A Bibliography of Secondary Sources on Wole Soyinka 1988/ 1989/ 1990 – a Work in Progress
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Chivalry in Western Literature Richard N
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses 2012 The nbU ought Grace of Life: Chivalry in Western Literature Richard N. Boggs Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the English Language and Literature Commons, European History Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Boggs, Richard N., "The nbouU ght Grace of Life: Chivalry in Western Literature" (2012). Master of Liberal Studies Theses. 21. http://scholarship.rollins.edu/mls/21 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Unbought Grace of Life: Chivalry in Western Literature A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Richard N. Boggs May, 2012 Mentor: Dr. Thomas Cook Reader: Dr. Gail Sinclair Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida The Unbought Grace of Life: Chivalry in Western Literature By Richard N. Boggs May, 2012 Project Approved: ________________________________________ Mentor ________________________________________ Reader ________________________________________ Director, Master of Liberal Studies Program ________________________________________ Dean, Hamilton Holt School Rollins College Dedicated to my wife Elizabeth for her love, her patience and her unceasing support. CONTENTS I. Introduction 1 II. Greek Pre-Chivalry 5 III. Roman Pre-Chivalry 11 IV. The Rise of Christian Chivalry 18 V. The Age of Chivalry 26 VI. -
Great Cloud of Witnesses.Indd
A Great Cloud of Witnesses i ii A Great Cloud of Witnesses A Calendar of Commemorations iii Copyright © 2016 by The Domestic and Foreign Missionary Society of The Protestant Episcopal Church in the United States of America Portions of this book may be reproduced by a congregation for its own use. Commercial or large-scale reproduction for sale of any portion of this book or of the book as a whole, without the written permission of Church Publishing Incorporated, is prohibited. Cover design and typesetting by Linda Brooks ISBN-13: 978-0-89869-962-3 (binder) ISBN-13: 978-0-89869-966-1 (pbk.) ISBN-13: 978-0-89869-963-0 (ebook) Church Publishing, Incorporated. 19 East 34th Street New York, New York 10016 www.churchpublishing.org iv Contents Introduction vii On Commemorations and the Book of Common Prayer viii On the Making of Saints x How to Use These Materials xiii Commemorations Calendar of Commemorations Commemorations Appendix a1 Commons of Saints and Propers for Various Occasions a5 Commons of Saints a7 Various Occasions from the Book of Common Prayer a37 New Propers for Various Occasions a63 Guidelines for Continuing Alteration of the Calendar a71 Criteria for Additions to A Great Cloud of Witnesses a73 Procedures for Local Calendars and Memorials a75 Procedures for Churchwide Recognition a76 Procedures to Remove Commemorations a77 v vi Introduction This volume, A Great Cloud of Witnesses, is a further step in the development of liturgical commemorations within the life of The Episcopal Church. These developments fall under three categories. First, this volume presents a wide array of possible commemorations for individuals and congregations to observe. -
SEMBENE in SENEGAL Radical Art in Neo-Colonial Society
SEMBENE IN SENEGAL Radical Art in Neo-colonial Society by Fírinne Ní Chréacháin A thesis submitted to the Centre of West African Studies of the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY December 1997 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. AUTHOR’SSTATEMENTCONCERNINGELECTRONICVERSION Theoriginalofthisthesiswasproducedin1997onaveryoldAmstradwordͲprocessor whichwouldhaveproducedaverypoorͲqualityscannedversion. InsubmittingthiselectronicversionforinclusionintheUBIRArepositoryin2019,I,the author,havemadethefollowingchanges: FRONTPAGES:Ichangedtheorderofthepages,puttingthepersonalpages(dedicationand acknowledgements)first. TABLEOFCONTENTS:Iremovedtheclumsylookingsubsubtitlestoproduceacleanerlook. BODYOFTEXT:Nochangesapartfrominsertionofsomeextrasubtitlesandsubsubtitlesto enhanceaccessibility. BIBLIOGRAPHY:Iaddedthreeentries,ADOTEVI,ENAGNONandKANE,inadvertentlyomitted inoriginal. Signed DrFírinneNíChréacháin 7May2019 FOR YETUNDE AND ALL GOD’S BITS OF WOOD BANTY -
Poland Through Film EUS 3930 Section 0998 PLT 3930 Section 15EH EUH3931 Section 2H89 Dr
