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The Bauhaus and Weimar Modernism
Buchenwald Memorial, Ettersburg Castle Sömmerda (B7 / B85) 100 m weimar UNESCO World Heritage 500 m Culture City of Europe The Bauhaus and its sites in Weimar and Dessau have been on the UNESCO list of World Heritage since 1996. There are three objects in Weimar: the main building of the Bauhaus University Weimar, the former School of Applied Arts and the Haus Am Horn. Tiefurt Mansion deutschEnglish Harry-Graf-Kessler-Str. 10 5 Tiefurt Mansion Bauhaus-Universität Weimar Nietzsche Archive B Jorge-Semprùn-Platz a Oskar-Schlemmer-Str. d The building ensemble by Henry van de Velde was Friedrich Nietzsche spent the last years of his life at H e Stèphane- r 1 s revolutionary in terms of architecture at the turn of the “Villa Silberblick”. His sister established the Nietzsche Archive f Hessel-Platz e l d century. These Art School buildings became the venue here after his death and had the interior and furnishings e r S where the State Bauhaus was founded in 1919, making designed by Henry van de Velde. The current exhibition is t r a ß “Weimar” and the “Bauhaus” landmarks in the history of entitled “Kampf um Nietzsche” (“Dispute about Nietzsche”). e modern architecture. Humboldtstrasse 36 13 Mon, Wed to Sun 2pm – 5pm Geschwister-Scholl-Strasse 2 Mon to Fri 10am – 6pm | Sat & Sun 10am – 4pm Über dem Kegeltor C o u d r a y s t Erfurt (B7) r a ß e Berkaer Bahnhof 8 CRADLE, DESIGN: PETER KELER, 1922 © KLASSIK STIFTUNG WEIMAR 17 Jena (B7) 3 Tourist Information Office Weimar Haus Hohe Pappeln Weimar Municipal Museum 20 16 Markt 10, 99423 Weimar The Belgian architect Henry van de Velde, the artistic The permanent exhibition of the Municipal Museum presents Tel + 49 (0) 3643 745 0 advisor of the grand duchy, built this house for his family of “Democracy from Weimar. -
LE MONDE/PAGES<UNE>
www.lemonde.fr 58 ANNÉE – Nº 17830 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- VENDREDI 24 MAI 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI 0123 A Moscou, DES LIVRES L’école de Luc Ferry Bush et Poutine Roberto Calasso Grecs à Montpellier Illettrisme, enseignement professionnel, autorité : les trois priorités du ministre de l’éducation consacrent un Le cinéma et l’écrit LE NOUVEAU ministre de l’édu- f rapprochement cation nationale, Luc Ferry, expose Un entretien avec INCENDIE dans un entretien au Monde ses le nouveau ministre « historique » trois priorités : la lutte contre l’illet- de la jeunesse L’ambassade d’Israël trisme, la valorisation de l’enseigne- ment professionnel et la consolida- et de l’éducation LORS de sa première visite officiel- à Paris détruite dans la tion de l’autorité des professeurs, le en Russie, le président américain nuit. Selon la police, le qu’il lie à la sécurité. Pour l’illettris- George W. Bush signera avec Vladi- me, Luc Ferry reproche à ses prédé- f « Il faut revaloriser mir Poutine, vendredi 24 mai au feu était accidentel p. 11 cesseurs de n’avoir « rien fait Kremlin, un traité de désarmement depuis dix ans ». Il insiste sur le res- la pédagogie nucléaire qualifié d’« historique » et MAFIA pect des horaires de lecture et du travail » à l’école visant à « mettre fin à la guerre froi- d’écriture, ainsi que sur la prise en de ». Les deux pays s’engagent à Dix ans après la mort charge des jeunes en difficulté. réduire leurs arsenaux stratégiques à L’enseignement professionnel doit f Médecins : un niveau maximal de 2 200 ogives à du juge Falcone p. -
Museums Castles Gardens the Weimar Cosmos
