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QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
The BBB Featuring Bernie Dresel – Live and Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title)
The BBB Featuring Bernie Dresel – Live And Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title) Date: Tuesday, April 19, 2016 Arrive By 7:00 PM, Sound Check 8:00 PM NO Admission Fee Or Cover Charge Joe’s Great American Bar & Grill, Burbank, California Bernie Dresel’ s jazz orchestra, The BBB, is without question one of Los Angeles’ most exciting large jazz ensembles, if not on the planet. The BBB provides potent testimony to the sheer exhilaration of big band jazz...a combination of intense swing and fiery soloing, as well as tight ensemble playing. The BBB is comprised of sixteen seasoned pros on the LA studio scene. Populated by LA’s finest players, The BBB takes the big band tradition into the new millennium with a contemporary, highly original sound featuring the witty, intricate, and hard‐ swinging compositions of established and up‐and‐coming composers and arrangers. And like those other famous road bands such as Buddy Rich’s, Count Basie’s, Woody Herman’s, Stan Kenton’s, Thad Jones/Mel Lewis’, the music and delivery of The BBB’s music is nothing less than astonishing when experienced live. The sound has a contemporary, dynamic and hard swinging energy with a focused edge to it that is like no other jazz orchestra, though reminiscent of Buddy Rich’s ensembles. The band make‐up is unique in that there is no piano but jazz/rockin’ guitar instead, in addition to four trumpets, four trombones, five saxophones and upright acoustic bass and drums. When people hear Bernie’s BBB, the first thing that hits them is its energy and intensity. -
Belwin 2007–2008 Jazz Ensemble
Belwin 2007–2008 JAZZ ENSEMBLE Performance Music Play-Alongs Jazz Theory Supplemental Jazz Resources JAZZ a division of Alfred alfred.com DEAR JAZZ ENSEMBLE DIRECTOR, Enclosed are the Belwin Jazz Ensemble new releases for 2007–2008! As a division of Alfred, Belwin Jazz provides you with first-class quality music and a variety of jazz products. Our performance music includes jazz charts from the most basic level to the hottest and most advanced concert / festival charts and everything in between. A variety of styles are featured, including swing, Latin, ballad, pop, rock, funk, contemporary, and traditional; all you need at every level. Belwin Jazz Ensemble music is conveniently grouped into NINE OUTSTANDING SERIES: JAZZ BEGINNINGS SERIES • Very Easy (Yellow) FIRST YEAR CHARTS FOR JAZZ ENSEMBLE SERIES • Easy (Red) YOUNG JAZZ ENSEMBLE SERIES • Easy to Medium Easy (Green) JAZZ BAND SERIES • Medium (Blue) JAZZ VOCAL SERIES: JAZZ ENSEMBLE with VOCAL FEATURE: Medium (Orange) PREMIER JAZZ SERIES: Medium Advanced to Advanced (Purple) GORDON GOODWIN SERIES: Advanced (Teal) JAZZ EXPRESSIONS SERIES with optional string parts, with corresponding difficulty level cover color JAZZ FOR YOUNG PEOPLE™ SERIES correlated to the Jazz For Young People™ curriculum, with corresponding { difficulty level cover color In addition to our new Jazz Ensemble music, this booklet includes details about outstanding supplemental materials, books and play-alongs for jazz studies, along with a list of solo features, festival highlights, holiday music and much more for every jazz program. Belwin Jazz provides you with an unbeatable mix of outstanding writing skills, staff, and exceptional catalogs. Combine that with our excellent support and the backing of a family-owned music company managed by musicians for more than 80 years, and you get the best jazz music money can buy. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
CALTECH JAZZ BAND Directed by Barb Catlin
