Martin Kelly Resume 2021.Cdr

Total Page:16

File Type:pdf, Size:1020Kb

Martin Kelly Resume 2021.Cdr RĒSUMĒ Art Director MARTIN Draughtsman 077411-89830 Set Designer [email protected] KELLY Prop Maker www.martykelly.co.uk (BFDG MEMBER) Supervising P RINCESS SWITCH 3 (FF) A CASTLE FOR CHRISTMAS (FF) T HE SISTER (TV) Art Director Supervising Art Director Supervising Art Director Supervising Art Director NETFLIX/Picture Properties NETFLIX/Fortress Ltd ITV/Fremantle/Euston Films Edinburgh Edinburgh London Oct 2020 - Feb 2021 March - Nov 2020 Aug - Dec 2019 Art Director SUCCESSION (TV) SHEPHERD (FF) Acca Boosty (PR) Trust Me 2 (TV) Run (FF) Art Director Art Director Art Director Art Director Art Director HBO Golden Crab Productions Ladbrokes/MTP BBC/RED BTR Productions/BFI Scotland Scotland Scotland Scotland Fraserburgh April - June 2019 Feb - April 2019 Dec 2018 -Jan 2019 July - Dec 2018 Feb-May 2018 Good P eople RBS(PR) Outlaw King (FF) Anna& TheA pocalypse (FF) Hero (PR) BAFTA Awards (TV) Art Director Art Director Art Director Art Director Art Director/Designer RBS/Filming Scotland Netflix/Loudoun/Sigma Blazing Griffin Ridley Scott Associates BAFTA Scotland Scotland Scotland Scotland Scotland Glasgow Jan - Feb 2018 June - December 2017 Nov 2016 - March 2017 October 2016 Nov 2015 All Over The Place (TV) Kaleidoscope (PR) Ryder Cup (PR) One Day (FF) Northern Rock (PR) Art Director Art Director Art Director/Designer Art Director Art Director BBC Scotland Ridley Scott Associates Sky Sports/Filming Scotland Hadrian Productions Plum Films Glasgow Glasgow Gleneagles Glasgow/Scotland Edinburgh Sept - Oct 2015 Aug - Sept 2015 August 2014 June - Aug 2011 May - June 2010 Selection of Clique (TV) Life (FF) First Ladies (TV) Churchill (FF) Shetland (TV) other credits Assist Art Dir/Set Designer Prop Maker/Modeller Graphic Prop Maker Assist Art Dir/Set Designer Assist Art Dir/Set Designer Grafton House Columbia/Sony Pictures Finestripe Films Salon Churchill ITV/BBC Edinburgh Shepperton Glasgow Edinburgh Glasgow Sept-Oct 2016 June - August 2016 September 2016 April-June 2016 Feb - July 2015 Gareth Jones (FF) Rory’s Way (FF) Murder (TV) Future City (PR) Omega Ryder Cup (PR) Draughtsman Set Designer Graphic Artist/Set Designer Art Director/Designer Art Director/Concept Artist Jones Boy Pictures Po Valley Touchpaper/BBC Hopscotch Films Omega /Filming Scotland Scotland California/Scotland Edinburgh Glasgow Edinburgh May 2018 February 2016 Aug-Dec 2014 July - Aug 2014 Aug-Dec 2014 Gasping (SF) Glasgow Girls (FF) W ish You Were Here (PR) Outlander (TV) As He Lay Falling (SF) Standby Art Director Graphic Artist Art Director/Designer Draughtsman Production Designer Hopscotch Films Minnow Films Sheraton/Filming Scotland Left Bank Productions Hopscotch Films Glasgow Glasgow Edinburgh Glasgow Glasgow/Scotland June 2014 April - May 2014 September 2013 September 2013 July - Aug 2013 BAFTA Awards (TV) Millionaire (PR) God Help The Girl (FF) Garrows Law (TV) Case Histories (TV) Art Director/Designer Art Director/Designer Graphic Artist/Prop Maker Assist Art Director GFX Artist/Set Designer BAFTA Scotland Scouting For Girls/Rokkit Film City Shed Media/BBC Ruby Films Glasgow Glasgow/Scotland Glasgow Glasgow Edinburgh Nov 2014 June - July 2013 June - July 2012 May - July 2011 Sept 2010 - Jan 2011 The Eagle (FF) Single Father (TV) NEDS (FF) This