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02 Main Catalogue Front
SHOCHIKU CINEMA: 100TH ANNIVERSARY 松竹映画 100 周年 1986 | Japanese | 35mm | Colour | 126min Director Shinoda Masahiro Producer Iwashita Kiyoshi, Motomochi Masayuki, Wakita Masatake Scriptwriter Tomioka Taeko Cinematographer Miyagawa Kazuo Editor Yamaji Sachiko Production designer Awazu Kiyoshi Music Takemitsu Toru Sound Yoshida Shotaro Cast Go Hiromi, Iwashita Shima, Hino Shohei Production Hyogensha, Shochiku World Sales Shochiku Co., Ltd. ©1986 Hyogensha Inc./ Shochiku Co., Ltd. ©1999 Shochiku Co., Ltd./ Kadokawa Shoten Publishing Co., Ltd./ BS Asahi/ IMAGICA Inc./ Eisei Gekijo Co., Ltd. Gonza the Spearman Yari no gonza 槍聖權三 “The medieval world seen through Chikamatsu’s drama is a world [影評摘錄] which cannot be dealt with using modern standards of logicality. I 「近松門左衛門淨瑠璃劇裏的中古世界，是一個不能以 have become interested in such a world.” 現代邏輯丈量的世界。對此世界，我愈來愈感興趣。」 Masahiro Shinoda’s own words testify to his continuing obsession 篠田正浩的話，可見他對近松門左衛門筆下封建社會一 with the feudal world of Monzaemon Chikamatsu. As mentioned 直深深着迷。篠田對近松門的神迷，可回溯至《心中天 earlier, the first evidence of Shinoda’s fascination with Chikamatsu 網島》。其風格實驗從歌舞伎及文樂取經，探索近松門 dates back to 1969 when he made Double Suicide. Experimenting 身處封建社會的庶民生活中，「義理」與「人情」間的 with stylistics borrowed from Kabuki and Bunraku both, he explored 典型矛盾。 the classical conflict between giri (social obligation) and ninjo 有別於低成本黑白片《心中天網島》，《槍聖權三》極 (personal inclination) in the lives of commoners in the feudal society 盡華麗。武士大宅裝潢細緻考究。在嚴謹場面調度下， in which Chikamastsu himself lived… 人物一舉一動呈現生活（與死亡）的每個方面皆被需求 Unlike his low-budget black and white Double Suicide, Gonza the 所操控。影評人佐藤忠男觀察到角色的鞠躬、問候甚至 Spearman is given full luxury treatment. The samurai mansion is 比劍，皆依隨精密計算的節奏，亦反映歌舞伎張弛有度 decorated with scrupulous attention to detail. Characters move 的風格：演員在動作中突然停頓，示意行動導致決定性 in this rigorously formalised setting in ways that show how every 結果。就好像生命只跟從既定動作，無任何空間讓個人 aspect of daily life (and death) were controlled by its demands.
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Masaki Kobayashi: HARAKIRI (1962, 133M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 8, 2019 (XXXIX: 7) Masaki Kobayashi: HARAKIRI (1962, 133m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Masaki Kobayashi WRITING Shinobu Hashimoto wrote the screenplay from a novel by Yasuhiko Takiguchi. PRODUCER Tatsuo Hosoya MUSIC Tôru Takemitsu CINEMATOGRAPHY Yoshio Miyajima EDITING Hisashi Sagara The film was the winter of the Jury Special Prize and nominated for the Palm d’Or at the 1963 Cannes Film Festival. CAST Tatsuya Nakadai...Tsugumo Hanshirō (1979), Tokyo Trial* (Documentary) (1983), and Rentarō Mikuni...Saitō Kageyu Shokutaku no nai ie* (1985). He also wrote the screenplays Akira Ishihama...Chijiiwa Motome for A Broken Drum (1949) and The Yotsuda Phantom Shima Iwashita...Tsugumo Miho (1949). Tetsurō Tamba...Omodaka Hikokuro *Also wrote Ichiro Nakatani...Yazaki Hayato Masao Mishima...Inaba Tango SHINOBU HASHIMOTO (b. April 18, 1918 in Hyogo Kei Satō...Fukushima Masakatsu Prefecture, Japan—d. July 19, 2018 (age 100) in Tokyo, Yoshio Inaba...Chijiiwa Jinai Japan) was a Japanese screenwriter (71 credits). A frequent Yoshiro Aoki...Kawabe Umenosuke collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon (1950) MASAKI KOBAYASHI (b. February 14, 1916 in and Seven Samurai (1954). These are some of the other Hokkaido, Japan—d. October 4, 1996 (age 80) in Tokyo, films he wrote for: Ikiru (1952),
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19 .01 .12 > 29 .01
SAMURAI SPY CALENDARIO DE PROYECCIONES (異聞猿飛佐助 / Ibun Sarutobi Sasuke, 1965) Director: Masahiro Shinoda jueves 19 enero .12 Guión: Yoshiyuki Fukuda, basado en la novela de Koji Nakada The Dry Lake 17:00 / Pale Flower 19:30 / Assassination 22:00 Intérpretes: Koji Takahashi (Sarutobi Sasuke), Eiji Okada (Ta- 01 . tewaki Koriyama), Siji Miyaguchi (Horikawa Kazutaka ‘Jinnai’), Kei Sato (Takanosuke Nojiri) viernes 20 enero [blanco y negro, 100’] Samurai Spy 17:00 / My Face Is Red in the Sun 19:30 / A Fla- 29 Cinta histórica encuadrable en el género chambara o de espa- me at the Pier 22:00 dachines que sirve nuevamente a Shinoda para elaborar un pa- ralelismo con la etapa