Characterization of Conch Shell Nanoparticles (Shanka Bhasma
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Categorization of Stringed Instruments with Multifractal Detrended Fluctuation Analysis
CATEGORIZATION OF STRINGED INSTRUMENTS WITH MULTIFRACTAL DETRENDED FLUCTUATION ANALYSIS Archi Banerjee*, Shankha Sanyal, Tarit Guhathakurata, Ranjan Sengupta and Dipak Ghosh Sir C.V. Raman Centre for Physics and Music Jadavpur University, Kolkata: 700032 *[email protected] * Corresponding Author ABSTRACT Categorization is crucial for content description in archiving of music signals. On many occasions, human brain fails to classify the instruments properly just by listening to their sounds which is evident from the human response data collected during our experiment. Some previous attempts to categorize several musical instruments using various linear analysis methods required a number of parameters to be determined. In this work, we attempted to categorize a number of string instruments according to their mode of playing using latest-state-of-the-art robust non-linear methods. For this, 30 second sound signals of 26 different string instruments from all over the world were analyzed with the help of non linear multifractal analysis (MFDFA) technique. The spectral width obtained from the MFDFA method gives an estimate of the complexity of the signal. From the variation of spectral width, we observed distinct clustering among the string instruments according to their mode of playing. Also there is an indication that similarity in the structural configuration of the instruments is playing a major role in the clustering of their spectral width. The observations and implications are discussed in detail. Keywords: String Instruments, Categorization, Fractal Analysis, MFDFA, Spectral Width INTRODUCTION Classification is one of the processes involved in audio content description. Audio signals can be classified according to miscellaneous criteria viz. speech, music, sound effects (or noises). -
Music from the Beginning
Review Article iMedPub Journals 2015 Insights in Blood Pressure http://journals.imedpub.com Vol. 1 No. 1:2 ISSN 2471-9897 Music and its Effect on Body, Brain/Mind: Archi Banerjee, Shankha A Study on Indian Perspective by Neuro- Sanyal, Ranjan Sengupta, Dipak Ghosh physical Approach Sir CV Raman Centre for Physics and Music, Jadavpur University, Kolkata Keywords: Music Cognition, Music Therapy, Diabetes, Blood Pressure, Neurocognitive Benefits Corresponding author: Archi Banerjee Received: Sep 20, 2015, Accepted: Sep 22, 2015, Submitted:Sep 29, 2015 [email protected] Music from the Beginning Sir CV Raman Centre for Physics and Music, The singing of the birds, the sounds of the endless waves of the Jadavpur University, Kolkata 700032. sea, the magical sounds of drops of rain falling on a tin roof, the murmur of trees, songs, the beautiful sounds produced by Tel: +919038569341 strumming the strings of musical instruments–these are all music. Some are produced by nature while others are produced by man. Natural sounds existed before human beings appeared Citation: Banerjee A, Sanyal S, Sengupta R, on earth. Was it music then or was it just mere sounds? Without et al. Music and its Effect on Body, Brain/ an appreciative mind, these sounds are meaningless. So music Mind: A Study on Indian Perspective by has meaning and music needs a mind to appreciate it. Neuro-physical Approach. Insights Blood Press 2015, 1:1. Music therefore may be defined as a form of auditory communication between the producer and the receiver. There are other forms of auditory communication, like speech, but the past and Raman, Kar followed by Rossing and Sundberg later on, difference is that music is more universal and evokes emotion. -
A History of Indian Music by the Same Author