Poland Through Film EUS 3930 Section 0998 PLT 3930 Section 15EH EUH3931 Section 2H89 Dr. Jack J. B. Hutchens Turlington Hall 2341 Tuesdays: 3-4:55 Thursdays: 4:05-4:55 Poland Through Movies is an introductory survey of more than one thousand years of Polish history, illustrated on film. Poland’s contribution to world cinema has been immense. This class offers an examination of the chief currents of modern Polish film, including, but not limited to, the cinema of “the Polish School” of the 1950s and 60s, the works of experimental and avant- garde auteurs, satires and parodies of the late-socialist period, historical “great canvas” films, as well as more recent work that addresses the dramas, desires, and discontents of political transition and the realities of post-communist society. We will discuss the ways Polish filmmakers have represented Polish history, and how they have “read” history through their work. We will consider Polish cinema within the context of both Western European film and film production in the Soviet Bloc. A main focus will be on the oeuvre of Poland’s most recognized and prodigious filmmakers, including Wajda, Kieslowski, Ford, Polanski, Holland, Zanussi, and Hoffman, as well as on the work of “Wajda’s children” – the newest generation of filmmakers. Class time will consist of lecture & discussion, viewings, and class presentations. Required Texts: -Haltof, Marek. Polish National Cinema (paperback). ISBN-10: 1571812768; ISBN-13: 978-1571812766 -Zamoyski, Adam. Poland: A History. ISBN-13: 978-0007282753. -Zmoyski, Adam. Holy Madness: Romantics, Patriots and Revolutionaries, 1776-1871. ISBN-10: 0141002239 Recommended Texts: -Coates, Paul. -
Knighthood Vs Occultism
Our Knight Order and Occultism; Any Relationship? Occultism can be defined as secrete operations that translate to the tenets of the world secret societies and groups with hidden intentions ,dark practices and mysterious activities which non-members are not permitted to participate in. They may be registered clubs or organizations whose activities and inner functioning are concealed from non-members and the government. Secret Societies are well organized conspirators working in secret to achieve a hidden agenda in which members use secrecy to protect themselves and their movements. General public view secret societies as malevolent organizations working against the general will of mankind and God. Members may be required to conceal or deny their memberships and they are often sworn to hold the society‟s secrets by an obligatory oath and violating the oath is consequential such as in application of ruthless sanctions and punishments. The following are some of occult related objects and activities-numerology, fortune telling, sorcery, psychic healing, rituals, soul travelling, voodoo, santeria, mediums, hypnotism, palm reading to mention few amidst their countless and repulsive norms. The Oxford Dictionary defines Knight, “a man upon whom non-hereditary dignity of knighthood is conferred by sovereign because of personal merit or for services rendered to the country”. A Knighthood is an honour whereby one is made into a knight and one can then be called “Sir” e.g. Sir Abubakar Tafawa Balewa and Sir Isaac Newton etc. Surely, therefore, this definition is the reason for us to select Very Important People all over the World to be included in this prestigious Internationally Chartered Knighthood incorporated under the laws of the government and filed at the office of the Secretary of the First State of United States of America (State of Delaware) which is due for award individual because of their service for mankind. -
The Deluge - Vol
aOKFh [Free pdf] The Deluge - Vol. II. - An Historical Novel Of Poland, Sweden And Russia Online [aOKFh.ebook] The Deluge - Vol. II. - An Historical Novel Of Poland, Sweden And Russia Pdf Free Henryk Sienkiewicz ebooks | Download PDF | *ePub | DOC | audiobook 2016-04-06Original language:EnglishPDF # 1 8.50 x 1.74 x 5.50l, 1.86 #File Name: 1444672304694 pages | File size: 64.Mb Henryk Sienkiewicz : The Deluge - Vol. II. - An Historical Novel Of Poland, Sweden And Russia before purchasing it in order to gage whether or not it would be worth my time, and all praised The Deluge - Vol. II. - An Historical Novel Of Poland, Sweden And Russia: 0 of 0 people found the following review helpful. Deluge Volume 2By RichardUnable to obtain "The Deluge" Volume One. "The Deluge" Volume Two is a "page turner". The author's descriptions of life in Poland during the Swedish occupation go from