contemporánea. Nos remontamos a los sábado 21 enero años posteriores a la batalla de Sekigahara (1600), en los que el .12 > Himiko 17:00 / Pale Flower 19:30 / The Dry Lake 22:00 clan Togukawa instaura una hegemonía que durará dos siglos. El protagonista, un espía al servicio del clan, se ve envuelto en una 01 terrible lucha de poder. Una de las películas más estéticas y estili- domingo 22 enero . zadas del realizador. Samurai Spy 17:00 / Assassination 19:30 / A Flame at the Pier 22:00 19 jueves 26 enero A Flame at the Pier 17:00 / My Face Is Red in the Sun 19:30 / Himiko 22:00 viernes 27 enero My Face Is Red in the Sun 17:00 / Himiko 19:30 / Pale Flower 22:00 sábado 28 enero Assassination 17:00 / The Dry Lake 19:30 / Himiko 22:00 domingo 29 enero himikO, © 1974, Art Theatre Guild of Japan Co., Ltd.
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Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist.
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Unseen Femininity: Women in Japanese New Wave Cinema
UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA by Candice N. Wilson B.A. in English/Film, Middlebury College, Middlebury, 2001 M.A. in Cinema Studies, New York University, New York, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Candice N. Wilson It was defended on April 27, 2015 and approved by Marcia Landy, Distinguished Professor, Film Studies Program Neepa Majumdar, Associate Professor, Film Studies Program Nancy Condee, Director, Graduate Studies (Slavic) and Global Studies (UCIS), Slavic Languages and Literatures Dissertation Advisor: Adam Lowenstein, Director, Film Studies Program ii Copyright © by Candice N. Wilson 2015 iii UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA Candice N. Wilson, PhD University of Pittsburgh, 2015 During the mid-1950s to the early 1970s a subversive cinema, known as the Japanese New Wave, arose in Japan. This dissertation challenges critical trends that use French New Wave cinema and the oeuvre of Oshima Nagisa as templates to construct Japanese New Wave cinema as largely male-centered and avant-garde in its formal aesthetics. I argue instead for the centrality of the erotic woman to a questioning of national and postwar identity in Japan, and for the importance of popular cinema to an understanding of this New Wave movement. In short, this study aims to break new ground in Japanese New Wave scholarship by focusing on issues of gender and popular aesthetics.
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Deficit Forecast Fall Convocation
The rector talked at some length about the expenses of operating the university as the focus of instruction move!] forward. It was an old problem and one which the university discussed publicly in its report on the' projected development of the university to the Q_uebec go'{.ernment last summer. Excerpts: . "With the elimination of the first year of the old undergraduate program,..;the focus of instruction within the University has CONCORDIA UNIVERSITY Volume 2, number 11 November 20, 1975 moved appreciably forward ... calling for additional support 'by way of smaller cla_sses, mqre seminars and tutorials, more soph~ticated laboratory equipment, bet the current year is based on the cost of last ter library collections, etc. In other words, Deficit Forecast year's level df university operation additional resources are needed to serve increased to include. salary increases and I the same, or even a smaller, number of The Board of Governors at its meeting adjustments, as well as taking account of students. last Thursday evening released the rising costs generally. It does not include " '!fhere is normally and properly a wide statement concerning the university's additional university departmental re gap in per student grants between the projected deficit, appearing below. At a quests amounting to $1,247,000. collegial and university level. However, press gathering the following day, the " 'The government has indicated recent grants to the two institutions which rector pointed out the uncertainty v.i.jth allowable expenditures for this year now compose Concordia University do not which the university faced its future and amounting to $32,472,000" board Chairman reflect this differentiation.