Is England (FF) On A Clear Day (FF) Propmaker Assist Art Director Assist Art Director Assist Art Director Assist Art Director Focus Features/Film 4 Red Productions/BBC Blue Light Films Warp Bulldog Ltd OACD LTD Scotland Glasgow Glasgow Nottingham Glasgow/Isle Of Man March - May 2011 Feb - April 2010 May - Aug 2009 Aug - Oct 2005 May - Aug 2004 The Key (TV) Solid Air (FF) Miranda (FF) 28 Days Later (FF) Revelation (FF) Art Dept Assistant Art Dept Assistant Art Dept Assistant Art Dept Assistant Art Dept Assistant BBC Elemental Films Film Four DNA Films Romuls Films Glasgow Glasgow London 3 Mills/London London 2003 2003 2002 2001 2001 Education 3DS Max Masterclass 3DS Max Design & Animation Technical Drawing & Design +Training Academy Class Metropolitan College NFTS Beaconsfield London 2009 Glasgow 2008 London 2001 Production Design for Illustration for Print & Media HND Industrial Design Film & Theatre College of Building & Printing Cardonald College The Tron, Glasgow 1998 Glasgow 1997 Glasgow 1996 Key Skills S.A.D. and Art Direction including Budget, Construction and Art Department management. Extensive location & studio build experience for all genres. Graphic Art, Illustration, Set Design & Draughting skills including Digital and Concept Artwork, 3D Pre-visualisation, Prop Making, Fabrication & Modelling. Adobe Photoshop, Illustrator, After Effects, Corel D r a w & P a i n t e r. A u t o D e s k 3 D S M a x , U n r e a l E n g i n e & S k e t c h B o o k P r o . References Available on request FF:Feature Film TV:Television SF:Short Film PR:Promo/Commercial Thanks.
Recommended publications
  • Siff Announces Full Lineup for 40Th Seattle
    5/1/2014 ***FOR IMMEDIATE RELEASE*** Full Lineup Announced for 40th Seattle International Film Festival FOR IMMEDIATE RELEASE Press Contact, SIFF Rachel Eggers, PR Manager [email protected] | 206.315.0683 Contact Info for Publication Seattle International Film Festival www.siff.net | 206.464.5830 SIFF ANNOUNCES FULL LINEUP FOR 40TH SEATTLE INTERNATIONAL FILM FESTIVAL Elisabeth Moss & Mark Duplass in "The One I Love" to Close Fest Quincy Jones to Receive Lifetime Achievement Award Director Richard Linklater to attend screening of "Boyhood" 44 World, 30 North American, and 14 US premieres Films in competition announced SEATTLE -- April 30, 2014 -- Seattle International Film Festival, the largest and most highly attended festival in the United States, announced today the complete lineup of films and events for the 40th annual Festival (May 15 - June 8, 2014). This year, SIFF will screen 440 films: 198 features (plus 4 secret films), 60 documentaries, 14 archival films, and 168 shorts, representing 83 countries. The films include 44 World premieres (20 features, 24 shorts), 30 North American premieres (22 features, 8 shorts), and 14 US premieres (8 features, 6 shorts). The Festival will open with the previously announced screening of JIMI: All Is By My Side, the Hendrix biopic starring Outkast's André Benjamin from John Ridley, Oscar®-winning screenwriter of 12 Years a Slave, and close with Charlie McDowell's twisted romantic comedy The One I Love, produced by Seattle's Mel Eslyn and starring Elisabeth Moss and Mark Duplass. In addition, legendary producer and Seattle native Quincy Jones will be presented with a Lifetime Achievement Award at the screening of doc Keep on Keepin' On.
