DOCSLIB.ORG

02 Main Catalogue Front

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
02 Main Catalogue Front SHOCHIKU CINEMA: 100TH ANNIVERSARY 松竹映画 100 周年 1986 | Japanese | 35mm | Colour | 126min Director Shinoda Masahiro Producer Iwashita Kiyoshi, Motomochi Masayuki, Wakita Masatake Scriptwriter Tomioka Taeko Cinematographer Miyagawa Kazuo Editor Yamaji Sachiko Production designer Awazu Kiyoshi Music Takemitsu Toru Sound Yoshida Shotaro Cast Go Hiromi, Iwashita Shima, Hino Shohei Production Hyogensha, Shochiku World Sales Shochiku Co., Ltd. ©1986 Hyogensha Inc./ Shochiku Co., Ltd. ©1999 Shochiku Co., Ltd./ Kadokawa Shoten Publishing Co., Ltd./ BS Asahi/ IMAGICA Inc./ Eisei Gekijo Co., Ltd. Gonza the Spearman Yari no gonza 槍聖權三 “The medieval world seen through Chikamatsu’s drama is a world [影評摘錄] which cannot be dealt with using modern standards of logicality. I 「近松門左衛門淨瑠璃劇裏的中古世界，是一個不能以 have become interested in such a world.” 現代邏輯丈量的世界。對此世界，我愈來愈感興趣。」 Masahiro Shinoda’s own words testify to his continuing obsession 篠田正浩的話，可見他對近松門左衛門筆下封建社會一 with the feudal world of Monzaemon Chikamatsu. As mentioned 直深深着迷。篠田對近松門的神迷，可回溯至《心中天 earlier, the first evidence of Shinoda’s fascination with Chikamatsu 網島》。其風格實驗從歌舞伎及文樂取經，探索近松門 dates back to 1969 when he made Double Suicide. Experimenting 身處封建社會的庶民生活中，「義理」與「人情」間的 with stylistics borrowed from Kabuki and Bunraku both, he explored 典型矛盾。 the classical conflict between giri (social obligation) and ninjo 有別於低成本黑白片《心中天網島》，《槍聖權三》極 (personal inclination) in the lives of commoners in the feudal society 盡華麗。武士大宅裝潢細緻考究。在嚴謹場面調度下， in which Chikamastsu himself lived… 人物一舉一動呈現生活（與死亡）的每個方面皆被需求 Unlike his low-budget black and white Double Suicide, Gonza the 所操控。影評人佐藤忠男觀察到角色的鞠躬、問候甚至 Spearman is given full luxury treatment. The samurai mansion is 比劍，皆依隨精密計算的節奏，亦反映歌舞伎張弛有度 decorated with scrupulous attention to detail. Characters move 的風格：演員在動作中突然停頓，示意行動導致決定性 in this rigorously formalised setting in ways that show how every 結果。就好像生命只跟從既定動作，無任何空間讓個人 aspect of daily life (and death) were controlled by its demands. The 自發「打破」儀式。 critic Tadao Sato observes that the character’s bowing, greetings, 一些影評人試圖尋找影片的現代性，突顯個人與社會的 and even sword fights partake of a calculated rhythmic flow and 對立。例如羅拔史弗曼視此為「對現今日本文化的強烈 also reflect the merihari style of Kabuki: the actor’s sudden halt in 控訴」，認為武士學習茶道是比喻「現代日本人學習使 movement, where by he signals action leading to decisive outcome. 用電腦的新時尚，是另一種形式的嚴密管制」。無論如 It is as if life followed only prescribed motions, leaving no room for 何，這是一部以嚴謹敘事、考究風格去探索心理及社會 spontaneous, individual “breaks” with ceremony. 的電影。 Keiko I. McDonald ‘Gonza: the Spearman: Bunraku and a New Mode of Interpretation’, Japanese Classical Theater in Films SHINODA Masahiro was born in 1931 in Gifu, Japan. He joined Shochiku Studio in 1953 as SELECTED FILMOGRAPHY 主要作品 an assistant director, and debuted as a director in 1960 with One-Way Ticket for Love, which 1965 With Beauty and Sorrow 美麗與哀傷 he also scripted. He is a central figure in the Shochiku New Wave alongside Oshima Nagisa 1969 Double Suicide 心中天網島 and Yoshida Yoshishige. 1986 Gonza the Spearman 槍聖權三 篠田正浩 1931 年生於日本岐阜，53 年加入松竹映画任副導演，師從小津安二郎、渋谷實 1971 Silence 沉默 等導演前輩。於 60 年編導首作《戀愛單程票》。與大島渚、吉田喜重同為松竹新浪潮領軍 1974 Himiko 卑彌呼 人物。 1990 Childhood Days 少年時代 198.