CALTECH JAZZ BAND Directed by Barb Catlin presents the guest artist jazz concert featuring Trumpeter Trombonist WAYNE ANDY MARTIN BERGERON Saturday, February 1, 2014 8:00 pm Beckman Auditorium PROGRAM Caltech offers excellent opportunities for the study and performance The Caltech Jazz Band of music, theater and the visual arts. The Performing and Visual Arts Faculty are committed to quality in performance and educa- tion, and share a dedication to serve the student who wishes to Bebop Charlie composed/arranged Bob Florence enrich and broaden his or her college experience. Students can receive academic credit for their participation. A Friend Like Me composed Alan Menken/arranged Bill Liston Performing and Visual Arts plays a vital role in realizing the You Go to My Head composed J. Fred Coots/arranged Tom Kubis Institute’s mission of “… educating outstanding students to become creative members of society.” Black Orpheus composed Luiz Bonfa/arranged Tom Kubis For more information about Caravan composed Juan Tizol/arranged Tom Kubis Performing and Visual Arts at Caltech, please call us at 626-395-3295 or visit us at www.music-theater-art.caltech.edu Intermission Have You Heard composed Pat Metheny/Arranged Bob Curnow My Lament composed/arranged Maria Schneider Richards Instrumental Music Fund In memory of Gertrude and Huldric Richards, and honoring Nori I Thought About You composed Jimmy Van Heusen/arranged Tom Kubis and Ray Richards for their support of Caltech’s Instrumental Music Program. Interest generated by the Richards Fund will be used at Maynard & Waynard composed & arranged by Gordon Goodwin the discretion of Bill and Delores Bing, or those who may succeed them in guiding the Caltech Instrumental Music Program. -
Legal Use Requires Purchase NOTES to the CONDUCTOR
The Passage GORDON GOODWIN INSTRUMENTATION Conductor 1st Trombone 1st E Alto Saxophone 2nd Trombone b 2nd E Alto Saxophone (Optional Flute) 3rd Trombone b 1st B Tenor Saxophone Bass Trombone b 2nd B Tenor Saxophone Guitar Chords b E Baritone Saxophone Guitar b 1st Bb Trumpet (Flugelhorn) Piano 2nd B Trumpet (Flugelhorn) Bass b 3rd B Trumpet (Flugelhorn) Drums b 4th B Trumpet (Flugelhorn) Auxiliary Percussion b (Small Triangle, Suspended Cymbal, Vibraphone, Mark Tree) Preview Only Legal Use Requires Purchase NOTES TO THE CONDUCTOR It’s been a long time since I wrote an original big band ballad—not sure why I had neglected the style for so long. But as I was thinking about writing an alto sax feature for the great Eric Marienthal, I realized that he would sound fantastic on one. And once you hear his performance of this chart on our CD Life in the Bubble, you will no doubt agree. His performance includes obvious high points, such as his remarkable control and technique, but I am especially struck by his passion and commitment to the song. It seems that those Gordon qualities are more important when it comes to playing ballads than other styles. The audience wants to hear your emotions; they want Goodwin a glimpse into your heart. So, if you are playing the alto solo here, I recommend going all in. Commit to it. What does that mean for your playing? Only you can answer that question. For some, it means vibrato; for some, it means bends and scoops. For others, it means Gordon Goodwin started composing at the age playing with quiet empathy, or it means playing with energy and intensity. -
Jazz Radio Panel P. 22 Jazzweek.Com • September 18, 2006 Jazzweek 13 Airplay Data Jazzweek Jazz Album Chart Sept
JazzWeek with airplay data powered by jazzweek.com • September 18, 2006 Volume 2, Number 42 • $7.95 Industry Q&A: JANA LA SORTE page 10 On The Charts: #1 Jazz Album – Dr. Lonnie Smith #1 Smooth Album – Peter White #1 College Jazz – Madeleine Peyroux #1 Smooth Single – Peter White #1 World Music – Eliane Elias JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR Tad Hendrickson kay. After beating up on jazz radio a little bit over the last CONTRIBUTING WRITER/ three weeks, I thought I’d better balance it out with some of PHOTOGRAPHER Othe things jazz radio does right and does better than other Tom Mallison formats. PHOTOGRAPHY 1. Jazz radio plays more new artists than any other profes- Barry Solof sional format. Over the last three years, at least 600 albums have Contributing Editors made the JazzWeek top 50. No commercial radio format plays Keith Zimmerman that many new records in a year, and other