Opening Times and Prices TOURS Winter Summer Adults Reduced Pupils Goethe National Museum Museums and historical sites MTWTFSS starts on last starts on last 16 – 20 years Tour 1: A Sunday in October Sunday in March Goethe and Classical Weimar with the Goethe Residence MUSEUMS Bauhaus-Museum Weimar* 10.00 am – 2.30 pm 10.00 am – 2.30 pm € 11.00 € 7.00 € 3.50 5 min. Goethe National Museum, Wittumspalais, 10.00 am – 6.00 pm 10.00 am – 6.00 pm € 11.00 € 7.00 € 3.50 Park on the Ilm and the Goethe Gartenhaus B Wittumspalais Ducal Vault 10.00 am – 4.00 pm 10.00 am – 6.00 pm € 4.50 € 3.50 € 1.50 All year round CASTLES Duration: 5 hours, distance: ca. 1,5 km Goethe Gartenhaus 10.00 am – 4.00 pm 10.00 am – 6.00 pm € 6.50 € 5.00 € 2.50 8 min. Cost: Price of admission to the respective museums Tip: Goethe National Museum 9.30 am – 4.00 pm 9.30 am – 6.00 pm € 12.50 € 9.00 € 4.00 Park on 10 min. Goethe- und The exhibition “Flood of Life – Storm of Deeds” reveals how C GARDENS Goethe- und Schiller-Archiv 8.30 am – 6.00 pm 8.30 am – 6.00 pm free modern Goethe’s ideas still are today. We recommend planning the Ilm Schiller-Archiv Opening times vary at the following at least two hours for your visit to the Goethe Residence where weekends: 12/13 Jan; 13/14 Apr; 11.00 am – 6.00 pm 10.00 am – 4.00 pm free 8 min. -
Bauhaus Centenary Year May Be Over, but the Influential Art and Design Movement Remains in the International Spotlight
Dear Journalist/Editor The Bauhaus centenary year may be over, but the influential art and design movement remains in the international spotlight. Below is an article that in- cludes comments from eminent publications, pointing out that 2019 was a cat- alyst for a new appreciation of the Bauhaus movement. And that interest con- tinues in 2020. Inspired by exhibitions both in Germany and around the world, more and more visitors are planning vacations in BauhausLand, the German federal states of Saxony-Anhalt and Thuringia. This editorial contribution is, of course, free for use. Bauhaus: Still in the spotlight! BAUHAUSLAND: ATTRACTING NEW FANS In 2019, the worldwide celebrations for the centenary of the Bauhaus focused on the achievements of this influential art and design movement. The range of exhibitions appealed to aficionados, but they also attracted a brand-new audi- ence. Leila Stone wrote in The Architect’s Newspaper: “Bauhaus is architec- ture. Bauhaus is costume design. Bauhaus is textile design. Bauhaus is furni- ture…it has never been more clear that Bauhaus is everywhere.” With appre- ciation increasing, more and more fans are planning to visit BauhausLand www.gobauhaus.com to spend their 2020 vacations in the German federal states of Saxony-Anhalt and Thuringia. BAUHAUSLAND: THE HOT DESTINATION FOR 2020 GQ Magazine trumpeted the headline: “Why travel trendsetters are heading for the birthplace of Bauhaus.” The list of ‘must dos’ includes the striking new Bauhaus Museum in Weimar, where the ‘must sees’ range from Josef Albers’ ground-breaking Nesting Tables to Wilhelm Wagenfeld’s Glass Table Lamp, which is still manufactured today! As for Architectural Digest, it names the brand-new Bauhaus Museum Dessau as one of its “Top 20 Places to Travel in 2020,” adding that “If you decide to go on a Bauhaus-themed pilgrimage, be sure to visit the Meisterhäuser, a group of white cubist homes where Gropius, Kandinsky, and other Bauhaus luminaries lived.” TourComm Germany Olbrichtstr. -
Kataloges: Eigentümerverzeichnis Sowie Personenregister VERSTEIGERUNGSBEDINGUNGEN
12 7 Venator & Hanstein Buch- und Graphikauktionen Venator & Hanstein Auktion 126 22. März 2013 Bücher · Autographen · Manuskripte Dekorative und ältere Künstlergraphik Philipp Otto Runge, Die Vier Tageszeiten. 1803-05. Hanstein & Venator 03/13 Cäcilienstraße 48 · D-50667 Köln · Germany Tel. +49-221-2575419 Fax 2575526 · www.venator-hanstein.de MODERNE UND ZEITGENÖSSISCHE G RAPHIK MODERNE K UNSTLITERATUR Abbildungen Venator & Hanstein Umschlag vorne, Kat.-Nr. 1117, 1239, 1240, 1300, 1403 Umschlag hinten, Kat.