glorious to 'gritty' and all points in between. The chance of surviving a battle was so low, it is incredible that anyone fought at all. The Polish nobility ruled with a 'iron fist'. The king was fortunate if the nobles cooperated. The serfs were fortunate if the nobles stayed away.0 of 0 people found the following review helpful. Too bad; I was looking forward to seeing how the ...By Oscar51I will return this book for a refund. The print is a medium- to-light gray on a white page and the font is so small that I cannot read the book even with a magnifying glass. Too bad; I was looking forward to seeing how the story started in "With Fire and Sword" was continued.0 of 0 people found the following review helpful. -
Heralding a New Enlightenment
Attributions and perspectives in Wole Soyinka and the Poetics of Commitment Emeka Aniago* Emeka Nwabueze (ed). Wole Soyinka and the Poetics of Commitment. Enugu: CNC Publishers, 2018. Pp. 341. In Wole Soyinka and the Poetics of Commitment, the editor Emeka Nwabueze has brought together in a volume a collection of thirty-two articles contributed by forty-two scholars. The articles in this book are reviewed and edited papers presented by the authors at the 2nd Chinua Achebe International Conference at the University of Nigeria, Nsukka with the term, ‘Wole Soyinka and the Literature of Commitment’ from 22nd to 25th May 2018. The essays in this book are grouped into seven sub-sections. The first group of essays titled ‘Wole Soyinka and the Creative Presence’ has three papers. In the first paper titled ‘Transcending the Limits of the Word: Soyinka, Discursive Strategies and the Perpetual Presence’, Emeka Nwabueze examines the nuances of change, particularly the ‘fear of change’ as captured in Wole Soyinka’s drama Death and the King’s Horseman in relation to the context of change as a form of final human transition. Thus, Nwabueze * Emeka Aniago ( ) Department of Theatre & Film Studies, University of Nigeria, Nsukka, Nigeria e-mail: [email protected] AGATHOS, Volume 11, Issue 1 (20): 469-477 © www.agathos-international-review.com CC BY NC 2020 Emeka Aniago points at the social cost of people’s refusal to continue with subsisting trado-cultural definition of natural order and destiny. Nwabueze also blames lack of courage to follow through an earmarked responsibility as the protagonist’s (Elesin) major hubris. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
Orders, Medals and Decorations
Orders, Medals and Decorations To be sold by auction at: Sotheby’s, in the Lower Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1A 2AA Day of Sale: Thursday 1 December 2016 at 12.00 noon and 2.30 pm Public viewing: Nash House, St George Street, London W1S 2FQ Monday 28 November 10.00 am to 4.30 pm Tuesday 29 November 10.00 am to 4.30 pm Wednesday 30 November 10.00 am to 4.30 pm Or by previous appointment. Catalogue no. 83 Price £15 Enquiries: Paul Wood, David Kirk or James Morton Cover illustrations: Lot 239 (front); lot 344 (back); lot 35 (inside front); lot 217 (inside back) Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Online Bidding This auction can be viewed online at www.the-saleroom.com, www.numisbids.com and www.sixbid.com. Morton & Eden Ltd offers an online bidding service via www.the-saleroom.com. This is provided on the under- standing that Morton & Eden Ltd shall not be responsible for errors or failures to execute internet bids for reasons including but not limited to: i) a loss of internet connection by either party; ii) a breakdown or other problems with the online bidding software; iii) a breakdown or other problems with your computer, system or internet connec- tion. -
Newswatch April 24 1995.Pdf
Canada.. C$2.00 Ghana C500 Saudi Arabia RislCOO Germany DM 3 SO CFA Zone 500 USA $3 50 Italy L 2.000 Sierra Leone Le 300 Zimbabwe $130 France 13F Kenya Sh 20 UK fi 50 The Gambia D4 Liberia L$ 2 00 When you’re Close-Up that’s when Close-Up counts. Flashing white teeth and a fresh mouth... that’s what you get from the Fluoride and mouthwash in Close-Up. Get fresh breath confidence from Close-Up. Flashing white teeth and fresh sweet breath... that’s Close-up appeal! L124P90 aapn0026 Outline Newswtâdi APRIL 24,1995 NIGERIA’S WEEKLY NEWSMAGAZINE VOL. 21 NO. 17 Nigeria: Cover: 12 The Emir of Laf iagi, dethroned by his people, returns to the throne • Former president of Nigeria Labour Not Yet Freedom Congress, Pascal Bafyau, wants his job back • Six Newswatch journalists