than some non-comm Kent Zimmerman triple-As and college radio, no other radio genre comes close. (We Founding Publisher: Tony Gasparre can argue about how many of those should be played, but it’s still ADVERTISING: Devon Murphy an impressive and commendable number.) Call (866) 453-6401 ext. 3 or 2. Jazz radio is not part of the whole sleazy money/payola mess. email: [email protected] The lack of money in jazz is certainly part of that, but the relation- SUBSCRIPTIONS: ships between promoters, labels and radio are built on trust, not Free to qualified applicants free electronics, wads of cash, limos or vacations. -
Brian Setzer Nitro Burnin' Funny Daddy Mp3, Flac, Wma
Brian Setzer Nitro Burnin' Funny Daddy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Nitro Burnin' Funny Daddy Country: US Released: 2003 Style: Rock & Roll, Rockabilly MP3 version RAR size: 1911 mb FLAC version RAR size: 1698 mb WMA version RAR size: 1978 mb Rating: 4.9 Votes: 452 Other Formats: DMF MP1 AU DXD AUD ADX MOD Tracklist Hide Credits 1-1 Sixty Years 1-2 Don't Trust A Woman (In A Black Cadillac) 1-3 When The Bells Don't Chime 1-4 That Someone Just Ain't You 1-5 Rat Pack Boogie 1-6 Ring, Ring, Ring 1-7 Drink Whiskey And Shut Up 1-8 Smokin' N' Burnin' Wild Wind 1-9 Written-By – Terry Gilkyson 1-10 St. Jude To Be Loved 1-11 Written-By – McGinnis*, Jones*, Goodloe*, Munson*, Goodloe* 1-12 When The Bells Don't Chime (Banjo Mix) 2-1 Luck Be A Lady Credits Bass – Johnny "Spaz" Hatton* Drums – Bernie Dresel Guitar, Guitar [Banjo] – Brian Setzer Mixed By – Chris Lord-Alge Producer – Dave Darling Vocals – Brian Setzer Other versions Category Artist Title (Format) Label Category Country Year Brian Nitro Burnin' Funny Daddy Surfdog 44022-2 44022-2 US 2003 Setzer (CD, Album) Records Brian Nitro Burnin' Funny Daddy Surfdog 44022-2 44022-2 Russia 2003 Setzer (CD, Album, Unofficial) Records Brian Nitro Burnin' Funny Daddy Surfdog PR-4022-2 PR-4022-2 US 2003 Setzer (CD, Album, Promo) Records Brian Nitro Burnin' Funny Daddy Surfdog 44022-2 44022-2 Russia 2003 Setzer (CD, Album, Unofficial) Records Brian Nitro Burnin' Funny Daddy TFCK-87313 Toy's Factory TFCK-87313 Unknown Setzer (CD, Album, Unofficial) Related Music albums to Nitro Burnin' Funny Daddy by Brian Setzer Brian Setzer - The Strayed Cat Various - Surfdog Records Film & TV Priorities 2004 The Brian Setzer Orchestra - Vavoom! Brian Setzer Orchestra - Jump Jive an' Wail The Brian Setzer Orchestra - Dig That Crazy Christmas The Brian Setzer Orchestra - Live In Japan Brian Setzer - The Knife Feels Like Justice The Brian Setzer Orchestra - The Dirty Boogie Stray Cats - Rumble In Brixton Brian Setzer Orchestra - Dig That Crazy Christmas. -
Monterey Jazz Festival
DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; -
Drumtalk Email Hal Leonard to Make Sure Blasts, Our Monthly Storefront Retailers Present Herald Newsletter, These Products Most Effec- Dealer Trade Shows, Tively
5 MAIN REASONS WHY RETAILERS SOURCE TECHNOLOGY & GEAR FROM THE HAL LEONARD MI PRODUCTS DIVISION 1 Great Product Brands It starts with great products. We only distribute popular, proven-best sellers that create faster turns and higher customer satisfaction. Award-Winning Extensive Product Training 2 Customer Service 3 From our knowledgeable sales reps to our exacting Hal Leonard provides volumes of training mate- fulfillment team, our award-winning service gives rials including videos via our YouTube chan- retailers confidence that they are buying the right nel (named “HalLeonardTech”), in-store clinics, products and will get them in a timely, consistent demos at trade shows, and printed materials. manner. Our 24/7 online support and online This helps retail- chat service provides multiple ways ers and their staff for retailers to submit, track and understand what confirm every aspect of their they are buying and order easily. That is why help their custom- Hal Leonard has been ers get the right named MMR Magazine’s product. No other Dealers’ Choice Print gear distributor pro- Music Publisher of the vides this level of Year winner every year support. since 1997. Effective 4 clear communication 5 Merchandising Hal Leonard communicates in multiple ways to Kiosks, displays, posters, ensure retailers know about our products, special and branded point-of-sale services, seasonal specials, and new releases. materials are provided by Via DrumTALK email Hal Leonard to make sure blasts, our monthly storefront retailers present Herald newsletter, these products most effec- dealer trade shows, tively. We also offer a demo school state shows, unit program that allows fliers, phone calls, you to show products out and store visits – of the box. -
