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Department of City Planning
DEPARTMENT OF CITY PLANNING RECOMMENDATION REPORT City Planning Commission Case No.: CPC-2008-4604-GPA-ZC- HD-CUB-DB-SPR Date: February 28, 2013 CEQA No.: ENV-2008-3989-EIR Time: After 8:30 A.M. Incidental Cases: VTT 70805-GB Place: Van Nuys City Hall Council Chambers, Second Floor Related Cases: None 14410 Sylvan Street, Council No.: 5 - Hon. Paul Koretz; Room 201, Council Chamber 11- Hon. Bill Rosendahl Van Nuys, CA 91401 Plan Area: West Los Angeles Specific Plan: West Los Angeles Public Hearing December 5, 2012 Transportation Improvement Completed: and Mitigation Specific Plan Appeal Status: Appealable to City Council Certified NC: Westside Expiration Date: March 13, 2013 General Plan: Light Manufacturing and Multiple Approval: General Plan Amendment, Zone Public Facilities Change and Height District, Zone: M2-1-O; PF-1XL Conditional Use for Alcoholic Beverage, Density Bonus, Site Plan Applicant: Casden West LA, LLC and Review Concurrent Processing of Los Angeles County Multiple Approvals pursuant to Metropolitan Transportation 12.36 E. Authority (MTA) Representative: Howard Katz, Casden West LA, LLC PROJECT 11122 W. Pico Boulevard; 2431-2441 S. Sepulveda Boulevard, West Los Angeles, CA 90064 LOCATION: ADD AREA: 11240, 11250, 11120, 11160, 11110 W. Pico Boulevard, Los Angeles, CA 90064 PROPOSED Demolition of an operational concrete plant, a building materials supply store, an d accessory PROJECT: buildings, approximately 7,000 square feet, for the development of a 785,564 square-foot, mixed-use project consisting of 638 dwelling units (71 of which will be set aside for Very Low Income Senior Housing), 160,000 square feet of retail uses, consisting of approximately 110,000 square feet of retail space and a 50,000 square-foot of grocery market, with a total of 1,795 parking spaces provided within six subterranean parking levels. -
Convert Finding Aid To
Peter Glenville: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Glenville, Peter, 1913-1996 Title: Peter Glenville Papers Dates: 1914-2001 Extent: 37 document boxes, 5 oversize boxes, 4 oversize flat files (osf) (17.64 linear feet) Abstract: The Peter Glenville Papers embrace correspondence, business records, address books, appointment books, photographs, clippings, and personal documents. Spanning the years 1914 to 2001, the collection is largely in its original order, with the material in each series arranged alphabetically by original file title. Language: English Access: Open for research. Some materials have mold damage; see the Condition Note concerning access to these materials. Condition Note: Portions of the Peter Glenville Papers were damaged by mold during storage in the years after Glenville’s death. Most of the damaged materials were in sufficiently sound condition to permit the Ransom Center’s Conservation Department to clean them so that they could be safely handled and viewed with proper precautions. During cataloging, preservation photocopies were made of all personal correspondence located within the moderately mold-damaged materials (boxes 30-37) and these surrogates are now interfiled in the undamaged papers (boxes 1-29) to facilitate use of the collection. All photocopies are marked "Preservation photocopy of mold-damaged original in the Peter Glenville Papers." Researchers wishing to access the moderately mold-damaged originals located in boxes 30-37 are cautioned that while the Conservation Department has treated these manuscripts for mold infestation by aspiration and/or dry cleaning, mold may still be present. Users sensitive to mold should wear gloves and a dust/mist respirator while handling this material. -
December 6, 2012 To: David Martin, Planning Director From: Santa Monica