68253 > OUP 880 5-8-74 10,000 . OSMANIA UNIVERSITY LIBRARY Call No.' poa U Accession No. Author'P OU H Title H; This bookok should bHeturned on or befoAbefoifc the marked * ^^k^t' below, nfro . ] A HISTORY OF INDIAN MUSIC BY THE SAME AUTHOR On Music : 1. Historical Development of Indian Music (Awarded the Rabindra Prize in 1960). 2. Bharatiya Sangiter Itihasa (Sanglta O Samskriti), Vols. I & II. (Awarded the Stisir Memorial Prize In 1958). 3. Raga O Rupa (Melody and Form), Vols. I & II. 4. Dhrupada-mala (with Notations). 5. Sangite Rabindranath. 6. Sangita-sarasamgraha by Ghanashyama Narahari (edited). 7. Historical Study of Indian Music ( ....in the press). On Philosophy : 1. Philosophy of Progress and Perfection. (A Comparative Study) 2. Philosophy of the World and the Absolute. 3. Abhedananda-darshana. 4. Tirtharenu. Other Books : 1. Mana O Manusha. 2. Sri Durga (An Iconographical Study). 3. Christ the Saviour. u PQ O o VM o Si < |o l "" c 13 o U 'ij 15 1 I "S S 4-> > >-J 3 'C (J o I A HISTORY OF INDIAN MUSIC' b SWAMI PRAJNANANANDA VOLUME ONE ( Ancient Period ) RAMAKRISHNA VEDANTA MATH CALCUTTA : INDIA. Published by Swaxni Adytaanda Ramakrishna Vedanta Math, Calcutta-6. First Published in May, 1963 All Rights Reserved by Ramakrishna Vedanta Math, Calcutta. Printed by Benoy Ratan Sinha at Bharati Printing Works, 141, Vivekananda Road, Calcutta-6. Plates printed by Messrs. Bengal Autotype Co. Private Ltd. Cornwallis Street, Calcutta. DEDICATED TO SWAMI VIVEKANANDA AND HIS SPIRITUAL BROTHER SWAMI ABHEDANANDA PREFACE Before attempting to write an elaborate history of Indian Music, I had a mind to write a concise one for the students. -
Gastropods Diversity in Thondaimanaru Lagoon (Class: Gastropoda), Northern Province, Sri Lanka
Journal of Geoscience and Environment Protection, 2021, 9, 21-30 https://www.scirp.org/journal/gep ISSN Online: 2327-4344 ISSN Print: 2327-4336 Gastropods Diversity in Thondaimanaru Lagoon (Class: Gastropoda), Northern Province, Sri Lanka Amarasinghe Arachchige Tiruni Nilundika Amarasinghe, Thampoe Eswaramohan, Raji Gnaneswaran Department of Zoology, Faculty of Science, University of Jaffna, Jaffna, Sri Lanka How to cite this paper: Amarasinghe, A. Abstract A. T. N., Eswaramohan, T., & Gnaneswa- ran, R. (2021). Gastropods Diversity in Thondaimanaru lagoon (TL) is one of the three lagoons in the Jaffna Penin- Thondaimanaru Lagoon (Class: Gastropo- sula, Sri Lanka. TL (N-9.819584, E-80.134086), which is 74.5 Km2. Fringing da), Northern Province, Sri Lanka. Journal these lagoons are mangroves, large tidal flats and salt marshes. The present of Geoscience and Environment Protection, 9, 21-30. study is carried out to assess the diversity of gastropods in the northern part https://doi.org/10.4236/gep.2021.93002 of the TL. The sampling of gastropods was performed by using quadrat me- thod from July 2015 to June 2016. Different sites were selected and rainfall Received: January 25, 2020 data, water temperature, salinity of the water and GPS values were collected. Accepted: March 9, 2021 Published: March 12, 2021 Collected gastropod shells were classified using standard taxonomic keys and their morphological as well as morphometrical characteristics were analyzed. Copyright © 2021 by author(s) and A total of 23 individual gastropods were identified from the lagoon which Scientific Research Publishing Inc. belongs to 21 genera of 15 families among them 11 gastropods were identified This work is licensed under the Creative Commons Attribution International up to species level. -
The Music Center's Study Guide to the Performing Arts
DANCE/MUSIC TRADITIONAL ARTISTIC PROCESSES ® CLASSICAL 1. CREATING (Cr) Artsource CONTEMPORARY 2. PERFORMING, PRESENTING, PRODUCING (Pr) The Music Center’s Study Guide to the Performing Arts EXPERIMENTAL 3. RESPONDING (Re) MULTI-MEDIA 4. CONNECTING (Cn) ENDURING FREEDOM & THE POWER THE HUMAN TRANSFORMATION VALUES OPPRESSION OF NATURE FAMILY Title of Work: About the Artwork: Lai Haraoba (folk dance) Lai Haraoba, which means ‘festival of the gods and Vasanta Rasa Lila (classical dance) Dhon Dholak Cholam (drum dance) goddesses,’ is the oldest folk-dance in Manipur, dating Creators: back to pre-history. Revealing the story of Company: Ranganiketan (House of Colorful Art) creation, it is performed during the summer season. It Manipuri Cultural Arts Troupe