-Nr. 937, 1153, 1191, 1299, 1310 23. MÄRZ 2013 · KÖLN · AUK TION 127 © VG Bild-Kunst, Bonn 2013 Moderne Graphik und Bücher Venator & Hanstein Moderne und zeitgenössische Graphik Moderne Kunstliteratur Auktion 127 23. März 2013 Köln Venator & Hanstein KG Buch- und Graphikauktionen Cäcilienstraße 48 (Haus Lempertz) 50667 Köln (Germany) Tel +49-221-257 54 19 Fax +49-221-257 55 26 www.venator-hanstein.de [email protected] HR Köln A 3690 USt-IdNr DE 122649294 Bankverbindungen Kreissparkasse Köln (BLZ 370 502 99) 75514 IBAN DE58 3705 0299 0000 0755 14 Swift: COKSDE33 Bankhaus Sal. Oppenheim jr. & Cie. Köln (BLZ 370 302 00) 23210 IBAN DE22 3703 0200 0000 0232 10 Swift: SOPPDE3K Postbank Köln (BLZ 370 100 50) 120 10-503 IBAN DE41 3701 0050 0012 0105 03 BIC: PBNKDEFF Vertretungen durch das Kunsthaus Lempertz 1, Rue aux Laines B-1000 Bruxelles Tel +32-2-5 14 05 86 Fax +32-2-5 11 48 24 Poststr. 22 10178 Berlin Tel +49-30-27 87 60 80 Fax +49-30-27 87 60 86 St.-Anna-Platz 3 80538 München Tel +49-89-98 10 77 67 Fax +49-89-21 01 96 95 VORBESICHTIGUNG PREVIEW Im Kunsthaus Lempertz März 2013 Neumarkt 3 Freitag 15. -
Deutsche Nationalbibliografie 2012 a 10
Deutsche Nationalbibliografie Reihe A Monografien und Periodika des Verlagsbuchhandels Wöchentliches Verzeichnis Jahrgang: 2012 A 10 Stand: 07. März 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1869-3946 urn:nbn:de:101-ReiheA10_2012-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. In Reihe A werden Medienwerke, die im Verlagsbuch- chende Menüfunktion möglich. Die Bände eines mehrbän- handel erscheinen, angezeigt. Auch außerhalb des Ver- digen Werkes werden, sofern sie eine eigene Sachgrup- lagsbuchhandels erschienene Medienwerke werden an- pe haben, innerhalb der eigenen Sachgruppe aufgeführt, gezeigt, wenn sie von gewerbsmäßigen Verlagen vertrie- ansonsten -
English Version January – June 7
berli� p�������e january – june ���7 english version editorial dear visitors, the Bauhaus-Archiv is setting things in motion! Our plans for expanding the museum are becoming increasingly concrete: in March of ���8 we will be leaving our existing building for two years, in order to subsequently return to the modernised museum building and the new annex, with its generously proportioned exhibition spaces. We are already beginning with the preparations. The library and archive will thus be closed from � January ���7. Our major retrospective Jasper Morrison. Thingness deals with the work of one of the best-known contemporary designers: when it opens on �� March ���7, we will begin preparing our exhibition objects for the move. The most impor- tant objects and documents related to the Bauhaus and its history will continue to be shown in the special exhibition Bauhaus in Motion, which will start on � March ���7. Join me in looking forward to the coming changes! We wish you a wonderful time at the Bauhaus-Archiv. Annemarie Jaeggi The Bauhaus-Archiv / Museum für Gestaltung Director researches and presents the history and influence of the Bauhaus, which operated from 1919 to 1933 in Weimar, Dessau and Berlin, and was among the 20th century’s most important schools of architecture, design and art. The Bauhaus-Archiv was initiated in 1960 by the art historian Hans Maria Wingler – with the support of the Bauhaus’s founder, Walter Gropius – for the purpose of providing a new home for the material legacy of the Bauhaus, which was scattered around the world in 1933. In 1979, after multiple relocations, the Bauhaus- Archiv was finally able to move into the building in Berlin that Gropius designed for it. -
Konferenz Bauhuas Sammel Pr