December 6, 2012 To: David Martin, Planning Director From: Santa Monica Coalition for a Livable City Re: Request that City Submit a Comment Letter on the FEIR Objecting to Significant Traffic Impacts of the Casden Sepulveda Project on Santa Monica Dear Mr. Martin: As I mentioned to you last night, the City of Santa Monica has the opportunity and the obligation to comment upon the very serious traffic impacts on Santa Monica of a huge nearby proposed project –- the Casden project at Pico and Sepulveda in Los Angeles. As LUCE makes clear, transportation planning must be regional. Time is running out: Santa Monica has only 2 weeks to be heard. We urge you, on behalf of the City of Santa Monica, to review the Final Environmental Impact Report (“FEIR”) released in November 2012 concerning the significant, unavoidable traffic impacts for the massive Casden project. Our LUCE sets forth the responsibility of Santa Monica to “collaborate with surrounding jurisdictions to seek appropriate mitigation measures to minimize the potential negative impacts on Santa Monica from projects in surrounding jurisdictions.” (Circulation Goal T15.4). This is especially so here, where as discussed below, this project FEIR estimates that the Casden project will generate 12,000 to 14,000 new daily vehicle trips at our doorstep. Our City must take this obligation seriously, as it did when it expressed its deep concerns about the unacceptable traffic impacts of the massive Bundy Village Project at Olympic and Bundy on 15 intersections bordering or within the City of Santa Monica. Santa Monica’s comments indicated where the impacts were too severe and would need mitigation and also required Santa Monica’s agreement on how traffic would be mitigated. -
Jazzletter 93023 March 1987 Vol
P.O. Box 240 Ojai, Calif. Jazzletter 93023 March 1987 Vol. 6 N0. 3 LfiflfifS It deals not so much with society (or does one call this sociology now?) as with “mother earth”, the soil, food, public-milking Before getting into records and radio as a conductor, I did schemes due to government promotion of pseudo-foods and some arranging for motion pictures, and got to spend some pseudo-drugs from irradiated grains to fluoridated water. The time with two famous songwriters. The Bob Crosby band was A bsolute Sound is the third pillar of integrity and wisdom among hired to do some off-camera recording for Holiday Inn, and I theperiodicals. It deals with music and art and engineering, not arranged most of Fred Astaire’s dance numbers as well as duets nuclear or war engineering, but engineering for thejoy of it, aural with Astaire and Bing Crosby. In doing so, l spent some o . unforgettable moments with Irving Berlin. Victor Young told J ilfthe Jazzletter were to fold, only two magazines would be left me then, “Stay away from the motion Picture busines5, it’lI to hold up the spirit and we, mankind, would be much closer to . break your heart.” extinction. But the most interesting day was spent with Jerome Kern Maybe we need to go, however. The earth’s spirit may need or after I received a call to arrange a number for Cover Girl, for want to clean house. Who knows? which Kern was writing the songs. Kern, Gene Kelly, Morris Frank Uhlig, Auburn, Alabama Stoloff — then music head of Columbia Pictures — and I were in a meeting. -
March 2003, Vol.26, No.1 / $3.00
SPECIAL 125th BIRTHDAY ISSUE MARCH 2003, VOL.26, NO.1 / $3.00 - 125 Years - LOS ANGELES COUNTY BAR ASSOCIATION INSIDE The face of the legal profession: legendary trials, increasing diversity, legal landmarks, leading the way in serving the public, and more. ONE SIZE DOES NOT FIT ALL... especially in insurance protection! Aon Insurance Solutions Sponsored by the Los Angeles County Bar Association • High quality insurance plans designed for your professional and personal needs • Comprehensive risk management program • Personalized attention from your local broker/administrator • Attorneys’ Advantage® • Homeowners Insurance Professional Liability Insurance • Auto Insurance • Businessowners Insurance • Life Insurance • Workers Compensation Insurance • Small Commercial Auto Insurance • Health Insurance • Personal Umbrella Liability Insurance • Long Term Care Insurance For more information on any Aon Insurance Solutions product or to complete a no-obligation application for quotation visit us online. Visit