traces aspects of the culture of Manipur and is usually Founder and Director: Dr. T. D. Singh (1937-2006) accompanied by an ancient single-stringed instrument Background Information: called Pena. The dancers exhibit graceful movements Manipur, called the “Jewel of India,” is a secluded state and expressive hand gestures conveying deep meaning. situated at India’s northeasternmost frontier. Located in Rasa Lila is a classical dance created by the Hindu god an oval-shaped valley, it is tucked within nine ranges of Krishna. It was communicated to King Jai Singh Himalayan mountains. The ancient culture here has been through a vision and was recreated to exact specifications, preserved intact for thousands of years, meticulously including both style and costumes. This dance, passed on from one generation to the next via master performed in the spring, is celebrated along with Holi, artists and teachers. Foreigners are still forbidden to travel the ‘festival of colors,’ in which the dancers spray each freely within Manipur, so it is especially significant that other with colored powder or water. -
A Nonlinear Study on Time Evolution in Gharana
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 15 April 2019 doi:10.20944/preprints201904.0157.v1 A NONLINEAR STUDY ON TIME EVOLUTION IN GHARANA TRADITION OF INDIAN CLASSICAL MUSIC Archi Banerjee1,2*, Shankha Sanyal1,2*, Ranjan Sengupta2 and Dipak Ghosh2 1 Department of Physics, Jadavpur University 2 Sir C.V. Raman Centre for Physics and Music Jadavpur University, Kolkata: 700032 India *[email protected] * Corresponding author Archi Banerjee: [email protected] Shankha Sanyal: [email protected]* Ranjan Sengupta: [email protected] Dipak Ghosh: [email protected] © 2019 by the author(s). Distributed under a Creative Commons CC BY license. Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 15 April 2019 doi:10.20944/preprints201904.0157.v1 A NONLINEAR STUDY ON TIME EVOLUTION IN GHARANA TRADITION OF INDIAN CLASSICAL MUSIC ABSTRACT Indian classical music is entirely based on the “Raga” structures. In Indian classical music, a “Gharana” or school refers to the adherence of a group of musicians to a particular musical style of performing a raga. The objective of this work was to find out if any characteristic acoustic cues exist which discriminates a particular gharana from the other. Another intriguing fact is if the artists of the same gharana keep their singing style unchanged over generations or evolution of music takes place like everything else in nature. In this work, we chose to study the similarities and differences in singing style of some artists from at least four consecutive generations representing four different gharanas using robust non-linear methods. For this, alap parts of a particular raga sung by all the artists were analyzed with the help of non linear multifractal analysis (MFDFA and MFDXA) technique. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full -
Shelled Molluscs
Encyclopedia of Life Support Systems (EOLSS) Archimer http://www.ifremer.fr/docelec/ ©UNESCO-EOLSS Archive Institutionnelle de l’Ifremer Shelled Molluscs Berthou P.1, Poutiers J.M.2, Goulletquer P.1, Dao J.C.1 1 : Institut Français de Recherche pour l'Exploitation de la Mer, Plouzané, France 2 : Muséum National d’Histoire Naturelle, Paris, France Abstract: Shelled molluscs are comprised of bivalves and gastropods. They are settled mainly on the continental shelf as benthic and sedentary animals due to their heavy protective shell. They can stand a wide range of environmental conditions. They are found in the whole trophic chain and are particle feeders, herbivorous, carnivorous, and predators. Exploited mollusc species are numerous. The main groups of gastropods are the whelks, conchs, abalones, tops, and turbans; and those of bivalve species are oysters, mussels, scallops, and clams. They are mainly used for food, but also for ornamental purposes, in shellcraft industries and jewelery. Consumed species are produced by fisheries and aquaculture, the latter representing 75% of the total 11.4 