Greasemechanix 1Sheet
Frank Macchia’s Cacophony, Inc. GREASE MECHANIX Frank Macchia has a new CD out that’s determined to make you smile and groove, called GREASE MECHANIX! Featuring all original music by three time Grammy nominated composer/saxophonist Frank Macchia, this band is out to have fun. Picture a giant New Orleans brass big band playing wild funk-jazz with some of Los Angeles’ best jazz players and toss in some wild odd meters and twisted melodies. Add in a dollop of whacky lyrics and you get the idea! Jazziz Magazine states "an inventive composer and arranger who deserves comparisons to Gil Evans and Pat TRACK LISTING: Metheny." Macchia, who arranged and produced the 1. Buckin’ Bronco 7:58 7. Squiggles 4:44 2. Zombies Ate My Grandma 5:18 8. I’m So Damn Mad! 4:24 project, is featured on sax and woodwinds, playing with 3. Chicken Neck 7:10 9. Bucket ‘o Tears 5:04 Peter Erskine, Eric Marienthal, Brandon Fields, Bob 4. Shhhh! 3:26 10. Atonal Dance Party 5:06 5. Bad Juju 5:24 11. Sweet Patootie Waltz 5:38 Sheppard, Sal Lozano, Jay Mason, Wayne Bergeron, Dan 6. Fat Cat 7:18 12. Bulldog 4:56 Fornero, Walt Fowler, Alex Iles, Kevin Porter, Craig 13. Fatback Bubbebath 6:00 Gosnell, Bill Reichenbach, Ken Rosser and Brad Dutz. It’s a truly inspired band! • RELEASE DATE: 01/07/2014 • RECORD LABEL: CACOPHONY, INC. MARKETING & PROMOTION: • FORMAT: CD • National Press Mailing of CDs • CATALOG: FMC524 • National Jazz and College Radio Mailing of CDs • SUGGESTED LIST $13.98 • Youtube videos: frankymax channel • GENRE: Jazz • Tie-in with eclectic music fans • FILE UNDER: Jazz, Funk, "M" • Internet-available at Amazon.com, Cdbaby.com, • UPC: 647970150528 Frankmacchia.net as well as iTunes and other music download sites for mp3 audio, upcoming events, reviews, photos, and video, please visit: www.frankmacchia.net Cacophony, Inc. -
Music and Industry News in Brief
JazzWeek with airplay data powered by jazzweek.com • July 31, 2006 Volume 2, Number 35 • $7.95 Artist Q&A: STEVEN BERNSTEIN page 9 On The Charts: #1 Jazz Album – Regina Carter #1 Smooth Album – Mindi Abair #1 College Jazz – Costello/Toussaint #1 Smooth Single – Peter White #1 World Music – Sean Paul JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR Tad Hendrickson ven though IAJE is about five months away, planning is be- CONTRIBUTING WRITER/ ing finalized for this year’s radio track. JazzWeek is pleased PHOTOGRAPHER Eto coordinate those three sessions again this year. We’ll have Tom Mallison information for you here shortly. PHOTOGRAPHY One panel session, proposed by WSHA’s Bob Rogers, picks up Barry Solof on the theme of many of our discussions at the JazzWeek Sum- Contributing Editors mit in June. The topic will be the crisis in jazz radio, and why that Keith Zimmerman might be an opportunity. Kent Zimmerman Despite an artform that is absolutely amazing in its creativity Founding Publisher: Tony Gasparre and productivity – and the new releases I’ve listened to this week ADVERTISING: Devon Murphy certainly confirms that in my mind – we’re losing radio outlets one Call (866) 453-6401 ext. 3 or at a time and have for several years. If Chicago – Chicago for cry- email: [email protected] ing out loud! – can’t support a jazz station, and if other stations SUBSCRIPTIONS: in big jazz markets are hemorrhaging listeners, then there must Free to qualified applicants be something we’re doing wrong. Maybe we haven’t done enough Premium subscription: $149.00 per year, research; maybe we’ve done too much.