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Learning from SHOGUN
Learning from Shǀgun Japanese History and Western Fantasy Edited by Henry Smith Program in Asian Studies University of California, Santa Barbara Santa Barbara, California 93106 Contents Designed by Marc Treib Contributors vi Copyright © 1980 by Henry D. Smith II Maps viii for the authors Preface xi Distributed by the Japan Society, 333 East 47th Street, New York, Part I: The Fantasy N.Y. 10017 1 James Clavell and the Legend of the British Samurai 1 Henry Smith 2 Japan, Jawpen, and the Attractions of an Opposite 20 Illustrations of samurai armor are David Plath from Murai Masahiro, Tanki yǀryaku 3 Shǀgun as an Introduction to Cross-Cultural Learning 27 (A compendium for the mounted Elgin Heinz warrior), rev. ed., 1837, woodblock edition in the Metropolitan Museum Part II: The History of Art, New York 4 Blackthorne’s England 35 Sandra Piercy 5 Trade and Diplomacy in the Era of Shǀgun 43 Ronald Toby 6 The Struggle for the Shogunate 52 Henry Smith 7 Hosokawa Gracia: A Model for Mariko 62 Chieko Mulhern This publication has been supported by Part III: The Meeting of Cultures grants from: 8 Death and Karma in the World of Shǀgun 71 Consulate General of Japan, Los William LaFleur Angeles 9 Learning Japanese with Blackthorne 79 Japan-United States Susan Matisoff Friendship Commission 10 The Paradoxes of the Japanese Samurai 86 Northeast Asia Council, Henry Smith Association for Asian Studies 11 Consorts and Courtesans: The Women of Shǀgun 99 USC-UCLA Joint East Asia Henry Smith Studies Center 12 Raw Fish and a Hot Bath: Dilemmas of Daily Life 113 Southern California Conference on Henry Smith International Studies Who’s Who in Shǀgun 127 Glossary 135 For Further Reading 150 Postscript: The TV Transformation 161 vi Contributors vii Sandra Piercy is a graduate student in English history of the Tudor- Stuart period at the University of California, Santa Barbara.
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DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50.
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Conventions of This Guide
The VINTAGE NINJA Movie & TV Guide VOL. 1: JAPAN, LIVE ACTION — 1920s-1980s © Keith J. Rainville, 2021 You want to see the movies Sho Kosugi grew up watching, the ones that inspired animation designers and video game artists of the 80s and 90s, the ones the James Bond people ripped off in the 60s, but where to start? Or, you’ve amassed a collection of these gems already but know there’s more out there. Here’s a user- friendly reference for both pursuits, with quick-and-easy recommendations for Japanese ninja titles from the silent era to the late 80s — their general flavor and tone, varying trends and tropes, and a lot of surprises. CONVENTIONS OF THIS GUIDE: • TITLES — for better or worse I’ve used the most commonly used translations out there. These are often the most accessible references to these films so, even if the title’s been butchered, there’s still a practical advantage when searching them out. • VN as an entity has to be cautious when it comes to supporting/endorsing certain not-so-authorized film collecting activities out there, so sorry, there’s no links here... • YES THERE’S MORE TO COME! This will be updated often and I have a huge stack of discs and files awaiting input. Plus future volumes on Anime, Japan 1990—present, Hong Kong/Chinese films, ninja-like hooded heroes, and more. • Yes, we welcome corrections and additions. Email me through the website. • See the Appendixes at the end for more info! Images © Shochiku Co., Ltd, 1965. Text © Keith J.
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Contents More Information
Cambridge University Press 978-1-107-09451-2 — The Cambridge Companion to Film Music Edited by Mervyn Cooke , Fiona Ford Table of Contents More Information Contents List of Figures page ix List of Music Examples xi List of Tables xiii Notes on Contributors xiv Acknowledgements xx Introduction Mervyn Cooke and Fiona Ford 1 PART ONE Making Film Music 5 1 Evolving Practices for Film Music and Sound, 1925–1935 James Buhler and Hannah Lewis 7 2 ‘Pictures That Talk and Sing’: Sound History and Technology David Cooper 29 3 The Composer and the Studio: Korngold and Warner Bros. Ben Winters 51 4 Can’t Buy Me Love? Economic Imperatives and Artistic Achievements in the British Pop-Music Film Stephen Glynn 67 5 ‘A Film’s First Audience’: The Composer’s Role in Film and Television George Fenton in conversation with Mervyn Cooke 81 PART TWO Approaching Film Music 95 6 Film-Music Theory Guido Heldt 97 7 Studying Film Scores: Working in Archives and with Living Composers Kate Daubney 114 8 Returning to Casablanca Peter Franklin 126 9 Parental Guidance Advised? Mash-Ups and Mating Penguins in Happy Feet Fiona Ford 138 10 Materializing Film Music Miguel Mera 157 [vii] © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-09451-2 — The Cambridge Companion to Film Music Edited by Mervyn Cooke , Fiona Ford Table of Contents More Information viii Contents PART THREE Genre and Idiom 173 11 Film Noir and Music David Butler 175 12 Another Other History of Jazz in the Movies Krin Gabbard 187 13 Horror and Science Fiction Stan Link 200 14 The Western Robynn J.