begin a legal struggle to make Oni- Moshood Abiola's accep Okpaku pay for wrongful detention tance of conditional release • Kayode Soyinka, former staff of Newswatch, launches his own raises hopes of his freedom magazine but government shuts the door on his face Africa: A cease-fire hammered out in Sudanby former US president, Jimmy Carter, is threatened Nigeria: 18 World: 27 French presidential candidates are Not the Right time set to test their strength in a first round ballot Tom Ddmi says the Abacha Business & Economy: 30 administration requires more time to put in place Efforts to stop gas flaring in Nigeria structures for an enduring depend on the availability of funds democracy Letters Cartoon Momah Business & N CO O) r CM v Editorial Suite Economy: 28 T- Essay CO A Winning Dialogue Formular Passages CBN's intervention at the Cover: forex market may be the Design by Tunde Soyinka magic to stabilise the value of the naira Newswatch (ISSN 0189-8892) is published weekly by Newswatch Communications Umited, No. -
Translating Wole Soyinka's Works: a Must Know
TRANSLATING WOLE SOYINKA'S WORKS: A MUST KNOW Jide Timothy-Asobele, Department of European Languages, University of Lagos Introduction It takes the translation of the literature of a minority language into the languages of majority speakers, such as the European languages, for that minority language to produce a Nobel Prize Winner. This was the situation concerning Wole Soyinka, Nigeria's William Shakespeare, who won the Nobel Prize for Literature in 1986. That prize, in short, marked the crowning moment for negro-African literature. Let's say that that crowning of Africa as a country to be reckoned with in literature on 16 October 1986 by the Swedish Academy is significant in many respects. We are at last witnessing the recognition of the literature of a language of limited speakers, the African literature, by the literary nations of the West. It is important to also recognize the fact that Wole Soyinka, who in 1986, was the President of the UNESCO’s International Theatre Institute, has won other literary prizes in literature for the dissemination of the culture and the vision of the African world. This Nobel Prize facilitates a wide transmission of African arts through translations in foreign languages as these works have attracted the attention of the public worldwide. Thus, the works of Wole Soyinka epitomize great successes adorning various bookshops, both for English speakers and in other translations. Many theatre groups of the world need them. That is to say, that Soyinka's works are now performed all around the world in English and in other translations, in theatres in Europe, Asia, Russia, USA, South America, China, Japan, etc. -
From Guardian Online 6 June 2014 Kaye Whiteman Obituary (Died 17 May 2014)
From Guardian Online 6 June 2014 Kaye Whiteman obituary (Died 17 May 2014) (At Friends’ School 1947 to 1952 – YG 53) Journalist who witnessed and documented key moments in modern African history For many years, Kaye Whiteman edited West Africa magazine. Photograph: Gerald Mclean The journalist and editor Kaye Whiteman, who has died aged 78, possessed a remarkable knowledge of Africa, its peoples and those who governed them. He met most of the key African leaders from the period of decolonisation and independence, both English- and French-speaking, and was in touch with many of those involved in public service throughout the continent. His area of particular expertise was west Africa, and above all Nigeria. He first went there and to nearby Ghana in 1964 as the deputy editor of the weekly West Africa magazine. He returned to Ghana the following year to cover the summit of the Organisation of African Unity (OAU), which he described in his article Ghana at 50 in Africa Today (March 2007) as "an African event of unrivalled spectacle, when all Africa came to pay tribute to the great pioneer of independence", a reference to Kwame Nkrumah, Ghana's first president. Kaye also reported on the Nigerian civil war of 1967-70 for the Times, witnessing the surrender of the Biafran general Philip Effiong to General Yakubu Gowon. In 1973 he went to Brussels, as a senior information officer for the European commission, dealing with development issues, especially in Africa. In the meantime, the ownership of West Africa magazine moved from Britain to Nigeria, and in 1982 Kaye succeeded David Williams as editor, later becoming editor-in-chief and general manager.