www.aonsolutions.com/ais6 Call 800-634-9177 • Fax 800-977-1112 CA License #0795465 4B0AQ002 Let’s Celebrate the Soul in Solo Other lawyers say you’re a maverick. Maybe they have you figured right: You go your own way, make your own decisions — blaze your own law practice. lexisONE® likes your style. It’s why we offer LexisNexis™ research priced by the day, week or month for solos. With our research pack- ages, you’re free to access the LexisNexis research tools and materials you need, for the times you need them. Access: • LexisNexis™ Enhanced Case Law • Annotated Rules and Statutes • Shepard’s® Citations Service • Public Records • Administrative Materials • Journals and Law Reviews • News • Matthew Bender® Analytic Content • Expert Witness Directories • Verdicts and Settlements The price won’t hold you back. -
Fanny Brice, Funny Girl, and “The Streisand Phenomenon”
____________________________________________________________________ Glorifying the Jewish-American Girl: Fanny Brice, Funny Girl, and “The Streisand Phenomenon” ____________________________________________________________________ ____________________________________________________________________ “What makes [a contemporary production of Funny Girl] all the more impressive is that few actors, or theater companies outside of summer stock, dare to attempt Jule Styne's and Bob Merrill's grand spectacle that propelled Barbra Streisand's career nearly 40 years ago.” Jillian Hornbeck Ambroz, The New York Times (April 2001) “Our renewed fondness, even adoration, of Streisand is evidence of a nostalgia for a time when striving for excellence was at least as important as making a buck, and when originality was prized over focus- grouped packaging. In the early 1960s, Streisand reset the cultural parameters when she walked onstage in Funny Girl and said ‘Hello, Gorgeous’ to herself in the mirror – a slender, unusual girl who wouldn’t compromise on appearance, performance, or integrity. Fifty years later, she still matters, and for all the same reasons.” William Mann, Hello, Gorgeous (2012) ____________________________________________________________________ Alexandra Strycula Thesis submitted in partial fulfillment of the requirements for the major in American Studies, Barnard College April 25, 2014 Thesis Advisers: Elizabeth Esch and Severin Fowles Abstract Rarely has there been a marriage of actress-and-role as lasting and profound as that -
Luck Media & Marketing, Inc
LUCK MEDIA & MARKETING, INC. 8581 Santa Monica Blvd. #426• West Hollywood, CA 90069 • (818)232-4175 • Fax (818)232-4166 • [email protected] • Luckmedia.com Steve Levesque Chrissy Sutphin Shae C. Lea President Vice President Acct Executive As Seen on LasVegasSun.com 7/18/11 Steve Levesque: longtime entertainment publicist, mayor of Hot Rod City Editor’s Note: One of today’s guest columnists is Steve Levesque, longtime entertainment publicist and mayorof Hot Rod City, while Robin Leach takes his well-deserved annual vacation to Europe (follow him on his travels at twitter.com/robin_leach). Every day, a new column, plus you never know what Robin will dig up in the wine country north of Rome, so please check back daily. By Steve Levesque When Mr. Robin Leach asked me to write a guest column for him, I was honored. I think I might even pilot my Rolls Royce and Ferrari around Las Vegas because of the influence of his hit TV series Lifestyles of the Rich & Famous. The only problem is that I’m neither rich nor famous. My cars are from the 1970s and ’80s, and a new Toyota costs more then I paid for the ’75 Roller or ’84 Mondial Cabriolet. But, hey, I’m living the Robin Leach lifestyle -- just a couple decades too late. Not only am I not rich, but my longtime profession as an entertainment publicist also is to make other people famous -- and that usually leads to increased revenue for them. Before I launched my L.A. and Las Vegas-based firm Luck Media & Marketing, I worked for one of the real legends and characters in entertainment PR: Lee Solters. -
Streetscape Plan Document FINAL 5.10.2017.Indd