Load more

Recommended publications
  • Masaki Kobayashi: HARAKIRI (1962, 133M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    October 8, 2019 (XXXIX: 7) Masaki Kobayashi: HARAKIRI (1962, 133m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Masaki Kobayashi WRITING Shinobu Hashimoto wrote the screenplay from a novel by Yasuhiko Takiguchi. PRODUCER Tatsuo Hosoya MUSIC Tôru Takemitsu CINEMATOGRAPHY Yoshio Miyajima EDITING Hisashi Sagara The film was the winter of the Jury Special Prize and nominated for the Palm d’Or at the 1963 Cannes Film Festival. CAST Tatsuya Nakadai...Tsugumo Hanshirō (1979), Tokyo Trial* (Documentary) (1983), and Rentarō Mikuni...Saitō Kageyu Shokutaku no nai ie* (1985). He also wrote the screenplays Akira Ishihama...Chijiiwa Motome for A Broken Drum (1949) and The Yotsuda Phantom Shima Iwashita...Tsugumo Miho (1949). Tetsurō Tamba...Omodaka Hikokuro *Also wrote Ichiro Nakatani...Yazaki Hayato Masao Mishima...Inaba Tango SHINOBU HASHIMOTO (b. April 18, 1918 in Hyogo Kei Satō...Fukushima Masakatsu Prefecture, Japan—d. July 19, 2018 (age 100) in Tokyo, Yoshio Inaba...Chijiiwa Jinai Japan) was a Japanese screenwriter (71 credits). A frequent Yoshiro Aoki...Kawabe Umenosuke collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon (1950) MASAKI KOBAYASHI (b. February 14, 1916 in and Seven Samurai (1954). These are some of the other Hokkaido, Japan—d. October 4, 1996 (age 80) in Tokyo, films he wrote for: Ikiru (1952),
    [Show full text]
  • ǯ Ç”°Æ​£Æµ© Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    ç¯ ç”°æ£​ 浩 电影 串行 (大全) Sapporo Winter https://zh.listvote.com/lists/film/movies/sapporo-winter-olympics-11521091/actors Olympics Gonza the https://zh.listvote.com/lists/film/movies/gonza-the-spearman-1537296/actors Spearman With Beauty and https://zh.listvote.com/lists/film/movies/with-beauty-and-sorrow-19360215/actors Sorrow The Petrified Forest https://zh.listvote.com/lists/film/movies/the-petrified-forest-27961605/actors Killers on Parade https://zh.listvote.com/lists/film/movies/killers-on-parade-27961622/actors The Scandalous Adventures of https://zh.listvote.com/lists/film/movies/the-scandalous-adventures-of-buraikan-2928298/actors Buraikan Captive's Island https://zh.listvote.com/lists/film/movies/captive%27s-island-2937671/actors Owls' Castle https://zh.listvote.com/lists/film/movies/owls%27-castle-5231437/actors Himiko https://zh.listvote.com/lists/film/movies/himiko-5765335/actors Pale Flower https://zh.listvote.com/lists/film/movies/pale-flower-7127065/actors Samurai Spy https://zh.listvote.com/lists/film/movies/samurai-spy-7413111/actors Double Suicide https://zh.listvote.com/lists/film/movies/double-suicide-976982/actors ç››é–‹çš„æ«»èŠ±æž https://zh.listvote.com/lists/film/movies/%E7%9B%9B%E9%96%8B%E7%9A%84%E6%AB%BB%E8%8A%B1%E6%9E%97%E4%B8%8B- —下 11537681/actors 少年時代 https://zh.listvote.com/lists/film/movies/%E5%B0%91%E5%B9%B4%E6%99%82%E4%BB%A3-2963587/actors ç€¨æˆ¶å…§å°‘å¹ https://zh.listvote.com/lists/film/movies/%E7%80%A8%E6%88%B6%E5%85%A7%E5%B0%91%E5%B9%B4%E6%A3%92%E7%90%83%E9%9A%8A- ´æ£’çƒ​ 隊
    [Show full text]
  • Damon Thomas Lee Dissertation 2006 Vol 2