millions metric tons landed worldwide in 1996. Aquaculture, which mainly concerns bivalves (oysters, scallops, and mussels) relies on the simple techniques of producing juveniles, natural spat collection, and hatchery, and the fact that many species are planktivores. Keywords: bivalves, gastropods, fisheries, aquaculture, biology, fishing gears, management To cite this chapter Berthou P., Poutiers J.M., Goulletquer P., Dao J.C., SHELLED MOLLUSCS, in FISHERIES AND AQUACULTURE, from Encyclopedia of Life Support Systems (EOLSS), Developed under the Auspices of the UNESCO, Eolss Publishers, Oxford ,UK, [http://www.eolss.net] 1 1. -
Turbinellidae
WMSDB - Worldwide Mollusc Species Data Base Family: TURBINELLIDAE Author: Claudio Galli - [email protected] (updated 07/set/2015) Class: GASTROPODA --- Clade: CAENOGASTROPODA-HYPSOGASTROPODA-NEOGASTROPODA-MURICOIDEA ------ Family: TURBINELLIDAE Swainson, 1835 (Sea) - Alphabetic order - when first name is in bold the species has images Taxa=276, Genus=12, Subgenus=4, Species=91, Subspecies=13, Synonyms=155, Images=87 aapta , Coluzea aapta M.G. Harasewych, 1986 acuminata, Turbinella acuminata L.C. Kiener, 1840 - syn of: Latirus acuminatus (L.C. Kiener, 1840) aequilonius, Fulgurofusus aequilonius A.V. Sysoev, 2000 agrestis, Turbinella agrestis H.E. Anton, 1838 - syn of: Nicema subrostrata (J.E. Gray, 1839) aldridgei , Vasum aldridgei G.W. Nowell-Usticke, 1969 - syn of: Attiliosa aldridgei (G.W. Nowell-Usticke, 1969) altocanalis , Coluzea altocanalis R.K. Dell, 1956 amaliae , Turbinella amaliae H.C. Küster & W. Kobelt, 1874 - syn of: Hemipolygona amaliae (H.C. Küster & W. Kobelt, 1874) angularis , Coluzea angularis (K.H. Barnard, 1959) angularis , Turbinella angularis L.A. Reeve, 1847 - syn of: Leucozonia nassa (J.F. Gmelin, 1791) angularis riiseana , Turbinella angularis riiseana H.C. Küster & W. Kobelt, 1874 - syn of: Leucozonia nassa (J.F. Gmelin, 1791) angulata , Turbinella angulata (J. Lightfoot, 1786) annulata, Syrinx annulata P.F. Röding, 1798 - syn of: Pustulatirus annulatus (P.F. Röding, 1798) aptos , Columbarium aptos M.G. Harasewych, 1986 - syn of: Coluzea aapta M.G. Harasewych, 1986 ardeola , Vasum ardeola A. Valenciennes, 1832 - syn of: Vasum caestus (W.J. Broderip, 1833) armatum , Vasum armatum (W.J. Broderip, 1833) armigera , Tudivasum armigera A. Adams, 1855 - syn of: Tudivasum armigerum (A. Adams, 1856) armigera , Turbinella armigera J.B.P.A. -
Vidyam Dehi Namah-Stutey Puja Celebrations in Eastern, Northern, Central, Parts of Western India, and in Nepal
Vidyam Dehi Namah-stutey Puja celebrations in eastern, northern, central, parts of western India, and in Nepal. This festival is By Partha Sarathi Chakraborty traditionally celebrated in various ways at different [email protected] parts of the Indian subcontinent. AZ Samhita celebrates this on a weekend day closest to the With a renewed enthusiasm and continued calendar date, to enable strongest participation from expectation of generous patronage from the Indian the community. diaspora as in the last four years, Samhita Cultural Association of Arizona (nicknamed AZ Samhita) is again preparing to successfully celebrate Saraswati Puja this new year on 21st January, 2018 (Sunday) at the Community Center in Downtown Chandler (125E Commonwealth Avenue, Chandler AZ 85225). This time with a rejuvenated vigor mixed with the traditional fervor. True to its meaning (to unite) and motto (to Embrace, Share and Celebrate), the AZ Samhita executive As per Hindu scriptures, Goddess Saraswati team brings together participation from a broad (daughter of Lord Shiva and Goddess Durga) was multicultural spectrum of the local Hindu Indian- born on this day. Saraswati Puja is thus primarily origin population (be it linguistic, regional, etc.). As celebrated to worship Goddess Saraswati (also the fellowship gets stronger with the showcase of spelled as Sarasvati), revered as the ancient Hindu talent and cultural passion at every event, this Goddess of learning, language, knowledge, wisdom, attraction brings in folks of other nations as well, music, and all forms of art. She (being the divine interested to know more about the Indian culture. consort of Lord Brahma) symbolizes the source of all forms of creative energy and power that exists in Saraswati Puja (a.k.a. -