DRAFT May 2017 WAS HING T O N BLVD BUNDY DRIVE SEPULVEDA BOULEVARD OLYMPIC BOULEVARD WESTWOOD PICO BOULEVARD M OTOR AVENUE EXPOSITION CORRIDOR STREETSCAPE PLAN A Transit Neighborhood Plans Project EXPOSITION BOULEVARD CASTLE HEIGHTS PALMS BOULEVARD NATIONAL BOULEVARD This project is partially funded by Metro EXPOSITION CORRIDOR STREETSCAPE PLAN A Transit Neighborhood Plans Project Approved by the Cultural Affairs Commission on [date] Approved by the Board of Public Works [or City Engineer] on [date] Approved by the City Planning Commission [or Planning Director] on [date] ii CITY OF LOS ANGELES EXPOSITION CORRIDOR STREETSCAPE PLAN DRAFT MAY 2017 TABLE OF CONTENTS 1 INTRODUCTION …………....…….… 1-1 4 STREETSCAPE TABLES 1.1 Boundaries....................................................... 1-1 ELEMENTS……………………….......…4-1 1. Streetscape Plan Applicability................................ 3-1 2. Department of Public Works Permits..................... 3-2 1.2 What is a Streetscape Plan?................................ 1-2 Streetscape Elements Table............................................ 4-2 3. Streetscape Elements............................................ 4-2 1.3 History................................................................1-3 Street Trees and Landscaping.......................................... 4-6 4. Street Trees Palette............................................... 4-7 1.4 Relevant Plans & Programs.................................. 1-3 Sidewalk Paving............................................................... 4-8 5. Street -
Casden Sepulveda Project
Department of City Planning City Hall • 200 N. Spring Street, Room 601 • Los Angeles, CA 90012 FINAL ENVIRONMENTAL IMPACT REPORT WEST LOS ANGELES COMMUNITY PLAN AREA Casden Sepulveda Project Case No. ENV-2008-3989-EIR Council Districts Nos. 5 and 11 Development Project Location: 11122-11150 Pico Boulevard and 2431-2441 South Sepulveda Boulevard, Los Angeles, California 90064 Add Area Project Location: 11240, 11250, 11120, 11160, and 11110 Pico Boulevard, Los Angeles, California 90064 Development Project Description: The Proposed Development Project includes a mixed-use commercial and residential development, with commercial access along Pico and Sepulveda Boulevards and residential access along Sepulveda and Exposition Boulevards. Part of the Metro railroad easement at the southern portion of the site along Exposition Boulevard between Sepulveda Boulevard and Sawtelle Boulevard is planned for use as rail-line-related infrastructure associated with Phase II of the Metro’s Exposition Light Rail Transit Line (the “Expo Line”). The Development Project would provide Expo Line passengers with pedestrian access to both existing and planned bus stops on both Pico and Sepulveda Boulevards. The Development Project would include a total of approximately 266,800 square feet of retail commercial floor area and 538 residential units (of which 59 would be senior-affordable units), including 56 studios, 262 one-bedrooms, 201 two-bedroom units, and 19 three-bedroom units (approximately 518,764 residential square feet). The Development Project would provide a total of approximately 2,029 parking spaces combined for residential, commercial, and guest use, in compliance with Code requirements. These parking stalls would be provided in up to five subterranean parking levels located below the development. -
Fanny Brice, Funny Girl, and “The Streisand Phenomenon”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons ____________________________________________________________________ Glorifying the Jewish-American Girl: Fanny Brice, Funny Girl, and “The Streisand Phenomenon” ____________________________________________________________________ ____________________________________________________________________ “What makes [a contemporary production of Funny Girl] all the more impressive is that few actors, or theater companies outside of summer stock, dare to attempt Jule Styne's and Bob Merrill's grand spectacle that propelled Barbra Streisand's career nearly 40 years