    THE FILM MUSIC OF TÔRU TAKEMITSU Part II A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts by Damon Thomas Lee May 2006 © 2006 Damon Thomas Lee THE FILM MUSIC OF TÔRU TAKEMITSU Damon Thomas Lee, D.M.A. Cornell University 2006 Selections from Takemitsu's film-music output are used as examples in this analysis on music placement in film. Music gives information to the viewer, but the opinions and theories about what this information is and what its function is, have not been entirely sorted out. It is clear that film-music represents, but what does it represent, and how does it represent? Using Takemitsu as the subject of this study presents the opportunity to consider this unique figure's diverse and prolific film- music output in the larger context of Japanese cinema at a highpoint. The collaborating filmmakers allowed an unusual level of compositional freedom, resulting in films with exceptional and unusual film-scores. BIOGRAPHICAL SKETCH Born in Lansing, Michigan, Damon Thomas Lee received his Bachelor of Music Degree in Composition from the Eastman School of Music in 1997. His teachers include Sandeep Bhagwati, David Liptak, Robert Morris, Michael Pagan, Wolfgang Rihm, Christopher Rouse, Joseph Schwantner, Allan Schindler, Roberto Sierra, and Steven Stucky. The recipient of numerous composition awards for concert music, he has also been active as a multi-media artist, engaged in creating both music and image. To this end, he has been artist-in- residence and guest artist at Klangraum in Krems, Austria, and ZKM (the Center for Art and Media Technology) in Karlsruhe, Germany, where he now resides.
    [Show full text]
  • Japanese Cinema: Texts and Contexts
    JAPANESE CINEMA: TEXTS AND CONTEXTS Japanese Cinema: Texts and Contexts includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a com- prehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discus- sion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries. Contributors: Carole Cavanaugh, Darrell William Davis, Rayna Denison, David Desser, Linda Ehrlich, Freda Freiberg, Aaron Gerow, Alexander Jacoby, D. P. Martinez, Keiko I. McDonald, Joan Mellen, Daisuke Miyao, Mori Toshie, Abé Mark Nornes, Alastair Phillips, Michael Raine, Donald Richie, Catherine Russell, Isolde Standish, Julian Stringer, Mitsuyo Wada-Marciano, Yomota Inuhiko, Mitsuhiro Yoshimoto. Alastair Phillips is Associate Professor in Film Studies at the University of Warwick. Julian Stringer is Associate Professor in Film Studies at the University of Nottingham. JAPANESE CINEMA: TEXTS AND CONTEXTS Edited by Alastair Phillips and Julian Stringer First published 2007 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016, USA Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2007.
    [Show full text]
  • Outlaw Masters of Japanese Film Dedicated to the Memory of My Late Father, Paul R
    Outlaw Masters Of Japanese Film Dedicated to the memory of my late father, Paul R. Desjardins, 1919–2003, who went through hell his last few years and was consequently unable to finish his own book on his pioneering work in electron microscopy (in the field of plant pathology). Also to my mother, Rosemary, who has had her own gauntlet to run in the last year and has managed to come out the other side. Both my parents have always been loyal, loving and there for me, never turning their backs on me during my extended period of raising hell. To my girl, Lynne Margulies, a truly great soulmate in all things, including the creative process. And to the memory of late director Kinji Fukasaku, a great inspiration to anyone daring to think of giving up in the face of adversity. I was lucky to get to know him and to consider him as a mentor as well as a friend. OUTLAW MASTERS OF JAPANESE FILM CHRIS D. Advisory Editor: Sheila Whitaker Published in 2005 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Chris Desjardins, 2005 The right of Chris Desjardins to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.