    [Show full text]
  • 28 Days Later
    28 DAYS LATER Written by Alex Garland CLOSE ON A MONITOR SCREEN: Images of stunning violence. Looped. Soldiers in a foreign war shoot an unarmed civilian at point- blank range; a man is set on by a frenzied crowd wielding clubs and machetes; a woman is necklaced while her killers cheer and howl. Pull back to reveal that we are seeing one of many screens in a bank of monitors, all showing similar images... Then revealing that the monitors are in a... INT. SURGICAL CHAMBER - NIGHT ...surgical chamber. And watching the screens is a... ...chimp, strapped to an operating table, with its skull dissected open, webbed in wires and monitoring devices, muzzled with a transparent guard. Alive. Behind the surgical chamber, through the wide doorframe, we can see a larger laboratory beyond. INT. BRIGHT CORRIDOR - NIGHT A group of black-clad ALF Activists, all wearing balaclavas, move down a corridor. They carry various gear - bag, bolt cutters. As they move, one Activist reaches up to a security camera and sprays it black with an aerosol paint can. INT. LABORATORY - NIGHT The Activists enter the laboratory. CHIEF ACTIVIST Fucking hell... The Chief Activist takes his camera off his shoulder and starts taking photos. The room is huge and long, and darkened except for specific pools of light. Partially illuminated are rows of cages with clear perspex doors. They run down either side of the room. In the cages are chimpanzees. 2. Most are in a state of rabid agitation, banging and clawing against the perspex, baring teeth through foam-flecked mouths.
    [Show full text]
  • ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
    ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship
    [Show full text]
  • God Help the Girl
    GENERATION 14PLUS GOD HELP THE GIRL Stuart Murdoch Eve steigt heimlich aus dem Fenster der Klinik. Befreit tanzt sie durch Großbritannien 2013 Glasgow – und singt. Bei einem kleinen Konzert begegnet sie dem fein- 111 Min. · DCP, 1:1.85 · Farbe fühligen Musiker James, der ihr Talent und den Zauber ihrer Stimme spürt. Gemeinsam träumen sie davon, eine Band zu gründen. Später Regie, Buch Stuart Murdoch stößt noch Cassie hinzu. An unbeschwerten Tagen, unterwegs auf Aus- Kamera Giles Nuttgens Schnitt David Arthur flügen und immer wieder auf Konzerten reden sie über Musik, ent- Musik Stuart Murdoch wickeln Ideen, schmieden Pläne. Der schüchterne James verliebt sich Sound Design Douglas MacDougall in Eve, doch er ist nicht ihr einziger Verehrer. Zudem hütet die junge Production Design Mark Leese Frau ein Geheimnis, das ihr fast die Kraft zum Leben nimmt. Aber die- Kostüm Denise Coombes 1968 in Glasgow, Großbritannien, geboren. ser Sommer ist wie ein euphorischer Rausch – voller Sehnsucht nach Maske Karen Brotherston Murdoch ist Texter und Leadsänger der einer erfüllten, von einem Leben nur für die Musik bestimmten Zu- Casting Kahleen Crawford schottischen Band Belle and Sebastian. Um kunft. Er beschert Eve und James erste Auftritte, erste Krisen und ei- Regieassistenz Neil Wallace Musik und Drehbuch für GOD HELP THE GIRL nen schmerzhaften Abschied. Regisseur Stuart Murdoch ist Sänger der Produzent Barry Mendel zu schreiben und den Film zu realisieren, nahm Ausführende Produzenten John Williamson, er sich eine Auszeit von den Bandaktivitäten. schottischen Indie-Band Belle and Sebastian. Ihre Musik verschmilzt mit dem von persönlichen Erfahrungen getragenen Film zu symbio- Chris Curling, Phil Robertson Co-Produzentin Carole Sheridan tischer Schönheit.
    [Show full text]
  • We Are the Walking Dead:” Zombie Spaces, Mobility, and The
    “WE ARE THE WALKING DEAD:” ZOMBIE SPACES, MOBILITY, AND THE POTENTIAL FOR SECURITY IN ZONE ONE AND THE WALKING DEAD A RESEARCH PAPER SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTERS OF ARTS BY JESSIKA O. GRIFFIN DR. AMIT BAISHYA – ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2012 “We are the walking dead:” Zombified Spaces, Mobility, and the Potential for Security in Zone One and The Walking Dead “I didn’t put you in prison, Evey. I just showed you the bars” (170). —V, V For Vendetta The zombie figure is an indispensible, recurring player in horror fiction and cinema and seems to be consistently revived, particularly in times of political crisis. Film is the best-known medium of zombie consumption in popular culture, and also the most popular forum for academic inquiry relating to zombies. However, this figure has also played an increasingly significant role in written narratives, including novels and comic books. Throughout its relatively short existence, no matter the medium, the zombie has functioned as a mutable, polyvalent metaphor for many of society’s anxieties, with zombie film production spiking during society’s most troublesome times, including times of war, the height of the HIV/AIDS epidemic, and, more recently, 9/11.1 In Shocking Representations, Adam Lowenstein describes the connection between historical events and cinema by first describing how history is experienced collectively. Lowenstein describes historical traumas as “wounds” in the sense that they are painful, but also in that they continue to “bleed through conventional confines of time and space” (1).