Bauhaus Dessau : Conference Collecting Bauhaus 2.+3.+4.+5.12. 20191 2 1 + Provenances: Case Studies + Contiguities: + + + The Museum as Context of Com mu ni- cation + + + Methods: Visibility of the Global For the centenary of the Bauhaus three have tried, by way of a synthesis of global new Bauhaus museums will open their perspectives, to move away from restrictive, doors to the public in Germany. The muse- nationally based ideas of identity. The Bau- ums in Weimar, Dessau and Berlin are haus Dessau Foundation too subscribes to connected to the transnational history of this new approach to historiography. Bauhaus exhibits that has grown over one hundred years of global acquisition and The conference Collecting Bauhaus collection. For the canonical representation brings together international experts from of modern art and design in the twentieth public and private institutions with Bauhaus century the Bauhaus is a constant. Pro- collections. The aim is to discuss the global- duced in the brief but enormously produc- ly dispersed objects and collection histories tive period between 1919 and 1933, the of the Bauhaus, revisit exhibition and com- work of the Bauhaus is inextricably linked munication strategies and consider how to its dramatic history in the twentieth cen- museumsinthetwenty-firstcenturymight tury, from closure to expulsion and exile. benefitfromtheseglobalinterconnections. The initial idea for the conference concept From its inception, the Bauhaus served as was developed by Regina Bittner. The con- an international platform for a wide-ranging ference focus on the provenance, relocation European and international avant-garde and changing ownership of Bauhaus ob- movement in architecture, art and design. -
Weimar. Recherchetipps
Recherchetipps Ideen für Ihre Recherche zu Weimar Thüringer Tourismus GmbH · Willy-Brandt-Platz 1 · 99084 Erfurt Fax 0361 3742-299 · http://presse.thueringen-entdecken.de Mandy Neumann: Tel. 0361 3742-219 · [email protected] Theresa Wolff: Tel. 0361 3742-240 · [email protected] Weimar. Recherchetipps In Weimar, der Kulturstadt Europas 1999, waren viele große Persönlichkeiten zu Hause: Goethe, Schiller, Herder, Bach, Liszt, Wieland, Cranach, van de Velde oder Gropius, der Begründer des Bauhauses. Zahlreiche Museen und Gedenkstätten in Weimar erinnern an diese Namen und künden vom Ruhm vergangener Zeiten. Noch heute ist die Stadt ein Zentrum von Kunst und Kultur. Seit Generationen lockt Weimar mit dem berühmten Bronzedenkmal von Goethe und Schiller vor dem Deutschen Nationaltheater und Museen und Ausstellungen Gäste aus aller Welt an. Imagefilm: https://www.youtube.com/watch?v=7CDBvcCB06I Sehenswertes & Besonderes Weimar ist mehr als die Stadt der Klassiker oder des Bauhauses. Im Laufe mehrerer Jahrhunderte haben sich immer wieder bedeutsame Dichter, Denker und Künstler in der Kulturstadt versammelt. Bis heute können die authentischen Schauplätze in der UNESCO-Welterbestadt bestaunt werden. 14 einzigartige Objekte, der insgesamt 27 Museen, Schlösser und Parks sind auf der Welterbeliste der UNESCO gelistet. Die Herzogin Anna Amalia Bibliothek, der Park an der Ilm, das Goethe Nationalmuseum mit dem Wohnhaus oder das neue Bauhaus-Museum Weimar sind nur einige der zahlreichen Sehenswürdigkeiten Weimars. Neue Natur Unter der Überschrift „Neue Natur“ widmet sich die Klassik Stiftung Weimar 2021 mit einem kompletten Themenjahr dem Verhältnis von Mensch und Natur. Zahlreiche Ausstellungen, Feste, Podiumsdiskussionen und Workshops an verschiedenen Orten in der Stadt flankieren das Thema, das Hauptaugenmerk gilt jedoch den Parks selbst. -
100 Years of Bauhaus
Excursions to the Visit the Sites of the Bauhaus Sites of and the Bauhaus Modernism A travel planner and Modernism! ↘ bauhaus100.de/en # bauhaus100 The UNESCO World Heritage Sites and the Sites of Bauhaus Modernism Hamburg P. 31 Celle Bernau P. 17 P. 29 Potsdam Berlin P. 13 Caputh P. 17 P. 17 Alfeld Luckenwalde Goslar Wittenberg P. 29 P. 17 Dessau P. 29 P. 10 Quedlinburg P. 10 Essen P. 10 P. 27 Krefeld Leipzig P. 27 P. 19 Düsseldorf Löbau Zwenkau Weimar P. 19 P. 27 Dornburg Dresden P. 19 Gera P. 19 P. 7 P. 7 P. 7 Künzell P. 23 Frankfurt P. 23 Kindenheim P. 25 Ludwigshafen P. 25 Völklingen P. 25 Karlsruhe Stuttgart P. 21 P. 21 Ulm P. 21 Bauhaus institutions that maintain collections Modernist UNESCO World Heritage Sites Additional modernist sites 3 100 years of bauhaus The Bauhaus: an idea that has really caught on. Not just in Germany, but also