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Selected Bibliography General: Bellman, Jonathan, Ed. the Exotic
Selected Bibliography General: Bellman, Jonathan, ed. The Exotic in Western Music. Boston: Northeastern University Press, 1998. Born, Georgina and David Hesmondhalgh, eds. 2000. Western Music and Its Others: Difference, Representation and Appropriation in Music. CamBridge: CamBridge University Press. Everett, Yayoi U. and Frederick Lau, eds. 2004. Locating East Asia in Western Art Music. MiddleBury, CN: Wesleyan University Press. Feagin, Joseph. 2013. The White Racial Frame. New York: Routledge. Locke, Ralph P. 1993. “Reflections on Orientalism in Opera and Music Theater,” Opera Quarterly 10/1: 48-64. ________. 2009. Musical Exoticism: Images and Reflections. CamBridge: CamBridge University Press. Loya, Shay. 2011. Liszt’s Transcultural Modernism and the Hungarian-Gypsy Tradition. Rochester: University of Rochester Press. Radano, Ronald and Philip V. Bohlman, eds. 2000. Music and the Racial Imagination. Chicago and London: University of Chicago Press. Said, Edward. Orientalism. New York: Vintage Books, 1978. Utz, Christian and Frederic Lau, eds. 2013. Vocal Music and Contemporary Identities: Unlimited Voices in East Asia and the West. New York: Routledge. Utz, Christian. 2014. Komponieren im Kontext der Globalisierung: Perspektiven für eine Musikgeschichte des 20. Und 21. Jahrhunderts. Bielefeld: Transcript Verlag. Music-theoretical: Arlin, Mary I. and Mark A. Radice, eds. 2018. Polycultural Synthesis in the Music of Chou Wen- chung. London and New York: Routledge. Arlin, Mary I. 2018. “The Cultural Origins of the Theoretical Structures in Chou Wen-chung’s WindsWept Peaks.” In Polycultural Synthesis in the Music of Chou Wen-chung, eds. M. Arlin and M. Radice, 167-212. London and New York: Routledge. CorBett, John. 2000. “Experimental Oriental: New Music and Other Others.” In Western Music and Its Others: Difference, Representation and Appropriation in Music, eds.
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JAPANESE CINEMA DONALD Eichie Has Lodg Been the Internationally Acclaimed Expert on the Japanese Film
JAPANESE CINEMA DONALD EiCHiE has loDg been the internationally acclaimed expert on the Japanese film. He is a former member of Uni- Japan Film and film critic for The Japan Times, and is pres- ently Curator of the Film Department at the Museum of Modern Art, New York. He designed and presented the Kurosawa and Ozu retrospectives, as well as the massive 1970 retrospective at the museum, The Japanese Film. His book on The Films of Akira Kurosawa has been called a "virtual model for future studies in the field." Mr. Richie has been a resident of Japan for the past twenty-five years. Film books by Donald Richie: The Cinematographic View: A Study of the Film. 1958. The Japanese Film: Art and Industry. 1959. Co-authored with Joseph L. Anderson. Japanese Movies. 1961. The Japanese Movie: An Illustrated History. 1965. The Films of Akira Kurosawa. 1965. George Stevens: An American Romantic. 1970. Japanese Cine2wa Film Style and National Character Donald Ricliie Anchor Books DOUBLEDAY & COMPANY, INC., GABDKN CTTY, NEW YORK This book is an extensively revised, expanded, and updated version of Japanese Movies, © 1961 by Japan Travel Bureau. Original material reprinted by pemMSsion of the Japan Travel Bureau, Inc., Japan. Library of Congress Catalog Card Number 77-163122 Copyright © 1971 by Donald Richie Copyright © 1961 by Japan Travel Bureau All Rights Reserved Printed in the United States of America CONTENTS List of Illiistrations vii Introduction xvii 1896-1945 1 194&-1971 59 Appendix 239 Index 250 LIST OF ILLUSTRATIONS The Abe Clan, 1938. 29 An Actor's Revenge, 1963.
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