    [Show full text]
  • A Sociological Analysis of Contemporary Zombie Films As Mirrors of Social Fears a Thesis Submitted To
    Fear Rises from the Dead: A Sociological Analysis of Contemporary Zombie Films as Mirrors of Social Fears A Thesis Submitted to the Faculty of Graduate Studies and Research in Partial Fulfillment of the Requirements For the Degree of Master of Arts in Sociology University of Regina By Cassandra Anne Ozog Regina, Saskatchewan January 2013 ©2013 Cassandra Anne Ozog UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Cassandra Anne Ozog, candidate for the degree of Master of Arts in Sociology, has presented a thesis titled, Fear Rises from the Dead: A Sociological Analysis of Contemporary Zombie Films as Mirrors of Social Fears, in an oral examination held on December 11, 2012. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Nicholas Ruddick, Department of English Supervisor: Dr. John F. Conway, Department of Sociology & Social Studies Committee Member: Dr. JoAnn Jaffe, Department of Sociology & Social Studies Committee Member: Dr. Andrew Stevens, Faculty of Business Administration Chair of Defense: Dr. Susan Johnston, Department of English *Not present at defense ABSTRACT This thesis explores three contemporary zombie films, 28 Days Later (2002), Land of the Dead (2005), and Zombieland (2009), released between the years 2000 and 2010, and provides a sociological analysis of the fears in the films and their relation to the social fears present in North American society during that time period. What we consume in entertainment is directly related to what we believe, fear, and love in our current social existence.
    [Show full text]
  • The Serological Response of Sheep to Infection with Louping-Ill Virus
    J. Hyg., Camb. (1961), 59, 437 437 Printed in Qreat Britain The serological response of sheep to infection with louping-ill virus BY H. WILLIAMS AND H. THORBURN The Bacteriology Laboratory, Northern Regional Hospital Board, Inverness (Received 24 May 1961) INTRODUCTION With the discovery of the virus aetiology of louping ill in sheep by Pool, Brown- lee & Wilson, in 1930, some of the fundamental characteristics of tho virus in relation to the disease in sheep, its transmission, and the identification of the tick vector, Ixodes ricinus were soon elucidated (Pool et al., 1930; Alston & Gibson, 1931; Hurst, 1931; Brownlee & Wilson, 1932; McLeod & Gordon, 1932; Gordon, Brownlee, Wilson & McLeod, 1932). A number of distinct yet related diseases occurring over a "wide geographical area from the far east of the Soviet Union to Western Russia were shown in 1937 to be tick-borne virus diseases (Smorodintseff, 1958) and the viruses involved were closely related to the virus of louping ill (Casals & Webster, 1943, 1944). Likewise, a virus isolated from cases of meningoencephalitis in man in Czechoslovakia in 1948, and now generally termed Central European tick-borne encephalitis was shown by Edward to be closely related to the Russian spring-summer encephalitis (R.S.S.E.) and louping-ill viruses (Edward, 1950). All these diseases are now grouped together under the term Russian spring- summer complex and with louping ill constitute subgroup of the arthropod-borne group B viruses, according to the classification of Casals & Brown (1954). Certain improvements in the design and technique of complement fixation tests (Fulton & Dumbell, 1949; Mayer, Osier, Bier & Heidelberger, 1946) and the de- velopment of haemagglutination inhibition tests with some members of the arbor viruses (Clarke & Casals, 1958) have made possible the examination of material on a larger scale than has readily been accomplished up to now.