worldwide. Functional design and modern construction have shaped an era. The dream of a Gesamtkunst- werk—a total work of art that synthesises fine and applied art, architecture and design, dance and theatre—continues to this day to provide impulses for our cultural creation and our living environments. The year 2019 marks the 100 th anniversary of the celebration, but the allure of an idea that transcends founding of the Bauhaus. Established in Weimar both time and borders. The centenary year is being in 1919, relocated to Dessau in 1925 and closed in marked by an extensive programme with a multitude Berlin under pressure from the National Socialists in of exhibitions and events about architecture 1933, the Bauhaus existed for only 14 years. -
Wassily Kandinsky Papers, 1911-1940 (Bulk 1921-1937)
http://oac.cdlib.org/findaid/ark:/13030/kt1r29n4zp Online items available Finding aid for the Wassily Kandinsky papers, 1911-1940 (bulk 1921-1937) Isabella Zuralski. Finding aid for the Wassily Kandinsky 850910 1 papers, 1911-1940 (bulk 1921-1937) Descriptive Summary Title: Wassily Kandinsky papers Date (inclusive): 1911-1940 (bulk 1921-1937) Number: 850910 Creator/Collector: Kandinsky, Wassily Physical Description: 2 Linear Feet(3 boxes, 1 flat file folder) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Russian-born artist considered to be one of the creators of abstract painting. Papers document Kandinsky's teachings at the Bauhaus, his writings, his involvement with the Russian Academy of Artistic Sciences (RAKhN) in Moscow, and his professional contacts with art dealers, artists, collectors, and publishers. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in German and Russian with some English and French. Biographical / Historical Note Wasily Kandinsky [Vasilii Vasil'evich Kandinskii] was born in 1866 in Moscow, Russia and died in 1944 in Neuilly-sur-Seine, France. He is considered one of the first creators of purely abstract painting. In 1896, after academic studies and initial career in law and social sciences, Kandinsky turned down an offer of professorship in jurisprudence, and together with his first wife Anja Shemiakina, left Russia for Munich with the intention of becoming a painter. -
How We Celebrate International Women's Day in Bauhausland
How we celebrate International Women’s Day in BauhausLand Women in the Bauhaus movement: Discover who they were and what they did When an exhibition by Bauhaus artist Anni Albers opened in London recently, art critics gave the show five stars. Albers’ textiles, wall-hangings and “pictorial weavings” were a revelation. But she was not the only female artist in the Bauhaus. Now, as the world marks the 100th birthday of this revolutionary design movement, the contributions of its women designers are in the spot- light. In BauhausLand (the German federal states of Thuringia and Saxony- Anhalt), women, such as Albers, Gertrud Arndt and Marianne Brandt are being celebrated. And, a couple of hours to the north, Berlin, another Bauhaus hotspot, has declared International Women's Day (March 8) to be an official public holiday. Anni Albers: Master of Textiles When Walter Gropius created the Bauhaus school in Weimar in 1919, every- one was welcome “without regard to age or sex.” In fact, more women than men applied! Anni Albers studied weaving and went on to be a brilliant and influential textile designer. After fleeing Germany, she based herself at Black Mountain College in Asheville, North Carolina, USA. Gunta Stölzl: Designer, teacher and producer Albers had studied under Gunta Stölzl. She was the head of the Bauhaus weaving department and one of only six women in the 45-strong faculty. Stölzl transformed her students into a full-on, professional, industrial design unit. For example, they designed and wove the blankets for the beds in Dessau’s stu- dent dorm. The Bauhaus Dessau Foundation has a fine collection of Stölzl’s textiles.