Proceedings of the United States National Museum
a Proceedings of the United States National Museum SMITHSONIAN INSTITUTION • WASHINGTON, D.C. Volume 121 1967 Number 3579 VALID ZOOLOGICAL NAMES OF THE PORTLAND CATALOGUE By Harald a. Rehder Research Curator, Division of Mollusks Introduction An outstanding patroness of the arts and sciences in eighteenth- century England was Lady Margaret Cavendish Bentinck, Duchess of Portland, wife of William, Second Duke of Portland. At Bulstrode in Buckinghamshire, magnificent summer residence of the Dukes of Portland, and in her London house in Whitehall, Lady Margaret— widow for the last 23 years of her life— entertained gentlemen in- terested in her extensive collection of natural history and objets d'art. Among these visitors were Sir Joseph Banks and Daniel Solander, pupil of Linnaeus. As her own particular interest was in conchology, she received from both of these men many specimens of shells gathered on Captain Cook's voyages. Apparently Solander spent considerable time working on the conchological collection, for his manuscript on descriptions of new shells was based largely on the "Portland Museum." When Lady Margaret died in 1785, her "Museum" was sold at auction. The task of preparing the collection for sale and compiling the sales catalogue fell to the Reverend John Lightfoot (1735-1788). For many years librarian and chaplain to the Duchess and scientif- 1 2 PROCEEDINGS OF THE NATIONAL MUSEUM vol. 121 ically inclined with a special leaning toward botany and conchology, he was well acquainted with the collection. It is not surprising he went to considerable trouble to give names and figure references to so many of the mollusks and other invertebrates that he listed. -
RIWAYAT BUNYI: Eksplorasi Alat Musik Dari Data Arkeologi
RIWAYAT BUNYI: Eksplorasi Alat Musik dari Data Arkeologi Oleh: TETABUHAN NUSARAYA "Menyuarakan Keragaman Kolektivitas" D.S. Nugrahani 46 Pendahuluan Katalog Pameran Nasional Salah satu pertanyaan yang mungkin muncul di kalangan masyarakat awam ketika melihat pameran Tetabuhan Nusaraya: Sounding the Diverse Alat Musik Tradisional Nusantara 2017 Collectivities ialah alat musik apakah yang paling tua atau yang pertama kali digunakan? Tidaklah mudah untuk menjawab pertanyaan tersebut, karena perlu merunut keberadaan alat musik secara diakronis. Kajian tentang alat musik baik secara diakronis maupun tentunya secara sinkronis, telah menarik perhatian para arkeolog sejak awal abad ;;'LGDODPDUNHRORJLPHPDQJWHUGDSDWVSHVLÀNDVL bidang yang secara khusus memfokuskan pada kajian tentang musik, dikenal dengan sebutan arkeo– musikologi atau arkeologi musik. THE HISTORY OF SOUNDS: Exploring Musical Instruments from Archaeological Data of Nusantara’s Musical Intruments 2017 National Exhibition Catalog By: D.S. Nugrahani 47 "Sounding the Diverse Collectivities" TETABUHAN NUSARAYA Introduction For general society, seeing the collections of Tetabuhan Nusaraya: Sounding the Diverse Collectivities National Exhibition may bring out a common question: What is the oldest musical LQVWUXPHQWVRUWKHÀUVWHYHUXVHG"7KDWLVQRWDQ easy question to answer, as an investigation to reveal the instruments existence diachronically is needed. The diachronic and synchronic study of the musical instruments have attracted a lot of archaeologists’ attention since the beginning of 20thFHQWXU\,QDUFKDHRORJ\WKHUHLVDVSHFLÀFÀHOG which focuses on the music studies that is called Archaeomusicology or Musical Archaeology. Arkeomusikologi dan Riwayat Bunyi tua, sayangnya memang tidak dapat dipastikan dengan jelas kronologinya. Sachs, lebih lanjut Arkeomusikologi didefnisikan sebagai suatu menjelaskan bahwa memang tidak mudah untuk kajian yang multi disiplin, setidaknya melibatkan menjawab permasalahan terkait kronologi alat musik pendekatan-pendekatan disiplin bidang musikologi yang paling tua.