    [Show full text]
  • GOD HELP the GIRL FICHA TÉCNICA God Help the Girl
    Primavera Musical Sesión do 15 de abril de 2015 a GOD HELP THE GIRL FICHA TÉCNICA God Help The Girl. Reino Unido, 2014. Cor, 111 min. Xénero: Dramedia musical | Dirección, guión e música: Stuart Murdoch | Produción: Barry Mendel (Barry Mendel Productions, British Film Company, HanWay Films, Amplify) | Fotografía: Giles Nuttgens | Montaxe: David Arthur | Intérpretes: Emily Browning (Eve), Olly Alexander (James), Hannah Murray (Cassie), Cora Bissett (Miss Browning), Pierre Boulanger (Anton) PREMIOS Escribir o guión foi xenial. Deixei a vimos a máis de 2.000 persoas para a banda temporalmente e pasei os o papel de Eve. Emily era moi só- Festival de Sundance 2014 mellores 6 meses da miña vida, só lida e profesional, leva tempo fa- Premio Especial do Xurado (Mellor no meu piso de Glasgow. Erguíame cendo isto, pero ao mesmo tempo é Reparto) e escribía, media horiña parecíame como se estivese noutro mundo, nin abondo. E logo ía dar un paseo en sequera contestaba os meus emails. SINOPSE bici, e neses traxectos víñame a Era bastante como Eve e pensei que a inspiración. era a que mellor podería encarnala. Eve, unha moza de Glasgow inter- a nada nun hospital, escribe cancións É God Help the Girl unha fantasía Houbo química entre os actores. para superar os problemas emo- pop para unha xeración de adoles- Nada máis xuntalos aos tres, cam- cionais que a levaron até alí. Un día centes perdida pola crise? biamos a película completamente a coñece a James e Cassie, dous mú- Ao escribir as cancións, e ao rodar o só unha semana da rodaxe, por co- sicos que, coma ela, atópanse en filme, deixeime levar pola miña al- mo se relacionaban entre eles.
    [Show full text]
  • Butlletí De Novetats Discogràfiques Juliol-Desembre 2019
    Butlletí de juliol-desembre novetatsBUTLLETÍ DE NOVETATS DISCOGRÀFIQUES discogràfiquesGENER - MAR2019Ç 2007 ButlletíÍndex Índex d’autors, títols i matèries Índex 1. Músiques del món. Cantautors 2. Jazz 3. Rock. Pop 4. Música clàssica 5. New Age 6. Bandes Sonores 7. Música per a xiquets 8. Vídeos musicales 9. Índex d’autors, títols i matèries Índex Índex Índex d’autors, títols i matèries 1. Músiques del món. Cantautors 1. Músiques del món. Índex Índex d’autors, títols i matèries Cantautors 1. Músiques del món. Cantautors 1 ARTETA, Ainhoa La otra orilla / Ainhoa Arteta. -- [Madrid]: Universal Music Spain, D.L. 2019. -- 1 disco compacto (ca. 40 min): digital + 1 DVD + 1 folleto. ALI FONO R.C.D. 9073 19 € “Frenesí” o “Guantanamera” eran las canciones que “las Ibarrolaburu” cantaban cuando la soprano Ainhoa Arteta era “pequeña”, la banda sonora de momentos “súper felices” que ella ha querido recuperar en “La otra orilla”, un disco que sale el viernes y que mira con “pasión” y “vanguardia” a Hispanoamérica. Arteta (Tolosa, Guipúzcoa, 1965) es hija de Esther Ibarrolaburu (1934-2007), que con sus cinco hermanas solía “armar unas estu- pendas” en Nochebuena y Nochevieja cantando un repertorio que incluía boleros y habaneras como “El rosario de mi madre”, “Piensa en mí” o “Pecado”, “las canciones protesta de los 60 y 70”, asegura la intérprete en una entrevista con Efe. Esos temas o “Quiéreme mucho”, “Volver, volver”, “María de la O”, “Ansiedad” y “Cuando llegue al mar” -todos en el nuevo disco- eran, afirma, “reivindicativos” porque su madre y sus tías las cantaban cuando querían “decir algo”.
