topics relating to the university, jobs, daily life and traveling. Ideal for undergraduate students interested in learning German for study abroad or for concentration requirements and for graduate students interested in starting their foreign language requirements. The course is designed for new students of German, regardless of any previous experience with German. Jane Sokolosky S01MWF 1-1:50; MWF 2-2:50 101 Thayer, VGQ, 116A Daniel Lange C01 TuTh 9-10:20 190 Hope 203 TBD C02 TuTh 1-2:20 190 Hope 203 GRMN0200 Beginning German A course in the language and cultures of German-speaking countries. Four hours per week plus regular computer and listening comprehension work. At the end of the year, students will be able to communicate about everyday topics and participate in the annual film festival. This is the second half of a year-long course. Students must have taken GRMN0100 to receive credit for this course. The final grade for this course will become the final grade for GRMN0100. Mirjam Paninski S01 MWF 9-9:50, Tu 12-12:50 190 Hope 102, 190 Hope 203 Michael Paninski S02 MWF 11-11:50, Tu 12-12:50 190 Hope 203, JWW 303 Jan Tabor S03 MWF 12-12:50, Tu 12-12:50 190 Hope 203, JWW 301 GRMN0400 Intermediate German II An intermediate German course that stresses improvement of the four language skills. -
THESIS on the PRESEN TATI on OP the ARTISILHEBQ GERMAN DRAMA PRESENTED PGR the DEGREE OP Ffc.D*, GLASGOW OCTOBER, 1951 in * 19Th
THESIS ON i THE PRESEN TATI ON OP THE ARTISILHEBQ IN * 19th-CENTURY GERMAN DRAMA PRESENTED PGR THE DEGREE OP Ffc.D*, UNIVERSITY OP GLASGOW OCTOBER, 1951 b y Gilliam Rodger# ProQuest Number: 13838411 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13838411 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 PREFACE. This thesis is based on a study of some two hundred German dramas o f the 19th century, A l i s t of these dramas i s found on p. 176 in the form o f an appendix to the te x t. There is further appended on p.213 a bibliography of all d critical works used during the study - works treating individual dramatists and dramas, the 19th-century background and appropriate aspects of general aesthetics, GoR. London, June 1951 LIST OF CONTENTS. CHAPTER Is Dramatic treatment of the artist in Germany in the 19th century. * .p.4. CHAPTER I I : The relations between the artist-hero and society: (A) : The artist^ reception in the world of normal m en.. -
From Satire to Silence: Hans Sachs's Commentary on Civic Decline Thesis by Sharon Baker in Partial Fulfilment of the Requireme
From Satire to Silence: Hans Sachs’s Commentary on Civic Decline Thesis by Sharon Baker In Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy The Institute of Modern Languages Research School for Advanced Studies, University of London September 2017 Declaration I [Sharon Baker] declare that this thesis represents my own work. Where other sources of information have been used they have been acknowledged. Signed………………………………. Date………… ABSTRACT In this year devoted to celebrating Luther’s invitation to debate Indulgences in 1517, which led to the establishment of the Lutheran faith, it is timely to reassess the Fastnachtspiele of Hans Sachs, whose reputation varies from unskilled cobbler poet to ‘Verfechter der Reformation’. Previous research devoted to Hans Sachs and satire concentrates on his ability to produce amusing moral tales for the Carnival season, whereas this thesis searches for critical satire of contemporary political, religious and social issues within the chosen Fastnachtspiele. This is achieved by analysing the plays in the context of contemporary events, personalities and circumstances in Nuremberg during a turbulent period in the city’s history, when it faced internal religious conflict, invasion, declining influence as an imperial city and loss of wealth as an early industrial society. The results of the analysis suggest that Sachs’s Fastnachtspiele, which are celebrated for their didactic nature along with his religious Meistergesang and Reformation dialogues, contribute to a corpus of pro- Lutheran -
In Association With
OVERTURE OPERA GUIDES in association with We are delighted to have the opportunity to work with Overture Publishing on this series of opera guides and to build on the work English National Opera did over twenty years ago on the Calder Opera Guide Series. As well as reworking and updat- ing existing titles, Overture and ENO have commissioned new titles for the series and all of the guides will be published to coincide with repertoire being staged by the company at the London Coliseum. We hope that these guides will prove an invaluable resource now and for years to come, and that by delving deeper into the history of an opera, the poetry of the libretto and the nuances of the score, readers’ understanding and appreciation of the opera and the art form in general will be enhanced. John Berry, CBE Artistic Director, ENO The publisher John Calder began the Opera Guides series under the editorship of the late Nicholas John in associa- tion with English National Opera in 1980. It ran until 1994 and eventually included forty-eight titles, covering fifty-eight operas. The books in the series were intended to be companions to the works that make up the core of the operatic repertory. They contained articles, illustrations, musical examples and a complete libretto and singing translation of each opera in the series, as well as bibliographies and discographies. The aim of the present relaunched series is to make available again the guides already published in a redesigned format with new illustrations, some newly commissioned articles, updated reference sections and a literal translation of the libretto that will enable the reader to get closer to the meaning of the origi- nal. -
Demonic History: from Goethe to the Present
Demonic History Demonic History From Goethe to the Present Kirk Wetters northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2014 by Northwestern University Press. Published 2014. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Wetters, Kirk, author. Demonic history : from Goethe to the present / Kirk Wetters. pages cm Includes bibliographical references and index. ISBN 978-0-8101-2976-4 (cloth : alk. paper) 1. Demonology in literature. 2. German literature—19th century—History and criticism. 3. German literature—20th century—History and criticism. 4. Devil in literature. I. Goethe, Johann Wolfgang von, 1749–1832. Urworte orphisch. II. Goethe, Johann Wolfgang von, 1749–1832. Urworte orphisch. English. III. Title. [DNLM: 1. Goethe, Johann Wolfgang von, 1749–1832— Criticism and interpretation.] PT134.D456W48 2014 830.937—dc23 2014012468 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Wetters, Kirk. Demonic History: From Goethe to the Present. Evanston: Northwestern University Press, 2015. For permissions beyond the scope of this license, visit http://www.nupress .northwestern.edu/. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org.