    [Show full text]
  • Historical Dictionary of Japanese Cinema
    HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor Science Fiction Literature, by Brian Stableford, 2004. Hong Kong Cinema, by Lisa Odham Stokes, 2007. American Radio Soap Operas, by Jim Cox, 2005. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. Fantasy Literature, by Brian Stableford, 2005. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. African-American Television, by Kathleen Fearn-Banks, 2006. Lesbian Literature, by Meredith Miller, 2006. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. British Radio, by Seán Street, 2006. German Theater, by William Grange, 2006. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. Sacred Music, by Joseph P. Swain, 2006. Russian Theater, by Laurence Senelick, 2007. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. Postmodernist Literature and Theater, by Fran Mason, 2007. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. Polish Cinema, by Marek Haltof, 2007. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. Renaissance Art, by Lilian H. Zirpolo, 2008. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. Horror Cinema, by Peter Hutchings, 2008. Westerns in Cinema, by Paul Varner, 2008. Chinese Theater, by Tan Ye, 2008. Italian Cinema, by Gino Moliterno, 2008. Architecture, by Allison Lee Palmer, 2008. Russian and Soviet Cinema, by Peter Rollberg, 2008. African American Theater, by Anthony D. Hill, 2009.
    [Show full text]
  • Reference Index of Films and Television Programmes
    Cambridge University Press 978-1-107-09451-2 — The Cambridge Companion to Film Music Edited by Mervyn Cooke , Fiona Ford Index More Information Reference Index of Films and Television Programmes All films and television programmes mentioned in this volume are listed here, together with some pertinent additional information. For films this consists of any relevant translations of titles or foreign release titles, the year of first public screening (which may be earlier than that of general release), the name of the director and the country of origin. Similarly, entries for television programmes indicate the year of first broadcast, the original broadcast channel and the country of origin. In all cases, the country names have been abbreviated to the internationally recognized two- letter codes from ISO 3166. A bout de souffle (Breathless; 1960; Jean-Luc Asphalt Jungle, The (1950; John Huston, US), Godard, FR), 296 179, 183, 186, 272 Abominable Dr. Phibes, The (1971; Robert Fuest, Assassinat du Duc de Guise, L’ (1908; Charles Le GB/US), 208 Bargy and André Calmettes, FR), 9 Absolute Beginners (1986; Julien Temple, Assassination (Ansatsu; 1964; Masahiro GB), 79 Shinoda, JP), 330 Accidental Husband, The (2008; Griffin Dunne, Autobahn (1979; John Halas and Roger US/IE), 354 Mainwood, GB), 258 Adieu au langage (Goodbye to Language; 2014; Avatar (2009; James Cameron, GB/US), 204 Jean-Luc Godard, CH/FR), 294, 303, Avengers, The (TV series; 1961–69; ITV, GB), 305, 307 331 Adventures of Robin Hood, The (1938; Michael Curtiz and William Keighley, US), 53, 56, Babe (1995; Chris Noonan, AU/US), 140 58, 118, 119 Babe: Pig in the City (1998; George Miller, AU/ Alamo, The (1960; John Wayne, US), 222 US), 140 Alien (1979; Ridley Scott, GB/US), 200, 202, 206, Back to the Future (1985; Robert Zemeckis, US), 212 211 Aliens (1986; James Cameron, US), 47 Bagpuss (TV series; 1974; BBC, GB), 259 ’Alt, Who Goes Theer? (1936; Anson Dyer, GB), Ballad of Gregorio Cortez, The (1982; 253 Robert M.
    [Show full text]