ago.” Jillian Hornbeck Ambroz, The New York Times (April 2001) “Our renewed fondness, even adoration, of Streisand is evidence of a nostalgia for a time when striving for excellence was at least as important as making a buck, and when originality was prized over focus- grouped packaging. In the early 1960s, Streisand reset the cultural parameters when she walked onstage in Funny Girl and said ‘Hello, Gorgeous’ to herself in the mirror – a slender, unusual girl who wouldn’t compromise on appearance, performance, or integrity. Fifty years later, she still matters, and for all the same reasons.” William Mann, Hello, Gorgeous (2012) ____________________________________________________________________ Alexandra Strycula Thesis submitted in partial fulfillment of the requirements for the major in American Studies, Barnard College April 25, 2014 Thesis Advisers: -
Death Plot Bared in Receivership Probe
Established Oct 13, 1875 Devoted to Developing the Great Bay District Member Associated-Press FORECAST TMFER.miRES Fair and mild tonight and Thursday; High 61 (past 34 hours. 8 _ ta.) low 48 moderate northwest winds off shore. 8 A. M. READINGS IN OTHER CITIES OCEAN TIDES Los Aneeles 54 St. Paul 28 j *—_h Low Boston tejDevor _ —32 4:59 a.m.; 7:19 p.m. 12:37 p.m.; ll_5-__p.ni. Pittsburgh 20. New York SUN RISES SUN SETS Tampa 40 Kansas Cltr _ New Orleans •'•" ChicaRO , — 6:01 o'clock 6:02 o'clock EVE 52 LOOK Des Moines 32 San Francisco TAP)—The Associated~Press ^At^Consolidated Press (UP)—The United P.*-. 2NS)- City News Seivice VOLUME LVHI NUMBER 64 SANTA MONICA, CALIFORNIA, WEDNESDAY, MARCH 16, 1932 PRfeE TWO CENTS Mystery^Man DEATH PLOT BARED IN RECEIVERSHIP PROBE Police Called On $1-000 Required if For Cowboy Duty [Its Get Ready [Tangled Web of Romance, Unfolding Likeijwe Phftot Federal Trustee "Police here went m for ani-1 mal husbandry in a big way Movie, finds Joan Bennett Again Assuming Wife's Role early this morning. First a re port came in that a large dog Santa Monica to was killing a gdat in a vacant For New Effort Film Star Becomes Bride Of Mortgage Co. lot at the corner of Seventh street and Pennsylvania ave of Gene Markey, Well nue. Known Author Start Air Classic The dog was dragged away To Legalize Beer Reveals Gunplay from 'the goat ami -both were H. BE A lit. -
Appendix a Comment Letters Appendix A1 Comment Letters on the Draft EIR COMMENT LETTER NO
Appendix A Comment Letters Appendix A1 Comment Letters on the Draft EIR COMMENT LETTER NO. 100 Los Angeles Unified School District Office of Environmental Health and Safety JOHN E. DEASY, Ph.D. Superintendent of Schools ENRIQUE G. BOULL’T Chief Operating Officer JOHN STERRITT Director, Environmental Health and Safety April 14, 2014 My La Department of City Planning City of Los Angeles 200 N. Spring Street Room 667, MS 395 Los Angeles, CA 90012. Sent via Electronic Mail SUBJECT: LAUSD COMMENTS ON THE DRAFT ENVIRONMENTAL IMPACT REPORT (Draft EIR) CITY OF LOS ANGELES MOBILITY PLAN 2035 Presented below are comments submitted on behalf of the Los Angeles Unified School District (LAUSD), Office of Environmental Health and Safety (OEHS), regarding the Draft Environmental Impact Report (Draft EIR) for the City’s Mobility Plan 2035 (Mobility Plan). Overall, LAUSD is supportive of the Mobility Plan, which aligns in goals and potential environmental, health and safety benefits with many LAUSD programs and policies. We would encourage an ongoing dialogue and cooperation between the City of Los Angeles and LAUSD to accomplish these goals and realize the potential benefits. Of particular relevance to LAUSD schools within the City are the issues related to pedestrian safety and mobility as it pertains to so-called “vulnerable users”, which should include students. In summary, LAUSD requests that proximity and utility to school-based populations be a key consideration as the City prioritizes projects to be implemented, especially those designed to achieve the following goals: 100-1 x Improve safety and increase overall walk-ability through targeted enhancements at 50 locations annually.