    [Show full text]
  • All the Fun of the Fare
    FEATURE FoCUS n MArkEt bUzz n AlliAnCE FilMS n CnC n zEntropA n EUropE’S FilM tAx CrEditS n SightSEErS (Clockwise from left) Speranza13 Media’s Romeo & Juliet; Recreation’s Red Hook Summer; Jennifer Lawrence; Arnold Schwarzenegger; Exclusive Media’s Look Of Love; Matt Damon; Kristen Stewart; Liam Hemsworth All the fun of the fare As the Cannes Marché opens for business, Screen looks at the hottest titles debuting at the market — at all stages of production — from the US, Europe and across Asia US sellers thriller Lone Survivor, which starts shooting Sep- tional and along with head of sales Nadine de Bar- tember 15. ros will take point on the Robert Rodriguez duo By Jeremy Kay Panorama Media, the new player backed by Frank Miller’s Sin City: A Dame To Kill For in 3D Lionsgate’s Patrick Wachsberger and Helen Lee Megan Ellison and run by Marc Butan and sales and Machete Kills (both in pre-production). Kim will kick off pre-sales on Catching Fire, the head Kim Fox, will introduce buyers to Kathryn Camela Galano’s Speranza13 Media will show a aptly named sequel to this year’s $625m-plus Bigelow’s Osama Bin Laden project Zero Dark promo from Romeo & Juliet based on Julian Fel- indie global behemoth The Hunger Games. The Thirty, currently shooting. lowes’ adapted screenplay. Hailee Steinfeld from merger with Summit has added thriller Red 2 (in Stuart Ford and sales chief Jonathan Deckter of True Grit stars alongside Douglas Booth. pre-production) to the pipeline. Other hot titles IM Global arrive on the Croisette with Robert The Solution Entertainment Group principal are Roman Polanski’s thriller D and Denis Ville- Luketic’s corporate espionage thriller Paranoia, to Lisa Wilson arrives with thriller Grand Piano neuve’s Prisoners.
    [Show full text]
  • Festival Guide
    JUNE 4–8, 2014 DETROIT • ANN ARBOR FESTIVAL GUIDE DETROIT FILM THEATRE M MICHIGAN THEATERTHEATER THE BEST FILMS FROM THE WORLD’S BEST FESTIVALS STATESTATE THEATER DELI THEATERNOW SHOWING UPSTAIRS 10 VENUES 50 FILMS 110 SCREENINGS cinetopiafestival.org 1 2014-Cinetopia-GUIDE_01.indd 1 5/14/14 11:39 AM B:8.375” T:8.125” S:7.375” The next generation of B:11.125” S:10.125” T:10.875” safe drivers begins with you. Your child’s first year behind the wheel can be one of the most dangerous of their young life. That’s why we’ve created TeenDrive365: education, events and innovative tools to help continue the conversation and keep you involved. Every mile. Every day. Visit TeenDrive365.com today. 2014-Cinetopia-GUIDE_01.indd1 TOMNANAT-14-034_C.indd 2 5/14/14 11:39 AM Saved at 5-6-2014 1:41 PM from nyc01lmoise by Lauren Moise / Lauren Moise Printed At None Job info Approvals Fonts & Images Job TOMNANAT-14-034_C Art Director Alexis Roubillad Fonts Client Toyota Copywriter None Proxima Nova (Regular, Light) Media Type Dinner Journal Account Mgr Alex Tuller Live 7.375” x 10.125” Studio Artist Lauren Moise Images Trim 8.125” x 10.875” Proofreader None 219864_01d_Print TeenSafety36-Ipad_ Bleed 8.375” x 11.125” CMYK_NOTYPE.psd (CMYK; 326 ppi; 92%), Pubs SAE Foundation Notes TD365_LGP_LOGO.eps (21.39%), 4C_BigBug_ SidebySide_LGP_WIPr2_sm.eps (14.49%) None Inks Cyan, Magenta, Yellow, Black PRESENTED BY THE MICHIGAN THEATER AND DETROIT FILM THEATRE JUNE 4-8, 2014 DETROIT • ANN ARBOR STATESTATE CINETOPIA STATESTATE INTERNATIONAL CONTENTS FILM FESTIVAL returns
    [Show full text]
  • Zombies: New Media, Cinema, and Performance
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title 21st Century Zombies: New Media, Cinema, and Performance Permalink https://escholarship.org/uc/item/9hq1z1t7 Author Taylor, Joanne Marie Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California 21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies.
    [Show full text]